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BEYOND TRADITION - CONTEMPORARY INDIAN ART AND ITS EVOLUTION

by Jacka, Lois Essary

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1988. Jacka, Jerry. Jacka, Lois Essary. BEYOND TRADITION - CONTEMPORARY INDIAN ART AND ITS EVOLUTION. Northland, Flagstaff, 1988. First edition. 4to., cloth, DJ, 206pp., illustrated with color photos. Signed by Lois and Jerry Jacka. Fine, DJ Near Fine with a small nick, top of spine.
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HOMAGE TO ANDY

by Farrell and Nancy Jacob

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R. Farrell and Nancy Jacob. HOMAGE TO ANDY. Handcolored photograph, 1987. A photo by Farrell ,enlarged and handcolored by Jacob. An artist's proof aside from the edition of 20. Signed and dated by both artists, titled,, and annotated "AP #2." With the collection label of Mary-Leigh Call Smart on the verso. 19 x 23 inches, framed to 28 5/8 x 33 1/8 inches. In excellent condition.
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THE MASSAGE

by Jacob, Max

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Jacob, Max. THE MASSAGE. Ink on paper, not dated. Signed in pencil and inscribed "A Paul Meral." 8 x 10 3/4 inches. In very good condition. Max Jacob (French, 1876-1944) was a poet, painter and critic. Jacob met Pablo Picasso in 1901, soon after Picasso moved to Paris. They shared rooms and Jacob helped Picasso learn French. He was a major figure in the avant garde that included Apollinaire, Picasso, Braque, Modigliani and others. Although he had converted to Catholicism, he was arrested and interned by the Germans in 1944, and died of pneumonia just before he was to have been sent to Auschwitz. Paul Meral, 1895-1946 was a Belgian poet. He is best known for his collaborations with the composer Arthur Honegger, who set his work to music.
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A POEMES ROMPUS

by Jacob, Max

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Jacob, Max A POEMES ROMPUS. Louis broder, 1960. 1st Edition. Signed by Villon in pencil on the Justification page. Number 96 of the regular edition of 135 copies,of which 115 were numbered 1 - 115 and 20 were numbered I - XX (there was also an edition of 50 in which each of the five color etchings was pencil signed by Villon. 12mo, Card slipcase, Card chemise enclosing a wrapper with an etched cover, containing 15 fascicles, with 55 pages including blanks, half-title, title, poems, five color etchings, Postface, justification, and prospectus sheet for the edition of 50. Fine.
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BARRE CREW AT WHITE RIVER JUNCTION

by Jacques, Michael L(ouis)

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Jacques, Michael. Jacques, Michael L(ouis). BARRE CREW AT WHITE RIVER JUNCTION. Etching, not dated but circa 1980s. Edition of 90, signed, numbered 54/90 and titled in pencil. 22 1/2 x 31 3/4 inches (image), 26 5/8 x 35 1/2 inches (sheet). In excellent condition. Michael L. Jacques, born Barre, VT., 1945. American painter and printmaker.
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MISSISSIPPI NIGHT LIGHTS

by Jacquette, Yvonne

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Jacquette, Yvonne. Jacquette, Yvonne. MISSISSIPPI NIGHT LIGHTS (MINNEAPOLIS). F.22. Lithograph and screenprint in thirteen colors, 1985-6. Edition of 60 plus 15 Artist's Proofs and 4 other proofs. Numbered and signed in pencil. Published by Brooke Alexander and printed at Derriere L'Etoile Studios, NY. 58 x 36 inches, 1473 x 914 mm. In excellent condition.
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EAST 15TH STREET

by Jacquette, Yvonne

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Jacquette, Yvonne. Jacquette, Yvonne. EAST 15TH STREET. Faberman 8. Lithograph in five colors, 1974. Edition of 125. Signed and numbered 13/125 in pencil. Printed by Paul Narkiewicz and Chip Elwell on Arches Cover Paper. Undertaken by the artist in cooperation with Brooke Alexander, Inc. to benefit the Horace Mann School. In excellent condition.
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XVII BY XVII - A PORTFOLIO OF SEVENTEEN MINIATURE PRINTS

by Jacquette et al, Yvonne

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Burckhardt, Jacquette, Schrag, Sultan et al. (Burckhardt, Jacquette, Schrag, Sultan et al). XVII BY XVII - A PORTFOLIO OF SEVENTEEN MINIATURE PRINTS. Eldindean Press, NY, 1985. Small square 4to., cloth clamshell box with a leather label reading "Eldindean Press - XVII By XVII - 1985" containing a paper folder housing the introduction by Gerrit Henry, table of contents, 17 etchings on various papers, each tissue-guarded, signed by the artist, and inscribed "A.P. III/XX," and a colophon page likewise inscribed. This is one of 20 artists proofs in addition to the eidtion of 100 impressions; there were also 2 Press Proofs, 2 Printers Proofs and a Bon a Tirer, for a total edition of 125. Fine except for a few faint water-stains to the cloth of the box, and some light spotting to the paper folder. The participating artists are: Allen Blagden, Lorraine Bodger, Warren Brandt, Byron Bratt, Rudy Burckhardt, Robert Courtrght, Kevin Falco, David Finkbeiner, Joe Giordano, Charles Hewitt, Yvonne Jacquette, Anthony… Read More
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NORTHWEST VIEW FROM EMPIRE STATE BUILDING

by Jacquette, Yvonne

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Jacquette, Yvonne. Jacquette, Yvonne. NORTHWEST VIEW FROM EMPIRE STATE BUILDING. Faberman 12. Offset lithograph on Transpagra Vellum, 1982. Edition of 60 (there were also 12 artist's proofs and 2 printer's proofs). Numbered 54/60 and signed and dated in pencil. Published by Brooke Alexander Editions, and printed at Siena Studios, NY. 50 3/8 x 34 3/4 inches, 1280 x 883 mm. In excellent condition and in a fine custom frame.
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EAST 15TH STREET

by Jacquette, Yvonne

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Jacquette, Yvonne. Jacquette, Yvonne. EAST 15TH STREET. Faberman 8. Lithograph in five colors, 1974. Edition of 125. Signed and numbered 13/125 in pencil. Printed by Paul Narkiewicz and Chip Elwell on Arches Cover Paper. Undertaken by the artist in cooperation with Brooke Alexander, Inc. to benefit the Horace Mann School. In excellent condition.
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BRIDGES OVER CUYAHOGA RIVER, CLEVELAND

by Jacquette, Yvonne

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Jacquette, Yvonne. Jacquette, Yvonne. BRIDGES OVER CUYAHOGA RIVER, CLEVELAND. Woodcut, 1999. Edition of 250 published by The Print Club of Cleveland in 2000. Signed and dated in pencil. Printed by Chris Erickson at Solo Impressions, NY, on Jpapnese Okawara paper. 17 7/8 x 23 inches, 455 x 585 mm. In excellent condition.
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CHRISTMAS (SELF-PORTRAIT)

by Jaeckel, Willy

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Jaeckel, Willy (German, 1888-1944). CHRISTMAS (SELF-PORTRAIT). Drypoint, not dated, but circa 1940. Edition size, if any, not stated. Signed in pencil. 9 1/4 x 7 7/8 inches (plate), 15 5/8 x 11 5/8 inches (sheet), the sheet with deckle on four sides. Printed on watermarked laid paper. In excellent condition.
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THE SCULPTURE OF LEONARD BASKIN

by Jaffe, Irma B.

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Baskin, Leonard. (Baskin, Leonard). THE SCULPTURE OF LEONARD BASKIN by Irma B. Jaffe. Viking, NY, 1980. 4to., cloth, DJ, 220pp., 150 illustrations. Fine/Fine
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UNTITLED

by Jahn, Elena

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Jahn, Elena (American, 1938-2014). UNTITLED. Etching with hand-coloring, not dated. 11 3/8 x 13 inches. Inexcellent condition.
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THE GROWTH OF CHICAGO BANKS

by James, F. Cyril

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NZ$214.00
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1938. James, F. Cyril. THE GROWTH OF CHICAGO BANKS. Harper & Brothers, NY, 1938. 2 vols., 8vo., cloth, DJs, slipcase, 1468pp. Fine, slipcase soiled and split at one seam, DJ spines darkened and with nicks and small losses at spine extremities, and with an abrasion to the front panel of Vol II. Inscribed and signed by James to Louis Melzack (presumably the well-known collector of Canadiana).
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OLD MASTER PRINTS AND DRAWINGS-A-GUIDE TO PRESERVATION AND CONSERVATIO

by James et al, Carlo

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James et al, Carlo. OLD MASTER PRINTS AND DRAWINGS-A-GUIDE TO PRESERVATION AND CONSERVATION. Amsterdam Univ. Press, 1997. 4to., cloth, DJ, 319pp., illustrated. Upper right front corner, and first few pages bumped, else Fine.
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INDIAN BLANKETS AND THEIR MAKERS

by James, George Wharton

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NZ$162.64
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1937. James, George Wharton. INDIAN BLANKETS AND THEIR MAKERS. Tudor, NY, 1937 (New Ed). 8vo., cloth, 213pp., illustrated. VG
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INDIAN BASKETRY

by James, George Wharton

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NZ$59.92
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1902. Amer. Indian. James, George Wharton. INDIAN BASKETRY. LA, 1902 (2d. Rev. Ed.) 8vo., cloth, 274pp., illustrated. Some wear, last page (not text) lacking, else VG
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THE INVENTION OF PHOTOGRAPHY AND ITS IMPACT ON LEARNING

by Janis, Eugenia Parry

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Janis, Eugenia Parry. THE INVENTION OF PHOTOGRAPHY AND ITS IMPACT ON LEARNING - THE COLLECTION OF HARRISON D. HORBLIT. Houghton Library, Harvard, 1989. 4to, wraps, 21pp. Exhibition catalogue. Fine.
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SUR LA PLACE

by Jansem, Jean

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Jansem, Jean (French 1920-2013). SUR LA PLACE. Drypoint, 1964. Dalavez, page 48. Edition of 40 plus 10 Artist's Proofs. Signed in pencil and numbered 35/40. 13 1/2 x 10 3/4 inches, 270 x 350 mm; (plate), 25 1/2 x 19 3/4 inches (sheet). Very light matstain, else in excellent condition. Jean Jansem (born Hovannnes Semerdjian in Armenia) in 1920. His family fled to Greece at the time of the Armenian genocide, and came to Paris in 1931. He was a successful artist from an early age with his paintings and prints being collected by institutions and private collectors. He drew inspiration from the works of Goya and Brueghel, and has been characterized a "miserablist," an artist who focuses on the unfortunate and the poor.
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