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New York: The Phoenix Book Shop, 1969. First edition of San Francisco poet Robert Duncan's Achilles' Song, in which the Greek hero imagines his mother, the sea nymph Thetis, calling him away from Troy: "Thetis, then, / my mother, has promised me / the mirage of a boat, a vehicle / of water within the water, / and my soul would return from / the trials of its human state, / from the long siege." This is one of 26 copies lettered A to Z, each with an original illustration by the author, out of a total of 126 signed copies. Achilles' Song was issued as Number 7 in the Phoenix Bookshop Oblong Octavo Series, a twenty-volume series that included poems by Marianne Moore, W.H. Auden, Amiri Baraka, Gregory Corso, and Louis Zukofsky. A fine copy, with an original drawing by Robert Duncan. Oblong volume, measuring 5 x 7 inches: [16]. Side-stitched olive green wrappers in integral pictorial dust jacket printed in green and black. Original color frontispiece drawing by Duncan executed in pen and crayon.…
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Achilles' Song
by Duncan, Robert
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American Critical Essays: Twentieth Century
by Beaver, Harold (editor); Auden, W.H.; Cowley, Malcolm; Matthiessen, F.O.; Mencken, H.L.; Pound, Ezra; Trilling, Lionel; Warren, Robert Penn; Wilson, Edmund; et al.
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London: Oxford University Press, 1959. First edition, publisher's presentation copy, of this midcentury collection of American men (and only men) of letters, signed by contributor Robert Penn Warren. Editor Harold Beaver construes "American" broadly, "not interpreting the word by place of birth or parentage only, but also by passport and length of residence," a decision that allows him to include W.H. Auden's essay on Henry James. Warren's contribution surveys the whole of William Faulkner's Yoknapatawpha fiction: "he writes of two Souths: he reports one South and he creates another." Other essayists include R.P. Blackmur, Cleanth Brooks, Van Wyck Brooks, Richard Chase, Malcolm Cowley, Horace Gregory, Irving Howe, Alfred Kazin, Harry Levin, F.O. Matthiessen, H.L. Mencken, Ezra Pound, Philip Rahv, I.A. Richards, Allen Tate, Lionel Trilling, Austin Warren, Edmund Wilson, Yvor Winters, and Morten Dauwen Zabel. A fine copy of a literary time capsule, published at the height of the New Criticism. Pocket…
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American dance orchestra signs, in original wooden case
by [EPHEMERA]
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United States, late nineteenth century. Six hand-painted signs used by an American dance orchestra to alert the audience to the proper steps. John Spitzer observes that in nineteenth-century New York, "hundreds of orchestras played on a daily basis in theaters, restaurants and beer gardens, concert halls, circuses, and amusement parks. The ubiquity of the orchestra in nineteenth-century American cities forms a striking contrast to the rather narrow range of venues to which twenty-first-century orchestras are confined." Each sign features the name of a different dance on each side: Polka, Schottische, March, Quadrille, Waltz, Mazurka, Varieties, Gavotte, Lancers, York, Triange, and Selection. These social dances reflect the midcentury influx of immigrants, especially Germans, who shaped the popular American musical scene. While the orchestra that commissioned these signs is unknown, the carrying case bears the initials "AEO." See also: American Orchestras in the Nineteenth Century, ed. Spitzer,…
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Amsterdam" (wallpaper sample)
by [DESIGN]; Cerio, Laetitia
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Bramsche: Gebr. Rasch & Co, 1950. Scarce sample of wallpaper signed in the print by "Letizia Cerio" (more often spelled "Laetitia"), Capri-based artist renowned for her spare, whimsical line drawings. Founded in the late nineteenth century, German wallpaper firm Rasch won an international reputation through its collaborations with modernist designers from the Bauhaus and Vienna Secession. In the 1950s and 1960s, owner Emil Rasch commissioned wallpaper designs from artists across Europe, including Salvador Dalí and Bruno Munari, for the International Artists Collection. Cerio's "Amsterdam" paper dates from this period. A fine example of midcentury popular design. Color pictorial wallpaper sample, measuring 15.5 x 18.5 inches, printed in gold and ivory. Stamped on verso: "RASCH WATERFAST / Amsterdam WT 10 / R 2076 / $3.95 PER SINGLE ROLL.".
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An Anatomie of the World, Wherein by Occasion of the Untimely Death of Mistris Elizabeth Drury the Frailtie and the Decay of This Whole World Is Represented
by Donne, John
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Shaftesbury: High House Press, 1929. Modern fine press edition of John Donne's 1611 elegy for Elizabeth Drury, the young daughter of his patron Robert Drury, number 27 of 170 copies printed by James and Beatrice Masters at the High House Press. Commonly known as the First Anniversary, Donne's poem uses the idealized figure of the dead girl to symbolize all that was lost in the fall: "She that did thus much, & much more could doe, / But that our age was Iron, and rusty too, / Shee, shee is dead; shee's dead; when thou knowest this, / Thou knowest how drie a Cinder this world is." The High House Press, founded by Dorset schoolmaster James Masters in 1924, specialized in small handpress editions of classic and contemporary poetry. A near-fine copy. Tall octavo, measuring 10.5 x 7.5 inches: [4], [7], 8-32, [4]. Original red and brown marbled boards, brown cloth spine with printed pastedown label, text uncut. Title page printed in red and black, red and blue decorated initials and headpieces throughout…
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A Apple Pie
by [ABC]; Greenaway, Kate; Evans, Edmund (wood engraver and printer)
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London: George Routledge & Sons, 1886. First edition, the Grolier 100 copy, inscribed by Kate Greenaway with three original sketches of young girls. First published in the eighteenth century, the ABC rhyme "The Tragical Death of A Apple Pye" appeared in countless chapbooks before Greenaway produced this colorful large-format edition. Her vibrant illustrations depict a crowd of children in Regency dress tussling over the oversized pie of the title. Finally, in Greenaway's original closing rhyme, "U V W X Y Z / All had a large slice / and went off to bed." A Apple Pie was a resounding popular success, although the book caused some tension between Greenaway and her friend John Ruskin, who disliked the stylized feet, "literal paddles and flappers," of Greenaway's children. Greenaway has inscribed this copy to Joan Ponsonby, born in 1887, the granddaughter of her close friends Gerald and Maria Ponsonby. The ink sketches of young girls that frame the gift inscription may be portraits of little Joan…
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Audubon
by Rourke, Constance; [Audubon, John James]; MacDonald, James (illustrator)
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New York: Harcourt, Brace and Company, 1936. First edition of this illustrated biography of John James Audubon, written by pioneering American anthropologist and folklorist Constance Rourke: "This biography had its more distant origin in a concern with American frontiers . . . but characters have a way of transcending the liveliest general questions." In her interest in Audubon as an immigrant and an artist, Rourke emphasized the resourcefulness and creativity that epitomized, for her, the American sensibility. Audubon was a Newbery Honor book for 1937, though Rourke maintained that the biography was not written solely for children. A very good example, in notoriously fragile dust jacket. Single volume, measuring 8.75 x 6.25 inches: [10], 342. Original blue cloth boards lettered in silver, original clipped typographic dust jacket. Twelve full-color plates after Audubon prints, black-and-white illustrations throughout text, biographer's note and index at rear. Bookplate to front pastedown. Dust jacket…
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