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A Right to Be Hostile: The Boondocks Treasury Trade paperback - 2003 - 1st Edition
by Aaron McGruder,Michael Moore
- Used
- Paperback
Featuring more than 700 strips (more than 400 never collected in book form) and including the much-debated and often-banned post-9/11 strips, this must-have "Boondocks" comics collection will delight hardcore fans.
Description
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Details
- Title A Right to Be Hostile: The Boondocks Treasury
- Author Aaron McGruder,Michael Moore
- Binding Trade Paperback
- Edition number 1st
- Edition 1
- Condition Used - Good
- Pages 256
- Volumes 1
- Language ENG
- Publisher Crown, New York
- Date September 2003
- Illustrated Yes
- Features Illustrated
- Bookseller's Inventory # 195261
- ISBN 9781400048571 / 1400048575
- Weight 2.1 lbs (0.95 kg)
- Dimensions 10.8 x 8.4 x 0.8 in (27.43 x 21.34 x 2.03 cm)
- Library of Congress subjects African American children, United States - Social conditions
- Library of Congress Catalog Number 2003053346
- Dewey Decimal Code 741.597
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From the publisher
From the jacket flap
Here's the first big book of The Boondocks, more than four years and 800 strips of one of the most influential, controversial, and scathingly funny comics ever to run in a daily newspaper.
"With bodacious wit, in just a few panels, each day Aaron serves up--and sends up--life in America through the eyes of two African-American kids who are full of attitude, intelligence, and rebellion. Each time I read the strip, I laugh--and I wonder how long The Boondocks can get away with the things it says. And how on earth can the most truthful thing in the newspaper be the comics?"
--From the foreword by Michael Moore
"With bodacious wit, in just a few panels, each day Aaron serves up--and sends up--life in America through the eyes of two African-American kids who are full of attitude, intelligence, and rebellion. Each time I read the strip, I laugh--and I wonder how long The Boondocks can get away with the things it says. And how on earth can the most truthful thing in the newspaper be the comics?"
--From the foreword by Michael Moore