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The Twisted Window (Laurel-Leaf Suspense Fiction)

The Twisted Window (Laurel-Leaf Suspense Fiction) Paperback - 1988

by Duncan, Lois

  • Used
  • Paperback

Description

Laurel Leaf, 1988-09-01 Cover Wear, Used Marking. See our Terms of Sale for a detailed description of condition notes. Paperback. Used - Very Good.
Used - Very Good
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Details

  • Title The Twisted Window (Laurel-Leaf Suspense Fiction)
  • Author Duncan, Lois
  • Binding Paperback
  • Edition Later Printing
  • Condition Used - Very Good
  • Pages 192
  • Volumes 1
  • Language ENG
  • Publisher Laurel Leaf, New York, NY, U.S.A.
  • Date 1988-09-01 Cover Wear, Used Mark
  • Bookseller's Inventory # 91PS1V_e08c7c84-4aa0-4
  • ISBN 9780440201847 / 0440201845
  • Weight 0.21 lbs (0.10 kg)
  • Dimensions 6.88 x 4.17 x 0.53 in (17.48 x 10.59 x 1.35 cm)
  • Ages 12 to UP years
  • Grade levels 7 - UP
  • Reading level 950
  • Library of Congress subjects Mystery and detective stories, Kidnapping
  • Library of Congress Catalog Number 86029054
  • Dewey Decimal Code FIC

About EstateBooks Texas, United States

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Estate Books is pleased to offer the collection of the late Robert A. Warden, who collected over 18,000 books, many preserved in as new condition. Mr. Warden collected a variety of fiction and non-fiction works, but most often was found reading a good mystery.

Terms of Sale:
All books we offer have been cleaned and individually inspected for quality.

The following describes the types of wear often noticed on used books:
Cover Wear
Cover Chips/Abrasions - At fine level or below, may indicate 1-2 chips of about 2mm on the edge of the cover. At very good level, may indicate several chips/abrasions along the edge of the cover or 1-2 chips in the body of the cover. There may be also light indentations in the cover.
Cover Crease - At fine level or below, may indicate a dust jacket is not flush against the book, 1-2 barely perceptible crimps on the inside flap of the dust jacket, or small crimps following the curve of the spine. At very good level or below, may indicate 1-2 creases in the cover less than 1/2in from the edge of the book. At good level or below, may indicate larger or multiple creases or crimps on the cover.
Cover Tear - At good level, may indicate a tear or cut up to 1/2in from the edge of the cover. At acceptable level, may indicate a larger tear as long as the cover is substantially intact.
Cover Discoloration - At fine level, may indicate barely perceptible residual price label adhesive. At very good level or below, may indicate the cover is discolored due to sunlight/aging, mild staining, or residual label adhesive.
Cover Scratches - At fine level or below, indicates barely perceptible scratches in the dust jacket or cover. At very good level or below, may indicate a small number of visible scratches or more generally scratched appearance.
Cover Rubbing - At fine level or below, indicates rubbing of the dust jacket or cover resulting in a "dusty" or slightly discolored appearance, particularly near the back cover board seam.
Cover Peeling - At very good level or below, indicates the edge of the cover laminate is peeling, making the laminate visible with a tape-like appearance.

Edge/Spine Wear
Spine Wear - At very good level or below, indicates a crease on the spine suggesting the book has been read. At good level or below, this may indicate a curvature to the spine, suggesting the book has been left open for some time.

Page Wear
Page Crimping - At very good level or below, indicates a small number of pages may have been crimped and then flattened. At good level or below, an area up to 1/4in from the edge of some pages may be crimped, abraded, or dog-eared.
Page Discoloration - At very good level or below, indicates the edge of some pages may be discolored from sunlight/aging or small stains. At good level, the inside cover pages may have small stains. At acceptable level, content pages may have stains around the page edges.
Pages Cut - At good level or below, indicates an area up to 1/8in from the edge of some pages may be cut or torn, provided all of the text and content is still readable.
Pages Uncut - At very good level or below, indicates some pages may have not been cleanly cut by the publisher.

Used Markings
Remainder Marking - At condition level fine or below, there may be a black or red mark on the edge of the pages indicating it is used. At condition level very good or below, there may be a marking on the inside or rear cover barcode.
Store Marking - At condition level very good or below, this may indicate a hand-written price on the inside cover. At condition level good or below, this may indicate a stamp on the inside cover or edge of the pages indicating it was purchased form a used book store. There may be a price tag on the rear cover which is difficult to remove without damaging the cover.
Library Markings - At condition level good or below, this may indicate the book has stamps or stickers on the outside and/or inside cover and/or page edges, indicating the book was formerly property of a school or public library. The cover may be partially or fully laminated. There may be a card holder attached to record check-out records.
Owner Markings - At condition level good or below, indicates a prior owner may have written their name or brief note on the inside cover. In rare cases, the owner may have laminated the book.
Page Writing - At acceptable level, indicates writing or highlighting on the content pages.

Dust Jacket Notes
No Jacket - At condition level very good or below, indicates a hardcover book missing its dust jacket.
Dust Jacket Damage - At condition level very good or below, indicates a torn or otherwise damaged dust jacket, which would otherwise result in a reduced condition grade. The dust jacket is provided for completeness and may be discarded by the purchaser.
Irrespective of wear, we expect each book sold to be pleasant to read.

Autographed books have been personally signed by the author.

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First line

For over ten minutes now, Tracy Lloyd had been watching the boy with the curly hair watching her.

Categories

Excerpt

Brad pulled up across the street from the school and hung there with the engine idling, watching a group of younger boys laughing and shoving each other around on the steps of the building. Had there ever been a time when he had been that carefree? As if in answer, a picture flashed into his mind of himself as a ten-year-old, roughhousing with his friend, Jamie, during recess. Taller and stronger than Brad was back in their preteens, it had been Jamie who had taught him to stand up for himself so he wouldn't get picked on. Over the years he'd had some wonderful times with Jamie, but he had never been part of a group the way these boys were.

The kids on the steps eventually began drifting over to the bicycle rack. Brad put the car into gear. There was nothing more he could do until evening, he told himself, so he might as well drive back to the motel and watch some television.

Pulling away from the curb, he shifted into second. That was when he saw her, a little more than half a block ahead of him on the far side of the street. He recognized her instantly, even from the back, by the set of her shoulders and her graceful, long-strided walk. Although he had seen her for the first time only the day before, already she seemed incredibly familiar.

He glanced at his watch and then back at the girl on the sidewalk. It was late for her to be leaving school. He wondered what could have held her there this long. The sight of her at a time when he had not been looking for her made him feel like the recipient of an undeserved present. Without making a conscious decision to follow her, he kept the car in second gear and inched it along, letting the distance widen between them so that if for some reason she turned to look back, she would not notice he was tailing her. She walked two blocks along Third Street and then turned onto Rosemont. When, a few moments later, Brad, too, came opposite the corner, he was startled to find that she had vanished.

Not vanished, he corrected himself. Nobody just vanishes. Maybe she had entered one of the houses on the west side of the street. That didn't seem reasonable, though, since the Stevensons' address had been listed in the phone book as being on South Cotton. A second possibility occurred to him; perhaps she had crossed the street and gone into the park. A gravel path ran diagonally in from the corner, but a row of trees and a screen of flowering bushes cut off his view of the interior, so he could not tell whether or not she had entered.

Once again, acting strictly on impulse, Brad stopped the car, turned off the motor, and got out. He crossed Rosemont and walked down the path until he came to the inner edge of the clump of trees. Standing in a pocket of shadow formed by the leafy branches, he was surprised at the extent of his relief at seeing Tracy some twenty yards ahead of him.

He struggled against the temptation to call out her name. For a moment he actually contemplated doing so. He had intended a slower approach--first a casual phone call, then perhaps a movie date, and, if those went well, the initiation of an in-depth talk during which he would explain to her what had to be done. Much as he hated the idea of wasting time in such a manner, he had been afraid that if he moved too quickly she might refuse him. He had thought he would start the ball rolling by phoning her that evening. Now he found himself wondering if the elaborate preparation was necessary.

While he was trying to decide whether to take advantage of this unexpected opportunity or to stick with his original, more carefully conceived plan, Tracy broke into a run. The suddenness of her flight took Brad by such surprise that he froze where he was and then moved hastily back into the protective covering of the bushes. What in the world had happened? he asked himself. He was not aware of having made a sound. She had not glanced over her shoulder, so there seemed to be no way she could have known he was there. Somehow, though, she had sensed it, and that realization had been enough to send her skittering away like a frightened rabbit.

Brad silently cursed himself for his own stupidity. How could he have been idiotic enough to have let this happen! Now she was all worked up, and by this evening when he made his phone call, she would probably have developed a full-blown case of the jitters. There was no telling what the result of that might be. She might not even be willing to come to the phone.

The one thing he did know for certain was that it was imperative that he get out of her range of vision before she reached the edge of the hedgerow and decided to turn around to look behind her.

Hurrying back along the path to the street, he quickly got into his car and turned the key in the ignition, cringing as the afternoon quiet was broken by the roar of the engine springing to life. There was no way Tracy could have missed hearing that racket, he thought grimly, and it was bound to reinforce her suspicion that she had been followed. He knew her too slightly to be able to predict her reaction. She might panic further at this indication that someone had indeed been spying on her, or she might throw caution to the winds and rush back to investigate.

Either way, he knew he had to get out of the area. Brad threw the car into gear and clamped his foot down hard on the accelerator, glancing apprehensively into the rearview mirror as he did so. He could see no sign of Tracy, but that did not necessarily mean that she would not come popping out from behind the trees at any moment.

With that thought in mind, he drove the first few blocks of Rosemont as though it were the Indianapolis Speedway. Then, reminding himself that the last thing he needed was to get arrested, he slowed to comply with the residential speed limit and drove carefully back to the Trade Winds Motel. Parking in his designated space, he got out of the car, fumbled in his pocket for the key, and let himself into unit twenty-three.

About the author

Lois Duncan (1934-2016) is best known for her psychological suspense novels. She received multiple awards from the Mystery Writers of America and was the 1991 recipient of the Young Adult Library Services Association's Margaret A. Edwards Award sponsored by School Library Journal magazine. Many of her books have also been named ALA Best Books for Young Adults.