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Milan: Edizioni del Milione., 1945. First edition. Hardcover. Very Good. 4to. 75, (6)pp., 75 plates (partly color). 15 illusts in text. Extensive documentation. Contemporary half-leather binding, five raised bands, gilt lettering, marbled boards, flocked end-papers. Bottom of spine bumped, paper yellowed.
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Carlo Carrà
by PACCHIONI, GUGLIELMO
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Kunst der Südsee: Sepik un Neu-Irland aus der Sammlungen des Linden-Museums für Völkerkunde in Stuttgart
by SOUTH PACIFIC ART
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Karlsruhe.: Badische Landesmuiseum, 1969. First edition. Paperback. Very Good. 8vo. Original card covers. Essays, documentation, maps, 148 item catalogue, b/w plates.
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The Adventures of Mr and Mrs Jim and Ron
by PADGETT, RON. DINE, JIM
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NZ$74.95NZ$25.70 shipping to USA
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London: Cape Goliard/Grossman., 1970. First edition. Hardcover. Fine/very good. Dine, Jim.. 4to. Original white lettered black cloth. Dust-wrapper. Illustrations by Jim Dine. Dust-wrapper rubbed at edges.
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Free Painters Group. 10th Annual Exhibition (1962).: F.B.A. Gallery, Suffolk Street, London Private View Tuesday October 8th 6PM-8PM.
by FREE PAINTERS GROUP.
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London: The Free Painters Group., 1962. First edition. Single sheet.. Very Good. 16mo. Single card sheet. Privte View invitation, colour lithographed decoration.
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Paladino Mimmo-Extemporisation: Alan Christea Gallery
by PALADINO, MIMMO
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London: Alan Christea Gallery., 1997. First edition. Hardcover. Fine. Sq.8vo.Original olive green cloth, silver titles. 40 colour plates, essay by James Puttman.
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Purbeck People and Places. Alfred Palmer R.O.I. 1877-1951: His life and works, with a foreward by J.E.Lindsay Esq.
by PALMER, ALFRED
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Swanage., 1980. First edition. Paperback. Very Good. 12mo. Original paper covers. Circa 1980. Foreward by J.E. Lindsay, 7 b/w illustrations, biography.
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More than Shadows. A biography of W.Russell Flint R.A., P.R.W.S. with 136 illustrations of his works
by PALMER, ARNOLD
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London: The Studio Ltd., 1943. First edition. Hardcover. Very Good. 8vo. Bronze lettered blue cloth. End-papers spotted. 8 colour plates and 128 b/w illustrations. Documentation.
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Samuel Palmer. An Exhibition of Palmer's works with a Leger Provenance to celebrate a Century of Art Dealing: The Leger Galleries, London 24th June-24th July 1992.
by PALMER, SAMUEL
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London: The Leger Galleries., 1992. First edition. Paperback. Very Good. Oblong 8vo. Original card covers. Essay by Raymond Lister, chronology, 30 item catalogue, fully illustrated in colour.
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The Print Collector's Quarterly.: Vol.3, No.2. April1913.
by PALMER, SAMUEL.
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Boston: Museum of Fine Arts., 1913. First edition. Paperback. Good. 12mo. Original paper covers. Articles on 'The Etches work of Samuel Palmer' by Martin Hardie, Bibliography of Samuel Palmer 'Catalogue of Etchings by Samuel Palmer' by Martin Hardie, etc.. Covers rubbed and frayed at yapped edges, lacking upper cover
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The Print Collector's Quarterly. Vol.III, No.3, April 1913
by PALMER, SAMUEL
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Boston: Museum of Fine Arts, Boston., 1913 . First edition. Paperback. Good. 12mo. Original paper covers. Articles on Delff, Contemporary lithography in Germany, Daubigny, Samuel Palmer, with a bibliography and a catalogue of the etchings. Covers detached, lacks upper cover and spine. Thumbed.
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Martha Pan. Two original photographs of sculptures by Martha Pan. 'Sculpture' and 'Charnière No.3, terre cuite 1953': Galerie Arnauld, Paris circa 1953.
by PAN, MARTHA
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Paris: Galerie Arnaud., 1953. First edition. Paperback. Very Good. Two original b/w photographs, 'Sculpture' photograph by J.B. Lafourcade 183x117mm. 'Charnière No.3, terre cuite 1953'. 130x200mm.
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Metafisikal Translations
by PAOLOZZI, EDUARDO
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NZ$2,355.43NZ$25.70 shipping to USA
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London: Kelpra Studio., 1962. First edition. Paperback. Very Good. White laminated card covers with red screen printed title 300mm x 210mm (12" x 8"). [46]p. 45 pages of black and white screenprints. Pencil signature of the artist to ffep dated London 1962 Edition 2. The first book by British sculptor, collagist, printmaker, writer, and one of the founders of the British pop art movement. Printed for the artist by the Kelpra Studio. The Kelpra Studio was pivotal in the development of the screenprinting medium throughout the 1960s and 1970s, and worked with other artists including Richard Hamilton, Patrick Caulfield and Peter Blake. Covers slightly rubbed and yellowed.
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Articulated plaster leg.: With traces of lubricant for casting.
by PAOLOZZI, EDUARDO.
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London: Self-published., 2000. First edition. Very Good. Two part plaster leg articulation additions, on conjoined plaster plinth. Height 225mm. Provenance. From the artist's Chelsea Studio; Marcus Campbell Art Books.
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Eduardo Paolozzi: Hanover gallery, London (1969).
by PAOLOZZI, EDUARDO
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NZ$96.36NZ$25.70 shipping to USA
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London: Hanover Gallery., 1969. First edition. Paperback. Very Good. Sm.8vo. Unpaginated, 32pp. Includes numerous b&w photos of Paolozzi's sculptures text and illusts in red and blue, printed by Sergio Tossi of Milan. Card covers (black card wraps with blue title to front) .
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Eduardo Paolozzi. Sculptures from a Garden: Serpentine Gallery, London 6 August-25 October 1987.
by PAOLOZZI, EDUARDO
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London: Arts Council of Great Britain., 1987. First edition. Paperback. Very Good. 4to. Original card covers. essay by Frank Whitford, monochrome plates, 17 item catalogue.
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Eduardo Paolozzi. Sculpture and Graphics: Hanover Gallery, 14 June-21 July 1967.
by PAOLOZZI, EDUARDO
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London: Hanover Gallery., 1967. First edition. Paperback. Good. Sq.8vo. Paper covers with rear board, plastic spiral binding, two upper sheets detached and creased. 15 plates, green tissue interleaves, 15 item catalogue, text by Christopher Finch.
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'Painting and Sculpture' by Stephen Mullin.: Granta, Vol. LXIV, No. 1193. 17th October 1959.
by PAOLOZZI, EDUARDO. McHALE, JOHN.
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Cambridge: Granta., 1959. First edition. Paperback. Very Good. 4to. Original paper wrappers. Good survey of contemporary trends, with emphasis on the I.C.A. and Indepedent Group, notably Eduardo Paolozzi and John McHale. Covers thumbed and mottled. 'Any way I am more than a little suspicious of the eager exultation of paolozzi, for one, at the blessings of technology: the way his images have of turning out to be very primitive totems in spite of their highly sophisticated construction could be intrepreted, as he would like us to, as demonstrating the underlying unity of different ages, bit it could also indicate the familiar desire to escape from the complexity of the machine age; and it is curious that for both he and McHale the only reactions that machinery and electronics can produce are those of horror and fear. Behind every Paolozzi bronze there lurks the noble savage'.
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Two part plaster torso, in hand-made wooden frame.
by PAOLOZZI, EDUARDO.
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London: Self-published., 2000. First edition. Very Good. Two part plaster torso, in hand-made wooden frame. 160x150mm. Provenance. From the artist's Chelsea Studio; Marcus Campbell Art Books.
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Paster cast: Newton after Blake.
by PAOLOZZI, EDUARDO.
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London: Self-published., 2000. First edition. Very Good. With label and Studio stamp on reverse. Loss at one corner. 200x140mm. Provenance. From the artist's Chelsea Studio; Marcus Campbell Art Books.
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Eduardo Paolozzi. Projects 1975-2000: Flowers, London 2005.
by PAOLOZZI, EDUARDO
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London: Flowers East., 2005. First edition. Paperback. Very Good. 8vo. Original card covers. Documentation, essays by Daniel Herrmann, Robin Spencer, Richard Cork, Colin St.John Wilson. Colour and b/w plates.
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