Search Results: Titles starting with L from Edward T. Pollack Fine Arts

Hartung, Hans. L 06. S. p.62. Lithograph in black, red and yellow, 1949. Edition of 100. Numbered 78/100 and initialed and dated in pencil. This lithograph, and L 07, were executed for an album published by Edizioni del Milione. In excellent condition.

Hartung, Hans. L 06. S. p.62. Lithograph in black, brown and green, 1949. Edition of 100. Numbered 78/100 and initialed and dated in pencil. This lithograph, and L 06, were executed for an album published by Edizioni del Milione. In excellent condition.

Baskin, Leonard. Baskin, Leonard. L.B. AET S. 51 (Self-Portrait at age 51). F.O'S. 618. Woodcut, 1973. Edition of 100 signed in pencil. 31 3/4 x 23 1/2 inches, 810 x 600 mm. In excellent condition.

1956. Daguerre, L. J. M.. (Daguerre, L. J. M.). L. J. M. DAGUERRE (1787-1851) - THE WORLD'S FIRST PHOTOGRAPHER AND INVENTOR OF THE DAGUERROTYPE by Helmut & Alison Gernsheim. World, Cleveland, 1956. 8vo., cloth, DJ, 216pp., 117 illustrations. VG/VG

1957. Hartung, Hans. Hartung, Hans. "L27" Schmucking 90. Lithograph in Black & Brown, 1957. 18 7/8 x 12 3/4 inches; 505 x 325 mm. (image); 25 3/4 x 19 3/4; 655 x 500 mm. (sheet). Edition of 100. Numbered and signed in pencil. In excellent condition.

Quinteros, Adolfo (Mexican, 1927-1994). LA BANDA MUSICOS DE SAN JUAN COATZOSPAN, VER. (THE MUSICAL BAND OF SAN JUAN COATZOSPAN, VERA CRUZ). Woodcut, 1966, edition size not known. Titled and signed in pencil. 19 3/8 x 35 1/8 inches (image), 24 x 37 inches (sheet). Sheet trimmed a bit unevenly at top and bottom, but with ample margins, else in excellent condition. A vigorous, work, with a lot going on. Each of the ten musicians rendered as an individual charachter. Although dating from the sixties, it shows the strong influence of Mexican printmaking of the 1930s abd 40s. Thanks to Jeremy Wilson for providing the folllowing biographical information: Adolfo Quinteros Gomez (1927 - 1994) was born on June 1st in the city of Chihuahua and moved to Mexico City in 1951 thanks to a scholarship from the government. He studied art at the Academia de San Carlos until 1955. He joined the Taller de Grafica Popular in 1956 and became general secretary of the organization in 1960 and again in 1963. Since 1957… Read More

Heintzelman, Arthur William. Heintzelman, Arthur William. LA BOUTIQUE D'UNE ANTIQUARE. Etching, 1922. Signed in pencil, signed and dated in the plate, and with the title inscribed in pencil at the bottom left of the sheet. 4 x 6 5/8 inches, 96 x 167 mm. (plate), 9 x 12 1/4 inches, 228 x 311 mm. (sheet). In excellent condition.

Ernst, Max. Ernst, Max (illus). LA BREBIS GALANTE by Benjamin Peret. Artist and the Book, 100. Edition Premieres, Paris, 1949. Number 74 of an edition of 300 numbered copies; this copy signed by Max Ernst on the Justifiction page below the numbers. Small 4to., pictorial wraps in color lithography over stiff boards with glassine jacket, 119pp., 3 etchings in color aquatint, and 22 illustrations, of which 18 are colored in pochoir, plus 11 decorative capital letters, one at the head of each each chapter. Housed in a custom chemise and slipcase. A repair to the glassine at the spine, else Fine throughout. This is consdiered one of the major books of the Surrealist movement, of which both Peret and Ernst were leading members.

Arms, John Taylor. Arms, John Taylor. LA CHIESA, BORGIO. F. 178. Etching, 1926. Edition of 106 printed by Frederick Reynolds. Signed "Arms 1926" in the plate, and signed in pencil in the margin. This Number 7 in the Italian series, and is illustrated on page 8 of Dorothy Noyes Arms' "Hill Towns and Cities of Northern Italy." 6 1/8 x 4 1/2 inches, 156 x 115 mm. In excellent condition.

Farge, Henri. Farge, Henri. LA CLAIRIERE. Etching. Signed and numbered 45/50. 4 3/8 x 6 1/2 inches, 112 x 165 mm.

Arms, John Taylor (American, 1887-1953). LA COLEGAITA, TORO. Fletcher 284. Etching, 1935. Edition of 153. Signed by Arms in ink, lower right, and inscribed by him in ink, lower left, "Private Collection b ii." In excellent condition. 9 3/4 x 12 3/4 inches, 248 x 324 mm. (plate), framed to 18 3/4 x 21 1/2 inches. Spanish Church series #12. Fletcher lists this as one of Arms' "Preferred Plates," and which he apparently kept in his own collection.

liver, Michel. LA CUISINE EST UN JEU D'ENFANTS. Librarie Plon, 1963. 4to., spiral bound pictorial boards, unpaginated, illustrated throughout with drawings by Oliver, and with a preface by Jean Cocteau. The boards somewhat darkened and with light edgewear, else Fine.

Dufy, Raoul. Dufy, Raoul. LA DANSE (DANCE). Woodcut, c. 1925. From "The Pleasures of Peace." Edition of 220 stamped with the estate stamp "Atelier Raoul Dufy." 12 1/2 x 15 1/2 inches (image) 19 3/4 x 26 1/4 sheet. In excellent condition.

Maroto, Gabriel Garcia. LA ESPANA MAGICA. Biblioteca Accion, MAdrid, 1927. 4to, wraps, 250pp. Number 731 of the edition of 1000. Inscribed in Spanish and signed by Maroto on the half-title. With an original ink drawing of a man's head in profile, titled "Una Discipula," inscribed to the recipient, signed "gabriel" and dated "Newark 14 Febero 1930" laid in, and with an Announcement Card for the "First American Exhibition" of Maroto and of "La Espana Magica" at Delphic Studios, New York, November-December, 1929. Text illustrated thoughout with color and black and white line cuts, half-tones, and screenprints in a strong Art Deco style. Fragile, with weakening of the front inner hinge, still Very Good. Rare. Gabriel Garcia Maroto, Spanish, 1889-1969, was a painter, printer and writer, and was a leading figure in the Vanguardia, the Spanish Avant Garde of the 1920s. He worked with Lorca and other Spanish artists and writers. In 1927 he went to Mexico, where he produced an important work, "6 Meses de… Read More

Gassies Des Brulies, Georges. LA FARCE DE MAITRE PATHELIN - COMEDIE DE MOYEN AGE ARRANGEE EN VERS MODERNES. Librarie Charles Delagrave, Paris, not dated, but circa 1880. Original wrappers bound into half Morocco and marbled boards. Quarto, with 53pp. text and 16 black & white tissue-guarded and captioned plates by Louis-Maurice Boutet de Monvel. With the bookplate August Jaccaci, and inscribed to him by Boutet De Monvel. This is a modern retelling of a 15th Century farce about a cloth merchant and a stolen sheep. Some wear to the spine ends and to the front hinge, and foxing to the text and plates thoughout. Louis-Maurice Boutet de Monvel (French, 1850-1913) was primarily known as a children's book illustrator of the Belle Epoch period.August Jaccaci (French 1857-1930) was an art historian, writer, and painter.

Gusman, Pierre. LA GRAVURE SUR BOIS ET TAILLE D'EPARGNE. Fluory, Paris, 1933. 8vo., cloth with original wraps bound-in, 232pp., 85 illustrations. Fine.

Prestopino, Gregorio. Prestopino, Gregorio (American, 1907-1984). LA ITALIANA. Color woodcut on paper, c. 1940s-50s. Edition of 48, signed and numbered 20/48. 21 7/8 x 29 7/8 inches, 556 x 785 mm. In excellent condition.Although this copy is untitled, we have seen another copy with the title "La Italiana" written in pencil by the artist.Prestopino, like Ben Shahn and many others, continued to work in the realistic and figurative traditions of Social Realism even after the fashion had shifted toward abstraction, expressionism, and "Pop Art." Although the Whitney and MoMA have his work in their collections, he is overdue for re-assessment, as there has not been a retrospective of his work since 1985.

Pappe, Carl. Pappe, Carl. LA LAGUNA. Etching, not dated. Edition of 16. Titled, numbered "4/16"and signed in pencil. 19 1/4 x 24 3/4 inches; margins of about 3/4 inch on each side. In excellent condition. Carl Pappe, American, born in Hungary. 1900-1998. Pappe lived and worked in Cleveland, and began to spend time in Mexico in the 1930s.

La Maison Francaise. LA MAISON FRANCAISE NUMBERS 1,5,7,31,53,57,58,61,65,81,83,84, & 134 (1-84: 1947-1955, 134: 1960). Magazines, 4to., wraps. most Very Good, some with tears and losses to the spines.

1900. Leroy, Leon. (Leroy, Leon)illus. LA MARCHE AU SOLIEL - Epopee de la Mission Marchand by Leon Durocher. Flammarion, Paris, 1900. Obl. 4to., 48pp., poem, music, and color lithographed illustrations in the manner of Henri Riviere (This piece was produced by Riviere as a shadow play at Chat Noir). VG, front board detached, some edgewear, internals fine. Scarce