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20,000 Years in Sing Sing (Original photograph of Michael Curtiz on the set of the 1932 film)

20,000 Years in Sing Sing (Original photograph of Michael Curtiz on the set of the 1932 film)

by Spencer Tracy, Bette Davis, Louis Calhern (starring); Michael Curtiz (director); Lewis E. Lawes (book); Courtney Terrett, Robert Lord, Wilson Mizner, Brown Holmes (screenwriters)

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N.p.: N.p., 1932. Vintage reference photograph from the 1932 pre-Code film, showing director Michael Curtiz and a camera crew filming a scene. From the archive of film historian and author Joel Finler. Based on the 1932 memoirs of former prison warden Lewis E. Lawes, about a brash convict's increasingly desperate attempts to escape Sing Sing. Set in Ossining, New York. 8 x 10 inches. Very Good plus, lightly age toned. Grant US. Spicer US Precursor.
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24 Hours (Original photograph from the 1931 film)

24 Hours (Original photograph from the 1931 film)

by Marion Gering (director); Louis Weitzenkorn (screenwriter); Louis Bromfield (novel); Clive Brook, Kay Francis, Miriam Hopkins, Regis Toomey, George Barbier (starring)

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Los Angeles, CA: Paramount Pictures, 1931. Vintage reference photograph of actor Clive Brook from the 1931 film. With two Paramount Pictures stamps on the verso crediting Brook. Based on the 1930 novel by Louis Bromfield. A man is having an affair with a woman who is murdered by her ex-husband. He has to try and prove his innocence while shielding his wife from any legal trouble. Set in New York City. 8 x 10 inches. Good, with one chip missing at the bottom right corner and three points of loss from a three hole punch along the left edge.
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37 original silent film era portrait photographs, circa 1930
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37 original silent film era portrait photographs, circa 1930

by [Silent Film] [Photographs]

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N.p.: N.p., 1930. Collection of 37 vintage portrait photographs of actors of the silent film era, circa 1930, all but one with the actor's inscription printed from the negative, and eight with the Paramount Studios logo printed from the negative. Four with stamps on verso stating costs of larger sizes, "25¢ each for 8x10 ... $1.00 each for 11x14." Actors in the collection include: Mary Astor, Richard Barthelmess, Clara Bow, Ann Harding, Leatrice Joy, Myrna Loy, Ramon Novarro, Aileen Pringle, Norma Shearer, and Claire Windsor, among others. Seven images 6.5 x 8.5 inches, and 30 images 5 x 7 inches. Near Fine overall. Complete list of actors available on request.
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American Madness (Two original photographs from the 1932 film)
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American Madness (Two original photographs from the 1932 film)

by Frank Capra (director); Robert Riskin (screenwriter); Walter Huston, Pat O'Brien, Kay Johnson, Constance Cummings, Gavin Gordon (starring)

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Culver City, CA: Columbia Pictures, 1932. Two vintage reference photographs from the 1932 film. During the Great Depression, a bank owner's bank is robbed and his protégé, an ex-con, is the only suspect. His protégé can't reveal his alibi because one of his witnesses is having an affair he does not want revealed. Partially shot on location at Citizen's National Bank in Los Angeles, California. 8 x 10 inches. Poor, with significant creasing on across the top middle of the photographs.
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Are You Listening (Original photograph from the set of the 1932 pre-Code film)

Are You Listening (Original photograph from the set of the 1932 pre-Code film)

by Henry Beaumont (director); J.P. McEvoy (novel); Dwight Taylor (screenwriter); William Haines, Madge Evans, Anita Page (starring)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1932. Vintage reference photograph, with snipe printed on the verso identifying director Harry Beaumont on the set with actresses Anita Page and Joan Marsh in the 1932 film, based on the 1932 J.P. McEvoy novel of the same name. With an additional stamp on the verso reading "Country of origin USA." Left jobless and about to be kicked out of his apartment by the Great Depression, a former radio writer accidentally kills his wife. Going on the run with his mistress, he comes on a radio show hosted by his former boss to protest his innocence and lead a manhunt for the "killer." 10 x 8 inches. About Near Fine with some light creasing to the corners and light soil.
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The Beautiful and Damned (Set of six original lobby cards for the 1922 film)
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The Beautiful and Damned (Set of six original lobby cards for the 1922 film)

by F. Scott Fitzgerald (novel); William Seiter (director); Olga Printzlau (screenwriter); Marie Prevost, Kenneth Harlan, Harry Myers, Tully Marshall (starring)

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Beverly Hills, CA: Warner Brothers, 1922. Set of six vintage hand-tinted lobby cards for the 1922 film, including the title card. Based on F. Scott Fitzgerald's 1922 novel. A young husband and wife spend money with aplomb, anticipating a large payout once the man's grandfather dies. Trouble ensues, however, when the patriarch passes away and they realize they have been left nothing in his will. Today considered a lost film. 14 x 11 inches. Very Good plus, some with pinholes to the corners.
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A Bill of Divorcement (Original post-production script for the 1957 re-release of the 1932 film)

A Bill of Divorcement (Original post-production script for the 1957 re-release of the 1932 film)

by George Cukor (director); Clemence Dane (playwright); Howard Estabrook, Harry Wagstaff Gribble (screenwriter); Katharine Hepbun, John Barrymore (starring)

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Culver City, CA: RKO Radio Pictures, 1957. Combined Continuity script for the 1957 re-release of the 1932 film. Based on the 1921 play by Clemence Dane. A man who has spent over a decade in a mental hospital escapes and returns home to find his wife engaged to a different man. The film debut for Katharine Hepburn. Tall white titled self-wrappers, noted as Combined Continuity on the front wrapper, dated March 3, 1957. 64 leaves, with last page of text numbered 64. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two stapes along the top edge.
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Bolero (Original screenplay for the 1934 film)

Bolero (Original screenplay for the 1934 film)

by George Raft, Carole Lombard, Sally Rand (starring); Wesley Ruggles (director); Horace Jackson, Kubec Glasmon, Carey Wilson, Ruth Ridenour (screenwriters)

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Hollywood: Paramount Pictures, 1933. Revised Final Script for the 1934 pre-Code film musical. A stylish Paramount musical that, unlike so many others from its time, came with a great storyline. George Raft rises from coal mine laborer to top dancer in prewar Europe. While weaving his way through romantic entanglements (including a fling with Sally Rand, who performs her famous fan dance here), he secures his own nightclub, at which point he meets the real love of his life, Carole Lombard (after asking her to audition in her underwear in his hotel room). A pre-Code gem that seems almost to have been designed to push the censors' buttons, simultaneously one of the raciest and moodiest "A" musicals produced by this studio. Tall self-wrappers as issued, stamped FILE COPY and RETURN TO SCRIPT DEPT. / PARAMOUNT PICTURES, INC., on the front wrapper, rubber-stamped production No. 171, and dated November 8, 1933. Manuscript pencil notation at the top left corner reading, "P 980." Credits on the front… Read More
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The Broadway Melody (Original program for the 1929 film screening at the Empire Theatre)

The Broadway Melody (Original program for the 1929 film screening at the Empire Theatre)

by Harry Beaumont (director); Sarah Y. Mason, Norman Houston, James Gleason, Earl Baldwin (screenwriters); Anita Page, Bessie Love, Charles King, Jed Prouty (starring)

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London: The Empire Theatre, 1929. Vintage program for the 1929 film screening at the Empire Theatre, Leicester Square, London, for the week beginning Saturday, May 18th, 1929, with a contemporary annotation of "May 1929" in manuscript ink on top left of front wrapper. Two vaudeville sisters try to make it big on Broadway, but find romance comes quicker than success. The first sound film to win an Academy Award for Best Picture, as well as being one of the first musicals to feature a Technicolor sequence, which is now lost. Set in New York. 4.75 x 7.25, single side-staple, 4 pages. Near Fine.
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Bulldog Drummond (Original screenplay for the 1929 film)
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Bulldog Drummond (Original screenplay for the 1929 film)

by F. Richard Jones (director); Sidney Howard (screenwriter); Herman C. McNeile writing as Sapper (novel); Ronald Colman, Claud Allister, Lawrence Grant (starring)

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N.p.: N.p., 1929. Dialogue Draft script for the 1929 film. With manuscript pencil annotations on the front wrapper and throughout. Based on H.C. McNeile's 1920 novel "Bulldog Drummond." A former army captain bored with civilian life aids a young woman whose uncle has been wrongly committed to a psychiatric institution. The third Bulldog Drummond film to be released, following the silent films "Bulldog Drummond" (1923) and "Bulldog Drummond's Third Round." Actor Ronald Colman's first sound film. Set in London. Blue untitled wrappers. 59 leaves, with last page of text numbered 56. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound with three gold brads.
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Circus Clown (Original photograph of San Bernardino Ritz Theatre's advertising campaign for the...
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Circus Clown (Original photograph of San Bernardino Ritz Theatre's advertising campaign for the 1934 film)

by Ray Enright (director); Walt Fiss (photographer); Bert Kalmar, Harry Ruby (screenwriters); Joe E. Brown, Patricia Ellis, Dorothy Burgess (starring)

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N.p.: N.p., 1934. Vintage photograph of a San Bernardino Ritz Theatre employee holding a sign to promote the 1934 film Circus Clown. This appears to have been taken at the intersection of 5th Street and North E Street, just north of the Ritz Theatre, which was located at 423 North E Street in San Bernardino, California. With the stamp of photographer Walter Fiss on the verso. An unorthodox advertising campaign, with a theatre usher pretending to picket the film because it is too funny. Happy Howard runs off and joins a circus, against the wishes of his father, an ex-circus clown. 8 x 10 inches. Very Good plus, small tear on lower center.
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Clark Gable on the set of Sporting Blood (Original photograph from the set of the 1931 film)

Clark Gable on the set of Sporting Blood (Original photograph from the set of the 1931 film)

by Charles Brabin (director); Frederick Hazlitt Brennan (story); Charles Brabin, Willard Mack, Wanda Tuchock (screenwriter); Clark Gable, Marie Prevost, Madge Evans, Lew Cody (starring)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1931. Vintage still photograph from the set of the 1931 film. Featuring Madge Evans and Lew Cody comparing binoculars while a very young and not yet famous Clark Gable smiles over their shoulders. Mimeograph snipe on the verso. Based on the short story "Horse Flesh" by Frederick Hazlitt Brennan, published in the "Saturday Evening Post" on September 13, 1930. An orphaned foal's journey through various owners, including that of nefarious gambler Ludeking (Hallam Cooley), before being returned to his loving breeder Jim (Ernest Torrence). Clark Gable's first starring role, as a card dealer with occasional moral failings, whose love story with Ruby (Madge Evans) makes for an entertaining side plot. Set in Kentucky, shot on location in Lexington, Kentucky and California. 8 x 10 inches. Just about Fine.
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Collection of six original photograph of Joan Blondell and Mike Todd
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Collection of six original photograph of Joan Blondell and Mike Todd

by Joan Blondell, Mike Todd (subjects); Leo Friedman (photographer)

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N.p.: N.p., 1948. Collection of six vintage photographs of actress Joan Blondell and her husband, theater and film producer, Mike Todd, circa 1948. Two of the photographs, of Blondell and Todd at their estate in Westchester County, New York, have photographer Leo Friedman's stamp on the versos. Blondell and Todd were married in 1947, Blondell's third and final marriage, and Todd's second, in a famously tempestuous and short-lived relationship. During the marriage Todd went through a well publicized bankruptcy, having lost hundreds of thousands of dollars to gambling, and was accused by Blondell of holding her by the ankles outside of a hotel window. The marriage ended in an acrimonious divorce in 1950. In 1957 Todd married Elizabeth Taylor, and died in a plane crash the following year, the only one of eight marriages of Taylor's that did not end in divorce. Four 8 x 10 inches, and one 5 x 7 inches. Very Good plus to Near Fine, three with light creasing overall, and one with pinholes in the margins.
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Come On Marines! (Original screenplay for the 1934 film)
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Come On Marines! (Original screenplay for the 1934 film)

by Henry Hathaway (director); Philip Wylie (story), Joel Sayre, Bryon Morgan (screenwriters); Richard Arlen, Ida Lupino, Roscoe Karns (starring)

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N.p.: Paramount Pictures, 1934. Final draft script for the 1934 film, with two annotations in manuscript pencil and Paramount "File Copy" stamp on front wrapper. Laid in are four blue revision pages, dated 1-20-34, "Changes in Scene A-28," with Paramount "File Copy" stamp and one annotation in manuscript pencil on first page. US Marine Sergeant "Lucky" Davis (Richard Arlen) leads his squadron on an expedition through the Philippine jungle against a guerrilla rebellion, and are assigned to rescue a group of children cut off from communication. Davis and his squadron are pleasantly surprised to discover the "children" are a group of 18-25 year old girls, bathing in a pool, awaiting rescue. Tall self wrappers, front wrapper dated January 16, 1934, rubber-stamped production No. 310. 127 leaves, with last page of text numbered E-2. Mimeograph duplication, rectos only, with laid in blue revision pages, dated 1-20-34. rubber-stamped production No. 310. Pages Near Fine, saddle-stapled with three staples.… Read More
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Condemned (Original screenplay for the 1929 film)
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Condemned (Original screenplay for the 1929 film)

by Wesley Ruggles (director); Sidney Howard (screenwriter); Ronald Colman, Ann Harding, Dudley Digges, Louis Wolheim (starring)

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Los Angeles: The Samuel Goldwyn Company, 1929. Final Continuity script for the 1929 film. Copy belonging to assistant director H. Bruce Humberstone, with his manuscript pencil annotations on the front wrapper and several pages, mostly regarding sequencing for scenes. The film was released in silent and sound versions, and included with the script are ten sets of dialogue intended for use in the sound release, housed in a tan card folder. Based on the 1928 novel by Blair Niles. A prisoner on fictional Devil's Island is selected as a house boy for the wife of the prison warden. The two begin to fall in love with each other. Set in fictional Devil's Island, shot on location at Catalina Island, California. Red titled wrappers, rubber-stamped copy No. 11. Distribution page present, with receipt removed, noted as Sound Version. Title page present, noted as Final Continuity. Approximately 130 leaves, with pages missing page numbers. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very… Read More
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County Hospital (Original photograph from the 1932 short film)
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County Hospital (Original photograph from the 1932 short film)

by Stan; Laurel Oliver Hardy (starring); James Parrott (director); H.M. Walker (screenwriter)

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N.p.: N.p., 1932. Vintage reference photograph from the 1932 short film. With provenance stamps on the verso, along with manuscript ink annotations noting the film's title and associated cast and crew members. Hardy goes to visit Laurel in the hospital. Chaos ensues. 10 x 8 inches. Very Good, moderately toned and edgeworn overall, with a 2.5 inch dampstain to the upper portion of the image.
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The Criminal Code (original photograph from the 1930 film)

The Criminal Code (original photograph from the 1930 film)

by Howard Hanks (director); Fred Niblo Jr., Seton I. Miller (screenwriters); Martin Flavin (playwright); Boris Karloff, Walter Huston, Phillips Homes, Constance Cummings, DeWitt Jennings (starring)

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Culver City, CA: Columbia Pictures, 1930. Vintage reference photograph from the 1930 film. Based on the 1929 play by Martin Flavin. A man convicted of manslaughter over a drunken brawl is given new work duties as a valet for the warden. A group of prisoners plan to escape but are ratted out by an informant. When one of the prisoners kills the informant the warden finds his new valet with the body. 10 x 8 inches. Very Good plus, with some small chips missing along the top left edge and at the bottom left corner and some small tears along the top left and right edges.
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Dance Hall (Original photograph from the set of the 1929 pre-Code film)

Dance Hall (Original photograph from the set of the 1929 pre-Code film)

by Melville Brown (director); Jane Murfin, J. Walter Ruben (screenwriters); Arthur Lake, Olive Borden (starring)

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N.p.: N.p., 1929. Vintage reference photograph from the 1929 film, showing director Melville Brown and a camera crew setting up a shot in the titular dance hall. RKO's penultimate release of the 1920s, about a love triangle between a shipping clerk, an aviator, and a young taxi dancer. 10 x 8 inches. Near Fine.
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Dangerous Paradise [Victory] (Original screenplay for the 1930 film)

Dangerous Paradise [Victory] (Original screenplay for the 1930 film)

by Joseph Conrad (novel); William A. Wellman (director); William Slavens McNutt, Grover Jones (screenwriters); Nancy Carroll, Richard Arlen, Warner Oland, Gustav von Seyffertitz (starring)

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Hollywood: Paramount Pictures, 1929. Final White Draft script for the 1930 film. Studio file copy, rubber-stamped on the front wrapper. Based on Joseph Conrad's 1915 novel, "Victory," the second of ten feature adaptations, preceded by Maurice Tourneur's 1919 film. Heyst (Arlen) is a hermit on an island who offers shelter to a redhead named Alma (Carroll), and the two live somewhat harmoniously. That is, until Mr. Jones (Seyffertitz) shows up looking for buried treasure. White self wrappers, noted as Final White Script on the front wrapper, rubber-stamped copy No. 370, FILE COPY, and MASTER FILE, dated September 11, 1929, with credits for writer Conrad, director Wellman, and screenwriters McNutt and Jones. 91 leaves, mimeograph duplication. Near Fine overall, side-stapled.
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Dr. Jekyll and Mr. Hyde (Collection of nine original negatives from the 1931 pre-Code film)
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Dr. Jekyll and Mr. Hyde (Collection of nine original negatives from the 1931 pre-Code film)

by Rouben Mamoulian (director); Robert Louis Stevenson (novella); Fredric March, Miriam Hopkins, Rose Hobart (starring); Samuel Hoffenstein, Percy Heath (screenwriters)

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N.p.: N.p., 1931. Collection of nine vintage negatives from the 1931 pre-Code horror film. Based on the classic 1886 novella, and considered by many to be the definitive adaptation. Nominated for three Academy Awards, winning one for Best Actor for Fredric March. 6 x 4 inches. Fine. Housed in a paper envelope with annotations in manuscript pencil and ink.
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