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Agnes of God (Original photograph from the 1982 stage play)

Agnes of God (Original photograph from the 1982 stage play)

by Geraldine Page, Lee Remick, Amanda Plummer (starring); John Pielmeier (playwright); Michael Lindsay-Hogg (director)

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N.p.: Paramount Theatre Productions, 1982. Vintage borderless promotional photograph of actresses Geraldine Page, Lee Remick and Amanda Plummer for the 1982 pre-Broadway run of the stage play. During the Broadway run, Lee Remick was replaced by actress Elizabeth Ashley. With mimeo snipe affixed to the verso promoting the opening of the show on February 26, 1982 at the Wilbur Theater in Boston and its opening in New York City at the Court Theater on Sunday, March 21, 1982. Mimeo snipe also has identification of photographer Ken Howard. A play consisting of only three characters, one of whom remains on stage for the entire production. A novice nun gives birth and claims virgin conception. A psychiatrist and the mother superior investigate. During the Broadway run, which began on March 30, 1982 at the Music Box Theater, actress Amanda Plummer won the Tony Award for Best Featured Actress in a Play and Geraldine Page was nominated for Best Actress in a Play. 10 x 7.5 inches, Near Fine.
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Andrei Rublev (Original photograph from the 1966 film)

Andrei Rublev (Original photograph from the 1966 film)

by Andrei Tarkovsky (director, screenwriter); Andrei Konchalovskiy (screenwriter); Anatoliy Solonitsyn, Ivan Lapikov, Nikolay Grinko (starring)

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N.p.: N.p., 1966. Vintage reference photograph from the 1966 Russian film, showing actress Irma Raush. Director Andrei Tarkovsky's sprawling 15th-century drama, capturing seven episodes in the life of revered Russian iconographer Andrei Rublev, from his humble origins as a traveling monk to his later years returning to painting after a long and meditative sabbatical. Set in medieval Russia, shot on location in Moscow. 10 x 8 inches. Near Fine. Criterion Collection 34. Rosenbaum 1000. Vogel, Film as a Subversive Art.
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Aquel Nino Llamado Jesus [That Boy Named Jesus] (Original screenplay for an unproduced film)

Aquel Nino Llamado Jesus [That Boy Named Jesus] (Original screenplay for an unproduced film)

by Ismael Rodriguez (screenwriter)

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N.p.: N.p., 1960. Typescript for an unproduced film. Synopses in English are laid into the front wrapper for "That Boy Named Jesus," "Young Jesus," and "Don Quixote Goes West." Text in English. An imagining of the infancy, youth, and adolescence of Jesus Christ. Tan titled wrappers. Title page present, with credits for screenwriter Ismael Rodriguez. 98 leaves, with last page of text numbered 96. Pages Fine, wrapper Fine, clip binding.
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At Eternity's Gate (First Edition)

At Eternity's Gate (First Edition)

by Kathleen Powers Erickson

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ISBN 13
9780802838568
ISBN 10
0802838561
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Grand Rapids, MI: William B. Eerdmans, 1998. First Edition. First Edition. A biography of Vincent Van Gogh, focusing on his religious upbringing and spiritual life, and how this informed his work. Corners and top edge with minor bumps, else Near Fine in a strong Very Good plus jacket. Jacket lightly rubbed, with a shallow horizontal crease to the top front panel, and taps to the corners.
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Au hasard, Balthazar [Balthazar] (Original photograph of Robert Bresson on the set of the 1966...
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Au hasard, Balthazar [Balthazar] (Original photograph of Robert Bresson on the set of the 1966 French film)

by Robert Bresson (director, screenwriter); Anne Wiazemsky, Walter Green, Francois Lafarge (starring)

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Paris: Parc Film, 1966. Vintage borderless reference photograph of director Robert Bresson watching a young girl pet two donkeys on the set of the 1966 film. Parc Film stamp on the verso. A donkey named Balthazar is followed through his life in rural France, as he is passed from owner to owner, most treating him cruelly. Revered as one of the masterpieces of French cinema. Set and shot on location in Yvelines, France. 5 x 7 inches. Very Good plus, with a stripe of fading on the bottom edge.
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Auntie on Her Third Coming as Christ (Original flyer, San Francisco, circa 1990)

Auntie on Her Third Coming as Christ (Original flyer, San Francisco, circa 1990)

by [San Francisco] [Flyers] [Alternative Religion]

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N.p.: N.p., 1990. Vintage flyer, from the San Francisco area, circa 1990. Artist unknown. Featuring an amusing image of Jesus Christ, followed by the rhyme "Well it's time / To Dance and Shout! / PEACE ON EARTH / HAS broken out. / A situation / We call Win, Win. / ALL / Now find / The Divine Within." 8.5 x 11 inches. Pinholes to the corners, else Near Fine.
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The Babylonians (Original screenplay for an unproduced film)

The Babylonians (Original screenplay for an unproduced film)

by Oscar Millard (screenwriter)

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Culver City, CA: Columbia Pictures, 1955. First Estimating Draft script for an unproduced film. In ancient Babylon, Sargon, the king's physician, is sent by King Nebuchadnezzar to stir up a revolt in nearby Judah, in order to undercut the prophet Jeremiah. Screenwriter Oscar Millard was best known for "Come to the Stable" (1949), "The Frogmen" (1951), and "Angel Face" (1953). Blue titled wrappers, noted as FIRST ESTIMATING DRAFT on the front wrapper and production No. 8309, dated Dec. 16, 1955. Title page present, dated December 15, 1955, noted as FIRST ESTIMATING DRAFT, with credits for screenwriter Oscar Millard. 135 leaves, with last page of text numbered 134. Mimeograph duplication on eye-rest green stock, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.
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Battle Hymn (Original post-production screenplay for the 1957 film)
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Battle Hymn (Original post-production screenplay for the 1957 film)

by Douglas Sirk (director); Charles Grayson, Vincent B. Evans (screenwriters); Rock Hudson, Anna Kashfi, Dan Duryea (starring)

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Universal City: Universal International Pictures, 1956. Continuity & Dialogue script for the 1957 film. The guilt a fighter pilot feels over accidentally dropping a bomb on a German orphanage during World War II leads him to become a minister upon returning to the US. When this proves insufficient in assuaging his bad conscience, he decides to volunteer his services as a missionary in Korea, opening a large home for orphans in Seoul. Based on the true story of Colonel Dean E. Hess, a US Air Force fighter pilot turned Ohio minister who returned to the Air Force during the Korean War. As depicted in the film, the 1950 Chinese Communist takeover of Seoul led Hess to facilitate an airlift of hundreds of children from the orphanage to the sanctuary island of Cheju. The twenty-five children who appear in the film, moreover, are Korean children from the real Orphan's Home of Korea that Hess founded, and the gold flying helmet sported by Rock Hudson is the actual helmet Hess wore. Set in South Korea,… Read More
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Ben-Hur: A Tale of the Christ (Original photograph album compiled by a musician touring with the...
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Ben-Hur: A Tale of the Christ (Original photograph album compiled by a musician touring with the orchestra in support of the 1925 film, September 1926 through April 1927)

by Lew Wallace (novel); Fred Niblo (director); June Mathis (screenwriter); Ramon Novarro, Francis X. Bushman, May McAvoy (starring)

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N.p.: N.p., 1927. Vintage photograph album containing 65 photographs compiled by cellist Carl Steppi while touring with an orchestra in support of the 1925 film, September 1926 through April 1927. A unique collection of various sized vernacular photographs, attached to black leaves with photo corners, many with captions in English and German in white ink on the leaves, documenting Steppi's tour with an orchestra in support of the extravagant 1925 silent blockbuster. Steppi is identified in contemporary newspaper articles as having been a cellist for the St. Louis Symphony in the early 1920s. The dates of the tour are noted on the album's first blank leaf, captioned with "On the Road with the Picture 'Ben Hur' (Goldwyn-Mayer Corporation) / September 1926," and the album's last leaf, containing a photograph presumably of Steppi's wife and child, with the adjacent caption "- Und endlich Kam die ersehnte Heimhehr! [And finally the longed-for Homecoming!] / Brooklyn, N.Y. / Back in: April 24, 1927," with… Read More
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Ben-Hur: A Tale of the Christ (Original photograph from the 1925 film)

Ben-Hur: A Tale of the Christ (Original photograph from the 1925 film)

by Fred; Niblo B. Reeves Easton (directors); Lew Wallace (novel); June Mathis, Bess Meredyth, Carey Wilson (screenwriters); Ramon Novarro, May McAvoy, Betty Bronson, Francis X. Bushman, Carmel Myers (starring)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1925. Vintage reference photograph from the 1925 film, showing actors Claire McDowell, Ramon Novarro, and Kathleen Key. Based on the 1880 novel. Jewish prince Ben-Hur is sent to prison at the behest of his childhood friend Messala as a result of a mishap during a Roman parade. Through sheer will, Ben-Hur endures hard labor and slavery in prison and, once released, vows revenge on Messala. The most expensive silent film, with a budget of $3.9 million. Shot on location in Italy and California. 10 x 8 inches. Very Good plus, with light edgewear and faint toning to the border. National Film Registry. Godard, Histoires de cinema.
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Ben-Hur (Original photograph of William Wyler on the set of the 1959 film)

Ben-Hur (Original photograph of William Wyler on the set of the 1959 film)

by William Wyler (director); Lew Wallace (novel); Karl Tunberg (screenwriter); Charlton Heston, Jack Hawkins, Haya Hawkins (starring)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1959. Vintage reference photograph of director William Wyler on the set of the 1959 film. Mimeo snipe on the verso. Based on the 1880 novel by Lew Wallace. Jewish prince Ben-Hur is sent to prison at the behest of his childhood friend Messala as a result of a mishap during a Roman parade. Through sheer will, Ben-Hur endures hard labor and slavery in prison and, once released, vows revenge on Messala. The most expensive film ever made at the time of its release, with a 15 million dollar budget and a massive, elaborate set. Nominated for 12 Academy Awards and winning 11, including Best Picture, Best Director, and Best Actor. Shot on location in Italy and California. 8 x 10 inches. Near Fine.
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Ben-Hur (Original photograph of Charlton Heston and son on the set of the 1959 film)
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Ben-Hur (Original photograph of Charlton Heston and son on the set of the 1959 film)

by William Wyler (director); Charlton Heston (starring); Lew Wallace (novel); Karl Tunberg (screenwriter); Jack Hawkins, Haya Harareet, Stephen Boyd (starring)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1959. Vintage borderless reference photograph of actor Charlton Heston and his son in a chariot on the set of the 1959 film. With the stamps of Time Press and Dalmas press agency on the verso, along with a numbered stamp reading 008818. Based on the 1880 novel by Lew Wallace. Jewish prince Ben-Hur is sent to prison at the behest of his childhood friend Messala as a result of a mishap during a Roman parade. Through sheer will, Ben-Hur endures hard labor and slavery in prison and, once released, vows revenge on Messala. The most expensive film ever made at the time of its release, with a 15 million dollar budget and a massive, elaborate set. Nominated for 12 Academy Awards and winning 11, including Best Picture, Best Director, and Best Actor. Shot on location in Italy and California. 7 x 9.5 inches. Very Good plus, slightly wavy with light edgewear.
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Beyond and Back (Four original color photographs from the 1978 film)
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Beyond and Back (Four original color photographs from the 1978 film)

by James L. Conway (director); Stephen Lord, Ralph Wilkerson (screenwriters); Brad Crandall, Vern Adix, Linda Bishop (starring)

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Utah: Sunn Classic Pictures, 1978. Collection of five vintage color studio still photographs from the 1978 documentary film. One with the stamp of a Canadian film distributor on the verso, and three with handwritten ink annotations noting production No. 78-740 on the bottom right corner of the recto. A collection of interviews regarding (and dramatizations of) people's near-death experiences, focusing on visions of the Christian afterlife. A low-budget film which received limited release, mainly in drive-in movie theaters in smaller towns and rural areas. Shot on location in Park City, Salt Lake City, and Heber, Utah. 10 x 8 inches. Near Fine.
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Beyond and Back (Collection of five original photographs from the 1978 film)
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Beyond and Back (Collection of five original photographs from the 1978 film)

by James L. Conway (director); Stephen Lord, Ralph Wilkerson (screenwriters); Brad Crandall, Vern Adix, Linda Bishop (starring)

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Utah: Sunn Classic Pictures, 1978. Collection of five vintage studio still photographs from the 1978 film. With the stamp of a Canadian film distributor on the verso, and a stamp noting production No. 78-740 on the bottom right corner of the recto. A collection of interviews regarding (and dramatizations of) people's near-death experiences, focusing on visions of the Christian afterlife. A low-budget film which received limited release, mainly in drive-in movie theaters in smaller towns and rural areas. Shot on location in Park City, Salt Lake City, and Heber, Utah. Approximately 8 x 10 inches. Four Very Good plus, one Very Good, with pinholes to the top edge and light ink residue on the center of the image.
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Black Narcissus (Original post-production screenplay for the 1947 film)
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Black Narcissus (Original post-production screenplay for the 1947 film)

by Emeric Pressburger Michael Powell (directors, screenwriters); Rumer Godden (novel); Deborah Kerr, Kathleen Byron, David Farrar (starring)

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Universal City: Universal Pictures, 1947. American Post-production Continuity and Dialogue script for the 1947 film. With manuscript ink annotations throughout. US mimeograph duplication of the British post-production script (so noted on the title page), with the annotations mostly having to do with deleted scenes. An interesting document showing direct evidence of the edits made for American distribution of the film upon its release. Based on the 1939 novel. A group of Anglican nuns travel to a remote village in the Himalayas to establish a convent-a journey that heightens emotional tensions and spiritual unrest among the sisters and locals alike. A visually stunning Technicolor melodrama, and one of the Powell-Pressburger partnership's finest films. Nominated for two Academy Awards. White titled self wrappers, noted as CONTINUITY & DIALOGUE on the front wrapper, listed as production No. 5106, dated JUNE 24, 1946, with credits for actors Deborah Kerr, Sabu, David Farrar, Flora Robson, Esmond… Read More
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Blood Orgy of the She-Devils (Original screenplay for the 1973 film)
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Blood Orgy of the She-Devils (Original screenplay for the 1973 film)

by Ted V. Mikels (director, screenwriter, starring); Leslie McRay, Tom Pace, Victor Izay (starring)

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Hollywood: Occult Productions, 1973. Draft script for the 1973 film. Working production copy, housed in a black leather binder, with production materials bound in before and after the script, including handwritten cast and crew contact information and call sheets. A young woman joins a black magic coven, governed by a psychic witch queen with dubious (and eventually murderous) intentions. Considered one of the best, and arguably most polished, releases from noted psychotronic, Z-budget horror director Ted V. Mikels, heavily inspired by "Rosemary's Baby" (1968) and the occult concerns of the Age of Aquarius. Pink titled wrappers. Title page present, undated, with credits for director-screenwriter Ted V. Mikels. 67 leaves, with last page of text numbered 64. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine. Nightmare USA.
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Bloody Mary (Original screenplay for an unproduced film)

Bloody Mary (Original screenplay for an unproduced film)

by Philip Messerer, Hamish Adam (screenwriters)

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N.p.: N.p., 1999. Draft script for an unproduced film. From the collection of novelist William Hjortsberg, who worked as a screenwriter in Hollywood between 1977-1985. Hjortsberg is best known for the film adaptation of "Angel Heart" (1987), based on his 1978 novel. A pair of Mafia hitmen steal a valuable artifact from a New York archaeology lab, a theft which leads them down a rabbit hole of mystics, murders, and monasteries. Self-wrappers. Title page integral with front wrapper, dated DATE, with credits for screenwriters Philip Messerer and Hamish Adam. 116 leaves, with last page of text numbered 113. Xerographic duplication, rectos and versos. Pages Near Fine, with perfect binding.
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Book 4: Parts I and II [One and Two] (First Edition)
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Book 4: Parts I and II [One and Two] (First Edition)

by Aleister Crowley writing as Frater Perdurabo; Mary D'Este Sturges writing as Soror Virakam

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London: Wieland, 1912. First Edition. First Edition, second issue of Part I, and First Edition of Part II. Second issue of Part I, with publisher's address noted as 33 Avenue Studios in Kensington. The first two books in Aleister Crowley's legendary treatise on magick and occult practice. Part I focuses on mysticism, describing Crowley's system of yoga, which borrows heavily from other yogis, including Patanjali and Yajnavalkya. Part II focuses on magick, detailing the accessories and practice of ceremonial magick. Part I: Very Good plus, with no dust jacket as issued. Boards moderately rubbed, with spine cloth slightly frayed and old cello tape residue on the first page, presumably from a former bookplate. Part II: Poor, with no dust jacket as issued. Board covers affixed to white paper wrappers with cello tape.
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The Bridge of San Luis Rey (Original photograph from the 1944 film)

The Bridge of San Luis Rey (Original photograph from the 1944 film)

by Rowland V. Lee (director); Thornton Wilder (novel); Howard Estabrook, Herman Weissman (screenwriters); Alla Nazimova, Lynn Bari, Akim Tamiroff, Francis Lederer (starring)

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Beverly Hills, CA: United Artists, 1944. Vintage studio still photograph from the 1944 film, showing actors Blanche Yurka and Donald Woods. Based on Thornton Wilder's 1927 novel. The rope bridge leading to the chapel of San Luis Rey in the Andes mountains collapses, violently killing five people and leading a monk at the chapel to investigate the incident. The second of three adaptations of Wilder's novel, preceded by the 1929 silent film directed by Charles Brabin, and followed by the 2004 film directed by Mary McGuckian. Set in Peru. 10 x 8 inches. Very Good, moderately toned, with light soil and wear to the edges.
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Carib (Original manuscript for an unpublished novel)

Carib (Original manuscript for an unpublished novel)

by Malcolm Stuart Boylan

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N.p.: N.p., 1950. Original manuscript for an unpublished novel. With manuscript ink annotations throughout, mostly noting editorial revisions and deletions. A wealthy voodoo priestess on a Caribbean island faces off against her childhood friend, a man who is now an ordained Catholic priest. Author and screenwriter Malcolm Stuart Boylan contributed to over 90 screenplays and teleplays at a number of prominent film studios, including Fox and Columbia, between 1921 and 1963. He also wrote three novels: "Tin Sword" (1950), "Gold Pencil" (1953), and "The Passion of Gabrielle" (1961). Brown titled wrappers, with credits for Malcolm Stuart Boylan. Approximately 236 leaves, with last page of text numbered 235. Carbon typescript, rectos only. Pages Near Fine, wrapper Very Good plus, bound with a silver prong.
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