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7 [Seven] Deaths by Prescription [Sept morts sur ordonnance] (Original photograph of Jane Birkin...
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7 [Seven] Deaths by Prescription [Sept morts sur ordonnance] (Original photograph of Jane Birkin and Gérard Depardieu from the 1975 French film)

by Michel Piccoli, Jane Birkin, Gérard Depardieu, Marina Vlady (starring); Jacques Rouffio (director, screenwriter); Georges Conchon, Jean-Louis Chevrier (screenwriters)

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Paris: Sygma, 1975. Vintage oversize borderless reference photograph from the 1975 French film, showing actors Jane Birkin and Gérard Depardieu. Mimeo snipe and stamp of Sygma on the verso. A surgeon at a public hospital in a small French town faces harassment from a rival surgeon and his incompetent sons, who hate competition. 12 x 8 inches, with a wide right margin, Very Good plus, with moderate edgewear and a short closed tear on the right edge.
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Aaron Loves Angela [Aaron and Angela] (Original screenplay for the 1975 film)
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Aaron Loves Angela [Aaron and Angela] (Original screenplay for the 1975 film)

by Gordon Parks (director); Gerald Sanford (screenwriter); Moses Gunn, Kevin Hooks, Irene Cara (starring)

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N.p.: Gordon Park Jr. Robert Anderson Production, 1974. Draft script for the 1975 film, here under the working title "Aaron and Angela." Gordon Park's Harlem-set coming of age story, wherein the love between an aspiring black basketball player and a Puerto Rican girl from Spanish Harlem not only sparks disapproval from their families, friends, and neighbors, but threatens violence. Featuring excellent location footage of a violent, decaying, half-abandoned 1970s New York. Gordon Park Jr's final film and Irene Cara's screen debut. Set in and shot on location throughout New York. Blue titled wrappers. Title page present, dated December 1, 1974, with credits for screenwriter Gerald Sanford. 142 leaves, with last page of text numbered 140. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with two gold brads. Howard, Blaxploitation Cinema. Parish & Hill 1.
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Across 110th Street (Collection of seven original color photographs from the 1972 film)
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Across 110th Street (Collection of seven original color photographs from the 1972 film)

by Barry Shear (director); Wally Ferris (novel); Luther Davis (screenwriter); Anthony Quinn, Yaphet Kotto, Anthony Franciosa (starring)

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Beverly Hills, CA: United Artists, 1972. Collection of seven vintage color studio still photographs from the 1972 film, including five mounted as issued by the distributor on a presentation card. Based on the 1970 novel by Wally Ferris, about two New York City cops who become involved in a bloody struggle between the Italian mob, the Harlem mob, and a pair of small-time crooks who have stolen thousands of dollars from both groups. Due to its setting in Harlem, this underrated crime drama is often lumped with other blaxploitation pictures of the era, when in truth it belongs to the great pantheon of gritty, violent police procedurals of the early 1970s-something of a New York City companion to Don Siegel's "Dirty Harry," released the year before. Set in Harlem, shot on location in New York City. Cards 10 x 8 inches. Presentation card 14 x 11 inches. Color studio still photographs and presentation cards Very Good plus. Grant US. Parish and Hill 3. Spicer US Neo-Noir. Howard, Blaxploitation… Read More
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Against a Crooked Sky (Original screenplay for the 1975 film)

Against a Crooked Sky (Original screenplay for the 1975 film)

by Earl Bellamy (director); Douglas C. Stewart, Eleanor Lamb (screenwriters); Richard Boone, Stewart Petersen, Henry Wilcoxon (starring)

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N.p.: N.p., 1970. Draft script for the 1975 film, copy belonging to actor Gordon Hanson, with his name, his character's name, and the page numbers on which his character appears, in manuscript ink on the top right of the front wrapper, with a single annotation in manuscript ink of a check on page 69, where the character first appears. When a mysterious, hidden Indian tribe kidnaps the eldest daughter of a pioneer family, it is up to the eldest son to try and rescue her. Shot on location in Moab, Arches National Park, and Dead Horse Point State Park, Utah. Pink titled wrappers. Title page present, dated October 23, 1970, with credits for screenwriters Douglas Stewart and Eleanor Lamb. 106 leaves, with last page of text numbered 105. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.
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Aimee (Original screenplay for an unproduced film)

Aimee (Original screenplay for an unproduced film)

by Joel Farges (screenwriter)

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N.p.: N.p., 1977. Draft script for an unproduced film. Text in French. Laid in are a three-page synopsis of the film and a letter from the screenwriter. In the winter of 1934, a French woman living by the seaside with two mysterious older men gets wrapped up in the politics of the times, ultimately forcing all three to reveal their true identities. Set in France. Tan titled wrappers. 81 leaves, with last page of text numbered 80. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine bound with two staples.
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Airport 1975 (Three original photographs from the 1974 film)
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Airport 1975 (Three original photographs from the 1974 film)

by Jack Smight (director); Arthur Hailey (novel); Don Ingalls (screenwriter); Charlton Heston, Karen Black, George Kennedy (starring)

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Universal City, CA: Universal Pictures, 1974. Collection of 3 vintage black-and-white studio still photographs from the 1974 film. Sequel to the 1969 hit "Airport," which clinched 9 Academy Award nominations and received one for best actress. After a midair collision wipes out the crew of a Boeing 707, ground control must find a way to guide the disabled plane to safety. This midair disaster film inspired the 1980 parody "Airplane," starring Leslie Nielsen. Set in DC and California, shot on location in California, Utah, DC, and Virginia. 8 x 10 inches and 10 x 8 inches. Near Fine.
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Airport (Original photograph from the 1970 film)

Airport (Original photograph from the 1970 film)

by George Seaton (director); Arthur Hailey (novel); George Seaton (screenwriter); Burt Lancaster, Dean Martin, Jean Seberg (starring)

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Universal City, CA: Universal Pictures, 1970. Vintage borderless studio still photograph from the 1970 film. The harbringer of what would be a decade full of disaster films packed with Hollywood actors metaphorically in search of a way to revive their careers in the wake of a crumbling studio system. Nonetheless, and perhaps by accident, a film that is as entertaining today as it was when it was released. Nominated for 9 Academy Awards, including Best Picture, Best Screenplay, and Best Cinematography, and winner of one (Best Actress, going to Helen Hayes). Shot on location in Minnesota and California. 7 x 9 inches. Fine.
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Alex and the Gypsy (Original photograph from the 1976 film)

Alex and the Gypsy (Original photograph from the 1976 film)

by Genevieve Bujold, Jack Lemmon, James Woods (starring); Stanley Elkin (novella); John Korty (director); Lawrence B. Marcus (screenwriter)

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Los Angeles: Twentieth Century-Fox, 1976. Vintage borderless reference photograph from the 1976 film, showing actress Genevieve Bujold. Based on the 1973 novella "The Bailbondsman" by Stanley Elkin. A bail bondsman falls for his most recent client, a beautiful Romani woman accused of murder. Shot on location in Columbia and Sonora, California. 7 x 9.25 inches. Near Fine.
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Alex in Wonderland (Original photograph from the 1970 film)

Alex in Wonderland (Original photograph from the 1970 film)

by Paul Mazursky (director, screenwriter); Larry Tucker (screenwriter); Donald Sutherland, Ellen Burstyn (starring)

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N.p.: N.p., 1970. Vintage reference photograph from the 1970 film, showing Donald Sutherland watching a fantasy version of himself on a camera crane. Handwritten snipe affixed to the verso. From the archive of film historian and author Joel Finler. Heavily influenced by Federico Fellini's "8 1/2" (1963), about an aging film director agonizing over his next project, loosely based on director Paul Mazursky's own experiences after the success of "Bob and Carol and Ted and Alice" (1969). Shot on location in Los Angeles. 8 x 10 inches. About Very Good plus, with a small tear on the top edge, repaired with paper tape.
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All in the Family: What'll We Do with Stephanie? (Original screenplay for the 1978 television...
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All in the Family: What'll We Do with Stephanie? (Original screenplay for the 1978 television episode)

by Norman Lear (creator, developer); Bud Yorkin (developer); Larry Rhine, Mel Tolkin (screenwriters); Carroll O'Connor, Jean Stapleton, Danielle Brisebois (starring)

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Los Angeles: Tandem Productions, 1978. Final Draft script for the season 9, episode 4, "What'll We Do with Stephanie?," of the classic television series, which aired on October 15, 1978. Script preceded by a "Rehearsal and Tape Schedule," a two page "Rundown," and a "Cast" and "Sets" page. Archie and Edith must decide what to do when Stephanie's father fails to return for his daughter. Winner of 22 Primetime Emmy Awards, it was nominated 55 times, and is one of the few shows in which all the leads won Emmys. The show is credited with having the most spin-offs for a prime time television series, directly spawning "Maude," "The Jeffersons," "Archie Bunker's Place," "Gloria," and "704 Hauser." Yellow titled self wrappers, integral with title page, dated September 14, 1978, noted as FINAL DRAFT, with credits for screenwriters Larry Rhine and Mel Tolkin, and director Paul Bogart. 39 leaves, with last page of text numbered II-II-33. Mimeograph duplication, rectos only. Pages Near Fine, unbound, attached… Read More
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All in the Family: Return of the Waitress (Original screenplay for the 1978 television episode)
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All in the Family: Return of the Waitress (Original screenplay for the 1978 television episode)

by Norman Lear (creator, developer); Bud Yorkin (developer); Milt Josefsberg, Phil Sharp (screenwriters); Carroll O'Connor, Jean Stapleton, Danielle Brisebois (starring)

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Los Angeles: Tandem Productions, 1978. First Draft script for the season 9, episode 9, "Return of the Waitress," of the classic television series, which aired on November 26, 1978. Script preceded by a "Rehearsal and Tape Schedule," a three-page "Rundown," and a "Cast" and "Sets" page. Denise (Janis Paige), the waitress hired by bartender Harry at Archie's Place, is the woman with whom Archie nearly had an affair. Winner of 22 Primetime Emmy Awards, it was nominated 55 times, and is one of the few shows in which all the leads won Emmys. The show is credited with having the most spin-offs for a prime time television series, directly spawning "Maude," "The Jeffersons," "Archie Bunker's Place," "Gloria," and "704 Hauser." Blue titled self wrappers, integral with title page, dated October 23, 1978, noted as FIRST DRAFT, with credits for screenwriters Milt Josefsberg and Phil Sharp, and director Paul Bogart. 42 leaves, with last page of text numbered II-IV-36. Mimeograph duplication, rectos only. Pages… Read More
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All in the Family: Weekend in the Country (Original screenplay for the 1978 television episode)
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All in the Family: Weekend in the Country (Original screenplay for the 1978 television episode)

by Norman Lear (creator, developer); Bud Yorkin (developer); Phil Sharp, Milt Josefsberg (screenwriters); Carroll O'Connor, Jean Stapleton, Danielle Brisebois (starring)

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Los Angeles: Tandem Productions, 1978. First Draft script for the season 9, episode 6, "Weekend in the County," of the classic television series, which aired on October 29, 1978. Script preceded by "Cast" and "Act" page. Missing one page, likely as used or issued. The Bunkers spend a weekend in a fishing cabin with the bickering Hefners (Estelle Parsons and Allan Melvin). Winner of 22 Primetime Emmy Awards, it was nominated 55 times, and is one of the few shows in which all the leads won Emmys. The show is credited with having the most spin-offs for a prime time television series, directly spawning "Maude," "The Jeffersons," "Archie Bunker's Place," "Gloria," and "704 Hauser." Blue titled self wrappers, integral with title page, dated August 15, 1978, noted as FIRST DRAFT, with credits for screenwriters Phil Sharp and Milt Josefsberg, and director Paul Bogart. 47 leaves, with last page of text numbered II-III-41. Mimeograph duplication, rectos only, with pink and green revision pages throughout,… Read More
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All in the Family: Little Miss Bunker (Original screenplay for the 1978 television episode)
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All in the Family: Little Miss Bunker (Original screenplay for the 1978 television episode)

by Norman Lear (creator, developer); Bud Yorkin (developer); Mel Tolkin, Larry Rhine (screenwriters); Carroll O'Connor, Jean Stapleton, Danielle Brisebois (starring)

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Los Angeles: Tandem Productions, 1978. First Draft script for the season 9, episode 1, "Little Miss Bunker," of the classic television series, which aired on September 24, 1978. Script preceded by a "Rehearsal and Tape Schedule," a two page "Rundown," and a "Cast" and "Sets" page. Edith's cousin Floyd (Marty Brill) abandons his nine year old daughter Stephanie (Danielle Brisebois) with the Bunkers. This episode introduces the character of Stephanie who became a regular for the final season, following the previous season's departure of Mike and Gloria. Winner of 22 Primetime Emmy Awards, it was nominated 55 times, and is one of the few shows in which all the leads won Emmys. The show is credited with having the most spin-offs for a prime time television series, directly spawning "Maude," "The Jeffersons," "Archie Bunker's Place," "Gloria," and "704 Hauser." Blue titled self wrappers, integral with title page, dated August 22, 1978, noted as FIRST DRAFT, with credits for screenwriters Mel Tolkin and… Read More
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All the President's Men (Original screenplay for the 1976 film)
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All the President's Men (Original screenplay for the 1976 film)

by Dustin Hoffman, Robert Redford (starring); Alan J. Pakula (director); Carl Bernstein, Bob Woodward (book); William Goldman (screenwriter)

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Burbank, CA: Warner Brothers, 1974. Draft script for the 1976 film. Copy belonging to an unknown cast or crew member, with the name "Hirschberg" in manuscript ink on page 17, and three pages of manuscript notes about the script laid in. Based on the 1974 book by Bob Woodward and Carl Bernstein. An iconic New Hollywood film about the Watergate investigation, starring Robert Redford and Dustin Hoffman in very strong performances. Winner of four Academy Awards, including Best Screenplay, and nominated for four others, including Best Picture and Best Director. Yellow titled wrappers, noted as copy No. 30 in manuscript ink annotation, dated July 11, 1975. Title page integral with the first page of the text. 182 leaves, with last page of text numbered 161. Xerographic duplication, rectos only, with blue, pink, and yellow revision pages throughout, dated variously between 6/5/75 and 9/22/75. Pages Near Fine, wrapper Very Good plus, bound with two gold brads. National Film Registry. Spicer US Neo-Noir.
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Almost Summer [High School] (Original screenplay for the 1978 film)

Almost Summer [High School] (Original screenplay for the 1978 film)

by Martin Davidson (director, screenwriter); Judith Berg, Sandra Berg, Marc Reid Rubel (screenwriters); Bruno Kirby, Lee Purcell, John Friedrich, Didi Conn (starring)

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Universal City: Universal Studios, 1976. First Draft script for the 1978 film, here under the working title "High School," with a faint manuscript pencil annotation of the release title on the front wrapper. Several high school students plot revenge and backstabbing over the course of a hotly debated election for class president. The only Motown Productions feature to not feature primarily African American characters. A precursor to the popular coming of age films of the 1980s. Shot on location in Los Angeles. Green titled wrappers, noted as FIRST DRAFT SCREENPLAY on the front wrapper, dated November 26, 1976. Title page present, with credits for screenwriters Judith Berg, Sandra Berg, Martin Davidson, and Marc Rubel. 132 leaves, with last page of text numbered 131. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with three gold brads. McPadden, Teen Movie Hell.
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Alyse and Chloe (Two original photographs from the 1970 film)
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Alyse and Chloe (Two original photographs from the 1970 film)

by René Gainville (director, screenwriter); Catherine Jacobsen, Michèle Girardon (starring)

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N.p.: N.p., 1970. Two vintage oversize borderless reference photographs from the 1970 French film. A successful model finds herself torn between her photographer boyfriend and a beautiful advertising executive. Shot on location in Martinique. 12 x 9.5 inches. Very Good plus, with light wear at the corners.
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Americathon (Original press kit for the 1979 film)
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Americathon (Original press kit for the 1979 film)

by Neal Israel (director); Phil Proctor (play); Peter Bergman (play, screenwriter); Michael Mislove, Monica McGowan (screenwriters); Harvey Korman, Fred Willard, Peter Riegert, Zane Buzby (starring)

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Beverly Hills, CA: United Artists, 1979. Vintage press kit for the 1979 film. Full-color illustrated pocketed folder, containing 18 black-and-white photographs, and 10 gatherings of promotional reading material. A television consultant is hired to organize a telethon in order to raise funds for the now-bankrupt US government, who are on the brink of losing the country to wealthy Native American tribes seeking to repossess the land. Featuring narration by George Carlin, and cameos by Meat Loaf, Jay Leno, Elvis Costello, and more. Folder, photographs, and promotional material Near Fine.
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The Anderson Tapes (Original banner poster for the 1971 film)

The Anderson Tapes (Original banner poster for the 1971 film)

by Sidney Lumet (director); Frank Pierson (novel, screenwriter); Sean Connery, Dyan Cannon, Martin Balsam, Alan King (starring)

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Culver City, CA: Columbia Pictures, 1971. Vintage US silkscreen banner poster for the 1971 film. Based on Frank Pierson's 1970 novel, about an ex-con who initiates a cascade of chaos when he decides to rob his upscale apartment building. Actor Christopher Walken's feature film debut, as well as a breakthrough role for Sean Connery, who was previously stuck being typecast as James Bond. Shot on location in New York. 82 x 24 inches. Rolled. About Near Fine with no restoration, a few old splashes near the edges, some rubbing and scratches, three small closed tears in margins and light creases, otherwise quite bright and unfaded. Lee, The Heist Film. Spicer US Neo-Noir.
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Andrea's Rainbow (Original screenplay for an unproduced television film)

Andrea's Rainbow (Original screenplay for an unproduced television film)

by Lawrence J. Serefine (screenwriter); Hal Price (screenwriter)

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N.p.: N.p., 1979. Draft script for an unproduced television film. After being paralyzed from the waist down by a car accident, a young girl finds her spirit again with the help of a horse named Rainbow at a physical rehabilitation ranch for children. Set in Santa Cruz, California. Orange untitled wrappers. Title page present, dated November, 1979, with credits for screenwriters Lawrence J. Serefine and Hal Price. 74 leaves, with last page of text numbered 72. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound with three silver brads.
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Angelica: The Young Vixen (Collection of five original photographs from the 1974 film)
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Angelica: The Young Vixen (Collection of five original photographs from the 1974 film)

by Oliver Drake (director, screenwriter); Dixie Donovan, Lou d'Jena, William Fosterwick (starring)

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N.p.: Calneva International, 1974. Collection of five vintage studio still photographs from the 1974 adult film, mounted as issued by the distributor on a presentation card. Cards 10 x 8 inches. Presentation card 14 x 11 inches. Lobby cards and presentation cards Very Good plus.
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