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The Richard Rodgers Reader

The Richard Rodgers Reader Hardcover - 2002

by Geoffrey Block

  • Used
  • Good
  • Hardcover

In the centennial of Richard Rodgers' birth comes a new collection of writings by and about one of America's favorite composers. Includes selections from more than 30 years of Rodgers' own writings on a wide variety of topics. 5 halftones.

Description

Oxford University Press, Incorporated, 2002. Hardcover. Good. Disclaimer:Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.
Used - Good
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Details

  • Title The Richard Rodgers Reader
  • Author Geoffrey Block
  • Binding Hardcover
  • Edition 1st
  • Condition Used - Good
  • Pages 368
  • Volumes 1
  • Language ENG
  • Publisher Oxford University Press, Incorporated, Oxford
  • Date 2002
  • Illustrated Yes
  • Features Dust Cover, Illustrated
  • Bookseller's Inventory # G0195139542I3N10
  • ISBN 9780195139549 / 0195139542
  • Weight 1.51 lbs (0.68 kg)
  • Dimensions 9.58 x 6.52 x 1.21 in (24.33 x 16.56 x 3.07 cm)
  • Library of Congress subjects Rodgers, Richard - Criticism and
  • Library of Congress Catalog Number 2001037505
  • Dewey Decimal Code 782.140

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From the publisher

Richard Rodgers was one of America's most prolific and best-loved composers. A world without "My Funny Valentine," "The Lady is a Tramp," "Blue Moon," and "Bewitched," to name just a few of the songs he wrote with Lorenz Hart, is scarcely imaginable, and the musicals he wrote with his second collaborator, Oscar Hammerstein--Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music--continue to enchant and entertain audiences.

Arranged in four sections, Rodgers and Hart (1929-1943), Rodgers and Hammerstein (1943-1960), Rodgers After Hammerstein (1960-1979), and The Composer Speaks (1939-1971), The Richard Rodgers Reader offers a cornucopia of informative, perceptive, and stylish biographical and critical overviews. It also contains a selection of Rodgers's letters to his wife Dorothy in the 1920s, the 1938 Time magazine cover story and New Yorker profiles in 1938 and 1961, and essays and reviews by such noted critics as Brooks Atkinson, Eric Bentley, Leonard Bernstein, Lehman Engel, Walter Kerr, Ken Mandelbaum, Ethan Mordden, George Jean Nathan, and Alec Wilder. The volume features personal accounts by Richard Adler, Agnes de Mille, Joshua Logan, Mary Martin, and Diahann Carroll. The collection concludes with complete selections from more than thirty years of Rodgers's own writings on topics ranging from the creative process, the state of the Broadway theater, even Rodgers's bout with cancer, and a generous sample from the candid and previously unpublished Columbia University interviews.

For anyone wishing to explore more fully the life and work of a composer whose songs and musicals have assumed a permanent--and prominent--place in American popular culture, The Richard Rodgers Reader will offer endless delights.

First line

Within a few months of their initial meeting Rodgers and Hart managed to get one of their songs interpolated into a professional show, "Any Old Place with You" (A Lonely Romeo, 1919).

Media reviews

Citations

  • Booklist, 06/01/2002, Page 1664
  • Library Journal, 06/15/2002, Page 68
  • Publishers Weekly, 05/13/2002, Page 63

About the author

Geoffrey Block is Professor of Music History at the University of Puget Sound. The author of Enchanted Evenings (OUP 1997) and three books on Charles Ives, he is now completing a book on Richard Rodgers's Broadway career.