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AMERICA'S MUSIC FROM THE PILGRIMS TO THE PRESENT

AMERICA'S MUSIC FROM THE PILGRIMS TO THE PRESENT

by Chase, Gilbert

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  • Fine
Condition
Used - Fine
Edition
Revised second edition
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1
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Paris, Tennessee, United States
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New York: McGraw-Hill, 1966. Revised second edition. Fine. Revised second edition. xxi, 759p. Gray cloth titled in blue and white on spine and upper cover.
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DIE MUTTER EINES GROSSEN GEIGERS
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DIE MUTTER EINES GROSSEN GEIGERS

by Hermann, Marcelle

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  • Fine
Condition
Used - Fine
Edition
Limited to 100 copies (no. 83)
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1
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Bern: F. Graf-Lehmann, n.d.. Limited to 100 copies (no. 83). Fine. Limited to 100 copies (no. 83). 42p. Illustrated with a series of photos, one signed by Ernesta Francescatti and one by Zino Francescatti, and with a frontispiece line drawing signed by Hans Erni. Gilt-titled brown cloth.
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FIVE CENTURIES OF KEYBOARD MUSIC, AN HISTORICAL SURVEY OF MUSIC FOR HARPSICHORD AND PIANO

FIVE CENTURIES OF KEYBOARD MUSIC, AN HISTORICAL SURVEY OF MUSIC FOR HARPSICHORD AND PIANO

by Gillespie, John

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  • first
Condition
Used - Fine in VG+ d.j.
Edition
First edition, second printing
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1
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Paris, Tennessee, United States
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NZ$33.78
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Belmont, CA: Wadsworth Publishing, 1966. First edition, second printing. Fine in VG+ d.j.. First edition, second printing. xiii, 463p. Illustrated. Black cloth with red spine titles.
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KLAVIERSTUCKE
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KLAVIERSTUCKE

by Beethoven, Ludwig van

  • Used
Condition
Used - Slightest rubbing, else quite fine and sound
Edition
New Revised Edition
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1
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Paris, Tennessee, United States
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NZ$422.30
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Leipzig: C. F. Peters, n.d.. New Revised Edition. Slightest rubbing, else quite fine and sound. New Revised Edition. Quarto. Two volumes containing multiple piano scores each separately paginated and with separate title pages. Edited with fingering by Louis Koehler and Richard Schmidt. Bound in quarter gilt titled dark green morocco over green pebbled cloth with marbled endpapers. Contents of Vol. I: 7 Bagatelles (Op. 33); 2 Preludes (Op. 39); 2 Rondos (Op. 51); Fantasy (Op 77); Polonaise (Op. 89); 11 Bagatelles (Op119); 6 Bagatelles (Op. 126); Rondo a Capriccio (Op. 129); Andante in f minor; Prelude in f minor; Rondo in A major; 6 Sonatines; the 5 Concertos; the Choral Fantasy. Contents of Vol. II: Fidelio; 7 Variations (Op. 34, 35, 76, 120, Waldmadchen; Vieni amore, c minor); 14 Variations.
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LES HARMONIES DU SON ET L'HISTOIRE DES INSTRUMENTS DE MUSIQUE
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LES HARMONIES DU SON ET L'HISTOIRE DES INSTRUMENTS DE MUSIQUE

by Rambosson, J.

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  • first
Condition
Used - Mild soil and mild wear to covers, a few spots of mild foxing internally, altogether quite a nice VG copy
Edition
First edition
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1
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Paris, Tennessee, United States
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NZ$464.53
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Paris: Firmin-Didot, 1878. First edition. Mild soil and mild wear to covers, a few spots of mild foxing internally, altogether quite a nice VG copy. First edition. ix, [ii], 582p. 2p ads. With 200 text illustrations and 5 chromolithographs. Bound with red leather spine and red pebbled cloth sides, a.e.g., the spine with gilt titles and multiple gilt rules around the panels.
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MUSIC PRINTING AND PUBLISHING
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MUSIC PRINTING AND PUBLISHING

by Krummel, Donald and Stanley Sadie

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Condition
Used - Fine in d.j.
Edition
First American edition
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London: W.W. Norton, 1990. First American edition. Fine in d.j.. First American edition. xiv, 615p. Illustrated. Tan cloth with silver spine titles. A scholarly work including Music Printing by H. Edmund Poole, Music Publishing by Krummel, a Dictionary of Music Printers and Publishers, an extensive Bibliography by Stanley Boorman and Bibliography by Krummel. Index.
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THE NIELSEN COMPANION
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THE NIELSEN COMPANION

by Miller, Mina, ed

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  • first
Condition
Used - Fine in near fine d.j.
Edition
First edition
Quantity Available
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Paris, Tennessee, United States
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Portland, OR: Amadeus Press, 1994. First edition. Fine in near fine d.j.. First edition. x, 666p. Illustrated, including many musical examples. Blue cloth with white spine titles. "In this comprehensive collection of essays, leading Nielsen scholars survey his achievement, analyzing the roots of his style and the ways in which he forged a unique voice from elements of nineteenth-century romanticism" (jacket blurb).
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