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Alongside; being notes suggested by A New England Boyhood of Doctor Edward Everett Hale

Alongside;" being notes suggested by "A New England Boyhood" of Doctor Edward Everett Hale

by [Dall, Caroline Wells Healey]

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Boston: Privately Printed Thomas Todd, 1900. First Edition, inscribed on ffe by the author to Samuel Bowles and dated May 1, 1900, one of 50 (or 57) copies (notation on AAS copy cites 57 copies printed but colophon states 50), of this privately limited edition, a memoir of the author's early childhood as daughter of Mark Healey, a Boston banker (President of The Merchant's Bank). Page size: 9-1/4 x 7 inches; [i-iiil] 100pp. + frontis half-tone engraving of medallion portrait of Mark Healey at age 84 by Edward Spring. Bound: grey cloth over boards with title stamped in gold gilt on front panel, 3 parallel vertical rules on either side of front panel, spine a bit sunned, else near fine. The memoir cites reformers such a Elizabeth Palmer Peabody and Maria Weston Chapman, amid the names of many Boston Brahmins. An attendee of Margaret Fuller's "Conversations" her publication on the subject provides the only first-hand account of this important feminist event. Dall became an important figure in the… Read More
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Fungus and Curmudgeonly. Images by Natalia d'Arbeloff

Fungus and Curmudgeonly. Images by Natalia d'Arbeloff

by d'Arbeloff, Natalia. Myerson, Simon

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NZ$2,871.64
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London: [ NdA Editions, 1990. First Edition, one of 10 deluxe copies only all on J. Green, Rives, and Arches paper from a total issue of 35, all signed by the author and artist. Page size: 12-1/8 inches x 5-1/8 inches. Bound: blue cloth over boards hand-printed in black by d'Arbeloff, binding executed by Jen Lindsay, collograph endpapers by d'Arbeloff. Housed in a hinged triptych "stage-box" designed by d'Arbeloff and executed by Dorset Bookbinding Co., covered in mulberry Japanese paper with decorated side panels containing the book and cassette recording of the play. The box opens to an original etching, framed by the box, by d'Arbeloff with the title, author and artist. Box size when folded: 13-3/16 inches x 11-15/16 inches x 2-1/16 inches. The 40-page text is handwritten in red and black calligraphy by Sally Johnson, printed by photo litho by Atelier Rosenstiel The images within the book were printed by d'Arbeloff from collograph plates with relief and intaglio images over text.. There are six… Read More
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Almost Home

Almost Home

by Davidson, Laura

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Boston, MA, 2014. Artist's book, 1 of 8 copies, all on rice paper, each signed and numbered by the artist, Laura Davidson. Page size: 9 x 7.25 inches; 6 original full-page linoleum block prints, with hand-lettered colophon page, with small print incorporating the "A" from the title, ALMOST HOME, that is also an artist's statement. Bound: loose as issued, housed in blue-grey cloth over boards clamshell box, the small block print on the colophon repeated on the front panel ob box, decorated label on spine. The prints are housed in a tan paper wrapper that is cut with the silhouette of bridge suspension cables with the same small print from colophon collaged to front wrapper. The linoleum block prints are printed on an antique Kelton Press by the artist in two colors. The artist writes, "Each of these bridges represents a movement in time when we've almost made it to our destination. They are landmarks on a leisurely evening stroll or a white-knuckle drive across a vast expanse of water at the close of… Read More
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Poesies Completes. Edition decoree et compositions dessinees et gravees sur bois par Louis Jou et...
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Poesies Completes. Edition decoree et compositions dessinees et gravees sur bois par Louis Jou et d'un portrait de l'auteur grave par Paul Baudier. Preface et Notes de Ad. van Bever

by de Vigny, Alfred

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Paris: Editions Georges Cres & Cie, 1920. One of 795 numbered copies on velin de Rives from a total edition of 848. Small folio. Bound: 3/4 maroon morocco and paste-paper boards, spine paneled, title gilt, top edge gilt, original covers bound in, near fine. Woodengraved portrait of author by Paul Baudier as frontispiece, and five woodengravings hors-texte printed in black after designs by Louis Jou, with ornamental bandeaux and chapter headings printed in black; with decorated capital letters in red and black; culs-de-lampe in black, all designed and cut by Louis Jou.
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La Place de l' Institut, sa Galerie Marchande des Quatre-Nations et ses Etalages d'Estampes,...

La Place de l' Institut, sa Galerie Marchande des Quatre-Nations et ses Etalages d'Estampes, 1660-1880. Contribution a l'Histoire d'un decor Parisien et a la Chronique de la Curiosite a Paris

by de Vinck, Carl and Albert Vuaflart

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Kennebunkport, Maine, United States
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NZ$591.22
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Paris: Maris Rouseau, 1928. First Edition, illustrated with 176 photogravures in-texte and 49 plates hors-texte. 8vo; handsomely bound in 3/4 blue morocco, pastepaper boards, spine paneled, title gilt, teg, original wrapper bound in, fine.
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NZ$591.22
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Autograph Poem While Shepherds watched their flocks by night.

Autograph Poem "While Shepherds watched their flocks by night.

by Deland, Margaret W. C.

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Boston, 1895. Holograph poem. Single sheet; 6 ¼ x 8"; eight lines of verse, evidence of folding in the center and faint remnants of adhesive on the back again neither affecting text, signed, very good. Written entirely in Margaret Deland's (1857-1945) hand, the introduction reads: "Copied for Master Richard Russell / by Margaret Deland" The verse itself is "While Shepherd's watched / Their flocks by night.' / Like small curled feathers white and soft, / The little clouds went by, - / Across the moon, and past the stars, /...Like snowy clouds the young sheep lay, / That first, best Christmas night -...Margaret Deland...". Margaret Deland's first book was a collection of poems, THE OLD GARDEN, AND OTHER VERSES, printed in 1886. She went on to become one of the best-known novelists and short story writers of her day, receiving four honorary doctorates and becoming the second woman (after Julia Ward Howe in 1907) elected to membership in the National Institute of Arts and Letters. This famous carol was… Read More
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La Comedie des animaux qu'on dit sauvages. Illustrated by Paul Jouve

La Comedie des animaux qu'on dit sauvages. Illustrated by Paul Jouve

by Demaison, Andre

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Kennebunkport, Maine, United States
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Paris: Editions Rombaldi, 1950. Copy on velin creme de Rives, from an unspecified issue; handsomely rebound in 3/4 dark blue morocco and marbled boards, spine with gilt lettering, marbled endpapers, t.e.g., original wrappers, with a small animal illustration by Jouve, and backstrip bound in, fine. Illustrated with frontispiece and four plates by Paul Jouve, all original copper engravings heightened with pochoir.
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The Tempest. Printed and Designed by Mark McMurray. Bound by Donald Glaister

The Tempest. Printed and Designed by Mark McMurray. Bound by Donald Glaister

by Designer Binding. Caliban Press. Shakespeare, William

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NZ$12,669.00
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Canton, NY: Caliban Press, 2001. One of two copies in original designer binding by Donald Glaister, from an edition of 125 copies all on various handmade papers by Velma Bolyard, La Papeterie St. Armand, and Barcham Green, with Arches, Frankfurt and Mexican amate paper. The text is set in 14pt. Dante by M & W Bixler; rain cut by Greg Lago. The book was designed, printed and bound by Mark McMurray, using the text from the 1623 First Folio (with a few liberties). Page size: 8 x 12 inches. Bound by Donald Glaister: full grey morocco with deep blue morocco onlay cutout to reveal underlay of aluminum with onlays of mesh, copper, mylar, painted in silver, gold, red, and black, the cutouts, while seemingly abstract, spell out the title of the book, TEMPEST, on the front panel and the same on the back panel - but in reverse mirror writing, spine smooth with two sets of tooled red and gold-gilt vertical lines and one set of horizontal lines spelling out the word THE, cork endpapers, blue and grey silk… Read More
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Three Poems from The Bridge

Three Poems from The Bridge

by Designer Binding. Red Angel Press. Crane, Hart

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NZ$6,756.80
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[Bremen, ME: Red Angel Press], 2004. Unique binding by Gabrielle Fox, from an edition of 100 copies, the poetry on Saunders Waterford paper and the title page and illustrations on Sekishu, signed by the artist / printer, Ron Keller. Page size: 12-1/2 inches x 7-1/2 inches, oblong octavo. Binding: full blue Valencia goatskin, with slightly raised bridge image on both front and back boards achieved by a layer of watercolor under leather, various shades of grey goatskin onlays, the outline of the bridge highlighted with gold gilt and red gilt dots and squares and the onlays around bridge supports, endpapers of grey Japanese paper with onlay of green Tengujo in same shape as bridge, laminated to Twinrocker handmade paper, grey snakeskin headbands, signed on back turn-in at lower center with Fox logo finishing tool , housed in custom-made sailcloth over boards clamshell box, which also houses the original binding and portfolio of original binding designs and ephemera associated with the binding. The… Read More
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Faubourg Saint-Honore de Louis XIV au Second Empire

Faubourg Saint-Honore de Louis XIV au Second Empire

by Detrez, Alfred

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Kennebunkport, Maine, United States
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NZ$506.76
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Paris: Henri Lefebvre, 1953. One of 1000 on velin from a total issue of 1020. 8vo; handsomely bound in 3/4 dark green morocco and pastepaper boards with gilt fillet, spine paneled, title gilt, original wrapper bound in, fine.
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Impronta

Impronta

by Digger Pine Press. Buescher, Jean

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NZ$337.84
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Berkeley, CA: Digger Pine Press, 1998. One of 35 copies illustrated with color xeroxes of infrared silver prints, written, illustrated, designed , printed and bound by Jean Buescher. The poem is sent in Garamond and Goudy Open. The paper for the text and binding is New Zealand flax flower pod Gray Rives BFK. The binding is a concertina binding with a photographic image on front panel. Size: 12 x 4", fine.
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Memoir of Mrs. Catharine M. Dimmick

Memoir of Mrs. Catharine M. Dimmick

by Dimmick, L[uther] F[raseur]

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Kennebunkport, Maine, United States
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Boston: T. R. Marvin, 1846. First Edition. Original black blind stamped cloth boards with binder's title in gilt. Tips and edges of spine chipped, corners bumped and rubbed else very good. Luther Dimmick (1790-1860), clergyman and writer, was born in Shaftsbury, Vermont, graduated from Harvard Divinity School, and served as the pastor of North Church in Newburyport, Massachusetts. As a writer, he focused on religious topics, publishing many of his sermons given at North Church. His published sermons covered a range of topics and themes, from funeral eulogies and reflections on Christian scholarship and daily life to essays on the moral aspects of temperance. Although it too has a religious theme, his MEMOIR OF MRS. CATHARINE M. DIMMICK is a departure from his other work. It was never a sermon, written instead as a spiritual biography of and a memorial to his late wife Catharine Mather Marvin Dimmick (1793-1844). Mrs. Dimmick was born in Norwich, Connecticut into a prominent family with colonial… Read More
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Les Croix de bois. Illustrated by Georges Pavis
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Les Croix de bois. Illustrated by Georges Pavis

by Dorgeles, Roland

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Paris: Editions Mornay, 1933. One of 40 copies on Japon, from a total issue of 1085; handsomely rebound in 3/4 crushed reddish brown morocco and marbled boards, panelled spine with gilt lettering, marbled endpapers, t.e.g., original brown pictorial wrappers and backstrip bound in, near fine. Illustrated throughout with wood-engravings in the text by Georges Pavis.
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Genesis and Exodo (Exodus). Two Volumes
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Genesis and Exodo (Exodus). Two Volumes

by Ediciones Dos Amigos

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Kennebunkport, Maine, United States
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NZ$10,135.20
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Buenos Aires: Ediciones Dos Amigos, 2001. One of 40 copies, all on Velin d'Arches paper, signed by Alicia Scavino in pencil on the last print in GENESIS. Page size: 12-3/4 inches x 9-3/4 inches; 84pp; and 72pp; respectively. Bound: each book loose in original drab wrappers, GENESIS with an original engraving consisting of green, ochre, brown arabesques with title in black on front and back panels; EXODO with the title printed in red on front panel and in Hebrew in buff above the Spanish, housed in tan paper over boards clamshell box with title in black on spine, fine. Etchings and aquatints in GENESIS by Alicia Scavino, signed by the artist on the final plate of GENESIS. Etchings and aquatints in EXODO by Mirta Kupferminc. Hand set and printed letterpress in 12pt. Electra by Ruben R. Lapolla, the edition was supervised by Samuel Cesar Palui and Ernesto Lowenstein. These two companion volumes are extremely beautiful and evocative of the creation and deliverance stories. These books were featured in an… Read More
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Confessions de minuit. Illustrated by C. Fayot

Confessions de minuit. Illustrated by C. Fayot

by Duhamel, Georges

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Kennebunkport, Maine, United States
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Paris: Mercure de France, 1920. Unique copy on Lafuma, with the original art by C. Fayot, from a total issue of 2263; handsomely rebound in 3/4 black morocco and ivory lacquered paper boards, spine with gilt lettering, t.e.g., original wrappers and backstrip bound in, fine. This copy contains the original art for this edition, including 11 original charcoal and gouache drawings hors-texte, a cover design, all signed by the artist C. Fayot. Each of the ten plates proper is preceded by a stencil drawing in pencil on tracing paper, accompanied by the page number and in one case a quotation indication which passage it depicts. This copy was probably the maquette for a planned edition to be illustrated with engravings.
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Art Nouveau and Art Deco Bookbinding. French Masterpieces 1880-1940. Preface by Priscilla Juvelis

Art Nouveau and Art Deco Bookbinding. French Masterpieces 1880-1940. Preface by Priscilla Juvelis

by Duncan, Alistair & Georges de Bartha

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NZ$168.92
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New York: Abrams, 1989. Illustrated with 252 illustrations, including 202 color plates, this is the first major study of the flowering of the art of bookbinding at the end of the nineteenth and beginning of the twentieth century. A detailed biography and bibliography of every major binder is included: Rose Adler, Paul Bonet, Georges Crette, Pierre Legrain, et al.
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The Bookman's Limericks

The Bookman's Limericks

by Dunning, John

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Kennebunkport, Maine, United States
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NZ$84.46
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Minneapolis, MN: Dinkytown Books, 2003. First Edition, one of 450 Boston Antiquarian Book Fair issues, from a total issue of 2,250, each signed by the author on the titlepage. 8vo; 20pp; original brown wrappers, new. A collection of Dunning's literary limericks - many bawdy, with an intoduction on the theme of limericks by this noted author of detective fiction.. Sold for the benefit of the ABAA Benevolent Fund, a non-profit charity to benefit all antiquarian booksellers in time of personal need.
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Crapotte

Crapotte

by Duvernois, Henri

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Kennebunkport, Maine, United States
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Paris: Bernard Grasset, 1928. Copy on velin pur chiffon Lafuma from an unspecified total issue; 8vo; 256pp; handsomely rebound in 3/4 brick red morocco and marbled paper boards, spine with gilt lettering, marbled endpapers, t.e.g., original endpapers and backstrip bound in, near fine.
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