Techniques of the impressionists. [Gustave Courbet -- Edgar Degas -- Edouard Manet -- Camille Pissarro -- Pierre August Renoir -- Claude Monet -- Jean François Millet -- Paul Cézanne -- Alfred Sisley -- Gustave Caillebotte -- Berthe Morisot -- Mary Cassatt -- Paul Signac -- George Seurat -- Vincent van Gogh -- Paul Gauguin -- Henri de Toulouse-Lautrec -- André Derain -- Henri Matisse]

Secaucus, N.J. : Chartwell Books, 1982, 1982. Book. As New. Hardcover. 192 p. : illustrations (many in color) ; 31 cm. ; ISBN: 0890095450; 9780890095454 ; LC: ND192.I4; Dewey: 759.054 ; OCLC: 9086238 ; color pictorial boards in like-illustrated dustjacket ; Works by Manet, Degas, Renoir, Monet, and other artists are examined to reveal the elements of composition, light, color, form, and visual effects that mark the impressionist movement in painting ; Contents : 1860s introduction -- Gustave Courbet, Deer haven on the stream of Plaisir-Fontaine, Doubs/La remise de chevreuils au ruisseau de PlaisirFontaine -- Edgar Degas, The Bellelli family/ La famille Bellelli -- Edouard Manet, Concert in the Tuileries/La musique aux Tuileries -- Camille Pissarro, L'hermitage at Pontoise/L'hermitage à Pontoise -- Pierre Auguste Renoir, Portrait of Frédéric Bazille/Frédéric Bazille à son chevalet -- Claude Monet, Bathing at la Grenouillère/Les bains de la Grenouillère -- 1870s introduction -- Jean François Millet, Autumn, the haystacks/L'Automne, les meules -- Paul Cézanne, House of the hanged man/La maison du pendu -- Pierre Auguste Renoir, The Parisian/La Parisienne -- Alfred Sisley, Boats on the Seine/Bateaux sur la Seine -- Claude Monet, Saint-Lazare station/La gare Saint-Lazare -- Camille Pissarro, Portrait of Madame Pissarro sewing near a window/Portrait de Madame Pissarro cousant -- Gustave Caillebotte, Paris, a rainy day--intersection of the rue de Turin and the rue de Moscou/Temps de pluies à Paris -- Edouard Manet, Roadmenders in the rue de Berne/Paveurs, rue de Berne -- Edgar Degas, Portrait of Duranty/Portrait de Duranty -- 1880s introduction -- Paul Cézanne, Mountains seen from l'Estaque/Montagnes vues de l'Estaque -- Pierre Auguste Renoir, Rocky crags at l'Estaque/Rochers à l'Estaque -- Berthe Morisot, Woman and child in the garden at Bougival/Femme et enfant dans le jardin à Bougival -- Mary Cassatt, Woman in black/Femme en noir -- Edgar Degas, Portrait of Mademoiselle Hélène Rouart/Portrait de Mademoiselle Hélène Rouart -- Paul Signac, The dining room/La salle à manger -- Camille Pissarro, Apple picking at Eragny-sur-Epte/La cueillette de ommes, Eragny-sur-Epte -- Claude Monet, Antibes -- Georges Seurat, The can-can/Le chahut -- 1890s introduction -- Vincent van Gogh, Peach trees in blossom/La crau d'arles: pêchers en fleurs -- Paul Gauguin, Te reroia -- Henri de Toulouse-Lautrec, The tête-a-tête supper/En cabinet particulier -- Paul Cézanne, Large bathers/Les grandes baigneuses -- André Derain, Portrait of Matisse/ Portrait de matisse -- Henri Matisse, Portrait of Derian/Portrait de Derain. ; Anthea Callen, professor-elect in the department of the history of art, University of Nottingham, was formerly research professor in the history of art, De Montfort University, Leicester. She is also the author of "The Spectacular Body: Science, Method, and Meaning in the Work of Degas, "published by Yale University Press. ; AS NEW.