RUBAIYAT OF OMAR KHAYYAM
by (ILLUMINATED MANUSCRIPTS - MODERN, ON PAPER). KAUCHER, HARRIET, Scribe and Illuminator
- Used
- Condition
- See description
- Seller
-
McMinnville, Oregon, United States
Payment Methods Accepted
About This Item
United States, 1911. 158 x 133 mm. (6 1/4 x 5 1/4"). 20 leaves.Translated by Edward FitzGerald.
APPEALING DARK BROWN CRUSHED MOROCCO, center of both covers with a large and intricate circular ornament composed of gilt tendrils and amber-colored leafy inlays, raised bands with simple gilt devices and titling, FINE DECORATIVE AMBER MOROCCO DOUBLURES repeating the leafy motif in black and green inlays, gilt edges. HAND LETTERED AND ILLUMINATED THROUGHOUT, each page with multiple marginal decorations in an Arabic style--the title, half title, and opening page of text with more elaborate gilt decoration--the whole done on Japon. ◆A little rubbing and scuffing to binding (but well disguised by dye), upper joint ever-so-slightly cracked at head and tail, otherwise very pleasing inside and out.
This is a charming manuscript production of FitzGerald's translation of the "Rubaiyat," bound in a bespoke binding that coordinates beautifully with the design of the illumination. The lettering and decoration are done with a good deal of skill on pleasing, smooth paper, and the understated visual program, composed of simple motifs and a reduced color palette, is greatly enhanced by the binding (which we suspect may have also have been designed by the illuminator). Harriet Kaucher is no doubt the woman who illustrated a number of books for young adults ("When I Grow Up" in 1915, "Abraham Lincoln," 1917), but we could trace no other manuscript done by her. Though there is no inscription present here, this work has the air of a special gift made for a special occasion..
APPEALING DARK BROWN CRUSHED MOROCCO, center of both covers with a large and intricate circular ornament composed of gilt tendrils and amber-colored leafy inlays, raised bands with simple gilt devices and titling, FINE DECORATIVE AMBER MOROCCO DOUBLURES repeating the leafy motif in black and green inlays, gilt edges. HAND LETTERED AND ILLUMINATED THROUGHOUT, each page with multiple marginal decorations in an Arabic style--the title, half title, and opening page of text with more elaborate gilt decoration--the whole done on Japon. ◆A little rubbing and scuffing to binding (but well disguised by dye), upper joint ever-so-slightly cracked at head and tail, otherwise very pleasing inside and out.
This is a charming manuscript production of FitzGerald's translation of the "Rubaiyat," bound in a bespoke binding that coordinates beautifully with the design of the illumination. The lettering and decoration are done with a good deal of skill on pleasing, smooth paper, and the understated visual program, composed of simple motifs and a reduced color palette, is greatly enhanced by the binding (which we suspect may have also have been designed by the illuminator). Harriet Kaucher is no doubt the woman who illustrated a number of books for young adults ("When I Grow Up" in 1915, "Abraham Lincoln," 1917), but we could trace no other manuscript done by her. Though there is no inscription present here, this work has the air of a special gift made for a special occasion..
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Details
- Bookseller
- Phillip J. Pirages Fine Books and Medieval Manuscripts (US)
- Bookseller's Inventory #
- ST17640-227
- Title
- RUBAIYAT OF OMAR KHAYYAM
- Author
- (ILLUMINATED MANUSCRIPTS - MODERN, ON PAPER). KAUCHER, HARRIET, Scribe and Illuminator
- Book Condition
- Used
- Quantity Available
- 1
- Place of Publication
- United States
- Date Published
- 1911
Terms of Sale
Phillip J. Pirages Fine Books and Medieval Manuscripts
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About the Seller
Phillip J. Pirages Fine Books and Medieval Manuscripts
Biblio member since 2006
McMinnville, Oregon
About Phillip J. Pirages Fine Books and Medieval Manuscripts
Phillip J. Pirages Fine Books an Manuscripts was established in 1978 on a ping pong table in a basement in Kalamazoo, Michigan. From the beginning, its founder was willing to sell a range of material, but over the years, the business has gravitated toward historical artifacts that are physically attractive in some way--illuminated material, fine bindings, books printed on vellum, fore-edge paintings, beautiful typography and paper, impressive illustration. Today, the company still sells a wide range of things, from (scruffy) ninth century leaves to biblical material from all periods to Wing and STC imprints to modern private press books to artists' bindings. While we are forgiving about condition when something is of considerable rarity, we always try to obtain the most attractive copies possible of whatever we offer for sale.
Glossary
Some terminology that may be used in this description includes:
- Tail
- The heel of the spine.
- Cracked
- In reference to a hinge or a book's binding, means that the glue which holds the opposing leaves has allowed them to separate,...
- Leaves
- Very generally, "leaves" refers to the pages of a book, as in the common phrase, "loose-leaf pages." A leaf is a single sheet...
- Morocco
- Morocco is a style of leather book binding that is usually made with goatskin, as it is durable and easy to dye. (see also...
- Raised Band(s)
- Raised bands refer to the ridges that protrude slightly from the spine on leather bound books. The bands are created in the...
- Gilt
- The decorative application of gold or gold coloring to a portion of a book on the spine, edges of the text block, or an inlay in...
- Half Title
- The blank front page which appears just prior to the title page, and typically contains only the title of the book, although, at...
- Edges
- The collective of the top, fore and bottom edges of the text block of the book, being that part of the edges of the pages of a...
- Rubbing
- Abrasion or wear to the surface. Usually used in reference to a book's boards or dust-jacket.
- Fine
- A book in fine condition exhibits no flaws. A fine condition book closely approaches As New condition, but may lack the...