Skip to content

Studying British Cinema: 1999-2009
Stock Photo: Cover May Be Different

Studying British Cinema: 1999-2009 Paperback - 2010

by Fitzgerald, John

  • New
  • Paperback

Description

Auteur Publishing in partnership with Liverpool University Press, 2010-08-06. Paperback. New. New. In shrink wrap. Looks like an interesting title!
New
NZ$169.19
NZ$9.02 Shipping to USA
Standard delivery: 2 to 21 days
More Shipping Options
Ships from GridFreed LLC (California, United States)

About GridFreed LLC California, United States

Biblio member since 2021
Seller rating: This seller has earned a 5 of 5 Stars rating from Biblio customers.

We sell primarily non-fiction, many new books, some collectible first editions and signed books. We operate 100% online and have been in business since 2005.

Terms of Sale: 30 day return guarantee, with full refund including original shipping costs for up to 30 days after delivery if an item arrives misdescribed or damaged.

Browse books from GridFreed LLC

Details

  • Title Studying British Cinema: 1999-2009
  • Author Fitzgerald, John
  • Binding Paperback
  • Edition 1St Edition
  • Condition New
  • Pages 256
  • Volumes 1
  • Language ENG
  • Publisher Auteur Publishing in partnership with Liverpool University Press
  • Date 2010-08-06
  • Illustrated Yes
  • Features Bibliography, Illustrated, Index, Table of Contents
  • Bookseller's Inventory # Q-1906733112
  • ISBN 9781906733117 / 1906733112
  • Weight 1.05 lbs (0.48 kg)
  • Dimensions 9.1 x 6.6 x 0.5 in (23.11 x 16.76 x 1.27 cm)
  • Dewey Decimal Code 791.430

From the publisher

Studying British Cinema: 1999-2009 adopts a number of approaches to popularist, mainstream, and esoteric arthouse films. The book considers the institutional and financial factors that influence U.K. film production and assesses issues of genre, representation, authorship, and social, economic, and political contexts. The growth of coproduction is considered by looking at both Aardman Animation and the Harry Potter franchise (2001 to the present). Representations of social class factor into films as diverse as Red Road (2006) and Love, Actually (2003), and developments in social realism, primarily by female directors, are examined. The revival of the British science fiction and horror film is also covered in detail, and ethnic groups and new economic migrants are viewed in two separate chapters, as well as the growth of films concerning British protagonists in Africa. One section offers a close analysis of two of the most important directors of the decade: Michael Winterbottom and Shane Meadows.

About the author

John Fitzgerald teaches media and film in Leicester.