Search Results: PHOTOGRAPHY from Thomas A Goldwasser Rare Books

Berlin-Westend: Verlag der Reihe, 1929. First edition. xxxi, 100 p. 26 cm. Original wrappers, in lightly worn dust jacket, offsetting from wrapper on half title, otherwise fine. Text in English, French, and German.

1999. Chromogenic print, mounted on aluminum. 21 x 22 inches. Signed and dated on the mount.

Seattle, 1904. Published in: The North American Indian / Edward S. Curtis. [Seattle, Wash.] : Edward S. Curtis, 1907-30, volume 16, plate 50. Printed on Japanese vellum. Framed. Additional shipping required.

Seattle, 1904. Published in: The North American Indian / Edward S. Curtis. [Seattle, Wash.] : Edward S. Curtis, 1907-30, v. 16, p. 198 . Printed on Japanese vellum. Framed. Fine. Additional shipping required.

New York: Museum of Modern Art, 1938. First edition. Evans, Walker. Black cloth, paper spine label (slightly darkened). Lacks errata slip. A very good copy. 87 relief halftone reproductions of photographs, without captions, as the work was designed to be "read" visually in sequence. One of 5000 copies printed by The Spiral Press. Ref. Castleman, A Century of Artists Books, 116.

Seattle, 1926. Published in: The North American Indian / Edward S. Curtis. [Seattle, Wash.] : Edward S. Curtis, 1907-30, v. 16, p. 212. Printed on Japanese vellum. Framed. Trimmed within plate mark. Stains at corners from mounting. Additional shipping required.

New York: Crown, 1956. First edition. Boards with cloth spine. Fine in near-fine dust jacket with a small tape repair.

Seattle, 1922. Published in: The North American Indian / Edward S. Curtis. [Seattle, Wash.] : Edward S. Curtis, 1907-30, v. 12, pl. . Printed on Japanese vellum. Framed. Additional shipping required.

Seattle, 1922. Published in: The North American Indian / Edward S. Curtis. [Seattle, Wash.] : Edward S. Curtis, 1907-30, v. 16, pl. 55. Printed on Japanese vellum. Framed. Additional shipping required.

Garden City, N.Y.: Amphoto, 1978. First edition. 144 p. 29 cm. Boards, fine, jacket with slight wear at the crown.

San Francisco: Sierra Club, 1963. First edition. 175 p. his photographs and the classic biography by Nancy Newhall. ill. ; 35 cm. DJ and text,fine.

Boston: Little, Brown, 2001. First edition. Folio, cloth in slipcase, fine, with facsimile plate in pocket.

San Francisco: James Linden, 1986. Michael Mundy. Unbound sheets in cloth portfolio, 14 x 18 inches. 10 text leaves, 4 photographs, each signed by Michael Mundy. Printed on ches Cover paper by Peter Koch. Box made by Klaus-Ullrich Roetzscher. One of 50 numbered copies, with all four photographs signed and titled by the artist. The negatives were made using roll film. The prints are enlargements made on Ilford Galerie paper, toned in selenium, dry-mounted on archival board. Slight fading to box.

New York, 1971. Wrappers, slightly rubbed, else fine. Evans interviewed by Leslie Katz, later reprinted in "Incognito."

Seattle, 1904. 6 x 7- 1/2 inches. Matted and framed (period frame). Excellent condition. Published in: The North American Indian / Edward S. Curtis. [Seattle, Wash.] : Edward S. Curtis, 1907-30, Suppl. v. 16, pl. 571. Ref.: C. Cardozo, ed. Sacred Legacy: Edward S. Curtis and the North American Indian., p.102.

New York: Viking, 1980. First edition. Beaton, Cecil. Quarto, cloth, fine in lightly used dust jacket.

Liverpool: Kressley Photography, 1968. 6 x 8.5 inch portrait of Henri outside his home in Huskisson Street, Liverpool. The artist is standing at the foot of his basement stairs; various paintings and signs are displayed behind and beside him.

Lausanne: Ami Guichard, 1966. First edition. 126 p. 62 photos. (incl. ports.) 24 x 30 cm.. Maroon boards, gilt, with inlaid photo. The captions and text were written by Jean Fondin from interviews with the photographer. Fine.

New York: 21st Editions, 2007. Limited edition. Folio, original cloth, measures an oversized 14 by 18 inches; 74 pages, some of which are foldouts. Housed in original wood packing case. Signed limited edition, number 28 of only 60 copies (numbered 1-60) signed by photographer and Brooklyn resident Sheila Metzner, editor John Wood and publisher Steven Albahari. [Also printed were eight Museum Edition copies, numbered I-VIII, eight copies reserved for the artist, lettered A-H, and two publishers' proofs.] 21st Editions was granted permission to reprint Crane's "The Bridge," along with 13 platinum prints of Sheila Metzner's finest and most luminous images of the Brooklyn Bridge and New York. In his introductory essay John Wood characterizes both artists as "the sweet singers of America" and sees Crane's hymn to the Brooklyn Bridge, New York, and American potential reflected in Metzner's similar lyricism, sensuality, and hopefulness. Fine.

New York: The Eakins Press Foundation, 1994. First edition. The complete portfolio containing nine hand-pulled photogravures, printed on Rives BFK paper by Jon Goodman from Evans's original negatives, lent by the Estate of Walker Evans, each with the publisher's debossed stamp. With an introduction, "Walker Evans: The Brooklyn Bridge," by publisher Leslie George Katz, and the dedicatory poem "To Brooklyn Bridge," by Hart Crane. Copy 39 of an edition of 100 numbered copies plus 15 proofs. Each print measures 9 7/8 x 5 7/8 inches (25.1 x 14.9 cm.). Unbound sheets in cloth box, with label, as issued. Fine. "In an age where the 'vintage print' has all but stopped the full realization of important, past photographic works, the Eakins Press Foundation has brought to fulfillment one of the earliest projects of America's most important photographer. The nine photographs of Walker Evans of the Brooklyn Bridge have been scrupulously reproduced in hand-gravure by the renowned printer Jon Goodman. With this… Read More