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The Honble. Thomas Wentworth Esqr

The Honble. Thomas Wentworth Esqr

by RAMSAY, Allan (1713-1784) engraved by Alexander VAN HAECKEN

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London, 1745. Mezzotint. Printed on laid paper. In fair condition with the exception of being trimmed within the plate mark on all sides. Edges of sheet have been remargined. Image is slightly rubbed. Image size: 12 3/8 x 9 7/8 inches. A fine quality mezzotint portrait of Thomas Wentworth, Commander in Chief of the British forces in America. An excellent image by Alexander Van Haecken, younger brother of Joseph Van Haecken (Van Aken) who worked for some time as Ramsay's studio assistant, specialising in drapery. Ramsay, son of the poet of the same name, achieved a great level of success as a portrait painter, but after his appointment in 1767 as portrait painter to the King, he became, for a while, the most fashionable of them all. The present work is a print from one of the earlier works done before he received the royal seal of approval. Not in O'Donoghue.
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The Life of George Washington, Commander in Chief of the Armies of the United States of America,...
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The Life of George Washington, Commander in Chief of the Armies of the United States of America, throughout the War which Established Their Independence; and First President of the United States

by RAMSAY, DAVID

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New York: Printed by Hopkins & Seymour, 1807. 8vo. (8 1/2 x 5 1/8 inches). viii, 376pp., lacking the frontispiece portrait. Contemporary calf, gilt spine label. Hinges cracked, spine extremities chipped, boards scuffed. Closed tear to title page. Light tanning, occasional foxing. One of the standard early Washington biographies. An early life of George Washington by American physician, politician and historian David Ramsey (1749-1815) who "remained to the end the pious, benevolent, and unwearied public servant" (DAB). Ramsay's laudatory biograph emphasized the political and military side of Washington in contrast to other biographers such as Mason Locke Weems. Howes R38; Shaw & Shoemaker 13461.
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The Present State of the Morea, called anciently Peloponnesus: which hath been near two hundred...

The Present State of the Morea, called anciently Peloponnesus: which hath been near two hundred years under the dominion of the Turks and is now very much depopulated. Together with a description of the city of Athens, Islands of Azant, Sstrafades, and Serigo

by RANDOLPH, Bernard

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London, 1686. [2], 26pp. Disbound. Contemporary notations and stains to titlepage. Moderate wear and foxing. Irregularly trimmed, shaving a few letters in the foredge of leaf C4. First printed in 1686 in two editions, the present London edition and an edition in Oxford. Blackmer argues that the Oxford edition should have precedence, though both editions are scarce, and this London edition is known in fewer copies. This London edition includes a description of Cerigo, not found in the Oxford edition. Randolph's description of the Morea, also known as the Peloponnesus, is a valuable account of southern mainland Greece, based on his own firsthand observations while a merchant there. He describes several important port cities, their attributes, suitability for commerce, and the quality of life there for the Greek and Turkish residents. "By 1664 he was living in Smyrna and he traded extensively through the Aegean region of the Ottoman empire until after 1680. Between 1683 and 1684 he travelled three… Read More
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[Psyches et Amoris nuptiae fabula a Raphaele Sanctio Urbinate Romae in Farnesianis hortis...
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[Psyches et Amoris nuptiae fabula a Raphaele Sanctio Urbinate Romae in Farnesianis hortis Transtyberim ad veterum aemulationem ac laudem colorum luminibus expressa a... Dorigny... delineata et incisa, et a Ioanne Petro Belloriio notis illustrata]

by RAPHAEL. Raffaello Sanzio d'Urbino (1483-1520) - Nicolas DORIGNY (1648-1746, engraver)

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Rome: Domenico de' Rossi, 1693. Large folio. 10 hand-coloured engraved plates by Dorigny on laid paper (each 15 7/8 x 26 inches approximately), titles and imprints printed in gold, black ink-ruled borders, each plate cut to the edge of the image, mounted on large sheets of contemporary thick laid paper (each 29 3/8 x 40 3/8 inches approximately). Unbound A very fine suite of richly hand-coloured plates offering a stunning visual record of one of the best of the decorative interior schemes carried out by Raphael in Rome. This wonderful series records Raphael's 'Cupid and Psyche' series of frescoes, carried out by him between 1516 and 1518 in the Loggia of Psyche in the villa Farnesina in Rome. The series also comes with a title and an eleventh plate of the ceiling fresco in the adjoining Sala di Galatea, executed in 1512: neither the plate nor the title are present here. Originally published by the Rossis, the engravings are the work of Nicolas Dorigny (1658-1746) who lived and worked in Rome… Read More
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The Costumes of the Various Tribes, Portraits of Ladies of Rank, Celebrated Princes and Chiefs,...
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The Costumes of the Various Tribes, Portraits of Ladies of Rank, Celebrated Princes and Chiefs, Views of the Principal Fortresses and Cities, and Interior of the Cities and Temples of Afghaunistaun

by RATTRAY, James; Lieutenant

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London: Hering & Remington, 1848. Folio. (23 1/2 x 16 3/4 inches). Hand coloured lithographed additional title, 25 hand coloured lithographed plates (i.e. numbered 1-30, with plates 6/7, 14/15, 19/20 and 24/25 on single sheets). Contemporary full red morocco, gilt decoration on front and rear boards with gilt title on front, spine gilt in six compartments, gilt title in second compartment, marble endpapers. The finest illustrated book on Afghanistan and an important color plate book issued in the early days of the "Great Game," in a magnificent contemporary morocco binding. Published in London between 1847 and 1848, this important work was one of the first texts to chronicle the British conflict in Afghanistan. Rattray, who served with the 2nd Grenadiers, Bengal Army, during the conflict, took great pains to note specific details of dress and local customs of the Afghani soldiers and statesmen with whom he came into contact. He held the Afghan landscape, costume, and architecture in high esteem and… Read More
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Sequoia Wellingtonia. The Two Guardsmen
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Sequoia Wellingtonia. The Two Guardsmen

by [RAVENSCROFT, Edward James (1816-1890)] - W.H. MCFARLANE (lithographer)

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London & Edinburgh, 1867. Hand-coloured lithograph. Sheet size: 22 1/4 x 16 3/4 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the former group, here lithographed by W.H. McFarlane. Cf. Nissen, BBI, 1588; cf.Great Flower Books (1990), p. 127; cf. Stafleu &Cowan 8685.
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Taxodium montezumae (now mucronatum) Montezuma Cypress
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Taxodium montezumae (now mucronatum) Montezuma Cypress

by [RAVENSCROFT, Edward James [1816-1890] - William RICHARDSON

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Edinburgh & London, 1877. Hand-coloured lithograph by Day & Son. Sheet size: 22 3/8 x 16 7/8 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the latter group, here by and after William Richardson. Cf. Nissen BBI 1588; cf. Great Flower Books (1990) p.127; cf. Stafleu & Cowan 8685.
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Picea nobilis. Loudon. (Red Fir)
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Picea nobilis. Loudon. (Red Fir)

by [RAVENSCROFT, Edward James [1816-1890] - James BLACK

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Edinburgh & London, 1863. Hand-coloured lithograph. Sheet size: 21 1/2 x 15 7/8 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the former group, here drawn and lithographed by James Black. Cf. Nissen BBI 1588; cf. Great Flower Books (1990) p.127; cf. Stafleu & Cowan 8685.
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Picea apollinis. Link. (Greek Fir)
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Picea apollinis. Link. (Greek Fir)

by [RAVENSCROFT, Edward James [1816-1890] - James BLACK

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Edinburgh & London, 1864. Hand-coloured lithograph. Sheet size: 21 1/2 x 15 7/8 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the former group, here drawn and lithographed by James Black. Cf. Nissen BBI 1588; cf. Great Flower Books (1990) p.127; cf. Stafleu & Cowan 8685.
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Abies carpatica
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Abies carpatica

by [RAVENSCROFT, Edward James [1816-1890] - James BLACK

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Edinburgh & London, 1873. Hand-coloured lithograph. Sheet size: 21 1/2 x 15 7/8 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the former group, here drawn and lithographed by James Black. Cf. Nissen BBI 1588; cf. Great Flower Books (1990) p.127; cf. Stafleu & Cowan 8685.
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Picea pinsapo. (Spanish Fir)
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Picea pinsapo. (Spanish Fir)

by [RAVENSCROFT, Edward James [1816-1890] - James BLACK

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Edinburgh & London, 1863. Hand-coloured lithograph. Sheet size: 21 1/2 x 15 7/8 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the former group, here drawn by James Black and lithographed by Robert Black. Cf. Nissen BBI 1588; cf. Great Flower Books (1990) p.127; cf. Stafleu & Cowan 8685.
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Abiea hookeriana Abies pattoniana
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Abiea hookeriana Abies pattoniana

by [RAVENSCROFT, Edward James [1816-1890] - James BLACK

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Edinburgh & London, 1863. Hand-coloured lithograph. Sheet size: 21 1/2 x 15 7/8 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the former group, here drawn by James Black and lithographed by Robert Black. Cf. Nissen BBI 1588; cf. Great Flower Books (1990) p.127; cf. Stafleu & Cowan 8685.
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Cupressus tortulosa (Kashmir Cyrpess)
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Cupressus tortulosa (Kashmir Cyrpess)

by [RAVENSCROFT, Edward James [1816-1890] - James BLACK

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Edinburgh & London, 1867. Hand-coloured lithograph by Robert Black. Sheet size: 21 5/8 x 15 7/8 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the former group, here drawn by James Black and lithographed by Robert Black. Cf. Nissen BBI 1588; cf. Great Flower Books (1990) p.127; cf. Stafleu & Cowan 8685.
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Cedrus Deodara, at Nachar from a drawing by the late Lady Canning (Himalyan Cedar)
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Cedrus Deodara, at Nachar from a drawing by the late Lady Canning (Himalyan Cedar)

by [RAVENSCROFT, Edward James [1816-1890] - William RICHARDSON

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Edinburgh & London, 1867. Hand-coloured lithograph. Sheet size: 21 1/2 x 15 3/4 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the latter group, here drawn from a drawing by William Richardson and lithographed by F. Schenck. Cf. Nissen BBI 1588; cf. Great Flower Books (1990) p.127; cf. Stafleu & Cowan 8685.
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Sequoia Wellingtonia. Mariposa Grove, South California
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Sequoia Wellingtonia. Mariposa Grove, South California

by [RAVENSCROFT, Edward James (1816-1890)] - F. SCHENCK (lithographer)

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London & Edinburgh, 1867. Hand-coloured lithograph. Very good condition apart from some overall light soiling and minor foxing. Sheet size: 22 x 16 1/2 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the former group, here lithographed by W.H. Schenk. Cf. Nissen, BBI, 1588; cf. Great Flower Books (1990), p. 127; cf. Stafleu & Cowan 8685.
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Cupressus nutkaensis (Nootka or Alaska Cedar)
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Cupressus nutkaensis (Nootka or Alaska Cedar)

by [RAVENSCROFT, Edward James [1816-1890] - R.K. GREVILLE

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Edinburgh & London, 1869. Hand-coloured lithograph J. D. Carmichael. Sheet size: 21 5/8 x 16 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the former group, here drawn by Greville and lithographed by J.D. Carmichael. Cf. Nissen BBI 1588; cf. Great Flower Books (1990) p.127; cf. Stafleu & Cowan 8685.
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Abies douglasii (Douglas Fir)
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Abies douglasii (Douglas Fir)

by [RAVENSCROFT, Edward James [1816-1890] - James BLACK

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Edinburgh & London, 1873. Hand-coloured lithograph. Sheet size: 21 1/2 x 15 3/4 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the former group, here drawn by James Black and lithographed by Robert Black. Cf. Nissen BBI 1588; cf. Great Flower Books (1990) p.127; cf. Stafleu & Cowan 8685.
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Abies orientalis. (Caucasian Spruce)
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Abies orientalis. (Caucasian Spruce)

by [RAVENSCROFT, Edward James [1816-1890] - James BLACK

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Edinburgh & London, 1866. Hand-coloured lithograph. Sheet size: 21 1/2 x 15 3/4 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the former group, here drawn by James Black and lithographed by Robert Black. Cf. Nissen BBI 1588; cf. Great Flower Books (1990) p.127; cf. Stafleu & Cowan 8685.
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L'Histoire Naturelle éclaircie dans une de ses parties principales l'ornithologie, qui traite...

L'Histoire Naturelle éclaircie dans une de ses parties principales l'ornithologie, qui traite des oiseaux de terre, de mer et de riviere

by RAY, John (1628-1705); and François SALERNE (1705-1760)

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Paris: Debure Pere, 1767. Quarto. (11 1/4 x 8 1/2 inches). Half-title. xii, [4], 464pp. 31 engraved plates, engraved by and after Martinet, including the allegorical frontispiece. Contemporary mottled calf, covers bordered in blind, spine with raised bands in six compartments, red morocco lettering piece in the second, the others with a repeat decoration in gilt. The first French edition of the ornithological portions of Ray's Synopsis methodica avium & piscium (London, 1713). A translation of John Ray's posthumous work in Latin, Synopsis Avium (1713), this edition greatly augmented by François Salerne with his own observations and others taken from Belon, Aldrovanus, Willughby, Gesner and Linnaeus. "The whole constitutes a work on ornithology of considerable value, furnishing a description of many species of birds, their habits, physical characters, vulgar names," (Wood) and other information. Of further note are the illustrations, engraved by and after Martinet. Anker 414; Cottrell 16l; Fine… Read More
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Sertum anglicum, seu plantae rariores quae in hortis juxta Londinum
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Sertum anglicum, seu plantae rariores quae in hortis juxta Londinum

by REDOUTÉ, After Pierre-Joseph (1759-1840), and BRUTELLE, Charles-Louis L'Héritier de

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Paris: Pierre-François Didot, 1792. 4 parts in one volume, folio. (20 1/8 x 14 1/8 inches). (4) 36pp., 35 plain engraved plates (including 15 bis), of which 22 are by Redouté and 10 are by Sowerby. Contemporary blue paper boards, rebacked with brown calf preserving original spine. L'Heritier, a wealthy French nobleman and botanist, published a number of important specimen books in the 1780's, illustrating exotic plants found in Europe. In the process he launched the career of Redouté by publishing his illustrations and by introducing him to the highest levels of Parisian society. In addition he instructed Redouté in plant anatomy, the techniques of dissection, and made his large collection of books and specimens available to the young artist. While L'Heritier advised Redouté in the appropriate details necessary for correct botanical drawings, the Dutch flower painter, Gerrit van Spaendonck, encouraged the young artist's talents by teaching him the techniques for capturing variations in tone and… Read More
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