Search Results: Authors starting with M from First Folio

Paris: Marcus, 1956. MX 5. About fine. MX 5. Square 4to. Unpaged. [26p.] Illustrated by Felix Lorioux with text drawings and 11 brilliant full-page color plates. Bound in publisher's color-printed glazed boards with illustrated endpapers.

Indianapolis: Bobbs-Merrill, 1903. Fine. [x], 463p, [xxii, ads]. Illustrated by Thomas Mitchell Pierce. Bound in drab green cloth with gilt titles and central design of arrowheads and fleurs-de-lis in gilt, white and pink by Margaret Armstrong. Gullans & Espey no. 157.

Falkland: Kulgin Duval & Colin H. Hamilton, 1969. No. 100 of 160 copies signed by MacDiarmid, Frans Masereel, and Giovanni Mardersteig. Fine in plain slipcase. No. 100 of 160 copies signed by MacDiarmid, Frans Masereel, and Giovanni Mardersteig. Quarto. 145p. Illustrated with eight full-page woodcuts by Frans Masereel, printed on watermarked Amalfi paper with title and initials in blue by Giovanni Mardersteig at the Officina Bodoni in Verona. Bound in gilt-titled quarter vellum with Castellare paper sides patterned in blue, t.e.g. Mardersteig. The Officina Bodoni, No. 165; Avermaete. Frans Masereel, p. 276, no. 120.

Santa Barbara: Capra Press, 1981. First Edition, LIMITED TO 250 COPIES SIGNED BY MACDONALD AND WELTY. Fine. First Edition, LIMITED TO 250 COPIES SIGNED BY MACDONALD AND WELTY. [vi], iv, 129p. Bound in full black Morocco with gilt spine titles. Bruccoli A31.1.a; Polk C70.

n.p.: Harper Collins, 1998. First edition, 3rd printing. Fine in fine dust jacket. First edition, 3rd printing. Unpaged. 32p. Illustrated throughout in brilliant color by Pat Cummings. Color illustrated glazed boards. Inscribed & Signed by Margaret Read MacDonald with and original drawing in ink on flyleaf.

London: Folio Society, 2001. First printing. Fine in slipcase. First printing. xiii 312p. Illustrated from photos. Bound in full illustrated buckram.

Chicago: T. S. Denison & Co, 1934. Very good. Small stitched pamphlet. 100p. Illustrated. Covers all contingencies and characters from farmers to clowns to minstrel characters.

New York: M. F. Mansfield, 1898. First edition. Covers moderately soiled, but still better condition than usually found. First edition. Tall 8vo. 211p. Title page in red and black. Illustrated by W. B. MacDougall with 15 full-page plates. Bound in original publisher's white cloth, the spine and upper cover with title and pictorial designs in black, t.e.g. Includes stories by Poe, De Quincey, Mary Wollstonecraft Shelley, Hans Andersen, et. al. Rare.

Fuillerton, CA: Lorson's Books & Prints. Printed by the Whittington Press, Risbury, Herefordshire, 2000. No. I of 50 copies signed by Macgregor with a set of proofs. (Additional 150 copies quarter-bound without proofs.). Fine. No. I of 50 copies signed by Macgregor with a set of proofs. (Additional 150 copies quarter-bound without proofs.). Miniature book (2 3/8" x 1 7/8"). Unpaged. 32p. Illustrated by Miriam Macgregor with 14 wood engravings hand-colored by the artist. Engravings are on the versos with descriptions en face. Bound in gilt-titled full claret morocco. Accompanied by a portfolio bound in claret Indian silk, with proofs of the 13 full-page engravings (uncoloured) on Zerkall paper laid in loose. Both volumes enclosed in a claret Indian silk-covered and -lined drop-back box with paper spine label. Describes wines made from the plants in Miriam's garden.

Gloucestershire: The Whittington Press, 1985. First edition. No. 171 0f 335 copies signed by artist and author. Fine. First edition. No. 171 0f 335 copies signed by artist and author. Oblong quarto. Unpaged. Illustrated by Miriam Macgregor with forty-one vignette and full-page wood engravings. Bound in quarter brown cloth over boards with repeating pattern from Macgregor's designs, paper spine label. Housed in brown boards slipcase with paper spine label.

Gloucestershire: The Whittington Press, 1991. No. 135 of of 350 copies bound in paper with a design by the artist (of a total edition of 350). Signed by Macgregor. As new. No. 135 of of 350 copies bound in paper with a design by the artist (of a total edition of 350). Signed by Macgregor. Imperial 8vo. Unpaged [44p]. Illustrated by Miriam Macgregor with 34 wood engravings (one in four colors) and a line block reproduction of a drawing. Printed on Zerkall cream woven paper. Bound at The Fine Bindery in cloth with paper-covered boards and with the lovely six-panel folding paper cover. Housed in folding card folder with paper spine label.

Herefordshire: The Whittington Press, 1997. No. 182 of 300 copies bound in pattern paper boards (of a total edition of 385). As new. No. 182 of 300 copies bound in pattern paper boards (of a total edition of 385). Square quarto. Unpaged, two pages text. Illustrated by Miriam Macgregor with 13 full-page wood engravings. Printed on Zerkall mould-made paper. Bound at The Fine Bindery. Housed in original slipcase.

Fuillerton, CA: Lorson's Books & Prints. Printed by the Whittington Press, Risbury, Herefordshire, 1993. No.124 of 180 copies signed by Macgregor (total edition 250). Fine. No.124 of 180 copies signed by Macgregor (total edition 250). Miniature book (2 3/8" x 1 7/8"). Unpaged. 32p. Illustrated by Miriam Macgregor with 14 wood engravings hand-colored by the artist . Engravings are on the versos with descriptions en face. Bound in full mustard Mingei Japanese hand-made paper-covered boards with spine title and upper cover ornament in slipcase. "This followed on from Weeds in my Garden. Now that the weeds had established themselves in Miriam's garden, this book set out to describe the predators that came to live on them. The point of doing it in miniature was that each predator could be depicted exactly life size, as were the weeds." (Butcher. The Whittington Press, A Bibliography 1982-93, no. 117).

Fuillerton, CA: Lorson's Books & Prints. Printed by the Whittington Press, Risbury, Herefordshire, 2000. No. 35 of 150 copies signed by Macgregor (total edition 200). Fine. No. 35 of 150 copies signed by Macgregor (total edition 200). Miniature book (2 3/8" x 1 7/8"). Unpaged. 32p. Illustrated by Miriam Macgregor with 14 wood engravings hand-colored by the artist. Engravings are on the versos with descriptions en face - 2 extend onto the adjacent page. Bound in claret paper-covered boards with spine title and cover ornament. In slipcase in matching paper-covered boards. Describes wines made from the plants in Miriam's garden.

New York: Dutton, n.d.. VG. Illustrated by Robert Mack with litho half-tones. Oblong 8vo. Gold colored pebbled cloth over marbled boards, a.e.g.

Ditchling: St. Dominic's Press, 1925. Written and illustrated by Macklin and Rigby. Toning to spine cloth, else fine. Written and illustrated by Macklin and Rigby. Oblong quarto. (22) pp. With five illustrations after Frank Brangwyn's paintings, each with title and text facing. Bound in quarter white linen over blue paper covered printed boards. Taylor & Sewell A134.

San Francisco: Paul Edler & Company, 1910. Fine in d.j.. 8vo. vi, 22p, Designed and printed at the Tomoye Press. Title and frontispiece with red ruled borders. Bound in blue-gray boards with the title on the upper cover within a gilt frame.

London: Prospect Books, 1981. First edition. Fine in d.j.. First edition. 4to. xxiv, 197p. Frontispiece. Gilt-titled red cloth. Cites bibliographies and locations.

Gwent: The Old Stile Press, 1987. No. 53 of 160 copies. Fine in slipcase wirh wood engraving mounted on upper cover. No. 53 of 160 copies. Small 8vo. Unpaged, but frontispiece and one leaf for each of the 23 wood engravings plus a leaf of "interlude". Bound in quarter cloth over marbled paper boards, paper spine label.

Cambridge, MA: The MIT Press, 1985. First edition. Fine in VG+ d.j.. First edition. xvii, 215p. Illustrated. 4to. Tan cloth with blue titles. "The author uses urban plans, architectural drawings, and photographs to reveal the layers of meaning present in each building, including the deepest layer -- its secret life. At this level the buildings have in common the fact that their meaning is derived from realities of an imperfect present and no longer from the anticipation of a utopian future." (Jacket blurb).