Search Results: Jewish Literature from Charles Agvent

New York: New Directions, 1964. First Edition. Wraps. Fine, with reply card laid in. Uncorrected Proof in printed white wraps. Wonderful book about growing up as the son of a lady barber in Kansas.

New York: Harcourt, Brace and Company, (1941). First Edition. Near Fine in a Near Fine dustwrapper with minor edgewear and a couple of closed tears. Dahlberg's unique takes on Thoreau, Melville, etc.

Northampton: Limited Editions Club, 1979. Hardcover. Fine in a Fine slipcase. Raphael Soyer. Large octavo (7-1/2" x 10-1/4") bound with a gray buckram spine and gray paper board sides. One of 2000 numbered copies illustrated with reproductions of watercolors by Raphael Soyer and SIGNED by both the artist and the Nobel Prize-winning author on the colophon page. Monthly Letter laid in.

[Sausalito]: Roger Beacham, (1967). First Edition. Hardcover. Fine in a Near Fine cream dustwrapper with light soiling. Of the total edition of 760 copies, @24 are the first issue without cancellations. This copy is one of the regular second issue, called by Billings (A15b) the trade issue. SIGNED by Dahlberg on the front free endpaper. Essays about Sherwood Anderson, Oscar Wilde, Stephen Crane, Niettzsche, Kansas City, and more.

New York: Limited Editions Club, 1957. Hardcover. Slight sunning to the spine. Close to Fine in a Near Fine slipcase. William Sharp. Quarto (7-1/4" x 10-1/2") bound in three-quarter black linen with tan linen. Introduction by George N. Shuster. Illustrated with pen drawings and 12 hand-pulled aquatints by William Sharp. Of a total edition of 1500 copies SIGNED by the artist on the colophon page, this is one of only 15 Presentation Copies with the publisher's blindstamp attesting to such on the colophon page where instead of a number the initials "H.M." are handwritten. Acquired directly from the publisher's files, and most likely the publisher Helen Macy's very own copy.

New York: Limited Editions Club, 1957. Hardcover. Fine in a Near Fine slipcase. William Sharp. Quarto (7-1/4" x 10-1/2") bound in three-quarter black linen with tan linen. Introduction by George N. Shuster. One of 1500 numbered copies with pen drawings and 12 hand-pulled aquatints by William Sharp. SIGNED by the illustrator on the colophon page.