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[Kakemono 掛け物 - Hanging Scroll] [Painting of a potter and her kiln]
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[Kakemono 掛け物 - Hanging Scroll] [Painting of a potter and her kiln]

by Ōta Saburo 太田三郎, artist

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19. [Kakemono 掛け物 - Hanging Scroll] Ōta Saburo 太田三郎, artist [Painting of a potter and her kiln] [Kakemono 掛け物 - Hanging Scroll] Ōta Saburo 太田三郎, artist. [Painting of a potter and her kiln]. Image size 36.8 X 42.1 cm. Original mounting. The painting is sealed by Ōta Saburo 太田三郎 (1884-1969), a student of the early western-style oil painter Kuroda Seiki 黒田清輝 (1866-1924) and a master in his own right. Perhaps Ōta's most famous work is the series of images in his Taisho-era 2 volume book, Asa Giri 朝霧 [Morning Mist]. In this hanging scroll his rendition of a tile baker and her kiln is lively and colorful.
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PHOTOGRAPH: VIEW OF MUIR GLACIER AND MORAIN, GLACIER BAY ALASKA
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PHOTOGRAPH: VIEW OF MUIR GLACIER AND MORAIN, GLACIER BAY ALASKA

by TABER, I. W.

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1889. MUIR GLACIER BEFORE DEVASTATING CLIMATE CHANGE EFFECTS TABER, I. W. [photographer]. ALBUMEN PHOTOGRAPH: VIEW OF MUIR GLACIER AND MORAIN, GLACIER BAY, ALASKA. 8 x 9.5 inches, mounted on 11 x 14 inch board. Photo captioned at bottom: "4582. View of Muir Glacier and Morain, Glacier Bay, Alaska. Copyrighted by I. W. Taber, 1889." Mount chipped and torn, not affecting image, which is in fine and has warm sepia tones. Isaiah West Taber (1830-1912) was one of the most well known American photographers in California and the West in the late 19th century. His clients included Queen Victoria, seven U.S. presidents, Enrico Caruso, Lily Langtry and Sarah Bernhardt. A collection of his photographs of noted Californians was donated to the California State Museum. His studio in San Francisco also produced a series of stereoscopic views of western scenery. The studio, along with all of his glass negatives, was destroyed in the 1906 earthquake.(Kurutz p.20) Muir Glacier, formerly the most famous of the… Read More
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THE ANNALS OF TACITUS

by TACITUS

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1882. TACITUS; ed. & annotated by Geo. O. HOLBROOKE. THE ANNALS OF TACITUS. London: Macmillan & Co., 1882. xxiv + [4] + 530 pp. + 2 pp. publisher's advertisements. 8vo., red cloth stamped in gilt on spine. Spine sunned, soiled; corners bumped. Coated black endpapers. Owner's inkstamp to half-title, ink ownership to title page. Light foxing to title page and last page of publisher's catalogue. Folding colr map frontispiece fine, with foxed tissue guard. In Latin with notes in English. Color map of the City of Rome precedes text.
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C. CORNELLI TACITI OPERA

by TACITUS

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1817. TACITUS. C. CORNELLI TACITI OPERA, ex editione Jer. Jac. Oberlini, sedula recensione accurata: quibus accesserunt Gabrielis Broterii, Supplementa, cum locupleti indice. Londini: Sumtibus Rodwell et Martin, etc...1817. In three volumes. 12mo., original paper-covered boards, untrimmed. The expected age-mottling, rubbing and soil to boards, which are lightly bumped and dampstained in spots, with some chipping to the spines. Partially unopened texts, which bear some foxing and dog-ears. A good set, with quite tight bindings.
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SAKURA-COSM
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SAKURA-COSM

by [PHOTOGRAPHY - JAPANESE] NAITO^ Tadayuki

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2001. [PHOTOGRAPHY - JAPANESE] NAITO Tadayuki. SAKURA-COSM. Tokyo, Switch Corp., 1990. Folio, with publisher's bellyband, all in dustwrapper, Fine. Signed by Naito.
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LONG VIEW

by TAGGARD, GENEVIEVE

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SIFE. TAGGARD, Genevieve. LONG VIEW. New York: Harper & Brothers, 1942. First edition, inscribed by the author to A. Laing. The top edge is spotted and the boards are lightly soiled and warped. In all this is a very good copy.
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LONG VIEW

by TAGGARD, Genevieve

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1947. TAGGARD, Genevieve. LONG VIEW. San Francisco: The Book Club of California, 1947. Part four of the California Poetry Folios; limited to 750 copies. A quarto folder, produced at the Aquarius Press, containing the title poem and a brief commentary by the author. A fine copy. Laid-in is an announcement for this number on Book Club of California letterhead.
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LONG VIEW

by TAGGARD, GENEVIEVE

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SIFE. TAGGARD, Genevieve. LONG VIEW. New York: Harper & Brothers, 1942. First edition, inscribed by the author to A. Laing. The top edge is spotted and the boards are lightly soiled and warped. In all this is a very good copy.
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TAIKAN

by TAIKAN

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1962. [Yamamoto Taikan]. TAIKAN. Modern Master of Oriental-style Painting, 1868-1958. Tokyo: Kodansha, (1962). First edition. 4to., tan cloth; 94pp. with 46 illustrations, 20 in color. Fine, in the dust jacket.
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HANGA KYOTO 版画京都
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HANGA KYOTO 版画京都

by MINAKAWA Taizou 皆川泰蔵

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MINAKAWA Taizou 皆川泰蔵, , HANGA KYOTO 版画京都. Kyoto, n.d. [c.late 50s, early 60s.] Twelve wonderful Sousaku Hanga Creative Print Movement creations, each about 11" x 15", capturing famous sites of the old capital in a colorful and bold style, true to the spirit of the Creative Print Movement. Minakawa was famous as a potter and weaver and dyer, but here he turns to designing these wonderful prints. They were cut and printed in color woodblock by the masters at Unsoudou, the great Kyoto printing house. So iterating a traditional collaboration, here in a creative print style. But certainly not self-cut or self-printed. Lie the great design artists of the NeoRimpa movement, they relied on Unsodo here to capture their inspiration. It might be said that Minakawa's work here has been lost to history. Single prints from the set reach the marketplace, but this is the first complete album to reach the market in my memory. With the original contents [prints, preliminaries, etc.] of the dark blue,… Read More
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Kantei Hiketsu TO^KI RUISHU^ Jo^, Chu^, Ge

by TAKAGI [Josui?, Yukimizu?] , author

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1908. [POTTERY] TAKAGI [Josui?, Yukimizu?], author. Kantei Hiketsu TO^KI RUISHU^ Jo^, Ge. Tokyo: Aoki Susando^, Meiji 41 [1908]. 3 volumes, 18 x 12.4 cm., paper covers, string-bound Japanese-style, fukuro toji. Printed throughout in b+w woodcut on thin Chinese-style hard paper. A "secret guide" to the connoisseurship of pottery. Interesting, informative and all in Japanese. Slightly browned throughout, complete as issued. 3 volumes.:.
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SASHIE
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SASHIE

by TAKAHAMA Kyoshi, editor

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1911. TAKAHAMA Kyoshi, editor. SASHIE. Tokyo, Kokado, Meiji 44 [1911]. This is a "saihan" printed a few days after the first impression. Bound Western style in illustrated boards, 8vo., 421+pp. This wonderful book takes its title [ILLUSTRATION] very seriously. It has crammed from beginning to end with illustrations, both color and b+w, printed with machine-based techniques but with a freshness and appealing naivete that the HOTOTOGISU artists were famous for. The full complement of the most important members of the literary and artistic group that first gathered around Masaoka Shiki. After Shiki's premature death the brilliant poet Takahama Kyoshi and academic and author Natsume Soseki became the leaders of the group. Such wonderful and established artists as Asai Chu and Nakamura Fusetsu, along with younger artists, Hashiguchi Goyo, Tsuda Seifu, etc., were also allied by sympathy and friendship with the group. Here they have put together a wonderful compilation of their "style" in illustration. The… Read More
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BUDDHISM AS WE FIND IT IN JAPAN

by TAKAKUSU, Prof

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19. TAKAKUSU, Prof. "BUDDHISM AS WE FIND IT IN JAPAN." [n.p., n.d.] Possibly an offprint, perhaps 1910, but without wrappers. 16 pp., sewn. Dust-soiling to first and last page, but very good overall.
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SO^TATSU

by (TAKAMIZAWA, Publisher)

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1940. (TAKAMIZAWA, Publisher). SOTATSU. Tokyo: Takamizawa Mokuhansha, Sho^wa 15 [1940]. Small folio, with 172 illustrations and a 9 page biography. Text is entirely in Japanese. Important reference to Sotatsu's work. A number of lovely facsimile woodcuts highlight the volume. Number 387 of 800 copies. Printed paper covered boards with a cloth spine, paper title label. External skinning, rubbing and soiling to binding, with rear hinge starting. Some internal creasing, otherwise clean Good. Takamizawa publications are quite sought after and have become scarce.
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BAKUMATSU MEIJI BUMMEI KAIKA

by HASHIYAMA Takashi

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1979. HASHIYAMA Takashi. BAKUMATSU MEIJI BUMMEI KAIKA. Nagoya: Maspro, Sho^wa 54 [1979] Folio, paper over boards. 222 pp. The first complete study of late ukiyo-e prints from the era of Perry to mid-Meiji [approx 1855-1890]. The text is in Japanese, but the captions of the illustrations are romanised, as well. The text is illustrated in color throughout, much care was taken to ensure the fidelity of the colors reproduced. In fine condition, with the original plastic dustwrapper.
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Kōzan Kafu 高山花譜
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Kōzan Kafu 高山花譜

by Takeda Hisayoshi 武田久吉, author & Funazaki Kōjirō 船崎光治郎, artist

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1947. Takeda Hisayoshi 武田久吉, author & Funazaki Kōjirō 船崎光治郎, artist. Kōzan Kafu 高山花譜. Tokyo: Fugaku Honsha 富岳本社. Shōwa 22 昭和22 [1947]. 73 pages. Author and artist hanko are tipped-in to colophon. 28.5 x 20.5 cm, bound western-style (opens Japanese style) with a color, wrap-around woodblock-printed dust wrapper. In modern chitsu with clasps. Foreword by author and botanist Takeda Hisayoshi 武田久吉 (1883-1972) and afterword by artist Funazaki Kōjirō 船崎光治郎. Index with guide to plates with plant names in Latin and Japanese. The 33 laid-down color woodcut prints of mountain flowers by Funazaki enhance the text and its black and white halftones. They are in a sōsaku hanga 創作版画 (Creative Print Movement) style and are quite beautiful. It is obvious that this work was more than a botanical guide with its large format and lovely prints. It is remarkable that works like this were being published in 1946-7 in Japan, considering the extreme… Read More
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Ex Libris Sakuhinshū (Ex Libris 作品集)
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Ex Libris Sakuhinshū (Ex Libris 作品集)

by Takei Takeo 武井武雄

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Ex Libris Sakuhinshū (Ex Libris 作品集) Takei Takeo 武井武雄 Gohachi, publisher Tokyo 1963 18.5 x 13.5cm volume bound western style and opens Japanese style. Ex Libris collection with the artist's ex libris color woodblock "title page" in bookplate format tipped onto the front free endpaper. Table of Contents and artist's afterword in Japanese text. Printed title slip on front cover. One of 200 copies printed. A collection of 50 original woodblock print bookplates, in color, each tipped in on an unpaginated leaf. By renowned artist and illustrator Takei Takeo 武井武雄 (1894 - 1983). Housed in a clamshell box with printed title slip. Fine condition.
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Shina Fūkō Zu-e 支那風光図絵
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Shina Fūkō Zu-e 支那風光図絵

by Takeuchi Seihō 竹内栖鳳, artist

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1936. [Print Album] Takeuchi Seihō 竹内栖鳳, artist Shina Fūkō Zu-e 支那風光図絵 Kyoto: Otsuka Kogeisha 大塚巧藝社 Showa 11 [1936] [Print Album] Takeuchi Seihō 竹内栖鳳. Shina Fūkō Zu-e 支那風光図絵. Kyoto, Otsuka Kogeisha 大塚巧藝社, Showa 11 [1936]; #32 of 150cc. Large gold cloth brocade portfolio 43 x 54 cm. Twelve prints of China [ea. 32 x 43 cm image size], wonderfully well printed using a hybrid of collotype with woodcut printed color overlays. Clasped portfolio with printed silk title label. The prints are tipped onto backing mattes. Overall the prints themselves are in fine condition. Baldinger in his article about Seihō (1864-1942) mentions this series as complete in 12 (of a total of 36 projected) images. Displayed in 1922 at the Japan-France exchange, one of his original paintings, Soshū no Ame 蘇州の雨 [Rain at Suzhou] won Seihō membership in the French Legion of Honor in 1924 as "Chevalier." (Seihō later received the rank of "Officier"… Read More
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HARP OF BURMA

by TAKEYAMA,MICHIO

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1966. TAKEYAMA, MICHIO. HARP OF BURMA. Translated from the Japanese by Howard Hibbett. Rutland, VT: Charles Tuttle, (1966). First American edition. Small 8vo., green cloth. Fine, in a slightly edgeworn dust jacket.
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NINGEN BANZAI HANDS AND VOICES Photographs by Takeyoshi Tanuma
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NINGEN BANZAI HANDS AND VOICES Photographs by Takeyoshi Tanuma

by [PHOTOGRAPHY - JAPANESE] TANUMA Takeyoshi

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2000. [PHOTOGRAPHY - JAPANESE] TANUMA Takeyoshi. NINGEN BANZAI HANDS AND VOICES Photographs by Takeyoshi Tanuma. Tokyo, Creo Corporation, 2000. Folio, boards, illustrated throughout with color photos taken all over the world by Tanuma. Signed on the ffep by Tanuma. Fine condition in dustwrapper.
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