Search Results: Authors starting with H from Brian Cassidy Bookseller at Type Punch Matrix

Chicago: Out There Press, 1973. First Edition. Very good.. Original issue of this Chicago mimeo with poetry from Anne Waldman, Steve Toth, Peter Kostakis, Bob Rosenthal, and several others. OUT THERE ran for 14 issues. See Clay and Phillips 290. 4to. Pictorial saddle-stapled wraps. Some rust soil and rubbing to wraps. Several mild touches of soil to pages, but mostly clean and bright throughout. Good and sound. Unpaginated.

Carmel, CA: Seven Arts Press, 1927. First Edition. Very good.. First printing of this collection of poems, warmly inscribed by the author. Wraps. 16mo. Mauve wraps with printed paper label mounted. Sunning and mild wear to edges. Light foxing to endpapers; faint dampstain to upper edge of several pages. INSCRIBED on half-title. Very good.

Chicago: J.S. Ogilvie & Company, 1887. First Edition. thus. Good +.. One of this British novelist's best-known works, originally serialized in THE GRAPHIC magazine (ending in the same year this edition published). An early attempt in the the "Lost World" genre, through a fantasy of an African queendom. Uncommon thus. Hardcover. 8vo. Maroon cloth with gilt-stamped title to spine. Good plus to very good. Light soiling and trace dampstaints to boards. Ownership signatures to front pastedown and endpaper. A handful of pages are torn or chipped throughout, though none missing. Pages very darkened with age; binding sound overall. 237pp., advertisements.

[San Francisco]: Associated Press, 1967. First Edition. Very Good +.. One photo shows two elaborately dressed hippies dancing at a celebration at the Panhandle. The other captures two girls embracing on Haight Street as a hippie walks by. Accompanying text suitably smarmy. Nice memento of the establishment's view of the counterculture. 2 black-and-white wire service photos. One 8" x 11"; the second 6.5" x 8". AP text to bottom of each photo; crop marks; stamps and notations to verso related to publication. Else one photo fine, the other very good with minor creasing.

Baltimore, MD: Salt Lick Press, 1971. First Edition. Very good.. Double issue of this poetry and art anthology with selections from Ray diPalma, Gerald Burns, Michael Lally, David Searcy and many others. An instert of FAMOUS MEN, a collection of poems by Robert Trammell, the first in a series of chapbooks by Salt Lick, was included in this issue but has been removed from this copy. Wraps. 4to. Saddle-stapled in hand-stamped textured wraps. Errata slip/subscription card laid in. Minor toning with trivial spots of soil. Very light edgewear. Interior bright and clean. Lacking insert. Very good.

Philadelphia: Temple University Press, 1988. First Edition. Very good.. First printing, illustrated throughout in black and white, with nine chapters, a chronology and index. Wraps. Oblong 4to. Pictorial wraps. Light edgewear, lower right corner bumped and soiled. Pages faintly toned, otherwise unmarked. Very good.

New York: Shell Press, 1981. First Edition. Very good.. First printing of this short collection of verse by Hall. Wraps. 8vo. Pictorial card wraps. About very good. Light rubbing to wraps, some foxing to page edges and several pages. Overall clean throughout. Good and sound. 28pp.

(Portland, OR): (Another Press), 1970. First Edition. Very good.. First issue of this literary magazine. Featuring poems by Carlos Reyes, Bob Duand, Ken Mikolowski, John Bartels, and Walter Ralegh. Wraps. 4to. Side-stapled wraps. Very good. Moderate toning near edges of wraps. Light handling wear. Two small chips to verso at head and tail of spine. Interior clean and unmarked throughout. Binding sound. Unpaginated.

New York: Mark Batty, 2007. First Edition. Near fine.. First printing of this photographic "illustrated novella," "Concerning Chiefly the Hungates and Harrisons, With Accounts of Their Habits, Nesting, Disperson, Etc." Illustrated in color throughout. Includes short biographies of all contributing photographers. Hardcover. 8vo. Pictorial boards, no dust jacket as issued. White ribbon bookmark sewn in as issued. Touches of wear to corners. Near fine. 145pp.

New York: Metropolitan Museum of Art / Princeton University Press, 2000. First Edition. Very good + in a very good + jacket.. First printing, cublished in conjunction with an exhibition held at the Metropolitan Museum of Art in 2000. Curated by Maria Morris Hambourg, with essays by Douglas Eklund, Jeff Rosenheim, and Mia Fineman. Illustrated with 187 plates. Includes index and select bibliography. Hardcover. Large 4to. Black cloth boards in black and white photographic dust jacket. Mild edgewear. Light toning to jacket and pages. Very good plus.

New York: The Metropolitan Museum of Art, 1989. First Edition. Near fine in a near fine jacket.. First printing, illustrated with 124 black and white plates from the Ford MotorCompany Collection at the Metropolitan Museum of Art. Hardcover. Large 4to. Black cloth boards in photographic dust jacket. Spine sunned. Minor wear to edges. Near fine. 318pp. Foreword by Philippe de Montebello. Essay by Christopher Phillips. Includes bibliography and index.

London: John Lane The Bodley Head Ltd, 1928. First Edition. thus. Very good.. From an edition of 1000 copies. Handsomely bound, and quite readable. Translation of the MEMOIRES of Count Philbert de Gramont, written by his brother-in-law Antoine Hamilton. Illustrated throughout with tipped-in wood engravings by Wilfred Jones. Hardcover. 8vo. Full green leather with gilt-stamped title to spine. All edges gilt. Very good. Moderate scuffing and edgewear to boards. Owner's bookplate to front pastedown. Light touches of toning to endpapers. Text block remains mostly clean and bright, if a touch darkened. Good and sound. 230pp.

np: [Karl Hammer], 1991. First Edition. Very good +.. Uncommon publication featuring SS accounts of WWII. Printed in the U.S. Illustrated throughout. Wraps. 8vo. Pictorial wraps. Very good plus or better. Minimal rubbing to wraps. Owner's embossed-stamp bookplate to flyleaf on both pages. Both vols. internally clean and bright throughout. Good and sound. 48pp (vol. I), 48pp (vol. II).

New York: Dana T. Bennett Co, 1920. Very good.. Promotional program for the two actors, a married couple, "appearing under the direction of the Mantell-Hamper Company, Inc." and presenting a repertoire of Shakespearean drama alongside Bulwer Lytton's "Richelieu" and Casimer Delavigne's "Louis XI." With play synopses and a biographical sketch of Mantell. Illustrated throughout with photographs of the actors, both at home and in costume, including a full-page back cover photo of Hamper in male disguise as Rosalind in "As You Like It." Wraps. 12mo. Saddle-stapled wraps. Light edgewear and toning; small tear starting at spine. Very good.

London: Alembic, 1975. First Edition. good +.. Mimeo literary mag with contributions from Allen Fischer, Peter Barry, Ken Edwards, Alan Davies, Robert Hampson and more. 4tp. Side-stapled in flourescent green wraps. Wraps toned at extremities. Adheisive residue at spine. Dampstain at lower corner effecting front wrap and three pages. About very good. 57pp.

[New York]: n.p., 1962. Very good plus.. Studio photographs of a single male model, by renowned physique photographer Lon of New York. Album of color photographs from three separate photo sessions with the same male model, taken in May-June of 1962. The subject - the "most handsome, gorgeous, magnificent V.B." of the handwritten title page dedication - appears in various attitudes and poses, nude or semi-nude in the style of the era's men's physique magazines, standing or reclining in elegant armchairs or against stately Greek columns. Hanagan, known professionally as Lon of New York, differed from many of his contemporaries in his focus on photographing men of color, particularly African American and Latino models, often from working-class backgrounds. While his early work in the '30s and '40s was for bodybuilding magazines, in later decades he selected models with a disarmingly average build, and photographed them with all the visual idealization typically reserved for men fitting the chiseled… Read More

Palo Alto: Neuter Press, 1976. First Edition. Near fine.. Pseudo-glossary of gender-neutral usage. General 1970s anti-feminist satire, striving throughout for a tone of jollity and good humor. Representative of a political and linguistic sensibility much diminished in dominance in recent decades, but not dead. Scarce. Wraps. 8vo. Mustard-yellow saddle-stapled wraps. Near fine.

[Milwaukee]: Morgan Press, 1973. First Edition. Near fine.. Lovely small-press poetry collection from "hannibal". "I am so scared of you / world, / that I put you on paper / so I always know / where you are." Wraps. 4.5'' x 3.5'' oblong manila card wraps in brown photographic jacket. Edition of 400 copies, printed in hand-set Centaur type on 90 lb. Vicksburg Briston paper using a 6x9 Sigwant hand press. Unpaginated. Near fine.

[New York City], 1960. Near fine.. Program for one of the earliest happenings and the one first group happenings to be staged outside of a gallery environment. The performance included Al Hansen ("Lecture Event With Sight-Sound Stigmata" and "Pepsi-Cola, New Orleans Yellow Strip-Blue Dot Weimar Bauhaus Hoohah Jack Paar Moon"), Jackson Mac Low (John Bull Pack), George Brecht ("One Minute Piece," "One Minute Piece Again," and "One Final One Minute Piece"), Shimone Tomari ("Hand Music" and "David"), and Allan Kaprow ("Intermission Piece"), among others. Other performers and musicians listed include Lucas Samaras, John Cage, Morton Feldman, Elaine Booth, and others. Also prints a brief quote from Cage ("Art is its remembrances.") and a longer one from Kaprow (in part: "...We are only turning away from what should be left behind..."). Scarce ephemeral document from the burgeoning Fluxus and happening scene. [Glimcher & McElroy HAPPENINGS p. 311]. [Hendricks CRITICAL MASS p. 184]. Single 8.5 " x 11"… Read More

(New York): (L.S. Publications Corp), 1965. First edition. Near fine.. Scarce wide-eyed pulp exposé of the lesbian bars, codes, conventions, and secret underground cabals of mid-'60s America. Purportedly the chronicle of an undercover investigation by intrepid reporter "Doris Hanson," SECRET LESBIAN SOCIETY records the author's interviews and flirtations with film stars, models, and librarians, from Las Vegas to Santa Monica, all while trying earnestly not to forget her boyfriend back home. "I feel no need to apologize for anything I've ever done," one woman tells her. "Do I look unhappy? Hardly." Campy, sleazy, occasionally sincere. 6.25'' x 4.25''. Original pictorial wrappers. An Original Imperial Book. 192 pages. Light edgewear and scuffing to wrappers; corner crease to front cover.