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America at the Movies

by Thorp, Margaret Farrand

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New Haven: Yale University Press, 1939. First edition. Yellow cloth, fine in price clipped dust jacket. Pencil inscription on endpaper.
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Andy Warhol's Lonesome Cowboys. Original one-sheet review movie poster

by Warhol, Andy

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1968. 41 x 27 inches. Folded, as issued. Three small areas of surface abrasion, otherwise in very nice condition.
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Art of the Night

by Nathan, George Jean

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New York: Knopf, 1928. First edition. Original brown buckram, fine, in publisher's slipcase. number 161 of 200 copies printed on Borzoi rag paper and signed by the author.
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The Art of the Moving Picture

The Art of the Moving Picture

by Lindsay, Vachel

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Revised and edition
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Hardcover
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New York: Macmillan, 1922. Revised and edition. Pictorial cloth, inscription on endpaper, fine with the scarce dust jacket (slightly worn).
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The Bat. Screenplay

The Bat". Screenplay

by Perelman, S.J. and Laura Perelman

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Hollywood, 1940. First draft typescript (ribbon copy on Fidelity onion skin paper). 84 pages. Brad-fastened into textured paper covers from The Orsatti Agency, with typed cover label. Screen adaptation of the popular 1920 play by Mary Roberts Rinehart and Avery Hopwood, which itself was adapted from her 1908 classic mystery "The Circular Staircase". A silent version had been produced in 1926, and a 1930 version was entitled "The Bat Whispers" served as an inspiration to Bob Kane in the creation of Batman. James Roosevelt, son of the President, who had no experience in motion pictures, set up a production company in late 1939 and hired the Perelmans to write this first film he wanted to produce. They began work on January 29 and by February 26, when the picture (along with Roosevelt's entire plan to produce feature films) was abandoned, they had written 108 pages. (Cf. S.J. Perelman letter to Augustus Goetz, Jan. 27 and Feb. 26, 1940, published in Don't Tread On Me.). A comparison with the published… Read More
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Behind the Motion Picture Screen

by Lescarboura, Austin C.

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New York: Scientific American / Munn, 1919. First edition. Orange pictorial cloth, fine.
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The Best Moving Pictures of 1922-1923. Also Who's Who in the Movies and the Yearbook of the American Screen

by SHERWOOD, Robert E. (ed.)

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Boston: Small, Maynard, 1923. First edition. Maroon cloth, fine, the scarce dust jacket lacks most of the spine, but the front and back panels are largely present. Contains critical appraisals and descriptions of the production of films, including Nanook of the North, Grandma's Boy, Blood and Sand, The Prisoner of Zenda, Oliver Twist, Robin Hood, The Pilgrim, The Covered Wagon, etc. Illustrated with stills from the various pictures.
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Celluloid. The Film To-Day

by Rotha, Paul

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NZ$126.69
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London: Longmans, 1931. First edition. Original cloth, spine sunned, else fine.
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Cinema Arts. Vol. 1, Preview issue, and issues numbered 1 and 3

by Cinema Magazine

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New York: Cinema Magazine, 1937. First edition. Three numbers of four published of this deluxe annual. Issue 1: Folio, 11.5 inches x 14 inches. Cloth backed pictorial boards with cover portrait of Greta Garbo by Jaro Fabry. Light wear to extremities, very good condition. Limited edition, numbered and specially bound. With the publisher's presentation to Edward G. Robinson. Issue 3 has the publisher's presentation to Leslie Howard.
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The Cinema as a Graphic Art (on a Theory of Representation in the Cinema); With an appreciation by S.M. Eisenstein...translated by Stephen Garry with editorial advice from Ivor Montagu

by Nilsen, Vladimir

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NZ$211.15
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London: Newnes, n.d.. First edition. Red cloth,gilt, near-fine copy in dust jacket. 1939 inscription.
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Cinemania

by Bennett, Alfred Gordon

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London: Jarrolds, 1937. First edition. Cloth, slight lean; very good copy in lightly edge-worn dust jacket.
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Cinéma d'hier, cinéma d'aujourd'hui

by Clair, René

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Paris: Gallimard, 1970. First edition. Wrappers, service de presse copy. 372 pp. Fine. Inscribed "pour Raymond Queneau avec remerciemnts (v.p. 310) de son dévoué Satrape et ami / René Clair". Clair and Queneau were both Satrapes of the Collége de 'Pataphysique. Queneau is quoted on page 310.
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The Day of the Locust. Screenplay by Waldo Salt from the novel by Nathanael West

by [West, Nathanael]; Salt, Waldo

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1975. Mimeographed, 118 pages, plus additional revised pages, dated , 9/26-10 /73, pinned in plain covers. Occasional pencil marks and dog ears reveal it was obviously used at some point in production. Directed by John Schlesinger. Signed by the cinematographer Conrad L. Hall, and inscribed and signed by Karen Black.
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Duel in the Sun. (Screen treatment of Busch's novel)

by Busch, Niven

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1946. Mimeographed, 23-page undated early treatment of Busch's novel, mimeographed cover, brad bound. Some spotting to cover; very good. Other than Busch's, no name appears in this treatment. The adaptation credit went to Oliver H.P. Garrett, and the screenplay was written by David O. Selznick (aided by uncredited Ben Hecht).
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Famous Film Folk

by Fox, Charles Donald

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New York: Doran, 1925. First edition. Blue cloth, ends of spine and corners a little worn. very good, otherwise.
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Famous Stars of Filmdom (Men)

by Hughes, Elinor

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Boston: L.C. Page, 1932. First edition. Blue cloth, gilt, (design signed "AB" by Alfred Brennan) fine copy. 342 pages frontispiece, portraits 19 cm.
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Father Goose: The Story of Mack Sennett

by (Sennett, Mack) ; Fowler, Gene

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New York: Covici, Friede, 1934. First edition. Green cloth with gilt title, heavily illustrated, spine slightly faded, else fine. Inscribed and signed by Mack Sennett, to Jack Runyon, dated 1939.
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The Film Sense. Translated and edited by Jay Leyda

by Eisenstein, Sergei

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New York: Harcourt Brace, 1942. First edition. Blue cloth, fine in lightly used, price-clipped dust jacket. The jacket design is by E. McKnight Kauffer.
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Films: Facts and Forecasts. With a foreword by Charlie Chaplin

by Fawcett, L'Estrange

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London: Bles, 1927. First edition. Purple cloth, lettered in gilt, light foxing to edges, otherwise a fine copy in the scarce dust jacket with small edge tears and minor wear.
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Handbill for The Maltese Falcon film

by [Hammett, Dashiell]

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1941. 11-7/8 inches x 9-7/8 inches. Printed on thin paper. Very good condition. Probably made for a local theatre.
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