Search Results: Sculpture from Clearwater Books

Deutsch Guggenheim, Berlin, 2008. Book. Very Good. Hardcover. Signed by Author(s). 1st Edition. First Edition (first printing) - published on the occasion of an exhibition at Deutsch Guggenheim, Berlin, November 30, 2008 - February 1, 2009. This copy signed by the artist on the title page. Tall 8vo. 126pp. Paper-covered boards lettered in black at the spine and with a square cut-out to the upper board. Illustrated with scores and scores of colour photographs, plus a number of draft and plan facsimile reproductions, alongside essays by Henri Lustiger-Thaler, Sandhini Poddar, Gayatti Chakravorty Spivak, Steven Holl with David van der Leer, and Christopher Hornzee-Jones. Text in English. A tiny trace of wear to the lower margin of the upper board cut-out, a small indentation to the base of the rear board, and a hint of marking and chafing. Very good indeed. No dust wrapper called-for. Uncommon with the artists' signature. 'Memory' is Kapoor's first piece in Cor-Ten (i.e. weathering… Read More

Tate Gallery Publications, London, 1994. Book. Fine. Soft cover. 1st Edition. First Edition (first printing). 4to. 168pp. Stiff card wrappers (not issued in casebound format). Illustrated with scores of colour and black and white photographs and reproductions. A fine copy..

World Publishing, Cleveland & New York, 1962. Book. Very Good. Hardcover. 1st Edition. First American Edition (printed from the sheets of the UK edition, issued by Faber in the same year). 4to. 150pp. Black cloth lettered in gold at the spine and upper board. Illustrated with sixty-five plates. Front cover triflingly marked. A very good copy in very good price-clipped dust wrapper..

Jonathan Clark Fine Art, London, in association with the Paolozzi Foundation, 2011. Book. Fine. Soft cover. 1st Edition. First Edition (first printing). 4to. 94pp. Glossy card wrappers (not issued in casebound format). With scores of stunning black and white photographs of Paolozzi's sculptures, plus a twenty-nine page appendix which reproduces the 1958 Hanover Gallery exhibition of Paolozzi's work. A fine copy of this uncommon exhibition catalogue..

Estorick Collection of Modern Italian Art London / El Cigno Gg, Rome, 2013. Book. Near Fine. Soft cover. 1st Edition. First edition, issued on the occasion of a September - December 2013 exhibition at the Estorick Collection of Modern Italian Art, London and a subsequent tour. 4to. 195pp. Card wrappers. Illustrated with scores and scores of photographs and reproductions. A tiny hint of wear to the spine ends, else a fine copy. Text in English and Italian..

Lund Humphries, London in association with Barbican Art Gallery, 1992. Book. Fine. Soft cover. 1st Edition. First Edition (first printing), issued in conjunction with a 1992-93 Barbican Art Gallery exhibition and subsequent tour. 4to. 127pp. Card wrappers with French flaps (not issued in casebound format). Lavishly illustrated with colour and monochrome reproductions. A trace of uneven fading to the rear wrapper, else in fine state..

Thames & Hudson Ltd., London, 1969. Book. Near Fine. Hardcover. 1st Edition. First Edition (first printing). Square 4to. 248pp. Brown cloth lettered in gold at the spine. With a colour frontispiece and 370 black and white photographs taken by Ilario Bessi in collaboration with Henry Moore. A virtually fine copy in very good non-price-clipped dust wrapper, a little chafed at the head of the spine panel and at one corner tip, and with the publisher's laminate lifting a fraction at one or two edges. Moore's five-page introduction precedes Ayrton's critical analysis of the work of the Italian mediaeval sculptor: the first such study in English, and the first fully-illustrated account in any language..

University of Nottingham Arts Centre., 1998. Book. Fine. Soft cover. 1st Edition. First edition. 4to. 33pp. Double-spread decorated card wrappers. An introduction by Isabel Carlisle precedes a selection of photographs of Grandjean's striking wooden sculptures, predominantly in colour, and a selection of poems by Hooker. A fine copy..

Weidenfeld & Nicolson, London, 1985. Book. Very Good. Hardcover. 1st Edition. First Edition (first printing). Small 4to. 184pp. Maroon cloth, lettered in gold at the spine. Illustrated endpapers. Top edge lightly spotted and with some pencilled marginalia. A very good copy in non-price-clipped dust wrapper, with a fairly minor crease to the front panel and another to the rear..

Auram Press Ltd., London, 1983. Book. Fine. Hardcover. 1st Edition. First Edition (first printing). Square 4to. 176pp. Beige cloth lettered in blue at the spine. Illustrated with over 150 photographs and reproductions, a number in colour. A fine copy in fine non-price-clipped dust wrapper..

Robilant+Voena, London, 2017. Book. Fine. Soft cover. 1st Edition. First edition, issued on the occasion of an October-November 2017 exhibition at Robilant+Voena Gallery. 4to. 59pp. Stiff card wrappers. Illustrated with photographs of sculptures by Marino Marini, Alberto Viani, Lucio Fontana, Francesco Somaini, Andrea Cascella, Umberto Mastroianni, Eduardo Paolozzi, Fausto Melotti, Pietro Consagra, Arnaldo Pomodoro and Agosrino Bonalumi plus biographical summaries of each artist. A fine copy..

Annely Juda Fine Art, London, 1998. Book. Near Fine. Soft cover. 1st Edition. First Edition. 144pp. Card wrappers. With an introductory essay by Phyllis Tuchman and nearly one hundred colour reproductions including several folding plates. An in-depth survey of Caro's work focusing on Ceramic, Steel and Wood designs, The Book Sculptures, Steel Table and Floor Pieces, Large Sculptures and The Millennium Bridge Project. A single superficial crease to the tip of a single corner, else in fine state..

Royal Academy of Arts, London, 1999. Book. Fine. Hardcover. 1st Edition. First Edition (first printing) - published to accompany a summer 1999 exhibition of Cragg's sculpture at the Royal Academy of Arts. Unpaginated. Black cloth lettered in silver at the spine. A nine-page interview with the artist precedes twenty-four gorgeous monochrome photographs of the artworks being created and installed, plus a number of thumbnail images in the next. In fine state with fine dust wrapper..

Drzavno Izdavacko Poduzece Hrvatske, Zagreb, 1951. Book. Good. Hardcover. Inscribed by Author(s). 1st Edition. First Edition (first printing). This copy inscribed by the editor in Serbo-Croat on the title page and dated the year of publication. 4to. xl, + 72 full-page black and white photographic plates. Cream cloth with bevelled edges, lettered in gold at the spine and upper board. Title page printed in red and black. The cloth somewhat spotted and soiled, and with a little light toning to the free endpapers. The text in Serbo-Croat with a summary and list of reproductions also printed in French and English. A good copy, in excellent state internally. No dust wrapper. A splendid photographic portrait of the monumental Romanesque portal of Trogir Cathedral created by the 13th century Croatian sculptor and architect 'Majstor Radovan'..

Royal Academy of Arts, London, 1985. Book. Near Fine. Soft cover. 1st Edition. First edition. 8vo. 62pp. Card wrappers with French flaps. With an essay by curator Sarah Kent, an interview with the artist by Norman Rosenthal, and twenty-two plates, one in colour and a further thirty reproductions and photographs in the text. A tiny hint of wear to one or two extremities. A virtually fine copy..

Tate Gallery, London, 1992. Book. Fine. Soft cover. 1st Edition. First Edition (first printing). 4to. 55pp. Pictorial glossy card wrappers with French flaps. With a lengthy essay, 'A Sense of Architecture: The Sculpture of Anthony Caro', by Paul Moorhouse, a select chronology, four colour plates including two double-spread and one splendid four-page fold out, and numerous monochrome thumbnails. In fine state. Illustrated private view admission card laid-in..

The Museums of Contemporary Art, Los Angeles and Steidl Verlag, Göttingen, 1998. Book. Fine. Hardcover. 1st Edition. First Edition (first printing), issued to accompany a 1998-99 exhibition at The Geffen Contemporary at The Museum of Contemporary Art, Los Angeles. 4to. 240pp. Black cloth lettered in silver at the spine and upper board. Illustrated with over two hundred sumptuous black and white photographs, and with various drafts and plans. In fine state with virtually fine dust wrapper, marred only by a single miniscule area of creasing to the base of the rear panel..

Nicola Jacobs Gallery, London, 1982. Book. Good. Soft cover. 1st Edition. First Edition. 4to. [8pp]. Stapled card wrappers. With five plates, one in colour. Wrappers a little chafed at some extremities and the leaf margins lightly tanned. A good bright copy. The catalogue of an early solo exhibition - and the first show at Nicola Jacobs Gallery. [A light item, UK postage will be reduced]..

Annely Juda Fine Art, London, 2019. Book. Fine. Hardcover. 1st Edition. First Edition (first printing). 4to. Unpaginated. Original publisher's boards. With a frontispiece and photographs and reproductions, in colour where required, of forty-five of Caro's paintings and sculptures incorporating work from the 1950 through to the 2010s. A fine copy. No dust wrapper called-for..

Book. Near Fine. No Binding. Eight large 8 x 6 colour postcards of Rønnau's site-specific wooden sculptures created in and around the forest of Marselisborg, Århus (where the artist was born), and in most cases utilising trees still rooted in the ground. Housed in the original decorated card folder and with a guide (in English) and map laid-in..