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The Routledge Companion to Theatre and Performance
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The Routledge Companion to Theatre and Performance Hardcover - 2014 - 2nd Edition

by Allain, Paul/ Harvie, Jen

  • New
  • Hardcover

Description

Routledge, 2014. Hardcover. New. 2nd edition. 300 pages. 9.25x6.50x1.00 inches.
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Details

  • Title The Routledge Companion to Theatre and Performance
  • Author Allain, Paul/ Harvie, Jen
  • Binding Hardcover
  • Edition number 2nd
  • Edition 2
  • Condition New
  • Pages 314
  • Volumes 1
  • Language ENG
  • Publisher Routledge
  • Date 2014
  • Features Annotated, Bibliography, Index
  • Bookseller's Inventory # x-0415636302
  • ISBN 9780415636308 / 0415636302
  • Weight 1.3 lbs (0.59 kg)
  • Dimensions 9.1 x 6.1 x 0.9 in (23.11 x 15.49 x 2.29 cm)
  • Themes
    • Aspects (Academic): Theatrical Aspects
  • Library of Congress subjects Performing arts, PERFORMING ARTS / General
  • Library of Congress Catalog Number 2013041856
  • Dewey Decimal Code 791.03

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From the publisher

The Routledge Companion to Theatre and Performance provides an analytical, informative and engaging introduction to important people, companies, events, concepts and practices that have defined the complementary fields of theatre and performance studies. This fully updated second edition contains three easy to use alphabetized sections including over 120 revised entries on topics and people ranging from performance artist Ron Athey, to directors Vsevold Meyerhold and Robert Wilson, megamusicals, postdramatic theatre and documentation. Each entry includes crucial historical and contextual information, extensive cross-referencing, detailed analysis and an annotated bibliography.

About the author

Paul Allain, Professor of Theatre and Performance at the University of Kent, UK, has published extensively on Jerzy Grotowski, Polish and Russian theatre and intercultural performer training processes.

Jen Harvie, Professor of Contemporary Theatre and Performance at Queen Mary University of London, UK, has published widely on relationships between contemporary performance and cultural identities, including in Theatre & the City (2009) and Fair Play - Art, Performance and Neoliberalism (2013).