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3 Godfathers (Original photograph from the 1948 film)

3 Godfathers (Original photograph from the 1948 film)

by John Ford (director); John Wayne, Harry Carey Jr, Pedro Armendariz, Ward Bond (starring); Peter B. Kyne (novel); Laurence Stallings, Frank S. Nugent, Robert Nathan (screenwriters)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1948. Vintage reference photograph from the 1948 film, showing actors Mae Marsh, John Wayne, Ward Bond, and Ben Johnson. Based on the 1913 novel, following three outlaws who discover a dying woman and her infant stranded in the desert. Director John Ford had previously adapted the novel for film with "Marked Men" in 1919. Set in Arizona, shot on location in Mojave and Cantil, California. 10 x 8 inches. Very Good plus. Pitts 4360.
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Action in the North Atlantic (Original photograph from the 1943 film)

Action in the North Atlantic (Original photograph from the 1943 film)

by Humphrey Bogart, Ruth Gordon (starring); Lloyd Bacon (director); John Howard Lawson, Guy Gilpatric, A.I. Bezzerides, W.R. Burnett (screenwriters); Raymond Massey, Alan Hale, Julie Bishop (starring)

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Burbank, CA: Warner Brothers, 1943. Vintage reference photograph from the 1943 film. During World War II, American sailors in the Atlantic are trying to get their oil tanker to allied Russians, but they are sunk by a German U-boat. After being rescued, they try once again to make it to the Russians, while dodging more U-boats and aerial bombs. Set in the Atlantic Ocean, shot on location in Santa Barbara, California. 10 x 8 inches. Very Good, with one tear at the middle left edge of the photograph and some wear to the finish and creasing. Also with paint residue at the middle bottom edge of the photograph.
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All My Sons (Original post-production script for the 1948 film)

All My Sons (Original post-production script for the 1948 film)

by Irving Reis (director); Arthur Miller (playwright); Chester Erskine (screenwriter); Edward G. Robinson, Burt Lancaster (starring)

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Universal City, CA: Universal Pictures, 1948. Continuity and Dialogue script for the 1948 film. Based on the 1946 play by Arthur Miller. An engagement between the children of two old business partners complicates the dynamic between both families until a secret is revealed. One of the most successful adaptations of a Broadway drama to film during the 1940s. Shot in Culver City and Santa Rosa, California. White titled self-wrappers, noted as Continuity and Dialogue on the front wrapper, production No. 1563, dated February 4, 1948, with credits for director Irving Reis. Approximately 140 leaves, with last page of text numbered 4. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads along the top edge. Selby US. Spicer US.
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Am Abend nach der Oper [In the Evening After the Opera] (Original program for the 1945 German film)

Am Abend nach der Oper [In the Evening After the Opera] (Original program for the 1945 German film)

by Arthur Maria Rabenalt (director); Johanna Sibelius (screenwriter); Gusti Huber, Siegfried Breuer, Erich Ponto (starring)

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N.p.: N.p., 1945. Vintage program for the 1945 German film. Text and titles in German. After being released from prison for murdering his first wife, a factory owner remarries, but lives in fear of blackmail and the secret being exposed to his second wife. 7.25 x 10.5 inches. Bifold. About Near Fine.
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Am Ende der Welt [At World's End] (Original program for the 1947 German film)

Am Ende der Welt [At World's End] (Original program for the 1947 German film)

by Gustav Ucicky (director); Gerald Menzel (screenwriter); Brigitte Horney, Attila Hörbiger, Trude Hesterberg, August Pünkösdy (starring)

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N.p.: N.p., 1947. Vintage program for the 1947 German film. Text and titles in German. A sawmill administrator at the center of a remote forest contends with the wishes of the factory heiress, who wishes to borrow an astronomical sum in order to open a nightclub in town. 7.25 x 10.5 inches. Bifold. About Near Fine.
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An Angel From Texas (Collection of seven original photographs from the 1940 film)
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An Angel From Texas (Collection of seven original photographs from the 1940 film)

by Eddie Albert, Rosemary Lane, Wayne Morris, Jane Wyman (starring); George S. Kaufman (play); Ray Enright (director); M. Marigold (photographer); Fred Niblo Jr, Bertram Millhauser (screenwriter)

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Burbank, CA: Warner Brothers, 1940. Collection of seven vintage studio still photographs from the 1940 film, including six studio still photographs and one reference photograph. Two with annotations in manuscript ink on the verso, and reference photograph with the stamps of photographer M. Marigold and Dell Publishing Company on the verso. Based on George S. Kaufman's 1925 play "The Butter and Egg Man." A Texan woman living in New York sends letters back home claiming she's made it big as an actress, when in reality she's broke and unemployed. Set in New York and Texas. Six photographs 10 x 8 inches, one photograph 9.5 x 8 inches. Two photographs Very Good plus, with light toning, creasing, and edgewear, five photographs Very Good, with some edgewear, pinholes, and light soil to the verso, and one with a two inch tear to the right edge.
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The Angelic Avengers (Original treatment script for an unproduced film and radio script)

The Angelic Avengers (Original treatment script for an unproduced film and radio script)

by Isak Dinesen writing as Pierre Andrezel (novel); Daniel Taradash (screenwriter)

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New York: Columbia Broadcasting System [CBS], 1948. Treatment script for an unproduced film, as well as a produced radio broadcast script for the May 25th,1948 CBS radio adaptation. Manuscript ink on front wrapper, noting title, screenwriter Daniel Tardash, and story based on the 1946 novel by Isak Dinesen (writing under the pseudonym of Pierre Andrezel). Daniel Taradash would go on win an Academy Award for his 1954 adaptation of "From Here it Eternity." Set in 1840s France. Red untitled wrappers. Title page present, noted as Treatment, with credits for screenwriter Daniel Tardash. 98 leaves, with last page of text numbered 57. Mimeograph duplication. Pages Near Fine, wrapper Very Good plus, bound internally with two gold brads.
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Anna Karenina (Original screenplay for the 1948 film)
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Anna Karenina (Original screenplay for the 1948 film)

by Julien Duvivier (director, screenwriter); Leo Tolstoy (novel); Jean Anouilh, Guy Morgan (screenwriters); Vivien Leigh, Ralph Richardson, Kieron Moore, Sally Ann Howes (starring)

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N.p.: N.p., 1948. Draft script for the 1948 British film. Copy belonging to production manager Mickey Delamar, with his name in manuscript pencil to the title page, and his manuscript annotations throughout. With revision pages laid in throughout the script, along with a distribution receipt signed by Delamar, and with a reference photograph from the film, showing actors Vivien Leigh and Ralph Richardson. Delamar worked as a producer, production manager, and assistant director on over 30 films, and was active in the film industry for four decades. His credits include Charlie Chaplin's "A King in New York" (1957), Francois Truffaut's "Fahrenheit 451" (1966), and Terence Young's "Mayerling" (1968). Based on the classic 1877 novel by Leo Tolstoy, about how all happy families are alike, but each unhappy family is unhappy in its own way. Set in St. Petersburg. Black titled wrappers. Title page present, with credits for novelist Tolstoy, and screenwriters Jean Anouilh, Julien Duvivier, and Guy… Read More
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Another Part of the Forest (Original screenplay for the 1948 film)
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Another Part of the Forest (Original screenplay for the 1948 film)

by Lillian Hellman (playwright); Michael Gordon (director); Vladimir Pozner (screenwriter); Fredric March, Florence Eldridge, Dan Duryea (starring)

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Universal City: Universal International Pictures, 1947. Revised First Draft script for the 1948 film. With faint manuscript pencil annotations, and watermarked CONTRACT FILE COPY throughout. Based on the 1946 Broadway play, and a prequel to the 1941 film "The Little Foxes." In the fictional town of Bowden, Alabama, the wealthy Hubbard family holds onto their old-South prominence and prestige through exploitation and cruelty. A searing portrayal of racism and class privilege in the post-Civil War American South. Set in Alabama. Green titled wrappers, noted as REVISED FIRST DRAFT on the front wrapper, rubber-stamped production No. 7494, dated June 9, 1947, with credits for screenwriter Vladimir Pozner. Title page integral on the front wrapper. 178 leaves, with last page of text numbered 169. Carbon typescript on onionskin stock, rectos only. Pages Very Good plus, wrapper Very Good plus with light foxing to the left edge, bound with three gold brads.
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Archive of promotional materials from 15 Metro-Goldwyn-Mayer films, 1947-1948
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Archive of promotional materials from 15 Metro-Goldwyn-Mayer films, 1947-1948

by [Metro-Goldwyn-Mayer] Erle Kenton

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1948. Archive of promotional material from 15 Metro-Goldwyn-Mayer films released between 1947 and 1948, including pressbook pages and promotional photographs. Housed in a fabric binder with the MGM logo on the front, and the name of MGM executive, "E.W. Kenton," at the bottom right corner. Represented in the archive are "This Time For Keeps" (1947), "Good News" (1947), "The Unfinished Dance" (1947), "If Winter Comes" (1947), "Desire Me" (1947), "Killer McCoy" (1947), "Green Dolphin Street" (1947), "Cass Timberlane" (1947), "High Wall" (1947), "Three Daring Daughters" (1948), and "Tenth Avenue Angel" (1948). Also included in the collection are materials promoting the re-releases of "The Women" (1939) and "Ninotchka" (1939). Binder and contents generally Very Good plus. Binder lightly creased and edgeworn, and several photographs lightly age-toned.
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B.F.'s Daughter (Three original photographs from the 1948 film)
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B.F.'s Daughter (Three original photographs from the 1948 film)

by Robert Z. Leonard (director); Ed Hubbell (photographer); Luther Davis (screenwriter); Barbara Stanwyck, Van Heflin, Charles Coburn, Richard Hart (starring)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1948. Three vintage vintage black-and-white double weight matte finish studio still reference photographs from the 1948 film. From the collection of actor Van Heflin, who played Thomas Brett in the film, in his personal tabbed file folder. Numerical rubber stamps on the versos. Based on John P. Marquand's 1946 novel. Released in the UK as "Polly Fulton," because "B.F" is a British euphemism for "bloody fool." Polly (Stanwyck) is the daughter of a wealthy industrialist, about to marry a lawyer. Then she meets Tom (Heflin), who blames the world's problems on the rich. Despite their differences, they fall in love and marry. WWII takes Tom to the nation's capital, and their relationship begins to spiral into turmoil. Nominated for an Academy Award. 8 x 10 inches. Near Fine overall.
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B.F.'s Daughter (Original screenplay for the 1948 film, Van Heflin's working copy)

B.F.'s Daughter (Original screenplay for the 1948 film, Van Heflin's working copy)

by Robert Z. Leonard (director); John P. Marquand (novel); Luther Davis (screenwriter)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1947. Draft script for the 1948 film. Copy belonging to Actor Van Heflin. Based on John P. Marquand's 1946 novel. Released in the UK as "Polly Fulton," because "B.F" is a British euphemism for "bloody fool." Polly (Stanwyck) is the daughter of a wealthy industrialist, about to marry a lawyer. Then she meets Tom (Heflin), who blames the world's problems on the rich. Despite their differences, they fall in love and marry. WWII takes Tom to the nation's capital, and their relationship begins to spiral into turmoil. Nominated for an Academy Award. Lacks front studio wrapper and title page, rear wrapper is gray. 131 leaves, mimeograph duplication, with pink and white revision pages throughout, dated variously between 9-10-47 and 9-30-47. Pages Near Fine, rear wrapper Very Good, bound with two gold brads. Warner Archive.
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The Bad Lord Byron (Two original photographs from the 1949 film)
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The Bad Lord Byron (Two original photographs from the 1949 film)

by David MacDonald (director); Paul Holt, Laurence Kitchin, Peter Quennell, Anthony Thorne, Terence Young (screenwriters); Dennis Price, Mai Zetterling (starring)

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N.p.: N.p., 1949. Two vintage reference photographs from the 1949 film, showing actors Dennis Price and Mai Zetterling. One with a printed mimeo snipe on the verso, along with a stamp for the film's UK release. A dramatization of the life of Romantic writer and politician Lord Byron, following his many love affairs and rise to political prominence, and his death at 36 while fighting in the Greek War of Independence. Set in Greece and England. One 8 x 10 inches, one 7.5 x 9.75 inches. Very Good plus, one with a light diagonal crease affecting the bottom left corner, and one faintly toned.
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Badger's Green (Original screenplay for the 1949 film)

Badger's Green (Original screenplay for the 1949 film)

by John Irwin (director); William Fairchild (screenwriter); R.C. Sherriff (play); Barbara Murray, Brian Nissen, Garry Marsh (starring)

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London: Highbury Studios, 1948. Shooting script for the 1949 film. Based on the 1930 play. Inhabitants of a sleepy British village rise up in protest when a large corporation announces a plan to build a large development on their cricket field. The matter is appropriately settled through a cricket match. Set in Britain. Green titled wrappers, noted as SHOOTING SCRIPT on the front wrapper. Title page present, noted as SHOOTING SCRIPT. 100 leaves, with last page of text numbered 95. Mimeograph duplication, rectos only, with three undated revision pages printed on white stock laid in. Pages Very Good plus, wrapper Very Good, side stapled.
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The Bank Dick (Two original photographs of W.C. Fields from the 1940 film)
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The Bank Dick (Two original photographs of W.C. Fields from the 1940 film)

by W.C. Fields (screenwriter, starring); Edward F. Cline (director); Cora Witherspoon, Una Merkel (starring)

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Universal City: Universal Pictures, 1940. Two vintage reference photographs from the set of the 1940 film. One with a printed mimeo snipe affixed to the verso. Egbert Souse, a slovenly drunk, finds himself in several different positions of employment through sheer luck and happenstance. After being hired on the spot to replace a film crew's no-show movie director, Souse unintentionally thwarts a bank robbery and is immediately offered a job as a security guard. 8 x 10 inches. Very Good plus, lightly creased on the edges.
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Bermuda Mystery [Murder in Bermuda] (Original screenplay for the 1944 film)

Bermuda Mystery [Murder in Bermuda] (Original screenplay for the 1944 film)

by Benjamin Stoloff (director); W. Scott Darling (screenwriter); Preston Foster, Ann Rutherford, Charles Butterworth, Helene Reynolds (starring)

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Los Angeles: Twentieth Century-Fox, 1943. Revised Final Draft script for the 1944 film, "Bermuda Mystery," here under the working title, "Murder in Bermuda." A comedic mystery based on a story by John Larkin. Constance Martin (Rutherford) is convinced that her uncle's death in Bermuda was a murder. The authorities in Bermuda declare he died of natural causes, so Connie travels to New York to inform her uncles WWI buddies, who have all cashed in their collective "death pool." In New York, Connie hires Steve Carramond (Foster) to help her investigate the death, despite the fact he's set to get married the next day. Set briefly in Bermuda, mostly in New York. Blue titled wrappers, noted as FINAL on the front wrapper, rubber-stamped copy No. 8 and production No. 997, dated Dec. 16, 1943. Distribution page present, with receipt intact. Title page present, dated December 16, 1943, noted as Final Script, with a credit for screenwriter Darling. 123 leaves, with last page of text numbered 118.… Read More
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Between Two Women (Collection of nine original concept art sketches for the 1945 film)
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Between Two Women (Collection of nine original concept art sketches for the 1945 film)

by Willis Goldbeck (director); Harry Ruskin (screenwriter); Van Johnson, Lionel Barrymore, Marilyn Maxwell, Gloria DeHaven (starring)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1945. Collection of nice vintage concept art sketches for advertisements or posters for the 1945 film. Pencil and marker on tracing paper. The sixteenth and penultimate "Dr. Kildare" film, the and the last of four films featuring Van Johnson as Dr. Randall "Red" Adams, and the fifth of six films focusing on Lionel Barrymore's Dr. Gillespie, after Dr. Kildare actor Lew Ayres was fired by MGM for declaring himself a conscientious objector when drafted during World War II. About Near Fine.
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The Big Cat (Original screenplay for the 1949 film)
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The Big Cat (Original screenplay for the 1949 film)

by Phil Karlson (director); Lon McCallister, Peggy Ann Garner, Preston Foster, Forrest Tucker (starring); Morton Grant, Dorothy Yost (screenwriters)

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N.p.: N.p., 1948. Temporary Draft script for the 1949 film. Copy belonging to actor Lon McCallister, with his annotations in manuscript pencil on several pages. Missing 69 pages, likely as used or issued. A city boy moves to his late mother's birthplace, where he discovers the locals have been waging war against a large, dangerous cougar that has been preying on cattle. Set and shot on location throughout Utah. Missing wrappers, possibly as issued. Title page present, dated 6/22/48, noted as TEMPORARY, with credits for screenwriter Dorothy Yost. 49 leaves, with last page of text numbered 114. Mimeograph duplication, rectos only, with blue revision pages throughout, dated variously between 6/26/48 and 7/14/48. Pages Very Good, lightly creased and worn, unbound.
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Black Narcissus (Original post-production screenplay for the 1947 film)
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Black Narcissus (Original post-production screenplay for the 1947 film)

by Emeric Pressburger Michael Powell (directors, screenwriters); Rumer Godden (novel); Deborah Kerr, Kathleen Byron, David Farrar (starring)

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Universal City: Universal Pictures, 1947. American Post-production Continuity and Dialogue script for the 1947 film. With manuscript ink annotations throughout. US mimeograph duplication of the British post-production script (so noted on the title page), with the annotations mostly having to do with deleted scenes. An interesting document showing direct evidence of the edits made for American distribution of the film upon its release. Based on the 1939 novel. A group of Anglican nuns travel to a remote village in the Himalayas to establish a convent-a journey that heightens emotional tensions and spiritual unrest among the sisters and locals alike. A visually stunning Technicolor melodrama, and one of the Powell-Pressburger partnership's finest films. Nominated for two Academy Awards. White titled self wrappers, noted as CONTINUITY & DIALOGUE on the front wrapper, listed as production No. 5106, dated JUNE 24, 1946, with credits for actors Deborah Kerr, Sabu, David Farrar, Flora Robson, Esmond… Read More
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Blithe Spirit (Original photograph from the 1945 film)

Blithe Spirit (Original photograph from the 1945 film)

by David Lean (director); Noel Coward (playwright); Ronald Neame, Anthony Havelock-Allan (screenwriters); Rex Harrison, Constance Cummings, Kay Hammond (starring)

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London: Two Cities Films, 1945. Vintage reference photograph from the 1945 film, showing actors Rex Harrison, Margaret Rutherford, and Constance Cummings. With a printed mimeo snipe affixed to the verso. Based on Noel Coward's 1941 play, which follows the accidental ghostly summoning of a novelist's long-dead first wife by an eccentric medium. Set in Kent. 8 x 10 inches. Near Fine.
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