Search Results: Bruce Rogers from Charles Agvent

New York: Limited Editions Club, 1944. Hardcover. Fine in glassine and about Fine clamshell box. Folio (8-3/4" x 13") bound in half buckram and lovely gold-decorated boards. Introduction by Christopher Morley, note by A. S. W. Rosenbach. Copy #834 of 1100, one of the smaller limitations of the time for the press, designed by Bruce Rogers who has created a lovely presence for these marvelous essays and who has SIGNED the colophon page.

Boston & New York: Houghton Mifflin Company, 1908. Hardcover. Some soiling and wear to covers, still quite good. Thomas Stothard. Two volumes in publisher's cloth-backed boards with illustrations by Thomas Stothard. Designed by Bruce Rogers. This edition (Haas 80) is a reprint of the Riverside Press Large-Paper Edition (Warde 89) in 4 volumes published the same year.

New York: Limited Editions Club, 1939. Hardcover. Largely unopened. Spine slightly and evenly darkened, corners firm. Near Fine. Arthur Rackham. Folio (8-3/4" x 13") bound in gold-stamped half natural buckram, top edges gilt, with the paper sides, printed in four colors, reproducing a patterned wall painting uncovered in a room where Shakespeare might have seen and admired it. Edited by Herbert Farjeon, who created the Nonesuch edition text of Shakespeare, to restore the original typographic style and spelling; typography planned and production supervised by Bruce Rogers. From the 37 volume set, this individual volume is illustrated with 6 full-page color plates by Arthur Rackham. Issued unsigned. Copy #1840 of a total of 1950 copies printed.

New York: Limited Editions Club, 1934. Hardcover. Spine a little foxed, as usual. Near Fine in a complete slipcase with the bottom section partly detached. Bruce Rogers. Large octavo (6-5/8" x 10-1/8") bound in half vellum, gold-stamped, and pattern-paper sides by Frederic Warde. Introduction by H. G. Wells. Designed and decorated with fleuron arrangements and reproductions of sixteenth century woodcuts by Bruce Rogers including a superbly designed title page composed of printers' ornaments. Copy #875 of 1500 SIGNED by the designer on the colophon page.

New York: Limited Editions Club, 1934. Hardcover. Slight foxing to first few pages, many of which are unopened; spine a bit darkened, rubbing to covers with slight loss. Very Good, lacking the slipcase. Bruce Rogers. Large octavo (6-5/8" x 10-1/8") bound in half vellum, gold-stamped, and pattern-paper sides by Frederic Warde. Introduction by H. G. Wells. Designed and decorated with fleuron arrangements and reproductions of sixteenth century woodcuts by Bruce Rogers including a superbly designed title page composed of printers' ornaments. Copy #323 of 1500 SIGNED by the designer on the colophon page.