Search Results: Titles starting with E from Arroyo Seco Books

San Francisco Ca: Marianne Hinckle / Hinckle & Sons Printing Office, 1990. First Edition Thus . Soft cover. Fine. Single Sheet, Folded, Facsimile Of Invitation On Front Cover, Text Inside. One Of 110 Copies Only. Fine. A Keepsake For The Biennial Meeting Of The Roxburghe And Zamorano Clubs In October 1990

New York: Arts, Inc., 1961. First English Language Edition 1st Printing. Hardcover. Fine/Near Fine. Color Plates And B/W Illustrations. 163 Pp. Black Cloth Stamped In White. First English Language Printing. Fine In Very Near Fine Dj (Slight Rubbing At Spine Ends), In Slightly Used Slipcase / Shipping Case.

Rome, 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Etching, Colored In Shades Of Grey. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond (C.1705-1758) Was An English Painter And Engraver. He Was Educated In London, And Stayed For A Time In Rome Studying Art, In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752, And Died In Great Queen Street, Lincoln's Inn Fields, 9 September 1758. His Numerous Original Portraits Include Alexander Pope, William, Duke Of Cumberland, And Peg Woffington. Pond Was Also A Prolific Etcher, And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt, Raphael, Salvator Rosa, Parmigianino,… Read More

Rome Circa 1735, 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Etching, Colored In Shades Of Grey. Trimmed To Margins All Around. Small Losses At Upper Left And Lower Right Corners.One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. The Artist George Knapton's Brother, Charles Knapton, (1700-1760), Was Also An Artist And, Together With Arthur Pond (1705?-1758), Published A Book Imitations Of The Italian Masters (1735), Which Contained Many Engravings By Himself, Mainly Of Works By Guercino.

Rome, 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Etching, Colored In Shades Of Grey. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond (C.1705-1758) Was An English Painter And Engraver. He Was Educated In London, And Stayed For A Time In Rome Studying Art, In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752, And Died In Great Queen Street, Lincoln's Inn Fields, 9 September 1758. His Numerous Original Portraits Include Alexander Pope, William, Duke Of Cumberland, And Peg Woffington. Pond Was Also A Prolific Etcher, And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt, Raphael, Salvator Rosa, Parmigianino,… Read More

Rome Circa 1735, 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Etching, Colored In Shades Of Grey-Brown. Trimmed To Narrow Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. The Artist George Knapton's Brother, Charles Knapton, (1700-1760), Was Also An Artist And, Together With Arthur Pond (1705?-1758), Published A Book Imitations Of The Italian Masters (1735), Which Contained Many Engravings By Himself, Mainly Of Works By Guercino.

Rome , 1734. 1st Edition 1st Printing. No Binding. Very Good. Original Etching, Colored In Shades Of Grey. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond (C.1705-1758) Was An English Painter And Engraver. He Was Educated In London, And Stayed For A Time In Rome Studying Art, In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752, And Died In Great Queen Street, Lincoln's Inn Fields, 9 September 1758. His Numerous Original Portraits Include Alexander Pope, William, Duke Of Cumberland, And Peg Woffington. Pond Was Also A Prolific Etcher, And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt, Raphael, Salvator Rosa, Parmigianino,… Read More

Rome Circa 1735, 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Etching, Colored In Shades Of Grey. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. The Artist George Knapton's Brother, Charles Knapton, (1700-1760), Was Also An Artist And, Together With Arthur Pond (1705?-1758), Published A Book Imitations Of The Italian Masters (1735), Which Contained Many Engravings By Himself, Mainly Of Works By Guercino.

Rome, 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Etching, Colored In Shades Of Grey. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond (C.1705-1758) Was An English Painter And Engraver. He Was Educated In London, And Stayed For A Time In Rome Studying Art, In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752, And Died In Great Queen Street, Lincoln's Inn Fields, 9 September 1758. His Numerous Original Portraits Include Alexander Pope, William, Duke Of Cumberland, And Peg Woffington. Pond Was Also A Prolific Etcher, And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt, Raphael, Salvator Rosa, Parmigianino,… Read More

Rome Circa 1735, 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Etching, Colored In Shades Of Grey. Trimmed To Margins All Around. Small Losses At Corners.One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. The Artist George Knapton's Brother, Charles Knapton, (1700-1760), Was Also An Artist And, Together With Arthur Pond (1705?-1758), Published A Book Imitations Of The Italian Masters (1735), Which Contained Many Engravings By Himself, Mainly Of Works By Guercino.

Rome (Circ1734), 1734. 1st Edition 1st Printing. No Binding. Very Good. Original Etching, Colored In Shades Of Grey. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond (C.1705-1758) Was An English Painter And Engraver. He Was Educated In London, And Stayed For A Time In Rome Studying Art, In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752, And Died In Great Queen Street, Lincoln's Inn Fields, 9 September 1758. His Numerous Original Portraits Include Alexander Pope, William, Duke Of Cumberland, And Peg Woffington. Pond Was Also A Prolific Etcher, And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt, Raphael, Salvator Rosa,… Read More

Rome Circa 1735, 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving.10" X 7 1/2", Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond (C.1705-1758) Was An English Painter And Engraver. He Was Educated In London, And Stayed For A Time In Rome Studying Art, In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752, And Died In Great Queen Street, Lincoln's Inn Fields, 9 September 1758. His Numerous Original Portraits Include Alexander Pope, William, Duke Of Cumberland, And Peg Woffington. Pond Was Also A Prolific Etcher, And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt, Raphael, Salvator Rosa,… Read More

Rome Circa 1735, 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving. 11 3/8" X 9 1/4", Ample Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond (C.1705-1758) Was An English Painter And Engraver. He Was Educated In London, And Stayed For A Time In Rome Studying Art, In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752, And Died In Great Queen Street, Lincoln's Inn Fields, 9 September 1758. His Numerous Original Portraits Include Alexander Pope, William, Duke Of Cumberland, And Peg Woffington. Pond Was Also A Prolific Etcher, And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt, Raphael, Salvator Rosa,… Read More

New York: Ballantine Books, 1969. First Edition 1st Printing. Soft cover. Near Fine/No Jacket. First Printing, Circa 1956 But Unstated Ballantine #179. The Publisher's Personal Copy, Direct From The Publisher's Library. Ballantine #135, Softcover Issue Of First Edition. Near Fine, Trace Of Wear, Small Punch At Upper Right Of Front Cover, Publisher's Ink Note "File Copy" On First Page.

New York: Duffield & Company, 1914. 1st Edition 1st Printing. Hardcover. Good. 387 Pp. First Printing. Scarce Comic Novel. Red Cloth, Gilt Lettering With Four Black Clovers At Corners Of Front Cover. Light Wear, Gilt Brilliant, But Abrasion/Fraying For 3/4" Along Upper Rear Spine Edge, 1 1/4" Along Center Of Foredge Of Rear Cover, Frayed Along Top Edge Of Spine And Just Beginning To Fray At Lower Front Tip. No Names Or Marks.

New York: Henry Holt, 1988. 1st Edition 1st Printing. Hardcover. Fine/Fine. 8 1/4" Tall. 227 Pp. Black Cloth Spine, Gilt, Grey Boards. First Edition Stated With Full Number Line. Fine. Dust Jacket With No Wear At All, Priced$15.95,

London [1717, 1718]: H Rhodes, D. Brown, R. Sare, J. Nicholson, B. Tooke [Took] and G. Strahan., 1718. Seventh Edition . Original Full Calf, Gilt. Very Good. 6 9/16" Tall. Eight volumes, complete matching set. Frontispiece at front of Vol I, (xxvi, a separate overall preface, note to the reader, and index, for the entire set),(xx), 312; (xxiv), 276; (xxii), 287; (xxii), 288; (xxii), 276; (xxii), 264; (xiv), 248; (xviii), 280. Volumes 1-4 and 7-8 with 1718 publication date, Volume One stated Nineteenth Edition on volume title page with 1718 date [this volume having appeared earlier and being reprinted prior to the other volumes), Volumes 2-4 and 7-8 stated Seventh Edition; Volumes 5 and 6 with 1717 date and stated Seventh Edition on title page, with publisher "Tooke" spelled as "Took". Despite the variation in dates and edition statements, In matching contemporary full calf bindings, 5 bands, red and black morocco spine labels, elaborate gilt tooling on spine and edges. An… Read More

San Francisco: Institute Of Integration, 1953. Soft cover. Near Fine. 96 Pp. Yellow Wrappers. First Edition. Near Fine, Slight Browning To Edges Of Wrappers.

Bell Ca: Bell High School, 1933. 1st Edition 1st Printing. Soft cover. Very Good. Photographs Throughout; Linoleum Prints Mounted On Section Title Pages. Well Preserved, Smallchips At Corners,. Many Inscriptions

Bell Ca: Bell High School, 1929. 1st Edition 1st Printing. Hardcover. Very Good. Photographs Throughout. Well Preserved. Pencil Ownership Signature, No Other Marks.