Telephone, Numbers 1, 3, 4, and 5 by Maureen Owen, Editor - 1969

London: The Poetry Bookshop, 1916 The author's first book. Internally very good subject to moderate browning and dustiness and a few small stains to the title page (couple mirrored on inside front cover) . Binding firm. Cover is somewhat shelfworn and a little scuffed with a small stain; the Claud Fraser design on the front cover is reasonably bright.

EDINBURGH. JAMES BALLANTYNE AND CO. 1811. FINELY BOUND IN FULL LEATHER WITH EXTENSIVE GILT DECORATION TO THE FRONT AND REAR BOARDS AND TO THE SPINE. MARBLED END PAPERS. AMORIAL BOOKPLATE OF CONON WILLIAMS ON FRONT PASTEDOWN. 122 PAGES, INCLUDING THE NOTES. SOME FOXING TO THE EARLY AND LATE PAGES BUT A VERY GOOD, CLEAN COPY. THE POEM, FOUNDED ON A SPANISH TRADITION, CONCERNS DON RODERICK THE LAST GOTHIC KING OF SPAIN.

Macmillan and Co. London. 1900. Seventh edition. 8vo. (7.4 x 4.7 inches). Foxing to the blank endpapers and the first and last couple of leaves, otherwise a clean copy in a beautiful fine leather binding, by Bumpus, of full dark blue crushed morocco. Spine with five raised bands, each with three gilt dots. The compartments ruled, lettered and fully decorated with small flower emblems, all in gilt. Both boards with four ruled lines and flower and leaf designs in the middle panel, all in gilt. Board edges double ruled in gilt Turn-ins with double ruled lines and flower and leaf designs, all in gilt. plain white endpapers. All edges gilt. Blue silk bookmarker sewn in. A fine and beautiful binding. --- An early edition of this popular collection of KIpling's poetry. First published in 1896.

Denver, Colorado:: X-Press Books,, 1986.. Edition of 40. 9.25" x 7.25"; 36 pages. Type is Cairo. Japanese calligraphy by Mitzuko Santo. Printed on a 10 x 15" Chandler & Price platen press. Silk screen images. Text paper is Japanese Toyo Kurumi. Cover is Arches. Overlay are UV Ultra II. Tip sheets are Okawara Hand made. Press check masks are printed on Mohawk superfine cover. Two texts: reading from front to middle: second reading from back to middle. Japanese stab binding. Signed and numbered by Anderson. Judy Anderson: "In 1985 I worked in Tokyo, overseeing a large book project designed for the Brooklyn Museum. My presence there, as a young American woman directing the project, was a unique experience for both me and the male printing and publishing personnel. I was fascinated by the Japanese culture, their use of language, the role of alcohol, sleep and women. And how they used their faces as masks, hiding their true feelings. Being polite. Pretend. "One day… Read More

St. Paul, Minnesota:: Bluestem Cottage Press,, 2023.. Edition of 11. Type: Source Sans Pro. 11/19Gatefold format with two spines. Size: 4.75" x 12" folds out to 24". Paper: Rives BFK white and grey. Type: Source Sans Pro. 11/19. Techniques: Alternative print techniques such as ink drawdowns, erasers prints, and stencils. 7 screenprinted images. Housed in a linen dual-colored case. Printed at Minnesota Center for Book Arts. Numbered. Signed by Clapsadle and Baugnet. Julie Baugnet: "'Staying the Winter' is bound in a unique gatefold format, with 2 spines. On the left, a small book with 7 tercet poems are letterpress printed on Rives BFK grey. The right-hand pages open to reveal a variety of abstract images of winter printed on Rives BFK white.  "Illustrations are abstract, using color and texture to convey the emotive qualities of the poems. A family of 5 colors is used to create unity and interest depicting the colors of winter. By making 2 books, I was… Read More

London: The Poetry Bookshop, 1916 The author's first book. Internally very good subject to moderate browning and dustiness and a few small stains to the title page (couple mirrored on inside front cover) . Binding firm. Cover is somewhat shelfworn and a little scuffed with a small stain; the Claud Fraser design on the front cover is reasonably bright.

EDINBURGH. JAMES BALLANTYNE AND CO. 1811. FINELY BOUND IN FULL LEATHER WITH EXTENSIVE GILT DECORATION TO THE FRONT AND REAR BOARDS AND TO THE SPINE. MARBLED END PAPERS. AMORIAL BOOKPLATE OF CONON WILLIAMS ON FRONT PASTEDOWN. 122 PAGES, INCLUDING THE NOTES. SOME FOXING TO THE EARLY AND LATE PAGES BUT A VERY GOOD, CLEAN COPY. THE POEM, FOUNDED ON A SPANISH TRADITION, CONCERNS DON RODERICK THE LAST GOTHIC KING OF SPAIN.

Macmillan and Co. London. 1900. Seventh edition. 8vo. (7.4 x 4.7 inches). Foxing to the blank endpapers and the first and last couple of leaves, otherwise a clean copy in a beautiful fine leather binding, by Bumpus, of full dark blue crushed morocco. Spine with five raised bands, each with three gilt dots. The compartments ruled, lettered and fully decorated with small flower emblems, all in gilt. Both boards with four ruled lines and flower and leaf designs in the middle panel, all in gilt. Board edges double ruled in gilt Turn-ins with double ruled lines and flower and leaf designs, all in gilt. plain white endpapers. All edges gilt. Blue silk bookmarker sewn in. A fine and beautiful binding. --- An early edition of this popular collection of KIpling's poetry. First published in 1896.

Denver, Colorado:: X-Press Books,, 1986.. Edition of 40. 9.25" x 7.25"; 36 pages. Type is Cairo. Japanese calligraphy by Mitzuko Santo. Printed on a 10 x 15" Chandler & Price platen press. Silk screen images. Text paper is Japanese Toyo Kurumi. Cover is Arches. Overlay are UV Ultra II. Tip sheets are Okawara Hand made. Press check masks are printed on Mohawk superfine cover. Two texts: reading from front to middle: second reading from back to middle. Japanese stab binding. Signed and numbered by Anderson. Judy Anderson: "In 1985 I worked in Tokyo, overseeing a large book project designed for the Brooklyn Museum. My presence there, as a young American woman directing the project, was a unique experience for both me and the male printing and publishing personnel. I was fascinated by the Japanese culture, their use of language, the role of alcohol, sleep and women. And how they used their faces as masks, hiding their true feelings. Being polite. Pretend. "One day… Read More

St. Paul, Minnesota:: Bluestem Cottage Press,, 2023.. Edition of 11. Type: Source Sans Pro. 11/19Gatefold format with two spines. Size: 4.75" x 12" folds out to 24". Paper: Rives BFK white and grey. Type: Source Sans Pro. 11/19. Techniques: Alternative print techniques such as ink drawdowns, erasers prints, and stencils. 7 screenprinted images. Housed in a linen dual-colored case. Printed at Minnesota Center for Book Arts. Numbered. Signed by Clapsadle and Baugnet. Julie Baugnet: "'Staying the Winter' is bound in a unique gatefold format, with 2 spines. On the left, a small book with 7 tercet poems are letterpress printed on Rives BFK grey. The right-hand pages open to reveal a variety of abstract images of winter printed on Rives BFK white.  "Illustrations are abstract, using color and texture to convey the emotive qualities of the poems. A family of 5 colors is used to create unity and interest depicting the colors of winter. By making 2 books, I was… Read More