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Three American Architects : Richardson, Sullivan, and Wright, 1865-1915
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Three American Architects : Richardson, Sullivan, and Wright, 1865-1915 Paperback - 1992

by O'Gorman, James F

  • Used

Description

University of Chicago Press. Used - Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
Used - Very Good
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Details

  • Title Three American Architects : Richardson, Sullivan, and Wright, 1865-1915
  • Author O'Gorman, James F
  • Binding Paperback
  • Edition [ Edition: repri
  • Condition Used - Very Good
  • Pages 190
  • Volumes 1
  • Language ENG
  • Publisher University of Chicago Press, Chicago, IL
  • Date 1992-09-15
  • Illustrated Yes
  • Features Bibliography, Glossary, Illustrated, Index
  • Bookseller's Inventory # 3154901-6
  • ISBN 9780226620725 / 0226620727
  • Weight 0.68 lbs (0.31 kg)
  • Dimensions 8.98 x 5.98 x 0.46 in (22.81 x 15.19 x 1.17 cm)
  • Library of Congress subjects United States, History
  • Library of Congress Catalog Number 90010957
  • Dewey Decimal Code 720.973

From the publisher

O'Gorman discusses the individual and collective achievement of the recognized trinity of American architecture: Henry Hobson Richardson (1838-86), Louis Sullivan (1856-1924), and Frank Lloyd Wright (1867-1959). He traces the evolution of forms created during these architects' careers, emphasizing the interrelationships among them and focusing on the designs and executed buildings that demonstrate those interrelationships. O'Gorman also shows how each envisioned the building types demanded by the growth of nineteenth-century cities and suburbs-the downtown skyscraper and the single-family home.

[A] brilliant analysis . . . a major contribution to our understanding of the beginnings of modern American architecture."-David Hamilton Eddy, Times Higher Education Supplement.

First line

When H. H. Richardson (fig. 1) stepped off the transatlantic liner at New York in October 1865, he had just turned twenty-seven years old, had just ended an educational exile in Paris begun before the outbreak of the Civil War, and had decided to begin his career in architecture, not in his native New Orleans nor in his adopted Boston but in New York City, the metropolis fast becoming the financial and cultural capital of the United States.

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