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Ambush [I Robbed a Bank] (Original screenplay for the 1939 film)

Ambush [I Robbed a Bank] (Original screenplay for the 1939 film)

by S.J. Perelman (screenwriter); Kurt Neumann (director); Laura Perelman (screenwriter); Robert Ray (story)

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Hollywood: Paramount Pictures, 1938. Revised White script for the 1939 film, seen here with the title "I Robbed a Bank," which has been stricken through on the title page. A gang attempts a bank robbery, only to find that one of the gang member's sisters works there. The gang abducts her and a truck driver while attempting their getaway, and the hostages must secretly try to help the cops find the fugitives. Written by well loved humorist S.J. Perelman and his wife Laura Perelman, "Ambush" marks a significant but entertaining departure from their best-known works, such as their co-writing work on Marx Brothers films "Monkey Business" and "Horse Feathers." White side-stapled titled wrappers, dated December 13, 1938, noted as production No. 1198 and copy No. 0038. Title page integral with the front wrapper, as issued. 115 eaves, with last page numbered D-28. Mimeograph duplication, with blue revision pages throughout dated between 10-10-38 and 10-21-38. Very Good plus, lacking rear wrapper.
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The Asphalt Jungle (First Edition, MGM vault file copy)
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The Asphalt Jungle (First Edition, MGM vault file copy)

by W.R. Burnett

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New York: Alfred A. Knopf, 1949. First Edition. First Edition. Likely unique copy from the Metro-Goldwyn-Mayer [MGM] library, with the following identification markers on the front endpaper (1) a standard 1950s-era MGM receipt label affixed to the center of the page, (2) three rubber stamps running down the center that read "VAULT COPY," (3) three rubber stamps (each marked through) also running down the center that say "FILE COPY," (4) a rubber stamp at the top right corner indicating the film's production number, "5329," and (5) a rubber stamp reading "METRO-GOLDWYN LIBRARY / CULVER CITY" at the bottom right. Bottom margin of a few other pages also with the "METRO-GOLDWYN LIBRARY / CULVER CITY" rubber stamp, including the title page. Jacket has a strip of off-white fabric tape affixed to the bottom half of the spine, on rubber stamped "VAULT COPY," now faded but barely visible. Kept on file MGM during the making of the cornerstone 1950 film noir directed and adapted for the screen by John Huston… Read More
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The Asphalt Jungle (First Edition)

The Asphalt Jungle (First Edition)

by W.R. Burnett

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New York: Alfred A. Knopf, 1949. First Edition. First Edition. Basis for the 1950 film noir directed and adapted for the screen by John Huston, starring Sterling Hayden, Sam Jaffe, and Marilyn Monroe. Very Good plus in a Very Good plus dust jacket. Board edges lightly rubbed and toned. Jacket lightly edgeworn, with a short closed tear on the heel. The Dark Page II: 1959-1965, p. 18.
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The Biggest Bundle of Them All (Original screenplay for the 1968 film)
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The Biggest Bundle of Them All (Original screenplay for the 1968 film)

by Ken Annakin (director); Josef Shaftel (story); Sy Salkowitz (screenwriter); Vittorio De Sica, Raquel Welch, Robert Wagner, Edward G. Robinson (starring)

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Hollywood: Berkshire Productions, 1965. Draft script for the 1968 film, with titled written on front wrapper very boldly in manuscript marker, script containing a few copied annotations, striking dialogue and altering actions. From an original story from producer and director Josef Shaftel. When no one will pay the ransom for the return of retired Mob Boss Cesare Celli (Vittorio De Sica), he sides with his kidnappers (Robert Wagner, Raquel Welch) and offers to help them pull off a huge heist, even bringing in criminal mastermind Professor Samuels (Edward G. Robinson) to help run the operation. Set in and shot on location in France and Italy. Green hand titled wrappers. Title page present, with credits for screenwriter Sy Salkowitz and author Josef Shaftel. 151 leaves, with last page of text numbered 150. Spirit duplication, rectos only. Pages Near Fine, with fading at edges, wrapper Very Good plus, with creasing and light foxing on lower outer edge, bound with prong binding.
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The Biggest Caper Of Them All (Original screenplay for an unproduced film)
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The Biggest Caper Of Them All (Original screenplay for an unproduced film)

by Josef Shaftel (screenwriter); Paul Wheeler (screenwriter)

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N.p.: N.p., 1978. Treatment script for an unproduced film. Criminals plan a massive theft from a military air base in order to secure the materials to build a nuclear warhead. Screenwriter Josef Shaftel was better known for "The Biggest Bundle of them All" (1968). Set in Boston, Chicago, Las Vegas, and New York. Black untitled wrappers. Title page present, dated June 15, 1978, noted as Film Treatment, with credits for screenwriters JOSEF SHAFTEL and PAUL WHEELER. 32 leaves, with last page of text numbered 31. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, with silver prong binding.
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Blue Collar (Four original color photographs from the 1978 film)
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Blue Collar (Four original color photographs from the 1978 film)

by Paul Schrader (director, screenwriter); Leonard Schrader, Sydney A. Glass (screenwriters); Richard Pryor, Harvey Keitel, Yaphet Kotto (starring)

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Universal City: Universal Pictures, 1978. Four vintage color studio still photographs from the 1978 film. With the stamp of a Canadian film distributor on the verso. Fed up with the lies of factory management and union heads, three working-class, Rust Belt auto workers decide to rob a safe at their union headquarters. The directorial debut of Paul Schrader. Set and shot on location in Detroit and Kalamazoo, Michigan. 10 x 8 inches. Near Fine.
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Blue Collar (Collection of eight original photographs from the 1978 film)
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Blue Collar (Collection of eight original photographs from the 1978 film)

by Paul Schrader (director, screenwriter); Leonard Schrader, Sydney A. Glass (screenwriters); Richard Pryor, Harvey Keitel, Yaphet Kotto (starring)

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Universal City: Universal Pictures, 1978. Collection of eight vintage studio still photographs from the 1978 film. With mimeo snipes on the verso. Fed up with the lies of factory management and union heads, three working-class, Rust Belt auto workers decide to rob a safe at their union headquarters. The directorial debut of Paul Schrader. Set and shot on location in Detroit and Kalamazoo, Michigan. 10 x 8 inches. Near Fine.
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Bomb in the High Street (Original screenplay for the 1961 film)

Bomb in the High Street (Original screenplay for the 1961 film)

by Bezencentet, Peter, Terry Bishop (directors); Benjamin Simcoe (screenwriter); Ronald Howard (starring)

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London: Foxwarren-Elthea / Hemisphere Pictures, 1961. Draft British script for the 1961 film "Bomb in the High Street" seen here as "Bomb in High Street." An elaborate and highly entertaining British thriller in which a Nazi-era bomb is found in an English town. A bomb squad is called in, but the men in the squad are not who they seem, and the ultimate goal is revealed to be a bank heist. Tall red titled wrappers with a die-cut title window in the British style. Title page present, with credits for screenwriter Simcoe. 68 leaves, mechanical duplication on eye-rest green stock. Pages Near Fine, wrapper Near Fine bound internally with three gold brads.
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The Caper of the Golden Bulls (Original screenplay for the 1967 film)

The Caper of the Golden Bulls (Original screenplay for the 1967 film)

by Russell Rouse (director); Ed Waters, Paul David Moessinger (screenwriters); William P. McGivern (novel); Yvette Mimieux, Vito Scotti, Stephen Boyd (starring)

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Burbank, CA: American Broadcasting Company [ABC], 1966. Draft script for the 1967 film. Based on the 1966 novel by William P. McGivern. Included is a mimeograph letter signed from Harold Berowitz to Arnold Burk regarding Peter Lawford's salary for starring in the film. An ex-bank robber living a straight life in Pamploma, Spain is lured into one final con by his former partner. Shot on location in Spain. Green studio wrappers with a die-cut title window in the British style. Title page present, dated April 13, 1966, rubber stamped copy No. 18, with credits for screenwriters Waters and Moessinger. 65 leaves, with last page of text numbered 63. Mimeograph on yellow stock, with goldenrod revision pages throughout, dated 4-20-66 and 4-26-66. Pages Fine, wrapper Near Fine bound with two gold brads.
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Cops and Robbers (Original screenplay for the 1973 film)
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Cops and Robbers (Original screenplay for the 1973 film)

by Donald Westlake (screenwriter, novel); Aram Avakian (director); Cliff Gorman, Joseph Bologna, Delphi Lawrence (starring)

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N.p.: N.p., 1972. Shooting Script for the 1973 film. Copy belonging to an unknown crew member, with annotations in manuscript pencil throughout, regarding continuity and omissions. The story of two jaded police officers who turn to crime, using knowledge they learned as cops to plan heists and augment their low salaries. Actor Cliff Gorman's first starring role, subsequently adapted into a 1972 novel by screenwriter Donald Westlake. Green titled Studio Duplicating Service wrappers, with credit for screenwriter Donald E. Westlake. Title page present, dated May 30, 1972, noted as Shooting Script, with credit for screenwriter Donald E. Westlake. 108 leaves, with last page of text numbered 107. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound with two gold screw brads. Lee, The Heist Film.
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Dead Heat on a Merry-Go-Round (Original photograph from the 1966 film)

Dead Heat on a Merry-Go-Round (Original photograph from the 1966 film)

by James Coburn, Rose Marie, Aldo Ray (starring); Bernard Girard (director, screenwriter)

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Culver City, CA: Columbia Pictures, 1966. Vintage borderless reference photograph from the 1966 film. With a printed mimeo snipe affixed to the verso. From the collection of noted British film producer John Palmer. A cool, disaffected criminal (James Coburn) recruits a group of con men to pull off a heist at a bank located in the Los Angeles International Airport. A wry take on the usual heist film. Shot on location in Boston and Los Angeles. 10 x 8 inches. Very Good plus overall. Lee, The Heist Film.
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The Detail (Original screenplay for an unproduced film)

The Detail (Original screenplay for an unproduced film)

by None

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Los Angeles: Twentieth Century-Fox, 1974. Revised Draft script for an unproduced film called "The Detail," with no screenwriter credited, about a gold bar heist from a TWA flight in Los Angeles, and stolen money and counterfeit bills in London. Brief notation in manuscript ink on the title page, noting that the script is to be returned to "Mr. Ladd at 20th-Fox," presumably Alan Ladd, Jr., who was Head of Creative Affairs at Twentieth Century-Fox at the time. Blue titled wrappers. Title page present, dated 5/10/74, with no screenwriting credits. 165 leaves, with last page of text numbered 158. Xerographic duplication, with revision pages throughout, dated variously between 2/1/74 and 5/10/74. Pages and wrapper Very Good plus, bound internally with three gold brads.
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Dog Day Afternoon (Original photograph from the 1975 film)

Dog Day Afternoon (Original photograph from the 1975 film)

by Sidney Lumet (director); Patrick Mann (novel); Frank Pierson (screenwriter); John Cazale, Penelope Allen, Al Pacino (starring)

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Burbank, CA: Warner Brothers, 1975. Vintage studio still photograph from the 1975 film, mounted as issued by the distributor on a presentation card, showing actor Charles Durning shouting into a megaphone. Based on the 1974 novel by Patrick Mann, which was in turn based on a true story published in Life magazine. Director Sidney Lumet's masterpiece, a snapshot of New York invoking LGBTQ politics, city politics, police politics, personal politics, and the mood of a city in the heat of the early 1970s-all without being overtly political. The film follows an inexperienced robber and his friend over the course of a doomed bank heist, executed in order for the robber's girlfriend, a preoperative transgender woman, to afford gender confirmation surgery. Photograph 10 x 8 inches, Near Fine. Presentation card 14 x 11 inches, Very Good plus, with pinholes to the corners. National Film Registry. Grant US. Hardy, BFI Crime Companion. Spicer US.
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$ [Dollars] (Collection of seven original photographs from the 1971 film)
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$ [Dollars] (Collection of seven original photographs from the 1971 film)

by Richard Brooks (director, screenwriter); Warren Beatty, Goldie Hawn (starring)

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Culver City, CA: Columbia Pictures, 1971. Collection of seven vintage studio still photographs from the 1971 film. A security consultant teams up with a call girl to steal a fortune in dirty money from criminals' safe deposit boxes, which are stored in a high-tech bank vault. Set and shot on location in Hamburg, West Germany. 10 x 8 inches. Near Fine. Lee, The Heist Film.
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$ [Dollars] (Collection of seven original photographs from the 1971 film)
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$ [Dollars] (Collection of seven original photographs from the 1971 film)

by Richard Brooks (director, screenwriter); Warren Beatty, Goldie Hawn (starring)

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Culver City, CA: Columbia Pictures, 1971. Collection of seven vintage studio still photographs from the 1971 film. A security consultant teams up with a call girl to steal a fortune in dirty money from criminals' safe deposit boxes, which are stored in a high-tech bank vault. Set and shot on location in Hamburg, West Germany. 10 x 8 inches. Near Fine. Lee, The Heist Film.
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Enter Arsene Lupin (Original screenplay for the 1944 film)

Enter Arsene Lupin (Original screenplay for the 1944 film)

by Ford Beebe (director); Bertram Millhauser (screenwriter); Charles Korvin, Ella Raines, J. Carrol Naish (starring)

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Beverly Hills, CA: United Artists, 1944. Draft script for the 1944 film. Based on the popular Arsene Lupin mystery series created by Maurice Leblanc. In this entry, roguish gentleman thief Lupin robs a young heiress of her jewels while on a train to England, but later reconsiders his actions and saves her life. Set in England. Tan titled wrappers, dated May 24, 1944, with credits for screenwriter Bertram Millhauser and character credits to Maurice Leblanc. Title page present, dated April 27, 1944, with credits for screenwriter Bertram Millhauser and character credits to Maurice Leblanc. 124 leaves, with last page of text numbered 117. Carbon typescript on onionskin stock, rectos only, with five blue revision pages bound in after the script, dated 10/24/44. Pages Near Fine, wrapper Very Good, dry and brittle, with wear to the top and bottom edges of the front wrapper, bound with three gold brads.
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Firetrap [One Last Heist] (Original screenplay for the 2001 film)
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Firetrap [One Last Heist] (Original screenplay for the 2001 film)

by Harris Done (director); Diane Fine, Richard Preston Jr. (screenwriters); Dean Cain, Richard Tyson, Mel Harris, Lori Petty (starring)

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N.p.: Sunland Studios, 2000. Revised Draft script for the 2001 film, also seen here under the working title "One Last Heist." SIGNED on the title page by several actors, including Lori Petty, Dean Cain, Richard Tyson, David Beach, John O'Hurley, and Harry Van Gorkum. Copy belonging to actor Benjamin Lum, with his manuscript ink and pencil annotations throughout, and a call sheet laid in, dated May 16, 2000. A skilled burglar sets his sights on an advanced computer chip, but his first attempt to steal the chip is foiled by a mysterious fire-potentially set by one of the company's disgruntled employees. Blue generic card wrappers. Title page present, with credits for screenwriters Diane Fine and Richard Preston Jr. 100 leaves, with last page of text numbered 95. Xerographic duplication, rectos only, with pink revision pages bound in before the script, dated 5-6-00. Pages Near Fine, wrapper Very Good plus, bound internally with a silver prong.
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The Florentine Ring (Original screenplay for an unproduced film)

The Florentine Ring (Original screenplay for an unproduced film)

by Jackson Stanley (novel)

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Beverly Hills, CA: Dominion Enterprises, 1970. Revised First Draft script for an unproduced film. Based on the 1962 novel of the same name by Jackson Stanley, about a man's attempt to steal a priceless Italian ring from a museum and sell it to an antique dealer. Set in Florence. Blue untitled wrappers. Title page present, noted as REVISED SECOND DRAFT, with credit for author Jackson Stanley. 137 leaves, with last page of text numbered 136. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.
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Gambit (Original double weight photograph of Shirley MacLaine from the 1966 film)

Gambit (Original double weight photograph of Shirley MacLaine from the 1966 film)

by Robert [Bob] Willoughby (photographer); Ronald Neame (director); Jack Davies, Alvin Sargent (screenwriters); Shirley MacLaine, Michael Caine (starring)

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Universal City, CA: Universal Pictures, 1966. Vintage double weight, borderless still photograph of actress Shirley MacLaine from the 1966 film. Nominated for three Academy Awards. Although not indicated on the photograph, shot, struck, and mounted by the film's still photographer, Bob Willoughby. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles, photographer Robert Willoughby began working for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine, with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern. 6 x 9.5 inches. Near Fine.
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Going in Style [Stepping Out] (Two original screenplays for the 1979 film)

Going in Style [Stepping Out] (Two original screenplays for the 1979 film)

by Martin Brest (director, screenwriter); Edward Cannon (short story); Tony Bill (producer); George Burns, Art Carney (starring)

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Burbank, CA: Warner Brothers, 1979. A Final Draft and a Revised Draft script for the 1979 film "Going in Style," seen here as "Stepping Out." Based on the short story "Here on a Visit" by Edward Cannon. Copies belonging to producer Tony Bill with his signature in black manuscript ink at the top right corner: "Tony Bill producer." Included is a typed letter of provenance signed by Bill. A warm, honest comedy that follows three retired men living on social security who decide to pull off a bank heist to finance their last days, and more importantly to bring some excitement to their otherwise humdrum lives. The first major feature film from director and screenwriter Martin Brest, who would go on to make the blockbuster success "Beverly Hills Cop," and who was only 28 at the time this film was shot. Set in New York City, shot on location there and in Las Vegas. Revised Draft: Red titled wrappers. Title page present, dated October 16, 1978, noted as REVISED, with credits for screenwriter Brest and… Read More
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