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Madrid Paris Buenos Aires: Agrupacion de Amigos del Libro de Arte, 1927. First Edition, one of 300 on Arches a la forme; 8vo; handsomely rebound in 3/4 dark brown morocco and marbled paper boards, spine with gilt lettering, marbled endpapers, t.e.g., original wrappers and backstrip bound in, near fine. Illustrated with frontispiece, one headpiece, three illustrations in-texte, and a tailpiece engraved on wood by Leon Pichon after drawings by Maxime Dethomas. Text in Spanish.
Search Results: Authors starting with C from Priscilla Juvelis
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La Mojiganga de la Muerte de Don Pedro Calderon de la Barca. Edited by A. Valbuena Prat with a preface by Azorin and an appendix by J. B. Trend
by [Calderon de la Barca] Prat, A. Valbuena
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Lecons de Livre pour Calyban or Prosper's Parisian Printing Parade. Bon mots, bagatelles, & tableaux de l'imprimerie. Also a sometime type specimen & leaf book. As Told to an American. Pochoir by Jef Aerosol
by Caliban Press. McMurray, Mark
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St-Zotique, Quebec [Canton, NY]: Cat's Head Press [Caliban Press], 2008. One of 114 copies, all on various papers including Rives and Arches, vintage Barcham Green handmade, St-Armand handmade from Montreal, Quebec, Kochi from Japan and handmade lokta from Nepal, each signed by the author / printer. Mark McMurray has created his own look at printing history in Paris, with a dark back story of immigrant life in the "City of Light." Page size: 8-1/4 x 12 inches; 48pp. Bound: flexible quarter dark grey vellum binding by Velma Bolyard from Pergamena Parchment, Montgomery, NY and St-Armand handmade grey papers, label printed "Lessons" in lavender on white paper inserted into front cover, publisher's slipcase. Issued with a separate sheet of "Lecons Notes" which explain some of the images and text. From Melissa Schulenberg's portrait of Nancy Cunard (original relief print) to figures from the 1493 "Liber chronicarum" to woodcuts to found images, this tour of Paris delights. The text consists of fourteen…
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Adirondack Sutra
by Caliban Press. Thoreau, Dickinson, et al.
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Canton, NY: Caliban Press, 2013. Artist's book, one of 48 copies, all on various handmade papers, mostly from La Papeterie St.-Armand, initialed and numbered by the publisher, Mark McMurray on the colophon. Page size: approximately12.75 x 3-15/16 inches, but some smaller; 50pp; 25 leaves plus 2pp. notes. The colophon notes that this book was printed by Mark McMurray and interns Elizabeth Vitek and Rebecca Doll with additional presswork by students Elizabeth Cashin, Erika Davin and Nicole Porter. Text is printed from metal and wood types in Caliban Press collection, including new additions of Samson uncial by Victor Hammer and Legend by Friedrich H.E. Schneidler. Many of the papers used have been dyed, dipped, and/or floated in an indigo dye bath, done with the assistance of Velma Bolyard. Additional support for this project came from St. Lawrence University "Crossing Boundaries: Re-envisioning the Humanities for the 21st Century" generously funded by the Andrew W. Mellon Foundation. Additional…
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Les Enfants du Malheur. Frontispiece de Stobbaerts-Marcel
by Carco, Francis
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Maestricht: Stols, 1930. One of 400 on velin, from a total issue of 480. 8vo; 97pp; 3/4 brown morocco, marbled boards, smooth spine, author and title gilt, top edge gilt, original wrapper bound in, fine.
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De Montmartre au Quartier Latin
by Carco, Francis
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Brussels: aux Editions du Nord, 1928. One of 1000 on Velin Allura, from a total issue of 1124. Illustrated with colored vignettes reproduced after Andre Dignimont, including the front wrapper design, frontispiece design, titlepage design, 28 text illustrations of varying sizes and formats, and numerous headpieces and tailpieces. Handsomely bound in3/4 maroon crushed morocco and marbled paste-paper boards, spine with gilt lettering and an abstract design of gilt fillets and dots, marbled endpapers, t.e.g., untrimmed, original wrappers and backstrip bound in, fine.
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Complementaires. Illustrated by Dignimont
by Carco, Francis
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Paris: Emile Hazan & Cie Editeurs, 1929. One of 1000 on Lafuma, from a total issue of 1083; 29pp; handsomely rebound in 1/2 black morocco and ivory lacquered paper boards, the morocco embossed with a grid of tiny squares, spine gilt, t.e.g., original wrappers and backstrip bound in, morocco-tipped slipcase. Illustrated with frontispiece photographic author-portrait and three other photographs hors-texte, plus three reproductions hors-texte after pen and ink drawings, two with gouache also, by Andre Dignimont. Text slightly browned, else fine.
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Paname. Illustrations de Jean Oberle
by Carco, Francis
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Paris: Henri Jonquieres et Cie, 1927. One 400 copies on velin rose du Marais, rose wove paper, from a total edition of 425. 8vo. Handsomely bound in 3/4 maroon morocco and paste-paper boards, spine paneled, title gilt, top edge gilt. Original covers bound in, fine. 22 photogravure vignettes printed in black in-texte, including several hors-texte, after drawings by Jean Oberle (1900-1961), to illustrate this little tour of Paris by Francis Carco (1886-1958), pseudonym of Francois Carcopino, novelist and playwright, whose amusing, superficial studies of Paris enjoyed a huge success in their day.
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Autograph Letter Signed
by Catt, Carrie Chapman
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2 West 86 St. [New York], 1915. Four Page Holograph letter. 4-7/8 x 6-1/2"; written on cream colored stationary, Catt's address printed in black at the head of the first page, very light age discoloration near the edges, creased once horizontally for mailing, very good. In this letter, addressed to another suffrage leader Mrs. William Todd Helmuth, Catt (1859-1947) expresses her sorrow at Helmuth's illness, and urges her to get well, telling her that the "Feds [won't run] a convention without you." Carrie Chapman Catt succeeded Susan B. Anthony as President of the National American Woman Suffrage Organization in 1900 and served until 1904, when her husband's illness forced her to resign. However, she returned to office in December 1915, and within a few months had forged her "Winning Plan" which did much to secure passage of the Nineteenth Amendment and woman suffrage. A recent profile describes Catt as "a master builder, [something evident in this letter], who reached the apex of her powers just…
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Les Hommes de la route
by Chamson, Andre
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Paris: Bernard Grasset, 1927. First Edition, one of 62 on Madagascar, from a total regular issue of 3892. 8vo; handsomely bound in 3/4 green morocco and marbled pastepaper boards, spine with gilt lettering, marbled endpapers, t.e.g., original green printed wrappers and backstrip bound in, lightly foxed throughout, else very good. This volume is the fifth in the series "Les Cahiers verts" published under the direction of Daniel Halevy. Like Chamson's other works, it is a study of life in the Cevennes with all the attendant austerities and Protestant traditions.
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Passy. Illustrated by Herve Baille, Claude LePape..
by Chaplin, Jean-Jacques
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Paris: Les Impressions Aude, 1952. One of 1500 on Grifoffset superieur de Grillet et Feau, from a total issue of 1550, handsomely rebound in 3/4 maroon morocco and marbled boards, spine with gilt lettering, marbled endpapers, t.e.g., original wrappers bound in, fine. This volume is part of a series entitled "Le Vrai Visage de Paris." Illustrated with six reproductions hors-texte after various contemporary artists; plus drawings in the text by Michel Papiche, and a cover design by Jean-Gabriel Domergue, the cover and two of the hors-texte printed in brown. The text is a manuscript facsimile.
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Chaillot et la Porte Dauphine. Illustrated by Valentine Hugo..
by Chaplin, Jean-Jacques
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Paris: Les Impressions Aude, 1953. One of 1500 on Libert, from a total issue of 1550; handsomely rebound in 3/4maroon morocco and marbled boards, spine with gilt lettering, marbled endpapers, t.e.g., original wrappers bound in, fine. This volume is part of a series entitled "Le Vrai Visage de Paris." Illustrated with eight reproductions hors-texte after various contemporary artists; plus numerous headpieces, ornaments, and tailpieces by Jose Piquer, a cover design by Valentine Hugo, and a double-page, handdrawn map of Paris, the cover and map printed in blue. The text is a manuscript facsimile.
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Art Bref suivi de Premieres Alluvions
by Char, Rene
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[Paris]: GLM, 1950. One of 925 on alfama paper, from a limited total issue of 975 copies. Together with: Char, Rene. Dehors la nuit est gouvernee precede de Placard pour un chemin des ecoliers. [Paris:] GLM, 1949. One of 975 from a limited total issue of 1022 copies. Bound together in 3/4 green morocco and pastepaper over boards, original wrappers bound in, teg, edges rubbed, very good. This is a series of short prose pieces and poems by this influential early subscriber to the Surrealist group.
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Notes of Travel and Life. By Two Young Ladies
by Mendell [Sarah] and Hosmer [Charlotte]
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New York: Published for the Authors, 1854. First edition. Page size: 7-3/4 x 5 inches; 288pp; Bound: blind-stamped brown cloth, title in gilt on spine, spine ends shipped, bottom edge rubbed, tips bumped and rubbed, dampstain at bottom of pages of front matter though p. 85, about 3 inches long and 2 inches high lessening with each successive page, scattered foxing on first 97pp; pp. 265-268 misbound after p. 272; pp. 281-288 misbound after p. 288, good+. A travel narrative in the form of 52 letters by two women who financed their travels along the East Coast in 1853 as subscription booksellers, with accounts of visits to the pre-war south (Norfolk, Richmond, Raleigh) as well as Canada, Massachusetts, New York and New Jersey. They give accounts of the society they encounter as well as commentary on their reception as women traveling alone. They tread carefully around the subject of women's independence but clearly are in favor of it as shown by their own lives. Generally accepted as non-fiction and…
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Compagne Romaine, La Lettre a M. de Fontanes - Cynthia - Avec un avertissement par Henri Focillon. Edition ornee de compositions de Maxime Dethomas. gravees sur bois par Leon Pichon
by Chateaubriand, Francois Rene de
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Paris: Leon Pichon, 1919. One of 350 on Arches from a total issue of 426. Illustrated with 11 in-texte wood engravings in black and white plus numerous ornaments and culs-de-lampe by Maxime Dethomas. 8vo; handsomely bound in 3/4 blue crushed morocco, marble pastepaper boards, gilt fillets, smooth spine, author and title and date in gilt, gilt decorations with red morocco lozenge onlays, top edge gilt, original wrapper bound in, fine.
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Pseudodoxia Epidemica: Of Unicornes Hornes. Illustrated by Alan James Robinson. Introduction by Jan van Dorsten
by Cheloniidae Press. Browne, Sir Thomas
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[NP: but Williamsburg, MA]: Cheloniidae Press, 1984. First Edition, Artist Proof issue, one of 5 copies only, all on obsolete Whatman paper (blue-white laid ca. 1962), this copy inscribed to noted collectors Mimi and Arnold Elkind, and signed by Alan James Robinson, the printer, Harold P. McGrath, the binder, Gray Parrot, from a total issue of 225, as follows: 5 AP copies (this copy) in an elegant full limp vellum non-adhesive binding, title in gilt on spine, an extra suite (14), each print inscribed, signed and numbered, and two extra suites of working proofs (29), each inscribed, signed and labeled "wp," and an original drawing, two working proofs of the frontis portrait, a unicorn within an oval border, housed in 1/4 vellum folder with Narwhal "horn" tooled in gold gilt on spine, housed in tan cloth over boards with vellum spine stamped with title in gold gilt; 15 State Proof copies, bound in full vellum non-adhesive limp binding with an original drawing and an extra suite of prints plus a suite…
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An Odd Bestiary. Text compiled and annotated by Laurie Block
by Cheloniidae Press. Robinson, Alan James
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[Easthampton, MA]: Cheloniidae Press, 1982. First Edition, one of 200 copies all on Rives lightweight paper, from a total issue of 300 copies, signed by the artist, Alan James Robinson, and hand-numbered by him on the colophon page. Page size: 13-1/2 inches x 9-3/4 inches; 158pp including 6pp. Introduction by Laurie Block and 13pp. bibliography by Ms. Block. Bound by Grey Parrot: red quarter leather and light tan cloth over boards, tan cloth over boards folder for extra suite of engravings, clamshell box of tan linen over boards with red morocco spine stamped in gold gilt with title, fine. Each letter of the alphabet is exemplified by an animal whose name represents that letter. Each letter has its own page with a small woodengraving of the animal above printed text describing the animal. This is followed by an original full-page woodengraving of the animal with a caption and source printed in red by a page of text. The first letter of each of the 26 text sections is in red, original calligraphy by…
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Roadkills. A Collection of Prose and Poetry. Illustrated by Alan James Robinson. Texts by John McPhee, Gillian Connelly, Gary Snyder, Madeline DeFrees, William Stafford and Richard Eberhart
by Cheloniidae Press. McPhee, John
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Easthampton, MA: Cheloniidae Press, 1981. First Edition, one of 50 Deluxe copies, from a total issue of 300: 50 Deluxe copies bound in quarter leather, with text printed on Sakomoto and the prints on Cha-u-ke plus an extra suite of the prints, signed by the artist and all of the authors; 250 regular copies with text on Mulberry paper, bound in paper, signed by the artist. Page size: 12 inches x 8 3/4 inches. Bound by Gray Parrot: quarter grey morocco with tire tracks blind tooled across spine and title in blind, matching black chemise with blind tooled tire tracks, all housed in grey morocco and black cloth clamshell box. Illustrated with 11 woodengravings (10 roadkills and one tire track/broken muffler as colophon) and one etching, the text was printed in red and black by Harold Patrick McGrath at Hampshire Typothetae in Bruce Rogers' Centaur and Frederick Warde's Arrighi which was hand set in 18 point by P. Chase Twichell. The artist explains in "On the Conception of Roadkills" that he had…
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Cheloniidae - Sea Turtles
by Cheloniidae Press. Robinson, Alan James
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Easthampton, MA: Cheloniidae Press, 1987. Unique copy of artist's book, this copy with 7 original finished drawings for each of the sea turtles pictured in the edition book which consisted of 41 copies, 26 of which were lettered copies which this copy is, the book with seven hand-colored etchings, all on Rives BFK and handmade Japanese Moriki paper, each etching signed by the artist, who has also signed the drawings and the colophon. Bound: loose as issued, housed in cloth portfolio made by Claudia Cohen, with tray cases by Peter Geraty and Linda Lembke. Page size: 10.5 x 15 inches, 44pp. The seven species of the order Cheloniidae pictured in this study are: Green Turtle, the Hawksbill Turtle, the Loggerhead Turtle, the Leathery Turtle, the Leatherback Turtle, the Atlantic Ridley, the Pacific Ridley and the Flatback Turtle. The text is handset and printed letterpress by Harold Patrick McGrath in Centaur and Arrighi by Mackenzie-Harris of San Francisco, CA with additional hand composition by Arthur…
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Leda or In Praise of the Blessings of Darkness. Translated by David Ball from the original text. Illustrated by Alan James Robinson
by Cheloniidae Press. Louys, Pierre
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Easthampton, MA: Cheloniidae Press, 1985. State proof edition, copy #1 of 15 deluxe copies with designer binding by Daniel Kelm, with original drawing, three extra suites, all on Saunders hot press watercolor paper, the etchings on hand-made Gampi Torinoko paper, one of 15 copies from a total of 75, each signed and numbered by the artist: 60 regular copies and 15 deluxe copies (this copy). Page size: 8 x 11 inches; 46pp. Illustrated with five drypoint etchings and seven wood engravings by Alan James Robinson each signed and numbered. The type was set by Mackenzie-Harris and printed by Dan Keleher at Wild Carrot Letterpress; wood engravings printed by Harold McGrath and the drypoints printed by Alan James Robinson. The book was designed by Alan James Robinson and Arthur Larson. Bound by Daniel Kelm: full white alum-tawed pigskin, the front panel with inset bas relief paper casting, in white against blue paper ground with darker blue border, taken from an original wax sculpture by Alan James Robinson;…
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The Birds and Beasts of Shakespeare. Text by Arthur F. Kinney. Illustrated with Woodengravings by Alan James Robinson
by Cheloniidae Press. Shakespeare, William
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Easthampton, MA: Cheloniidae Press, 1990. One of 125 copies, all on Cheloniidae Rag paper, the first book of the press with Cheloniidae watermark, each signed by the artist, Alan James Robinson from a total issue of 155 copies, with an extra suite of the woodengravings and etching laid in loose in tan cloth over boards folder housed in clamshell box with book. . Page size: 10-3/8 x 15- 7/8 x inches - the size of the first folio edition of Shakespeare - Dedication Page, Half-title, engraved frontispiece portrait of Shakespeare in rondel surrounded by the animals, Titlepage, i-iii [iv-v] 1-87 [88-92]pp. Bound: full tan morocco by Claudia Cohen and Sarah Creighton, title stamped in gold gilt on front panel within a blind rule at outer edge, spine panelled, marbled endpapers, housed in tan cloth over boards clamshell box with leather label on spine, title stamped in gold gilt. Illustrated with 54 woodengravings depicting the birds and beasts found in Shakespeare's plays and poems, plus two portraits of…
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