Search Results: a communication to my friends by george moore

Nonesuch, 1933. Book. Very Good+. Hardcover. Limited/Numbered. Edition limited to 1,000 numbered copies. Jacket torn in half along spine, with chipping as well..

London: Nonesuch Press, 1933. Octavo. 86 pp. Leather backed boards. VG-. Leather worn and frayed at spine ends, pages somewhat toned, New Republic's review of "Epitaph on George Moore" pasted down to blank preliminary page, dated Feb 26, 1936. 1/1000 copies. First Edition. Hard Cover. Very Good.

The Nonesuch Press, 1933. Hardcover. Good/Acceptable. 1933. 86 pages. Limited Edition of 1000 copies, this being number 958. Brown dust jacket with black lettering over quarter leather bound & cream boards. Clean pages. Notable foxing and tanning to endpapers and page edges. Pages are rough cut. Mild wear and bumping to spine, board edges and corners, with small splits (approx. 1cm) to spine ends. Moderate tanning to spine and board edges, with scuffing and soiling to boards. Unclipped dust jacket. Moderate wear, tear and loss to edges and corners, with tanning to spine and edges. Minor soiling to DJ.

London: The Nonesuch Press, 1933. Limited to 1000 copies. Fine in d.j.. Limited to 1000 copies. 86p. 8vo. Gilt-titled leather spine over paper-covered boards. Dreyfus 87.

London: Nonesuch Press. Very Good in Fair dust jacket. 1933. Hard Cover. A very good copy with light edge wear and dust soiling to the page edges in a fair only dust jacket with large pieces missing from the spine and a long closed tear as shown, See Photos; A Limited edition this being copy number 276 of 1000 copies printed.



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London: Nonesuch Press. Very Good+ with no dust jacket. 1933. Limited Edition. Hardcover. 8vo; 86 pages; Copy #872 of 1000. Leather spine and brown boards with very light wear. .

Hardcover. Very Good.

Nonesuch Press, 1933. hardcover. near fine/very good. 86pp., tall thin 8vo, leather-backed boards, d.w. (d.w. edgeworn), uncut edges. The Nonesuch Press, 1933. Fine in very good d.w.<br/><br/> Limited edition. Number 382 of 1000 copies.<br/><br/>

William Heinemann, 1933. Uniform Edition. Hardback. Very Good. Uniform edition No. 1 with Brown cloth and marble boards. 8vo. A very good clean copy with a previous owner armorial bookplate on the verso of the front board.

The Nonesuch Press, London, 1933. Hardcover. Used-Very Good/Acceptable. 0x0x0. Hardback with dust jacket. No marks and no writings. Dust jacket protected by archival cover. Dust jacket missing spine. Small bookstore sticker on front interior leaf of dust jacket.

London: Nonesuch Press. Very Good+ with no dust jacket. 1933. Limited Edition. Hardcover. 8vo; 86 pages; Marked as an Out-of-Series copy. Very light rubbing to edges. .

(London): The Nonesuch Press, 1933. Hardcover. Fine. Quarter calf gilt with paper-covered boards, DW, 8vo., 86, (1) pages. Title-page device designed by Stephen Gooden. One of 1,000 numbered copies printed at the Fanfare Press on mould-made paper. A fine copy in a bright and clean near fine DW with one small closed imperceptible tear and trivial edgewear, in archival mylar.

London: The Nonesuch Press, 1933. limited to 1000 numbered copies; 86 pp., original boards & leather backstrip (hardcover), very slight fading to upper margins of the covers, else fine in a very good dust jacket; the jacket spine panel is slightly chipped. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

London, The Nonesuch Press, 1933.. 88pp. 8vo. Original calf backed boards, slight wear to spine. Small bookplate on ffe, otherwise a very good copy.. First edition. No 968 of 1000 copies published posthumously.

the Nonesuch Press, 1933. hardcover. Very Good. 0x0x0. The Nonesuch Press; London, 1933. Hardcover. Limited Edition. Book is limited to 1,000 numbered copies. This book is number 743. A Very Good, brown boards and leather spine with gilt lettering on spine, binding intact, deckle text block edges, some rubbing and fraying to spine edges, slightly bumped board corners, dent front board fore-edge, discoloration to endpapers, bit of age toning to pages, in a Very Good, some handling/scuff marks to panels, bit of edge/corner wear, few tears and chips along edges, chip bottom rear flap corner, Dust wrapper. A nice, overall clean and unmarked copy. 8vo[octavo or approx. 6 x 9], 86pp. We pack securely and ship daily w/delivery confirmation on every book. Please Note: Depending on site, actual book for sale may differ physically from picture listed. Additional scan(s) are available for any item, please inquire.

(England): The Nonesuch Press, 1933. Hardcover. Near Fine/Good. First edition. Half gilt-stamped leather with gray papercovered boards. Spine lightly faded with ends worn, else near fine in a good only dustwrapper with loss of the spine. This is number 336 of 1000 copies.

London: The Nonesuch Press, 1933. First Edition. Hardcover. Very Good/Dust Jacket Included. London, The Nonesuch Press, 1933. Octavo; quarter calf and papered boards; edges uncut; covers slightly marked; top edge very slightly foxed; flyleaves lightly discoloured; an excellent copy with the dustwrapper slightly marked, chipped and torn. Number 852 of 1000 copies of which 800 copies are for sale in England ... and 200 are for sale in the United States.

[London]: Nonesuch Press, 1933. No. 426 OF 1,000 COPIES. 240 x 150 mm. (9 3/8 x 5 3/4"). 86 pp., [1] leaf. Publisher's grained quarter suede over paper boards, flat spine with titling in gilt along length, all edges untrimmed. In original (somewhat worn) brown printed dust jacket. Dreyfus 87. ◆Tiny bump to one corner and insignificant paper tear to another, dust jacket with chip to tail and split along one fold, faint offsetting to free endpapers from binder's glue, otherwise a pristine copy internally. This is the third work by Irish novelist, critic, and dramatist George Moore (1852-1933) published by the Nonesuch Press, and according to an advertisement quoted by Dreyfus, it was "originally conceived as a general introduction to his 'works'; but it grew in his mind to the stature of a separate book.".

Nonesuch Press. hardcover. fine. 86pp. Thin 8vo, brown suede backed gray boards, d.w. (small chip). N.p.: The Nonesuch Press, 1933. Fine.<br/><br/> One of 1000 numbered copies.<br/><br/>

Nonesuch Press, London, 1933. Book. Very Good. Hardcover. 1st Edition. First edition, limited to 1,000 numbered copies printed at The Fanfare Press (this being #851). Tall 8vo. 86pp. Quarter brown leather-backed boards, lettered in gold at the spine. With a small title page device designed by Stephen Gooden. A tiny trace of wear to the tip of a single corner and some light partial toning to the endpapers. A very good copy in slightly nicked and toned dust wrapper. The author's final work, which he was still writing at the time of his death. It was originally intended as a general introduction to the uniform edition of his works, but expended so considerably as to warrant separate publication, even though only about half of what he planned was completed, and only a portion of that revised..