Search Results: Edmund Dulac from Charles Agvent

New York: Heritage Press, [1950]. Hardcover. Fine in glassine and a Very Good slipcase. Edmund Dulac. Small folio in decorated boards. Illustrated with color plates by Edmund Dulac

New York: Limited Editions Club, 1951. Hardcover. Fine in a lightly soiled, Near Fine slipcase. Edmund Dulac. Large octavo (7-1/4" x 10-3/8") bound in full white vellum with gold stamping. A re-telling of a story from Apuleius's THE GOLDEN ASS illustrated in water-color by Edmund Dulac. One of 1500 copies SIGNED by the artist on the colophon page.

New York: Limited Editions Club, 1951. Hardcover. Mild soiling to the spine. Still Fine in a lightly soiled, Near Fine slipcase. Edmund Dulac. Large octavo (7-1/4" x 10-3/8") bound in full white vellum with gold stamping. A re-telling of a story from Apuleius's THE GOLDEN ASS illustrated in water-color by Edmund Dulac. One of 1500 copies SIGNED by the artist on the colophon page, this marked "Office Copy" in red ink and with the publisher's blindstamp indicating it is one of 15 Presentation Copies.

New York: Heritage Press, (1951). Hardcover. Fine in slipcase. Edmund Dulac. Decorated cloth. A re-telling of a story from Apuleius's THE GOLDEN ASS illustrated with color plates by Edmund Dulac. A less expensive version of the Limited Editions Club edition.

Cambridge: Limited Editions Club, 1954. hardcover. Bookplate on front pastedown. About Fine in a Fine slipcase. Charming book. Edmund Dulac. Quarto (7-1/4" x 10-1/4") bound by hand in authentic vellum and hand-marbled French paper. The definitive text of 1673 with the spelling modernized and with an introduction by Mark Van Doren. Designed by John Dreyfus at the Cambridge Press and illustrated with six lovely watercolors by Edmund Dulac, his last book illustrations. Copy #39 of 1500, issued unsigned. Monthly Letter.

Cambridge: Limited Editions Club, 1954. hardcover. Fine in a Near Fine slipcase. Edmund Dulac. Quarto (7-1/4" x 10-1/4") bound by hand in authentic vellum and hand-marbled French paper. The definitive text of 1673 with the spelling modernized and with an introduction by Mark Van Doren. Designed by John Dreyfus at the Cambridge Press and illustrated with six lovely watercolors by Edmund Dulac, his last book illustrations. Copy #333 of 1500, issued unsigned.

Cambridge: Limited Editions Club, 1954. hardcover. Minor bump to base of spine. Light wear to slipcase. Near Fine in a lightly worn, Near Fine slipcase. Edmund Dulac. Quarto (7-1/4" x 10-1/4") bound by hand in authentic vellum and hand-marbled French paper. The definitive text of 1673 with the spelling modernized and with an introduction by Mark Van Doren. Designed by John Dreyfus at the Cambridge Press and illustrated with six lovely watercolors by Edmund Dulac, his last book illustrations. Copy #243 of 1500, issued unsigned. Monthly Letter, along with the photoprint of Dulac's obituary laid in.