Art from Captain's Bookshelf, Inc., ABAA

[New York, 1949. Hardcover. Some wear to head and foot of spine, scuffing to label. All etchings in fine state.. Twenty-five copper plate etchings, each signed and numbered by Bernard Lamotte. All laid into original cloth clamshell case, with a large gilt-lettered morocco title label. Limited edition, numbered 4 of 100 sets. Scarce.

Paris: A. Vincent, 1926. First Edition. Hardcover. Good only in handsome burgundy quarter-cloth over matching decorative paper, titles in gilt. Joints fragile and frayed, but bindings are intact and holding; chip from head of spine. The plates themselves are very nice, in very good condition, unmarked and relatively bright. Bookplate to front pastedown.. Elephant folios. A complete set… Read more

[Atlanta]: [Old New York Bookshop Press], 2000. Fine.. Single, unbound print of Thomas Wolfe and Pat Conroy by Barry Moser. One of seventy-five copies, signed by artist Barry Moser.

New York: Harcourt, Brace & Company, 1968. First Edition, First Printing. Hardcover. Very good in original lavender-purple cloth. Presented in publisher's fair slipcase.. 5.5 x 2 in. 58-panel, accordion-style book, fully illustrated in color. Published 'to honor the selection of Antonio Frasconi by the Republic of Uruguay as its artist at the 34th Biennale in Venice, 1968.

Washington DC: Library of Congress, 2007. First Edition, First Printing. Hardcover. Fine in original brown cloth, titles in gilt, and fine pictorial dust jacket.. Quarto. 9.5 x 12 in. xxi + [iii], 235 + [1] pp. Profusely illustrated with reproductions of color photographs.

London, 1854. Hardcover. Near fine in half-leather, titled in gilt on spine. Binding square and tight, text clean and bright. Tryon architect Holland Brady's copy, with his book label affixed to front free endpaper.. Small folio. 9.25 x 13.25 in. Nicely rebound. With black & white illustrations throughout. Somewhat heavy-may require additional postage.

Toronto: Art Metropole, 1989. First Edition, First Printing. Paperback. Very good in original printed wrappers. Light soiling to extremities, spine toned. Binding square and tight, text unmarked.. Thin octavo. 6.375 x 9.875 in. 115 + [3] pp. With several black & white reproductions.

New York: American Folk Art Museum, 2015. First Edition, First Printing. Paperback. As new, in printed pictorial wrappers.. Quarto. 8.25 x 10.5 in. 136 pp. Fully illustrated with reproductions of color photographs. With exhibition list laid in.

London: Henry G. Bohn, 1849. First Thus. Hardcover. Very good in original quarter-leather over brown pebbled boards, lettered in gilt on spine. Ex-library, with library labels affixed to spines, as well as attractive Mt. St. Mary Seminary of the West bookplates affixed to front pastedowns. Hinges cracked, some rubbing especially to head and foot of spine; but binding sound… Read more

New York, 1987. First Edition, First Printing. Paperback. Near fine in original stapled pictorial wrappers.. Thin, oblong octavo. 8 x 7 in. [12] pp. Fully illustrated with reproductions of color photographs. Inscribed by Harriet Shorr to Paulus Berensohn on title page. Scarce signed.

Chefoo, China, 1930. Lovely fine example of the Temple Hill Cut-Out books, illustrated with eight pages affixed with cut black paper depicting figures, plus one cut-out on the title page. Each of the eight cut-outs is accompanied by a delicate glassine, on which is printed in English the legend of the corresponding figure. Bound in pictorial woven cloth over… Read more

(Asheville, NC): (Friends of Anthony Lord / The Asheville Art Museum), 1984. First Edition, First Printing. Paperback. Near fine in pictorial staple-bound wrappers. Some light spotting to covers.. Thin, oblong quarto. 19 + [3] pp. Photograph of of Anthony Lord by Doris Ulmann reproduced on title page; illustrated throughout with black & white reproductions.

[Rocky Mount]: North Carolina Wesleyan College Press, 1988. First Edition, First Printing. Paperback. Fine in pictorial, stapled wrappers.. Thin quarto. 8.5 x 11 in. 7 pp. One of 50 numbered copies. Signed by Vernon Burwell, Jonathan Williams, Jonathan Greene (book designer) and Roger Manley (cover photograph). Rare so signed.