Search Results: Authors starting with K from Jonathan A. Hill, Bookseller, Inc.

Black & white photographic illus. on recto, details to verso. Photographic postcard, mailed. Bremerhaven: 1977. Postcard invitation to the ten-year celebration of Jürgen Wesseler's Kabinett für aktuelle Kunst Bremerhaven. The recto photograph is a street-view of the legendary storefront with its floor-to-ceiling windows. In excellent condition. Mailed to graphic designer Wim Crouwel's Total-Designe.

Atlas vol.: Woodcut title-page, 33 delicately hand-colored plates (one folding), one page of text. Third vol. of text with 4 double-page & 24 full-page woodcuts. Text vols.: Title-page & 60; 49; 59.5 folding leaves. Three vols. of text & one vol. of atlas. 8vo, orig. patterned blue semi-stiff wrappers, block-printed title labels on upper covers (labels rather rubbed), new stitching. Osaka, Kyoto, & Edo: Kawachiya kashichi et al., December 1810. First edition, complete with the rare atlas. "The most important Japanese orthopedic work was published in 1810 by Bunken Kagami (1755-1819) with the title Seikotsu shinsho. Based on Chinese medical science, it presented a system of surgical treatment to cure injuries to bone, principally of fractures and dislocations, with instructions on how to stop bleeding and to bind or immobilize the injured part by bandaging. The value of materia medica in the orthopedic practice of that time in Japan was recognized by a section on the compounding of prescriptions. The… Read More

Eight full-page drawings & one illus. in the text. 17 folding leaves. 8vo (243 x 165 mm.), orig. blue semi-stiff wrappers (some dampstaining to upper portion of each leaf). [Japan: mid-Edo]. Kagawa (1683-1755), a member of the medical family dynasty, studied in Kyoto with Ryozan Goto and Jinsai Ito, from whom he learned moxibustion and the therapeutic value of the waters of hot springs. Kagawa established the successful Ippondo medical school and was one of the most enthusiastic practitioners of moxibustion of his time. There is another manuscript of this text at Kyoto University, attributed to Kagawa. Some of the illustrations are very different. The introductory remarks describe the importance of the precise placement of the moxa on the skin, how to measure the placements based on distance from certain bones or joints of the body, and the various techniques and occasions for moxibustion applications. Following this, the text precisely describes the moxibustion locations on the body and how to… Read More

48 vols. 8vo, orig. wrappers, orig. stitching. [Shanghai]: Yinyin lu 蟫隱廬, ca. 1920-31. Fine edition of this selection of lyrics, compiled on the order of the Kangxi emperor (1654-1722), by Shen Chenyuan, Wang Yiqing, and other court officials. The phrase shiyu, "what remains beyond poetry," refers to ci (tz'u) 詞 poetry, or lyrics, "one of the major poetic genres in China." Lyrics were "originally song text[s] set to existing musical tunes." The genre "emerged in the T'ang dynasty in response to the popularity of foreign musical tunes newly imported from Central Asia." Titles of such poems "point to particular tz'u-p'ai 詞牌 (tune patterns) for which the poems are composed" (The Indiana Companion to Traditional Chinese Literature, Vol. 1, 846-49). Our book collects lyrics, arranging them by their tune patterns. The Kangxi emperor was one of the longest-reigning emperors in Chinese history, ruling over the vast Qing empire, whose borders expanded during his rule. Kangxi commissioned… Read More

Manuscript on paper with one map, 14 full-page, & about 20 smaller illus., finely drawn in brush & various colors. 53 folding leaves. 8vo (295 x 195 mm.), orig. blue wrappers (rubbed & a little worn), manuscript label on upper cover with "Sendai Kanoko" written, new stitching. [Japan]: from final page (in trans.) "copied 1839." The earliest survey of the wealthy Sendai fiefdom - known as the Sendai Kanoko - was prepared in 1695. At that time, the domain was led by Tsunamura Date (1659-1719). The survey was part of a nation-wide effort in the Genroku era to increase the amount of new farmland and improve irrigation works. When Tsunamura finally was able to exercise his own authority (following the famous succession feud Date Sodo), he ordered a series of public-works projects including building windbreaks and improving flood controls and irrigation. He also sponsored the construction of numerous Buddhist temples and Shinto shrines. Many of his efforts were incorporated into the Sendai Kanoko, which… Read More

Single sheet, printed on recto only, two black & white illus., horizontal & vertical folds. Amsterdam: 1977.<br /> <P> Rare Other Books and So flyer for an Allan Kaprow (1927-2006) exhibition. The items displayed were supplied by Barbara Moore and Jon Hendricks's dealership Backworks. The flyer bears two slightly unsettling found images from a medical textbook. The present show was one of several held concurrently early on at the bookstore's new premises at Herengracht 259. Tom Ockerse's exhibition had the same dates.<br /> <P> Fine. From the collection of Tjeerd Deelstra (b. 1937), the collector and Fluxus adherent.<br /> <P> ❧ Guy Schraenen, ed., "We have won! Haven't we?" (1992), p. 124.

Trans. into Chinese by Xuanzang. Orihon (accordion) format (258 x 12,550 mm.), 28 joined sheets, 23 columns per sheet, mostly 17 characters per column, blockprint height: 201 mm.). Printed on grayish recycled paper. [Nara: published by the monk Kōei at the Kōfukuji Temple, 1213]. An extremely rare example of a Kamakura-era sutra printed in Japan on recycled grayish paper; this is the first specimen we have encountered. For an excellent discussion on the subject of recycled paper used in early Japanese printing, we have turned to the most interesting contribution of SOAS Prof. Lucia Dolce ("A Sutra as a Notebook? Printing and Repurposing Scriptures in Medieval Japan," Ars Orientalis, Vol. 52, No. 3, 2023): The term sukigaeshigami 漉返紙 (reclaimed paper) appears often in literary works of the time, indicating paper made by soaking scrap paper and other fibers and then spreading them thinly. This method erased the previous text almost completely. Small traces of ink and even traces of… Read More

20-23 columns per sheet, 17 characters per column (column height 203-04 mm.), printed on 21 joined sheets (263 mm. high, sheet lengths ranging from 374 to 443 mm., total printed length 9105 mm., with endpaper at beginning 9290 mm.), carefully backed in recent times, attached at end to a wooden roller. [Nara: 1222-27]. A rare early printed sutra, part of the Karoku-ban edition printed in 1222-27. It has been printed on high-quality thick paper (gampi, or mulberry fibers), and printed in bold, thick strokes, using black sumi ink, typical of Kamakura and Muromachi kasuga-ban printings (kasuga-ban is a general term for publications of the Nara monasteries). The Mahaprajnaparamitasutra is a massive compilation of scriptural literature said to have been preached by the Buddha in four different places to 16 discrete assemblies. It includes seminal works such as the Prajnaparamita in One Hundred Thousand Lines and the Diamond Sutra. "This recension of the scripture is only extant in a Chinese translation… Read More

20-24 columns per sheet, 17 characters per column (column height 203-04 mm.), printed on 19 joined sheets (263 mm. high, sheet lengths from 382 to 443 mm., total length 8170 mm.), attached at end to a wooden roller. [Nara: 1222-27]. A rare early printed sutra scroll, part of the Karoku-ban edition printed in 1222-27. It has been printed on high-quality thick paper (gampi, or mulberry fibers), and printed in bold, thick strokes, using black sumi ink, typical of Kamakura and Muromachi kasuga-ban printings (kasuga-ban is a general term for publications of the Nara monasteries). The Mahaprajnaparamitasutra is a massive compilation of scriptural literature said to have been preached by the Buddha in four different places to 16 discrete assemblies. It includes seminal works such as the Prajnaparamita in One Hundred Thousand Lines and the Diamond Sutra. "This recension of the scripture is only extant in a Chinese translation made in six hundred rolls by Xuanzang and his translation team between the years… Read More

19 joined sheets, mostly 23 columns per sheet, 17 characters per column. Scroll (263 x 8301 mm. & front endpaper 230 mm.), wooden roller. [Nara: 12th-14th century]. A fine, early printed sutra, which we are unable to date. It is clearly a kasuga-ban, printed on highest-quality thick paper (gampi or mulberry fibers), with bold, thick strokes, using black sumi ink, typical of kasuga-ban printings, a term for publications of the Nara monasteries in general. The Mahaprajnaparamitasutra is a massive compilation of scriptural literature said to have been preached by the Buddha in four different places to 16 discrete assemblies. It includes seminal works such as the Prajnaparamita in One Hundred Thousand Lines and the Diamond Sutra. "This recension of the scripture is only extant in a Chinese translation made in six hundred rolls by Xuanzang and his translation team between the years 660 and 663. Xuanzang's recension is by far the largest of all the prajnaparamita scriptures in the Chinese Buddhist… Read More

Woodcut illus. (five are double-page). .5, 13, .5 (ads); .5 (ads), 17, .5; .5 (ads), 14, .5 folding leaves. Three vols. 8vo, orig. green patterned semi-stiff wrappers, orig. block-printed title labels on upper covers, new stitching. Kyoto: Honya Juemon, [1789]. First edition and very rare; this work was written as a result of the devastating Great Kyoto Fire, which broke out on 7 March 1788 and lasted several days. It caused serious damage, including the destruction of the Imperial Palace and the Nijo-jo Castle. The fire so shocked the bakufu that senior councillor Sadanobu Matsudaira was sent to Kyoto to investigate and consult with the Imperial Court. The first woodcut depicts how one can prepare for a quick escape in case of fire. This single-page illustration shows how to leave one's street clothes at nighttime so that they can be put on quickly for a fast evacuation. The first double-page illustration is a map of Kyoto where the great fire occurred. The following two double-page woodcuts show… Read More

Color photographic illus. on recto, details on verso. Photographic card. Hamburg: Deichtorhallen Hamburg, 1992. Invitation to the vernissage of the Hamburg leg of Kawara's date paintings in 89 cities exhibition, held at the Deichtorhallen. The photograph on the recto captures Kawara's 6 Oct. 68 painting with its box and newspaper clipping. Fine. ❧ On Kawara (Phaidon: 2002), p. 154.

Black & white photographic illus. to recto, details on verso. Pictorial card. Zurich: Galerie Hauser & Wirth, 1999. Announcement card for Kawara's 1999 solo show with Hauser & Wirth, a presentation of paintings from the Today series. In fine condition. ❧ Not in On Kawara (Phaidon: 2002).

Printed on both sides. Card. Zurich: Konrad Fischer, 1981. Invitation card for Kawara's 1981 solo show with Konrad Fischer at his Zurich premises. In fine condition. ❧ On Kawara (Phaidon: 2002), p. 150.

Printed on both sides. Postcard. Düsseldorf: Konrad Fischer, 1971. Postcard invitation to Kawara's first European solo exhibition, mailed to museum curator Jean-Christophe Amman (1939-2015). The artist presented One Million Years at three European galleries in 1971: Yvon Lambert (opened 26 November), Fischer, and Toselli (opened 24 November). Just three months after the present exhibition Fischer organized an exhibition of Kawara's "Date Paintings" from the Today series. A mailed copy in excellent condition. ❧ On Kawara (Phaidon: 2002), p. 147. D. Fischer, ed., Ausstellungen bei Konrad Fischer: Düsseldorf Oktober 1967-Oktober 1992 (Edition Marzona: 1993) 56.

Black & white illus. to recto, details on verso. Pictorial card. Antwerp: Galerie Micheline Szwajcer, 1999. Card invitation to Kawara's presentation of One Million Years at Szwajcer's Antwerp gallery. Fine. ❧ On Kawara (Phaidon: 2002), p. 157.

Black & white photographic illus. on recto, details to verso. Postcard, mailed. Düsseldorf: Konrad Fischer, 1972. A mailed example of the postcard invitation to Kawara's first-ever gallery presentation of "Date Paintings" from the Today series. An early and iconic photograph of a series of "Date Paintings" executed in 1966 is on the recto. In excellent condition. Mailed to curator Frans Haks (1938-2006). ❧ D. Fischer, ed., Ausstellungen bei Konrad Fischer: Düsseldorf Oktober 1967-Oktober 1992 (Edition Marzona: 1993) 62. On Kawara (Phaidon: 2002), p. 147.

Printed in red on both sides. Postcard. Brussels: Paul Maenz, [1973]. Postcard invitation for Kawara's only solo show with Paul Maenz. Fine. ❧ On Kawara (Phaidon: 2002), p. 148 (misdated as 1972). Gerd de Vries, ed., Eine Avantgarde-Galerie und die Kunst der Zeit: Paul Maenz Köln, 1970 - 1980 - 1990, p. 254.

White text on black recto, details on verso. Postcard. Düsseldorf: Konrad Fischer, 1989. Postcard invitation to Kawara's 1989 Fischer show in Düsseldorf. Fine. ❧ Not in On Kawara (Phaidon: 2002). D. Fischer, ed., Ausstellungen bei Konrad Fischer: Düsseldorf Oktober 1967-Oktober 1992 (Edition Marzona: 1993) 266.

Printed on both sides. Card. Düsseldorf: Konrad Fischer Galerie, 2002. Invitation card for Kawara's 2002 solo show at Konrad Fischer Galerie. Fine. ❧ Ausstellungen bei Konrad Fischer/Konrad Fischer Galerie Düsseldorf, November 1992-October 2007 (Navado Press: 2017 ed.) 392 (pictured).