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Richard Deacon
Stock Photo: Cover May Be Different

Richard Deacon Soft cover - 2000

by Thompson Jon

  • Used
  • very good
  • Paperback

Description

London UK: Phaidon. 2nd Revised edition. Paperback Not new. Carefully used. Clean tight strong covers and text. 212 illustrated pages. Folio Size. . Very Good. Soft cover. 2nd Edition. 2000.
Used - Very Good
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Details

  • Title Richard Deacon
  • Author Thompson Jon
  • Illustrator Richard Deacon
  • Binding Soft cover
  • Edition 2nd Edition
  • Condition Used - Very Good
  • Pages 212
  • Volumes 1
  • Language ENG
  • Publisher Phaidon, London UK
  • Date 2000
  • Bookseller's Inventory # 014627
  • ISBN 9780714839493 / 0714839493
  • Weight 2.88 lbs (1.31 kg)
  • Dimensions 11.5 x 10 x 0.88 in (29.21 x 25.40 x 2.24 cm)
  • Library of Congress subjects Deacon, Richard - Criticism and
  • Library of Congress Catalog Number 2001334990
  • Dewey Decimal Code 730.92

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About the author

Jon Thompson is a British artist, teacher, writer and curator. He was Head of Fine Arts at Goldsmith's College, London (1970-92) and is currently Head of Fine Art Studies at the Jan Van Eyck Academy in Maastricht, Netherlands. He co-curated with Greg Hilty the exhibition 'Gravity and Grace: The Changing Condition of Sculpture' in 1993 at the Hayward Gallery, London.

Pier Luigi Tazzi is an art critic and curator based in Florence. Formerly a lecturer at the University of Florence (1976-89), he has contributed to such art journals as Artforum, Museumjournaal and Wolkenkratzer. Tazzi was among the curators of the 42nd Venice Biennale (1988) and was Associate Director of Documenta 9 (1992).

Peter Schjeldahl is Art Critic for the New Yorker. Scheldjahl has also written for Artforum, Parkett, Art News, Frieze and Art Press. His books include The Hydrogen Jukebox: Selected Writings 1978-1990 (1991) and Columns & Catalogues (1994) as well as five books of poetry; his writings have also appeared in the three editions of Art of Our Time: The Saatchi Collection.

Penelope Curtis is Head of Programmes at the Henry Moore Institute, Leeds, where she has organized historical contextualizing exhibitions of the work of distinguished late twentieth-century sculptors such as Giuseppe Penone and Michelangelo Pistoletto, as well as exhibitions, commissions and special projects with younger generation sculptors.