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12th International Gay and Lesbian Film Festival [12° Festival Internazionale di Film con...
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12th International Gay and Lesbian Film Festival [12° Festival Internazionale di Film con Tematiche Omosessuali] (Original program, schedule and postcard for the 1997 film festival)

by [LGBTQ interest]

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Turin, Italy: L'Altra Comunicazione, 1997. Vintage program, schedule, and postcard for the 12th International Gay and Lesbian Film Festival [12° Festival Internazionale di Film con Tematiche Omosessuali], held in Turin, Italy, April 10-16, 1997, text in Italian and English. Program: 167 pages. Near Fine and unread in perfect bound card wrappers. Schedule: 4 x 8 inches, side-stapled, 24 leaves with illustrated card wrappers. Near Fine Postcard: 4 x 6 inches. Near Fine.
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1964 Cannes Film Festival promotional folder and program for The World of Henry Orient, including...
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1964 Cannes Film Festival promotional folder and program for The World of Henry Orient, including programs for Black God, White Devil, The Price of Victory, Li mali mestieri, and "1, 2, 3...

by [Cannes Film Festival] George Roy Hill, Gianfranco Mingozzi, Gyula Macskassy and Gyorgy Varnai, Nobuko Shibuya, Glauber Rocha (directors)

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Cannes, France: N.p., 1964. Original souvenir programs and film credits material showcasing some of the films from the 1964 Cannes Film Festival. It was this festival, the seventeenth one to be held, that the award name was changed from the Palme d'Or to the Grand Prix du Festival International du Film, the name used until 1974 when it returned to its former title. French and English language. Films represented in the collection include George Roy Hill's "The World of Henry Orient," Gianfranco Mingozzi's "I mali mestieri" (1963 documentary of the city of Palermo), Gyula Macskassy and Gyorgy Varnai's "1, 2, 3..." (Hungarian short film on mathematics), Nobuko Shibuya's Grand Prix award winning "The Price of Victory" (Japanese volleyball documentary), Glauber Rocha's "Black God, White Devil" (a Brazilian Western). Also included is a credit sheet detailing a special showing of "Naissance du Cinema," a documentary about Louis Lumiere, held in the Grand Hall at the festival, presented on the centennial… Read More
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99 [Ninety-Nine] River Street (Original Film Pressbook)

99 [Ninety-Nine] River Street (Original Film Pressbook)

by Evelyn Keyes John Payne (starring); Phil Karlson (director), Robert Smith (screenwriter), George Zuckerman (Story), John Payne, Evelyn Keyes, Brad Dexter, and Peggie Castle (starring)

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Beverly Hills, CA: United Artists, 1953. Original pressbook for the 1953 film noir. A former professional fighter (John Payne) is framed for the murder of his unfaithful wife (Peggie Castle) by her lover (Brad Dexter). With the help of an aspiring actress (Evelyn Keyes), he must clear his name before the killer flees the country. 11 pages, saddle stapled, 11 x 17 inches. Faint horizontal fold crease at the center of the wrapper and pages. Near Fine condition, starting (only slight) at the hinge fold. Laid in is four-page supplement on newsprint in Fine condition. A compelling and unusual film that has been rediscovered as one the late classics of the noir cycle. Grant US. Lyons US. Silver Classic Noir. Selby Canon US.
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All About Eve (Original exhibitor's manual and campaign book for the 1950 film)

All About Eve (Original exhibitor's manual and campaign book for the 1950 film)

by Joseph L. Mankiewicz (director, screenwriter); Mary Orr (story); Bette Davis, Anne Baxter, George Sanders, Celeste Holm, Marilyn Monroe, Thelma Ritter (starring)

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Los Angeles: Twentieth Century-Fox, 1950. Vintage exhibitor's manual and campaign book for the 1950 film. Based on the 1946 story "The Wisdom of Eve" by Mary Orr. An aging Broadway star finds her life slowly and insidiously overtaken by her new assistant, an ambitious young woman named Eve. Nominated for 14 Academy Awards, winning six, including Best Picture. The only film in Oscar history to receive four acting nominations for women-Bette Davis and Anne Baxter for Best Actress, and Celeste Holm and Thelma Ritter for Best Supporting Actress. Exhibitor's manual 14.5 x 11 inches, campaign book 11 x 15 inches. Very Good plus overall. National Film Registry. Criterion Collection 1003. Ebert I. Rosenbaum 1000.
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Alligator (Archive of material from the 1980 film, including 240 vernacular photographs, a manuscript diary, and other production ephemera)

by Robert Forster, Sue Lyon, Dean Jagger, Henry Silva (starring); Lewis Teague (director); John Sayles (screenwriter)

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N.p.: N.p., 1979. Archive of material from the 1980 film belonging to boom operator Bill Yeager. Archive includes 240 vernacular color and black-and-white photographs taken on the set, a typescript letter from stuntman Tom Clardy to Yeager, two black-and-white reference photographs, and approximately 40 xerographically duplicated production documents. Among the production documents are maps of shooting locations and production memos, although call sheets comprise the balance. Of particular note are Yeager's humorous and descriptive diary entries executed in manuscript ink on the call sheet versos, documenting the film's production over 28 days. Archive also includes six typescript leaves transcribing the first three days of Yeager's manuscript diary entries. A baby alligator named Ramón is flushed down the toilet, growing to gargantuan proportions in the sewers after feasting for years on the corpses of hormone-riddled laboratory animals. Accidentally freed onto the streets of Chicago, Ramón… Read More
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Altered States (Archive of film ephemera and materials relating to director Ken Russell circa...
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Altered States (Archive of film ephemera and materials relating to director Ken Russell circa 1980-1981)

by Ken Russell

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N.p.: N.p., 1981. Archive of materials relating to director Ken Russell. Most material undated, circa 1980-1981, with much relating to the release of Russell's 1980 film "Altered States." Collection includes one postcard and two letters on Russell Films letterhead, all written by Russell to a Richard Barfield. Also in the collection are a cassette tape in a case with an adhesive label reading "Altered States 135080 Indian Music," a small newspaper clipping from an unknown source regarding audience reception of the film, a program for the film's release, and the front and back wrappers of a March 1981 issue of "Starlog" magazine with a cover story about the anticipated release of the film. Also included are a gate pass and a visitor pass for The Burbank Studios, with the visitor pass filled out for Barfield. In the postcard, postmarked October 6, 1980, Russell expresses his gratitude that Barfield had written to him regarding the successful reception of early screenings for "Altered States" by… Read More
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Amazon Women on the Moon (Original screenplay and storyboards for the 1987 film)
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Amazon Women on the Moon (Original screenplay and storyboards for the 1987 film)

by Joe Dante, Carl Gottlieb, Peter Horton, John Landis, Robert K. Weiss (directors); Michael Barrie, Jim Mulholland (screenwriters); Arsenio Hall, Donald F. Muhich, Monique Gabrielle, Lou Jacobi, Rosanna Arquette, Carrie Fisher (starring)

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Hollywood: Untitled Productions, 1986. Draft script for the 1986 film, with xerographically duplicated storyboards for sketches in the film variously bound in with the script pages. Copy belonging to an unknown crew member, with their manuscript pencil and ink annotations throughout regarding camera angles, scene sequencing, and revising dialogue. A spoof of 1950s Z-budget sci-fi movies, interspersed with 21 comedy sketches parodying late-night cable television, mimicking the viewer "channel surfing" while waiting for the film to resume. Missing wrappers and title page, presumably as issued or used. Approximately 135 leaves. Xerographic duplication, rectos only, with rainbow revision pages throughout. Pages Very Good plus, bound with two gold brads. Complete pagination available upon request.
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American Playhouse: The Shady Hill Kidnapping (Original souvenir book for the 1981 television...
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American Playhouse: The Shady Hill Kidnapping (Original souvenir book for the 1981 television episode, signed by director Paul Bogart and producers Ann Blumenthal and Jac Venza)

by John Cheever (screenwriter); Paul Bogart (director); Polly Holliday, Paul Dooley (starring)

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Arlington: PBS, 1982. Vintage souvenir reference photograph book produced by PBS in conjunction with the 1982 television episode, an adaptation of John Cheever's 1958 short story "The Housebreaker of Shady Hill." SIGNED on the title page by director Paul Bogart and producers Ann Blumenthal and Jac Venza. The episode aired on January 12, 1982, and was the premiere of the anthology television series "American Playhouse," a series broadcast from 1982 to 1996, over 13 seasons. In this episode, a suburban family in a small, bourgeois town causes a comic uproar when they announce their five-year-old son has been kidnapped, producing a fake ransom note to substantiate their claims. Set in the fictitious town of Shady Hill. Brief rubbing on the front board, else Near Fine with no dust jacket as issued.
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Angelika [Affairs of Dr. Holl] (Original pressbook for the US release of the 1951 German film)

Angelika [Affairs of Dr. Holl] (Original pressbook for the US release of the 1951 German film)

by Rolf Hansen (director); Thea von Harbou (screenwriter); Maria Schell, Dieter Borsche, Heidemarie Hatheyer (starring)

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New York: Joseph Brenner, 1951. Vintage pressbook for the US release of the 1951 German film. The doctor of an invalid heiress marries her out of pity, not expecting her to live more than a few years after their marriage, but begins to fall in love with her. Shot in Rome and Naples, Italy, and in Bavaria, Germany. Single leaf, bifold, 10.5 x 13.5 inches. Very Good plus, with light edgewear.
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Archive of advertising and photographs for portable 35mm film projectors
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Archive of advertising and photographs for portable 35mm film projectors

by [Film Projectors]

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New York: International Projector Corporation, 1931. Archive consisting of an original sales brochure and eleven photographs for portable Acme-Simplex 35mm film projectors, from 1931. The Simplex projector line was one of the most popular US brands from the silent era until the transition to digital projection in the 1990s. Portable projectors were available in both silent and sound formats, and in the 1930s were still marketed primarily as an educational tool for institutional use, for schools, prisons, hospitals, churches, travel agencies, and the like. Projector technology would rapidly accelerate throughout the ensuing decades, reaching a peak in the postwar period, when personal projector use would hit an all-time high. Included in the archive is a 22 page sales brochure, photo-illustrated throughout, containing in-depth descriptions of the projectors offered for sale by International Projector Corporation in 1931, as well as several pages describing the projectors' utility in a variety of… Read More
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Archive of 41 issues of Filmmakers Newsletter, 1967-1971
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Archive of 41 issues of Filmmakers Newsletter, 1967-1971

by [Experimental Film] Carl Linder (editor, founder); Suni Mallow, H. Whitney Bailey (editors, publishers); Jonas Mekas, Stan Brakhage, Bruce Conner, George Maciunas, Hollis Frampton, Bill Plympton, Standish Lawder, Alan Lomax (contributors)

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New York: Filmmakers Newsletter / Filmmakers' Cinematheque, 1971. Archive of 41 issues of "Filmmakers Newsletter," dating from the first four years of the magazine, including Vol. I, issue 1. Early issues of the magazine are scarce, and putting together a collection of this size piecemeal would be prohibitively difficult. Founded in 1967 by experimental filmmaker Carl Linder as "New York Filmmakers' Newsletter," it was originally published out of the Filmmakers Cinematheque, and served a similar purpose as Canyon Cinema's "Canyon Cinemanews," disseminating information on screenings, festivals, and republishing articles and essays about experimental film. Suni Mallow took over as editor in early 1968, and she quickly brought a wider focus to the magazine, dropping "New York" from the title and publishing the magazine under its own imprint (although it still retained ties to the Cinematheque). This broader approach to the world of avant garde film was successful, and when Mallow sold the magazine in… Read More
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Archive of approximately 200 set and schematic blueprints, mounted on 62 oversize art boards, for...
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Archive of approximately 200 set and schematic blueprints, mounted on 62 oversize art boards, for various Broadway and off-Broadway productions, Metropolitan Opera productions, National Ballet productions, and film and television productions

by Lucinda Ballard, Albert Brenner, Ben Edwards, Richard Haynes, Harry Horner, Sonia Lowenstein, Jo Melziner, Robert D. Mitchell, Robert O'Hearn, Lester Polakov, Thomas Skelton, Oliver Smith, Christopher Thomas (designers)

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N.p.: N.p., 1978. Archive of approximately 200 original blueprints of set plans, schematics, and designs, as well as photographs, drawings, notations, and newspaper and magazine clippings, for various Broadway and off-Broadway productions, Metropolitan Opera productions, film and television productions, as well as various ballet companies (including the National Ballet Company), mounted on 62 oversize art boards, 1943-1978. Detailed inventory available upon request. An expansive archive of sets and schematics blueprints for over 30 various productions, from 1943 to 1978, all mounted on the rectos and versos of 62 oversize artboards, the majority of which contain 1-6 blueprints per panel (side). Included in the archive are 59 panels of blueprints for 16 Broadway and off-Broadway productions (1943-1978), 36 panels for four Metropolitan Opera productions (1963-1967), as well as layout plans for the MET at Lincoln Center from 1965 (the year before it premiered), twelve panels for three film productions… Read More
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Archive of production photographs and ephemera from 2001: A Space Odyssey, from the collection of...
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Archive of production photographs and ephemera from "2001: A Space Odyssey," from the collection of scientific advisor Frederick I. Ordway III

by Stanley Kubrick (director, screenwriter); Arthur C. Clarke (screenwriter); Frederick I Ordway III (scientific consultant); Harry Lange (production designer)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1968. Archive including 20 vintage linen-backed production photographs, a trade advertisement, a film program, and a souvenir booklet from the 1968 film "2001: A Space Odyssey." From the collection of NASA scientific consultant Frederick I. Ordway III, with images prominently featuring Ordway, production designer Harry Lange, Arthur C. Clarke, Stanley Kubrick, and others. One photograph has Ordway's name written on the recto, in silver marker. All photographs mounted on matte board, as issued. Ordway and Clarke began working together on matters of science fact in 1951, and Clarke personally invited him to be the factual advisor on the film. Kubrick's sprawling, science fiction epic traces the evolution of human intelligence under the influence of an unspecified alien force. Along with "Blade Runner," Kubrick's masterpiece forever altered the standard for visual and conceptual sophistication in science fiction and genre films. The pre-production for… Read More
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Archive of pressbooks designed by Saul Bass
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Archive of pressbooks designed by Saul Bass

by [Design] [Film] Saul Bass (designer); Otto Preminger (director)

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N.p.: N.p., 1965. A dazzling collection of 10 original pressbooks designed by Saul Bass, documenting the majority of the famed title and ad designer's work with director Otto Preminger in the 1950s, 60s, and 70s. Several of the pressbooks typically defy the existing conventions of pressbook design, utilizing a wild variation of size and dimension, with several of the items literally molded to represent the films they represent: "Advise and Consent" is shaped like a briefcase, "In Harm's Way" is designed as a dossier with a string tie, "The Cardinal" as a parcel, and "Bunny Lake is Missing" as a newspaper. Other key Bass designed titles include "Anatomy of a Murder," "Bonjour Tristesse," and "The Man with the Golden Arm." For most of the pressbooks in this collection, we have never seen another example. A fascinating example of the advertising work done by the premiere title and ad designer of the twentieth century. Various sizes, ranging from Very Good to Near Fine condition. Complete details… Read More
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Archive of correspondences, notes, forms, and other documents to and from Sam Peckinpah, circa...
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Archive of correspondences, notes, forms, and other documents to and from Sam Peckinpah, circa 1970-1979

by Sam Peckinpah

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N.p.: N.p., 1979. Archive of over three dozen documents, including letters, telegrams, mailgrams, notes, forms, and other ephemera to and from director Sam Peckinpah, circa 1970-1979, the majority of which dates from 1978. Most documents regarding the director's then-current film projects, location research in Mexico and Columbia, and the dissolution of Peckinpah's production company Latigo Productions. Included in the archive are: five autograph or typescript letters signed from Peckinpah, eight autograph or typed letters signed to Peckinpah, two autograph notes by Peckinpah, three mailgrams, two telegrams, and numerous documents, memos, forms, and receipts. Detailed inventory available upon request. Among those with whom Peckinpah corresponds in the archive are his personal assistant Paul Peterson, Swedish author and composer Sture Dahlstom, author Jack Martin Smith, and comedian and actor Mort Sahl, as well as Peckinpah's legal counsel Kip Dellinger and Dellinger's wife Lori, Corporate… Read More
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Archive of material relating to Denham Film Studios, circa 1980
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Archive of material relating to Denham Film Studios, circa 1980

by Francis Ford Coppola, David Lean, Laurence Olivier, Michael Powell, Alfred Hitchcock, Ridley Scott, others (directors)

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Buckinghamshire: London Film Productions, 1980. Small archive of material relating to Denham Film Studios (also known as London Films), circa 1980. A number of notable films were shot at Denham Studios through the 1940s and 1950s, including "Great Expectations" (1946), "Hamlet" (1948), and "The Thief of Bagdad" (1940), before closing in 1952. The studios would be rented to the US Air Force between 1955 and 1961, and were later used for sound recording for film. They are today best remembered for their work on film scores, including "Star Wars" (1977), "Alien" (1979), and "Vertigo" (1958). In 1980 the studios were purchased by a developer and demolished. Collection includes: Two photographs of Denham Film Studios during construction in 1935 and 1936. A five-page description of the history of the studios and of the London Films production company. Two xerographically duplicated copies of articles regarding Denham Studios from Kinematograph Weekly, dated April 30th, 1936. A xerographically… Read More
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Archive of promotional materials from 15 Metro-Goldwyn-Mayer films, 1947-1948
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Archive of promotional materials from 15 Metro-Goldwyn-Mayer films, 1947-1948

by [Metro-Goldwyn-Mayer] Erle Kenton

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1948. Archive of promotional material from 15 Metro-Goldwyn-Mayer films released between 1947 and 1948, including pressbook pages and promotional photographs. Housed in a fabric binder with the MGM logo on the front, and the name of MGM executive, "E.W. Kenton," at the bottom right corner. Represented in the archive are "This Time For Keeps" (1947), "Good News" (1947), "The Unfinished Dance" (1947), "If Winter Comes" (1947), "Desire Me" (1947), "Killer McCoy" (1947), "Green Dolphin Street" (1947), "Cass Timberlane" (1947), "High Wall" (1947), "Three Daring Daughters" (1948), and "Tenth Avenue Angel" (1948). Also included in the collection are materials promoting the re-releases of "The Women" (1939) and "Ninotchka" (1939). Binder and contents generally Very Good plus. Binder lightly creased and edgeworn, and several photographs lightly age-toned.
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Archive of New York Police memorabilia relating to the filming of The French Connection, 1971,...
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Archive of New York Police memorabilia relating to the filming of "The French Connection," 1971, and "The Seven-Ups," 1973, belonging to Philip D'Antoni

by Philip D'Antoni (director, producer)

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N.p.: N.p., 1973. An archive of vintage New York City Police and production memorabilia belonging to director and producer Philip D'Antoni, relating to the filming of "The French Connection" (1971) and "The Seven-Ups" (1973). The archive comprises both imagined and real ephemera relating to 1970s NYC crime work, including police badges, laminated police cards and certificates, full-size police department signage on metal and board, and business cards. The detail for the above material includes: Two NYC police badges, a "Detective" badge with badge number 351, a "City of New York Police Detective DEA [Detectives Endowment Association]" badge in a leather case, three laminated Police cards, a 1973 PBA (Patrolmen's Benevolent Association of the City of New York, Inc.) "Police Conference of New York, Inc." card issued to D'Antoni on the verso, a 1972 Detectives Endowment Association Inc. card, and an "Honorary Member" card from the "Dectectives Endowment Association of the Police Department City of… Read More
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Archive of four original negatives of Jayne Mansfield, 1957-1958
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Archive of four original negatives of Jayne Mansfield, 1957-1958

by Jayne Mansfield (subject)

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N.p.: N.p., 1958. Archive of four vintage photo negatives of actress Jayne Mansfield. One negative with the year "1957" in manuscript ink annotation on the margin of the sleeve, along with the name of the film "The Sheriff of Fractured Jaw," a Western film in which Mansfield starred. From the archive of film historian and author Joel Finler. One negative shows Mansfield holding her infant son Miklós Jeffrey Palmer Hargitay, the eldest of three children Mansfield would have with her second husband, Mickey Hargitay. Another negative shows Mansfield seemingly naked under a fur-lined white blanket. The other two negatives show Mansfield in a costume from "The Sheriff of Fractured Jaw," sporting a black corset top and bikini bottoms with a pink feather headpiece and flounced bustle. Three negatives measuring 1 x 1.5 inches, and one negative measuring 3.5 x 4.5 inches. Very Good plus. Housed in a small, contemporary Very Good plus brown paper envelope.
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Archive of 89 original drive-in advertising placards
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Archive of 89 original drive-in advertising placards

by [Drive-ins]

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N.p.: National Screen Service, 1950. Collection of 89 vintage placards, circa 1950s, used as sample advertising slides (i.e., dummies) at drive-in theaters by National Screen Service regional salesmen. The placards would have then been photographed, sometimes illustrated or otherwise manipulated, then turned into slides to be projected on the drive-in movie screen. National Screen Service (NSS) controlled the distribution of theatrical advertising materials from the 1940s through the 1980s, most famously producing and distributing film posters, but also film still photographs and publicity material, and (as shown here) both regional and national advertising goods. The advertisements represent a wide variety of services and retail locations: sporting goods, shoe salesmen, car dealerships, florists, heating and air conditioning repair, gas stations, exotic dancers, and many more, ranging in location throughout Michigan, Indiana, and Illinois. Two placards also feature negative photographs… Read More
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