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Oxford University Press, Incorporated. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
The Sinister Side: How left-right symbolism shaped Western art by Hall, James - 2008
by Hall, James
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The Sinister Side: How left-right symbolism shaped Western art
by Hall, James
- Used
- near fine
- Hardcover
Oxford University Press, 2008 Large 8vo, Hardback with Unclipped Dust Jacket. Xvi + 489 Pages. Illustrations. Overall A Near Fine Copy in likewise Dust Jacket. Extra postage costs may apply to overseas orders. All books posted in sturdy book box.. Hardcover. Near Fine/Near Fine.
- Bookseller Independent bookstores (GB)
- Format/Binding Hardcover
- Book Condition Used - Near Fine
- Jacket Condition Near Fine
- Quantity Available 1
- Binding Hardcover
- ISBN 10 0199230862
- ISBN 13 9780199230860
- Publisher Oxford University Press
- Date Published 2008
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The Sinister Side : How Left-Right Symbolism Shaped Western Art
by Hall, James
- Used
- Condition
- Used - Good
- ISBN 10 / ISBN 13
- 9780199230860 / 0199230862
- Quantity Available
- 1
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Mishawaka, Indiana, United States
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The Sinister Side: How Left-Right Symbolism Shaped Western Art
by Hall, James
- Used
- Good
- Hardcover
- Condition
- Used - Good
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780199230860 / 0199230862
- Quantity Available
- 1
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Seattle, Washington, United States
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Oxford University Press, USA, 2008. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.
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The Sinister Side : How Left-Right Symbolism Shaped Western Art
by Hall, James
- Used
- Condition
- Used - Very Good
- ISBN 10 / ISBN 13
- 9780199230860 / 0199230862
- Quantity Available
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Mishawaka, Indiana, United States
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Oxford University Press, Incorporated. Used - Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
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The Sinister Side: How Left-Right Symbolism Shaped Western Art
by Hall, James
- Used
- Very Good
- Hardcover
- first
- Condition
- Used - Very Good
- Edition
- 1
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780199230860 / 0199230862
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McKeesport, Pennsylvania, United States
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NZ$7.31NZ$3.75 shipping to
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Oxford University Press, 12/30/2008. 1. hardcover. Very Good. 9x6x1. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.
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The Sinister Side: How Left-Right Symbolism Shaped Western Art
by Hall, James
- Used
- Hardcover
- Condition
- Used: Good
- Edition
- 1
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780199230860 / 0199230862
- Quantity Available
- 1
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HOUSTON, Texas, United States
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OXFORD UNIVERSITY PRESS, 2008-12-30. 1. hardcover. Used: Good.
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The Sinister Side: How Left-Right Symbolism Shaped Western Art
by James Hall
- Used
- as new
- Hardcover
- first
- Condition
- New
- Jacket Condition
- As New
- Edition
- 1st Edition
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780199230860 / 0199230862
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Pleasant View, Tennessee, United States
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NZ$13.96NZ$4.99 shipping to
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Oxford, NY: Oxford University Press, 2008. Book. As New. Hardcover. 1st Edition. 9 1/4 h x 6 1/4w. A real nice clean unmarked 489 page first edition (stated first published 2008) hardcover with 1 low in number line. Illustrated throughout. First book to detail the richness and subtlety of left-right symbolism since the Renaissance, and to show how it was a catalyst for some of the greatest works of visual art from Leonardo and Michelangelo to Picasso. Traditionally, the left side was regarded as evil, weak, and worldly, but with the Renaissance, artists began to represent the left side as the side that represented authentic human feelings and especially love. In the late nineteenth century, with the rise of interest in the occult and in spiritualism, the left side becomes associated with the taboo and with the unconscious..
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The Sinister Side: How Left-Right Symbolism Shaped Western Art
by James Hall
- Used
- Hardcover
- Condition
- Used - Very Good
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780199230860 / 0199230862
- Quantity Available
- 1
- Seller
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Chicago, Illinois, United States
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NZ$17.24NZ$3.50 shipping to
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Oxford University Press, USA. Used - Very Good. 2008. Hardcover. Very Good.
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Stock Photo: Cover May Be Different
The Sinister Side : How Left-Right Symbolism Shaped Western Art
by Hall, James
- Used
- Condition
- Used - Good
- ISBN 10 / ISBN 13
- 9780199230860 / 0199230862
- Quantity Available
- 1
- Seller
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Dunfermline, Fife, United Kingdom
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NZ$12.47NZ$10.00 shipping to
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Oxford University Press, Incorporated. Used - Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Stock Photo: Cover May Be Different
The Sinister Side: How Left-Right Symbolism Shaped Western Art
by Hall, James
- Used
- Very Good
- Hardcover
- first
- Condition
- Used - Very Good
- Edition
- First Edition
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780199230860 / 0199230862
- Quantity Available
- 1
- Seller
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Kennebunkport, Maine, United States
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NZ$37.74FREE shipping to
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Oxford University Press, 2008-12-30. First Edition. Hardcover. Very Good. Stated First edition, first printing, full number line. DJ intact. Minimal wear, mostly around the edges. No markings or other defects noted.. Unconditional money back guarantee.
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Sinister Side: How Left-Right Symbolism Shaped Western Art
by Hall, James
- Used
- Fine
- Hardcover
- first
- Condition
- Used - Fine
- Jacket Condition
- Fine
- Edition
- 1st
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780199230860 / 0199230862
- Quantity Available
- 1
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Santa Barbara, California, United States
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NZ$28.74NZ$5.95 shipping to
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Oxford and New York: Oxford University Press, 2008. Cloth, xvi, 489 pages, illustrations; 24 cm. Tight, clean copy. Dust jacket protected in a mylar book cover. A fine copy of the first printing. "The Sinister Side is the first book to detail the richness and subtlety of left-right symbolism since the Renaissance, and to show how it was a catalyst for some of the greatest works of visual art from Leonardo and Michelangelo to Rembrandt and Picasso. Traditionally, the left side was regarded as evil, weak, and worldly, but with the Renaissance, artists began to represent the left side as the side that represented authentic human feelings and especially love. Writers including Lorenzo de' Medici, Michelangelo, and Winckelmann hailed the supreme moral and aesthetic beauty of the left side. Images of lovers foreground the left side of the body, emphasizing its refinement and sensitivity. In the late nineteenth century, with the rise of interest in the occult and in spiritualism, the left side…
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