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UNTITLED DRAWING - "MEREDITH IN MAINE"

by Pace, Stephen

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Pace, Stephen. Pace, Stephen.(American, 1918-2010). UNTITLED DRAWING (STUDY FOR "MEREDITH IN MAINE"). Ink on paper, 1977. Signed and dated, lower right. 11 x 13 1/2 inches, 279 x 343 mm. Framed. In excellent condition. This drawing and the painting to which it is related are illustrated in "Stephen Pace - Maine and Reminiscences 1953-1993," the Catalogue of a 1994 exhibition held at both Maine Coast Artists, Rockport, ME and Bates College Museum of Art, Lewiston, ME. Although the catalogue calls this a "prelimary drawing" for the painting, it is a fully finished drawing in its own right, not simply a preparatory sketch. Stephen Pace enrolled at the Institute of Fine Art in San Miguel Allende, Mexico, with funding provided by the G.I. Bill. After a year south of the border--during which time met and befriended the painter Milton Avery--he decided to go to New York, where he received instruction from Cameron Booth and Morris Kantor at the Art Students League (1948-49). Through Avery, Stephen Pace also… Read More
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LETTERS TO AN ARTIST - FROM VINCENT VAN GOGH TO ANTON RIDDER VAN RAPPA

by Pach (Introduction), Walter

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Van Gogh, Vincent. (Van Gogh, Vincent). LETTERS TO AN ARTIST - FROM VINCENT VAN GOGH TO ANTON RIDDER VAN RAPPARD. Walter Pach (Introduction), Rela Van Messel, translator. Viking Press, NY, 1936. Limited edition of 650 numbered copies. 4to., cloth with wood-veneer spine and boards, cloth slipcase, 229pp., 20 tipped-on plates. Near Fine, slipcase has very light edge-wear.
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WOMAN DRAWING

by Packard, Emmy Lou

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Packard, Emmy Lou (American, 1914 - 1998). WOMAN DRAWING. Color Woodcut, not dated. Edition size not known. Signed in pencil. 18 1/16" x 14 1/8" inches (image). 24 3/4 x 20 3/4 inches (sheet).
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ETCHINGS AND DRYPOINTS OF FRANK W. BENSON - AN ILLUSTRATED AND DESCRIP

by Paff and Arthur W. Heintzelman, Adam E.M.

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Benson, Frank W.. (Benson, Frank W.). ETCHINGS AND DRYPOINTS OF FRANK W. BENSON - AN ILLUSTRATED AND DESCRIPTIVE CATALOGUE by Adam E.M. Paff and Arthur W. Heintzelman. Houghton-Mifflin 1917-1959. Five Volumes, complete. Volumes One and Two are editions of 275 numbered copies, Volume Three is an edition of 525 numered copies, Volume Four is an edition of 600 numbered copies and Volume Five is an edition of 400 numbered copies. All 4to, cloth-backed boards, volumes Two through Five with DJs. Each volume with an original etched frontispiece, each of which is signed except for that in volume Five, which was published after Benson's death. The original etchings are: Vol 1: Pair of Ducks, 1916, Paff 102; Vol 2: Two Geese, 1919, Paff 158; Vol 3: On Set Wings, 1923, Paff 223; Vol 4: Flying Pintail, 1927, Paff 275; Vol 5: Perching Grouse, 1941, Paff 347. Though there were some proofs,these prints were not editioned separately from the catalogue, and were each printed in whatever edition size the catalogue… Read More
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LE PONT NEUF

by Pages, Jules Eugene

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Pages, Jules Eugene. LE PONT NEUF. Lithograph, not dated. Edition of 20. Titled, numbered 4/20 and signed in pencil. 9 x 12 3/4 inches (image), 11 1/4 x 15 3/4 inches (sheet). In excellent condition.
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JAMES BALDWIN #8

by Paignton, John

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Excellent. Paignton, John (John S, Barrington, English 1920-1991). JAMES BALDWIN #8. One of a group of 10 photographs of James Baldwin, one of which was used as the Dust Jacket image for the English edition of "The Furious Passage of James Baldwin" by Fern Marja, published in 1968. Gelatin Silver print, c.9 1/8 x 6 3/4 inches, 232x171 mm. Each print with a number in ink, on verso, this being #8. "John Paignton was the pseudonym of John S. Barrington. Barrington is better known for his photographs of physique models published during the 1950s and 60s. After the war, he managed to get some of his earlier photos into physique magazines of the time and also started advertising at magazine kiosks in London. That's how he met Neville Woodbury, an artist and collector. Woodbury would later start an imprint that published a handful of books. In exchange for photography lessons and models supplied by Barrington he produced both Out of Sickness (with Barrington's original cover art signed 'J.S.B.') published… Read More
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JAMES BALDWIN #4

by Paignton, John

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Excellent. Paignton, John (John S, Barrington, English 1920-1991). JAMES BALDWIN #4. One of a group of 10 photographs of James Baldwin, one of which was used as the Dust Jacket image for the English edition of "The Furious Passage of James Baldwin" by Fern Marja, published in 1968. Gelatin Silver print, c.9 1/8 x 6 3/4 inches, 232x171 mm. Each print with a number in ink, on verso, this being #4 "John Paignton was the pseudonym of John S. Barrington. Barrington is better known for his photographs of physique models published during the 1950s and 60s. After the war, he managed to get some of his earlier photos into physique magazines of the time and also started advertising at magazine kiosks in London. That's how he met Neville Woodbury, an artist and collector. Woodbury would later start an imprint that published a handful of books. In exchange for photography lessons and models supplied by Barrington he produced both Out of Sickness (with Barrington's original cover art signed 'J.S.B.') published… Read More
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JAMES BALDWIN #1

by Paignton, John

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Excellent. Paignton, John (John S, Barrington, English 1920-1991). JAMES BALDWIN #1. One of a group of 10 photographs of James Baldwin, one of which was used as the Dust Jacket image for the English edition of "The Furious Passage of James Baldwin" by Fern Marja, published in 1968. Gelatin Silver print, c.9 1/8 x 6 3/4 inches, 232x171 mm. Each print with a number in ink, on verso, this being #1. "John Paignton was the pseudonym of John S. Barrington. Barrington is better known for his photographs of physique models published during the 1950s and 60s. After the war, he managed to get some of his earlier photos into physique magazines of the time and also started advertising at magazine kiosks in London. That's how he met Neville Woodbury, an artist and collector. Woodbury would later start an imprint that published a handful of books. In exchange for photography lessons and models supplied by Barrington he produced both Out of Sickness (with Barrington's original cover art signed 'J.S.B.') published… Read More
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JAMES BALDWIN #10

by Paignton, John

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Excellent. Paignton, John (John S, Barrington, English 1920-1991). JAMES BALDWIN #10. One of a group of 10 photographs of James Baldwin, one of which was used as the Dust Jacket image for the English edition of "The Furious Passage of James Baldwin" by Fern Marja, published in 1968. Gelatin Silver print, c.9 1/8 x 6 3/4 inches, 232x171 mm. Each print with a number in ink, on verso, this being #10. "John Paignton was the pseudonym of John S. Barrington. Barrington is better known for his photographs of physique models published during the 1950s and 60s. After the war, he managed to get some of his earlier photos into physique magazines of the time and also started advertising at magazine kiosks in London. That's how he met Neville Woodbury, an artist and collector. Woodbury would later start an imprint that published a handful of books. In exchange for photography lessons and models supplied by Barrington he produced both Out of Sickness (with Barrington's original cover art signed 'J.S.B.')… Read More
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JAMES BALDWIN #6

by Paignton, John

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Used - Excellent
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Excellent. Paignton, John (John S, Barrington, English 1920-1991). JAMES BALDWIN #6. One of a group of 10 photographs of James Baldwin, one of which was used as the Dust Jacket image for the English edition of "The Furious Passage of James Baldwin" by Fern Marja, published in 1968. Gelatin Silver print, c.9 1/8 x 6 3/4 inches, 232x171 mm. Each print with a number in ink, on verso, this being #6. "John Paignton was the pseudonym of John S. Barrington. Barrington is better known for his photographs of physique models published during the 1950s and 60s. After the war, he managed to get some of his earlier photos into physique magazines of the time and also started advertising at magazine kiosks in London. That's how he met Neville Woodbury, an artist and collector. Woodbury would later start an imprint that published a handful of books. In exchange for photography lessons and models supplied by Barrington he produced both Out of Sickness (with Barrington's original cover art signed 'J.S.B.') published… Read More
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GUSTAVE MOREAU

by Paladilhe and Jose Pierre, Jean

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Used
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Hardcover
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NZ$43.01
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Moreau, Gustave. (Moreau, Gustave). GUSTAVE MOREAU by Jean Paladilhe and Jose Pierre. Praeger, NY, 1972. 4to., cloth, DJ, 111pp., illustrated. Fine, DJ has a few nicks and tears.
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PICASSO EN CATALUNA

by Palau I Fabre, Josep

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Hardcover
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1966. Picasso, Pablo. (Picasso, Pablo). PICASSO EN CATALUNA by Josep Palau I Fabre. Poligrafa, Barcelona, 1966. Lg. sq. 4to., cloth, DJ, 257pp., 161 illustrations in color and b/w, text in Spanish, English, French and German. Fine, DJ has some discreet tape repairs to spine extremities.
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CHUGGETY-CHUG

CHUGGETY-CHUG

by Pannell and Ralph Henry, Lucille

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1944. Evans, Katherine. Moveable. (Evans, Katherine)illus. CHUGGETY-CHUG by Lucille Pannell and Ralph Henry. Wilcox & Follett Co., Chicago, 1944. Oblong 8vo. Rhymes are read as train is folded out to nine-car length. VG
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UNITITLED - FROM UNIVERSAL ELECTRONIC VACUUM

by Paolozzi, Eduardo

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Paolozzi, Eduardo (English, 1924-2005). Screenprint, 1967. Signed, dated and inscribed "A/P" all in pencil. 35 7/8 x 24 inches. In very good condition except for evidence of waterstain in the lower margin, not affecting the image. This is the image with the head of Goofy at the top.
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CHARLES MERYON

by Papini, Roberto

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Used
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Hardcover
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NZ$215.06
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Meryon, Charles. (Meryon, Charles). CHARLES MERYON by Roberto Papini. Florence, 1928 (edition of 1000 copies). 4to., boards with paste-on portrait of Meryon, 38pp. text, in Italian, frontispiece portrait by Braquemond, and 28 b/w plates. Very Good except outer hinges starting to split, and with a small loss to the paste-on illustration on the front cover. Scarce.
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PUENTE RAMONET, TASCO

by Pappe, Carl

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NZ$946.28
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Pappe, Carl. Pappe, Carl. PUENTE RAMONET, TASCO. Woodcut, c.1940s-60s. Edition unstated. This print is one of a series of 16 images, all of scenes in Taxco, distinguished by the strength of the carving and the richness of the blacks. 11 7/8 x 14 1/2 inches (image), 13 1/2 x 15 3/4 (sheet). Titled and signed in pencil. In excellent condition. Carl Pappe, American, born in Hungary. 1900-1998. Pappe lived and worked in Cleveland, and began to spend time in Mexico in the 1930s.
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LA LAGUNA

by Pappe, Carl

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Pappe, Carl. Pappe, Carl. LA LAGUNA. Etching, not dated. Edition of 16. Titled, numbered "4/16"and signed in pencil. 19 1/4 x 24 3/4 inches; margins of about 3/4 inch on each side. In excellent condition. Carl Pappe, American, born in Hungary. 1900-1998. Pappe lived and worked in Cleveland, and began to spend time in Mexico in the 1930s.
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CALLE EX CONVENTO, TASCO

by Pappe, Carl

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Pappe, Carl. Pappe, Carl. CALLE EX CONVENTO, TASCO. Woodcut, c.1940s-60s. Edition unstated. This print is one of a series of 16 images, all of scenes in Taxco, distinguished by the strength of the carving and the richness of the blacks. 12 x 14 1/4 inches (image), 13 1/2 x 15 3/4 (sheet). Titled and signed in pencil. In excellent condition. Carl Pappe, American, born in Hungary. 1900-1998. Pappe lived and worked in Cleveland, and began to spend time in Mexico in the 1930s.
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STEAM FRIGATE CYCLOPS OFF SPITHEAD

by Papprill (after Knell), Henry A.

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Used
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Papprill, Henry A. Papprill (after Knell), Henry A. STEAM FRIGATE CYCLOPS OFF SPITHEAD. etching with hand-coloring, a 20th Century reprint of the original print published by Ackermann in 1857. 18 x 25 inches, 457 x 635 mm. (image); 25? x 32? inches, 648 x 826 mm. (sheet), framed to 30 x 36 inches. Matting shows acidity and should be replaced, else in very good condition, with the colors very bright and fresh.
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ROOF TOPS

by Parish, Betty Waldo

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Used
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Parish, Betty Waldo. Parish, Betty Waldo (American, 1910-1986). ROOF TOPS. Etching, not dated, likely 1940s. Edition of 18. Titled, numbered and signed in pencil. 5 x 3 1/2 inches. A printer's crease, and a crease across the lower center of the sheet from folding, still an appealing, atmospheric impression of the city in snow. Rare.
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