Search Results: Titles starting with I from Row by Row Bookshop

New York and Nashville: Worthy, 2019. First Edition Second Printing. Hardcover. Near Fine/Near Fine. Signed. A Near Fine copy in white hard covers of the second printing, in a Near Fine dust jacket with a small crease to the front flap. Signed by Mike Weaver (Lead Singer of Big Daddy Weaver) at the title page: "We are redeemed! Mike Weaver". (No individual recipient's name.)

Boston: Little, Brown/Atlantic Monthly Press, 1948. First Edition First Printing. Hardcover. Good/Good. An ex-library copy in light blue cloth, in a lightly edge-worn Good dust jacket with general mild tanning/soiling. (Not price-clipped). The stated first edition, published October 1948. No external ex-libris markings to book or jacket. Ownership stamp at the front endpaper, the number "140" at the copyright page, and a card pocket (also numbered "140") inside the rear cover. Tanning/soiling at the outer edges of the text block, sound binding, clean within.

Cleveland: World Publishing Company, 1963. First Edition Second Printing. Hardcover. Good/Good. Signed. A Good copy in maroon cloth of the second printing, in an edge-worn Good dust jacket. Signed by the author on a bookplate affixed to the half-title page.

Berkeley CA: University of California Press, 1983. Reprint Edition . Hardcover. Near Fine/No Dust Jacket. A Near Fine copy in green cloth lettered in silver. Owner's name at the front endpaper, else essentially as new. No dust jacket.

Boone NC: Privately Published, 1999. First Edition . Trade Paperback. Good/No Dust Jacket. Signed. A Good copy in paper covers. Sound binding, clean text, but with a scuff to the rear cover. Briefly inscribed and signed by Elizabeth South Storie (not by the poet).

Boone NC: Privately Printed, 2004. First Edition . Hardcover. Near Fine/No Dust Jacket. A Near Fine copy in black hard covers of this Appalachian Studies Master's thesis from Appalachian State University. No dust jacket.

New York: Norton, 2001. First Edition . Hardcover. Fine/Fine. Signed. A Near Fine copy in a Fine dust jacket. Light tanning at the top edge of the text block. Signed by the author.

New York: Viking, 1948. First Edition . Cloth. Good/Good. A Good copy in gray cloth, in an edge-worn Good dust jacket. Tanning/soiling at the outer edges of the text block, clean within. Briefly inscribed and signed by the author.

Tokyo: Hokuryu-kan Publishing Co, 1980. New Edition . Hardcover. Good/No Dust Jacket. Three volumes. An ex-library set in original blue and black cloth lettered in gold. Each volume heavily photo-illustrated in color. The usual ex-libris markings, clean within, with little cover wear. Glue-mends to paper tears at the gutters, and with the bindings of these heavy volumes a bit shaken but serviceable. Text largely in Japanese, save for Latin labelling. No date, but c.1980.

New York: Garland Publishing, 1976. Reprint Edition . Hardcover. Good/No Dust Jacket. An ex-library copy in dark blue cloth lettered in silver of this facsimile reprint of the Vienna 1766 edition. The usual ex-libris markings, clean within. The bounding is sound, and there is little cover wear. No dust jacket. Three volumes in one (203, 219 and 208 pages). Text in French, with illustrations on every page.

North ASdelaide, South Australia: Museum Art International, 1996. First Edition . Hardcover. Very Good/No Dust Jacket. A Very Good copy in edge-rubbed black leather lettered in gold, with sewn-in ribbon marker of this tall-format color-illustrated Australian art volume. No dust jacket, perhaps as issued.

NP: Redmond Press, 1966. First Edition . Cloth. Very Good/No Dust Jacket. Signed. A Very Good copy in dark blue cloth lettered in gold. Light tanning/soiling at the top edge of the text block. The binding is sound, the text is clean, and there is little cover wear. Briefly inscribed and signed by the author in the year of publication.

London: Hodder & Stoughton, 1924. No Statement of Printing. . Hardcover. Good/No Dust Jacket. A Good copy (owner's name) in green cloth, with a tear at the top edge of the front endpaper. The binding is sound, the text is clean/unmarked, and there is little cover wear. No date, but with the Preface dated 1924. No dust jacket. (Not ex-library.)

New Haven CT: Yale University Press, 1919. First Edition . Hardcover. Good/No Dust Jacket. A Good copy in brown cloth lettered in gold, with glue-mends to paper tears at the gutters, and light cloth wear at the spine tip. The binding is sound, the text is clean/unmarked, and not ex-library. No dust jacket. A 4-page handwritten letter from the author's father to his brother (the author's uncle) is laid in, quoting fulsome praise of the book from "Professor Lewis of Lewis Institute here" (Chicago). Almost certainly he is Professor Edwin Herbert Lewis, whose papers are kept at the University of Chicago. Inscribed at the front endpaper: "With the affectionate regards of the author, April 12, 1919", but not actually signed.

London: Macmillan, 1933. First Edition . Hardcover. Very Good/No Dust Jacket. A Very Good copy in dark blue cloth lettered in gold. Tanning at the top edge of the text block, clean/unmarked within. The binding is sound, and there is little cover wear. No dust jacket. (Not ex-library.)

Lewiston NY: The Edwin Mellen Press, 2000. First Edition . Hardcover. Good/No Dust Jacket. An ex-library copy in original pictorial blue cloth, with the usual ex-libris markings. The binding is sound, the text is clean/unmarked, and there is little wear to the covers. No dust jacket, apparently as issued.

New York: Broadway Publishing, 1904. No Statement of Printing . Cloth. Fair/No Dust Jacket. Signed. A Fair copy in damped green cloth of this novel. The binding is sound and the text is clean. Two newspaper clippings about the author are laid in loosely. Nicely inscribed and signed by the author in 1916. No dust jacket.

London: Macmillan, 1906. First Edition . Hardcover. Good/No Dust Jacket. A Good copy in lightly edge-worn blue cloth lettered in gold, sun-faded to tan at the spine. Attractive early bookplate inside the front cover. Sound binding, clean/unmarked within, and not ex-library. No dust jacket.

New York: AMS Press, 1966. Revised Edition . Hardcover. Good/No Dust Jacket. An ex-library copy in maroon cloth lettered in gold, with the usual ex-libris markings. The binding is sound, the text is clean/unmarked, and there is little cover wear. No dust jacket.

NP: Annapurna Pictures, 2018. First Edition Thus . Trade Paperback. Near Fine/No Dust Jacket. A Near Fine copy in blue paper covers.