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Ma-Has-Ka or White Cloud. An Ioway Chief

Ma-Has-Ka or White Cloud. An Ioway Chief

by MCKENNEY, Thomas L. (1785-1859) and James HALL (1793-1868)

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Philadelphia: E. C. Biddle, 1837. Hand-coloured lithograph. A fine image from McKenney and Hall's 'Indian Tribes of North America': `One of the most important [works] ever published on the American Indians' (Field),` a landmark in American culture' (Horan) and an invaluable contemporary record of a vanished way of life. Ma-Has-Kah or White Cloud, (1784-1834) an Iowa chief, rose to prominence in his tribe through acts of revenge against the Dakota who had killed his father. Later, he settled down to a life of farming with his wives. Mahaska accepted the white man's code of behavior to the extent that when a fellow Iowa was murdered by some Omaha warriors, Mahaska refused to authorize an attack. When some of his braves struck anyway and killed six Omaha, Mahaska assisted in their arrest. A year later one of the warriors arrested escaped from prison and murdered him. Mahaska visited Washington in 1824 with all seven of his wives and met President Monroe. The portrait by Charles Bird King after which… Read More
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Mac Gillivray's Finch. From The Birds of America (Amsterdam Edition)
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Mac Gillivray's Finch. From "The Birds of America" (Amsterdam Edition)

by AUDUBON, John James (1785-1851)

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Amsterdam and New York: Johnson Reprint Corporation and Theatrum Orbis Terrarum, 1971. Colour-printed lithograph, on fine hand-made paper. Excellent condition. Image size: 18 5/8 x 11 1/2 inches. Sheet size: 26 3/4 x 39 7/8 inches (approx). [Pl. 355]. In October 1971, employing the most faithful printing method available, the best materials and the ablest craftsmen of their age, the Amsterdam firm of Theatrum Orbis Terrarum Ltd., in conjunction with the Johnson Reprint Corporation of New York, set out to produce the finest possible limited edition facsimile of the greatest bird book ever printed: the Havell edition of John James Audubon's well-loved "Birds of America". The Curators of the Teyler's Museum in Haarlem, Holland made their copy of the original work available for use as a model. The Museum, founded in 1778, bought their copy through Audubon's son as part of the original subscription in 1839. After long deliberation, the extremely complex but highly accurate process of colour… Read More
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Macaw

Macaw

by BUTTERWORTH, Elizabeth (born 1949)

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Original watercolour. Artist's inscription on the lower margin. A fine work by one of the most exceptional living practitioner of avian artistry Elizabeth Butterworth, a British artist of exceptional talent, has ventured into the realm of artistic excellence with her exquisite portrayal of Macaws' resplendent plumage. While she follows in the footsteps of acclaimed artists like Edward Lear, Butterworth undeniably stands out as one of the foremost artistic geniuses of our time. Her success can be attributed to her keen observation and an encyclopedic knowledge of her subject matter. From breeding and caring for Macaws to attentively witnessing their lively antics from daybreak to dusk, she has immersed herself in their world. Whether sketching these captivating creatures in the privacy of her own lush garden or capturing their natural beauty in the rainforests of South America, Butterworth's artistic journey has been nothing short of enchanting. Her passion for perfection has led her to meticulously… Read More
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The Mackerel

The Mackerel

by KILBOURNE, S.A. (1836-1881)

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New York: Charles Scribner's Sons, 1879. Colour printed lithograph on later mount. Image: 14 1/8 x 20 1/2 inches; mount: :20 x 26 3/4 inches. Among the finest 19th century images of American sporting fish Samuel A. Kilbourne, a native of Bridgetown, Maine, was an accomplished painter of natural history subjects when he decided, in 1858, to specialize in painting fish. He was extremely successful and, as the plates in this work testify, very proficient in his work. The Game Fishes... was his greatest accomplishment, and has been described as having 'the most beautiful fish plates published in this country' (Bennett). A reviewer writing in The Century magazine in 1882 wrote of Kilbourne's depictions: "Mr. Kilbourne has succeeded in a difficult task. He has succeeded in uniting in his delineation the accuracy in details of form and coloring required by the naturalist, with that freedom of style, delicacy of handling, and naturalness of surroundings demanded by the artist." The images are landscape… Read More
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Magic Pile Erected by the Assiniboin Indians
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Magic Pile Erected by the Assiniboin Indians

by BODMER, Karl (1809-1893)

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[Leipzig: Schmidt and Guenther, 1922. Aquatint engraving by Ch. Vogel after Bodmer. From the scarce Leipzig edition printed from the original copper-plates. Limited in number, the prints from the Leipzig edition are more scarce than, and compare favorably to, the first edition. (David C. Hunt, "Karl Bodmer and the American Frontier," Imprint/Spring 85, p.18) This spiritually charged scene of great ritualistic significance to the Assiniboin (or Stoney) Indians was painted by Bodmer during the summer of 1833, near Fort Union at the junction of the Missouri and the Yellowstone rivers. The image of a cairn, erected by the tribe and surmounted by a carefully placed Buffalo skull, encapsulates the importance of the animal to the nomadic Plains Indians. To the Assiniboin the buffalo was an essential of life. Other animals were hunted, but only the buffalo provided the bulk of their food and the hide and bone with which to fashion shelter, clothing and tools. Prince Maximilian described the cairn as a… Read More
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Magnalia Christi Americana: or, the Ecclesiastical History of New-England, from its first...
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Magnalia Christi Americana: or, the Ecclesiastical History of New-England, from its first planting in the year 1620. unto the year of our lord, 1698. In seven books...

by MATHER, Cotton (1663-1728)

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London: printed for Thomas Parkhurst, 1702. Folio. (12 3/8 x 8 inches). Divided into seven parts, each with sectional title. Text in two columns. (30), 38 pp.; (2), 75 pp., (1); (2); 238 pp.; (2), pp. 125-222; 100 pp.; (2), 88 pp.; 118 pp. Double-page engraved map of New England and New York. 4 pages of publisher's advertisements at rear. Late 19th-century brown morocco, paneled in gilt and blind with central gilt cartouche, spine with raised bands in 6 compartments, 2 reserved for gilt lettering, the others with repeat gilt fleurons, gilt-ruled dentelles, all edges gilt. Provenance: The copy of Robert. W. Weir, with his name twice on the title, i.e. recto and verso; bookplate of R. Percy Alden. First edition of the greatest history of New England: a landmark in New England religion and American literature. The first edition of what Howes calls the 'most famous 18th century American book' and one which Streeter describes as 'the most famous American book of colonial times.' Mather's opus is… Read More
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Magnalia Christi Americana: or, the Ecclesiastical History of New-England, from Its First...
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Magnalia Christi Americana: or, the Ecclesiastical History of New-England, from Its First Planting in the Year 1620. unto the Year of our Lord 1698. In seven books.

by MATHER, Cotton (1663-1728)

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London: printed for Thomas Parkhurst, 1702. Folio. (12 1/2 x 8 inches). Divided into seven parts, each with sectional title. Text in two columns. (xxviii); (ii), 38 pp.; (ii), 75 pp. (1); (ii), 238 pp.; (ii), pp. 125-222; 100 pp.; (ii), 88 pp.; 118 pp. Double-page engraved map of New England and New York. 4 pages of publisher's advertisements at rear. Late 19th-century brown morocco, paneled in gilt and blind, with central gilt cartouche, spine with raised bands in 6 compartments, second and third compartments lettered gilt, others with repeat gilt fleurons, gilt-ruled dentelles, all edges gilt First edition of the greatest history of New England, a landmark in New England religion and American literature. The first edition of what Howes calls the "most famous 18th-century American book" and one which Streeter describes as "the most famous American book of colonial times." Mather's opus is rightly considered an indispensable source for the history of New England in the 17th century, both for its… Read More
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Magni Ducatus Lithuaniae Caeterarumque Regionum Illi Adiacentium Exacta Descriptio

Magni Ducatus Lithuaniae Caeterarumque Regionum Illi Adiacentium Exacta Descriptio

by [EASTERN EUROPE] BLAEU, Willem Janszoon [1571-1638] and GERRITSZ, Hessel [1580/81-1632]

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Amsterdam: Guilhelmus Janssonius, Blaeu, 1613. Large engraved map of Lithuania, Latvia, and Kaliningrad with adjacent regions of Poland, Belarus, and Ukraine. 4 sheets joined, Dimensions: 31 1/2 x 30 1/4 inches. Copper engraving with original hand-colouring; verso blank. Minor restoration. The incredibly rare first edition, first state of the most important wall map of Lithuania from the 17th century. Fine example of this important wall map of Lithuania and parts of Poland, Russia, Ukraine, and Latvia, extending to Cracow, Kiev, Warsaw, Riga, Konigsberg, Dantzig, Leopolis, and nearby regions. The map was engraved by Hessel Gerritsz from original drafts prepared under the instructions of Prince Nicolas Christophe Radziwill, and first issued in 1613 by Willem Blaeu, under his original imprint Guilhelmus Janssonis. This is one of the earliest maps published by Blaeu, who did not incorporate this map into an atlas until approximately 1630. The Radziwill map is one of the most important works of European… Read More
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Main Entrance to Charlotte Harbor

Main Entrance to Charlotte Harbor

by [Florida]

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Washington D.C.: Published by the United States Coast and Geodetic Survey, 1917. Large folding nautical chart, printed on heavy paper stock. Colored. A rare original coastal survey of Charlotte Harbor including Boca Grande and the Charlotte Harbor estuary, Florida's second largest estuary and fabled home of mythical pirate Jose Gaspar during Florida's second Spanish period. Established by President Thomas Jefferson in 1807 as the Survey of the Coast, the U.S. Coast and Geodetic Survey was the United States' first civilian scientific agency. This agency has followed its mission to survey the U.S. coastline, create nautical charts of the coast, and help increase maritime safety since its founding, and has often played fascinating roles in significant chapters of U.S. history. It served in all theaters of the Civil War in the service of the Union Army and Navy, pioneered acoustic exploration in the wake of the sinking of the Titanic, and during WWI it worked to detect enemy submarines. In addition,… Read More
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Maj. Gen. Geo. B. M'Clellan, Commanding, United States Army

Maj. Gen. Geo. B. M'Clellan, Commanding, United States Army

by ORMSBY, W. L.

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New York, 1861. Engraving. Plate mark: 25 x 18 1/2 inches. Minor foxing. Large format Civil War portrait of McClellan. Scarce first state; after McClellan was dismissed by Lincoln from command of the Army the plate was changed to "Late Maj. Gen..." This impressive portrait of McClellan on horseback, evidently rushed to publication soon after he became the commanding officer of the Union Army in November 1861, was actually a reworking if an 1852 portrait of Franklin Pierce depicting his service in the Mexican War, with McClellan's face superimposed on Pierce's body. See Milton Kaplan, "Heads of State" in Winterthur Portfolio 6: 1970: 135-44.
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Majesty's Order, to Monsieur Michell, the King of Prussia's Secretary of the Embassy, in answer...

Majesty's Order, to Monsieur Michell, the King of Prussia's Secretary of the Embassy, in answer to the Memorial, and other papers, Deliver'd, by Monsieur Michell, to the Duke of Newcastle, on the 23d of November, and 13th of December last

by [BRITISH NAVY]

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London: Edward Owen, 1753. Quarto. 46pp. plus two folding tables. Light staining to last leaf. Slight worming in outer margin of last few leaves, not affecting text. Disbound. Pamphlet dealing with international law and the British seizure of Prussian ships. The second table is entitled, "List of all the Prussian ships taken by British armaments at sea, during the last war, as well those detained for examination only, as those judicially proceeded upon, together with the judgments given in the Admiralty Courts of Great-Britain thereupon." ESTC T4125.
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Making a Cast at a Fault. Les Chiens Cherchans a retrouver La Piste
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Making a Cast at a Fault. Les Chiens Cherchans a retrouver La Piste

by SEYMOUR, James engraved by Thomas BURFORD

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London: Published by Robt. Sayer, 53 Fleet Street, 1787. Mezzotint. Printed on laid paper. In excellent condition with the exception of two skillfully mended tears in upper margin outside the platemark. Image size: 9 1/4 x 13 3/4 inches. This is a lovely rich impression of this hunting scene which perfectly demonstrates Seymour's artistry and Burford's skill as an engraver. James Seymour is recognized as one of the earliest English sporting artists. He was the son of a wealthy goldsmith and diamond merchant who supplied the plate for racing trophies. His father was also an amateur artist and a member of the Virtuosi Club of St. Luke, a gentleman's club for artists and art lovers. The young Seymour had no formal art instruction but he learnt to draw by studying the pictures and prints in his father's collection. At an early age he was introduced to some of the leading artists of the day, but at the same time he was encouraged to develop a love of the track, which eventually lead to his financial… Read More
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Man Ray 1890-1976 (Deluxe Edition with Two Man Ray Photographs)
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Man Ray 1890-1976 (Deluxe Edition with Two Man Ray Photographs)

by MAN RAY (b. Emmanuel Radnitzky; 1890-1976); BRETON, André (1896-1966); CEULEERS, Jan [Editor]

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Antwerp: Ronny Van de Velde. Printed by Snoeck-Ducaju & Zoon in Ghent, 1994. Book: (12 3/4 x 10 3/4 x 2 1/2 inches). Photo image size: (11 1/8 x 8 3/8 inches). Photo sheet sizes: (11 1/8 x 8 3/8 inches). First deluxe edition. Numbered 26 of 220 copies, with 200 copies numbered 1 to 200 and 20 copies "hors commerce" numbered from I to XX. Unpaginated, but over 300 pages printed in black and white duotone, picturing 548 items. Bright red-orange cloth with black dye-stamped lettering, gilt edges and printed endpapers, and glossy color dust jacket. Set in blue clamshell cardboard box quarter-bound in black leather with embossed gilt lettering on spine, the front of the box is a trompe-l'oeil replica of an assemblage by Man Ray from 1969, set within a navy cardboard slipcase. Comes with a blue folder with two black and white photographs printed from original negatives A numbered deluxe first edition of a landmark Man Ray monograph with a portfolio containing "Fashion Photograph" (1930) and "A View of the… Read More
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Mangifera Indica [Mango Tree]
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Mangifera Indica [Mango Tree]

by HOOLA VAN NOOTEN, After Berthe (1840-1885)

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Brussels: C. Muquardt, 1885. Chromolithograph, by P.Depannemaeker. Very good condition apart from some minor soiling and a few light foxing marks. A fine example of the spectacular botanical work by Berthe Hoola Van Nooten, from 'Fleurs, Fruits et Feuillages Choisis de l'Ile de Java'. Indigenous to southern Asia, the Mango tree, of which there are numerous varieties, belongs to the order of Anacardiaceae. It's sweet, fleshy fruit is among the most popular and well-known of all tropical fruits. In her early twenties, Hoola Van Nooten had accompanied her husband to Jakarta (Batavia), capital of Java, where he died. She was left with debts to pay and a family to support. With great ingenuity, she managed to get a selection of her paintings chromolithographed and published under the title Fleurs, Fruits et Feuillages Choisis de l'Ile de Java Peints D'Après Nature, the first edition of which appeared in 1863-4. "Van Nooten was clearly more than competent, for the splendid tropical plants... have been… Read More
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Mangrove Humming Bird. From The Birds of America (Amsterdam Edition)
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Mangrove Humming Bird. From "The Birds of America" (Amsterdam Edition)

by AUDUBON, John James (1785-1851)

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Amsterdam and New York: Johnson Reprint Corporation and Theatrum Orbis Terrarum, 1971. Colour-printed lithograph, on fine hand-made paper. Excellent condition. Image size: 18 1/4 x 13 inches. Sheet size: 26 3/4 x 39 7/8 inches (approx). [Pl. 184]. In October 1971, employing the most faithful printing method available, the best materials and the ablest craftsmen of their age, the Amsterdam firm of Theatrum Orbis Terrarum Ltd., in conjunction with the Johnson Reprint Corporation of New York, set out to produce the finest possible limited edition facsimile of the greatest bird book ever printed: the Havell edition of John James Audubon's well-loved "Birds of America". The Curators of the Teyler's Museum in Haarlem, Holland made their copy of the original work available for use as a model. The Museum, founded in 1778, bought their copy through Audubon's son as part of the original subscription in 1839. After long deliberation, the extremely complex but highly accurate process of colour photo-lithography… Read More
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Mangrove Cuckoo. From The Birds of America (Amsterdam Edition)
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Mangrove Cuckoo. From "The Birds of America" (Amsterdam Edition)

by AUDUBON, John James (1785-1851)

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Amsterdam and New York: Johnson Reprint Corporation and Theatrum Orbis Terrarum, 1971. Colour-printed lithograph, on fine hand-made paper. Excellent condition. Image size: 19 x 11 3/4 inches. Sheet size: 26 3/4 x 39 7/8 inches (approx). [Pl. 169]. In October 1971, employing the most faithful printing method available, the best materials and the ablest craftsmen of their age, the Amsterdam firm of Theatrum Orbis Terrarum Ltd., in conjunction with the Johnson Reprint Corporation of New York, set out to produce the finest possible limited edition facsimile of the greatest bird book ever printed: the Havell edition of John James Audubon's well-loved "Birds of America". The Curators of the Teyler's Museum in Haarlem, Holland made their copy of the original work available for use as a model. The Museum, founded in 1778, bought their copy through Audubon's son as part of the original subscription in 1839. After long deliberation, the extremely complex but highly accurate process of colour photo-lithography… Read More
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Manks Shearwater. From The Birds of America (Amsterdam Edition)
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Manks Shearwater. From "The Birds of America" (Amsterdam Edition)

by AUDUBON, John James (1785-1851)

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Amsterdam and New York: Johnson Reprint Corporation and Theatrum Orbis Terrarum, 1971. Colour-printed lithograph, on fine hand-made paper. Excellent condition. Image size: 11 3/4 x 18 inches. Sheet size: 26 3/4 x 39 7/8 inches (approx). [Pl. 295]. In October 1971, employing the most faithful printing method available, the best materials and the ablest craftsmen of their age, the Amsterdam firm of Theatrum Orbis Terrarum Ltd., in conjunction with the Johnson Reprint Corporation of New York, set out to produce the finest possible limited edition facsimile of the greatest bird book ever printed: the Havell edition of John James Audubon's well-loved "Birds of America". The Curators of the Teyler's Museum in Haarlem, Holland made their copy of the original work available for use as a model. The Museum, founded in 1778, bought their copy through Audubon's son as part of the original subscription in 1839. After long deliberation, the extremely complex but highly accurate process of colour photo-lithography… Read More
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Manuscript Affadavit Signed by John B. Sarpy Testifying to the Dispersal of the Estate of Henry...
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Manuscript Affadavit Signed by John B. Sarpy Testifying to the Dispersal of the Estate of Henry Fraeb (Frapp) and the Difficulty of Collecting Money from Famed Mountain Man Jim Bridger

by [FUR TRADE]. BRIDGER, Jim (1804-1881), SARPY, John Baptiste (1798-1857)

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St. Louis: John B. Sarpy, 1843. Folio. [2] pp. (12 1/2 x 7 1/2 inches). Docketed on verso, fold lines with some separation, a few repaired. A manuscript affadavit written by fur magnate John Baptiste Sarpy of Pierre Chouteau & Co. that gives one a granular sense of the difficulities of running a frontier business dependent on mountain men like Jim Bridger and Frapp. A remarkable window onto the business dealings of famed mountain man Jim Bridger, this signed manuscript affidavit of John B. Sarpy, testifies to his actions on behalf of the estate of fellow fur trader Henry Fraeb, also known as Frapp, who was killed by Indians in the Rocky Mountains. Sarpy, who was a partner in the major fur firm Pierre Chouteau &. Co., had worked closely with Frapp and knew him well. In his affidavit he writes about the Chouteau Company's concerns about Jim Bridger, Frapp's partner at the time of his demise, and the difficulty of getting Bridger to pay his debts. Written in St. Louis, Sarpy's affidavit states: "On the… Read More
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[Manuscript map of the Waldo Patent principally depicting the land between the Muscongus River...
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[Manuscript map of the "Waldo Patent" principally depicting the land between the Muscongus River and Penobscot Bay]

by [MAINE] - BRENTON, Jahleel; and William ELLERY

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[Newport, R.I., 1767. Manuscript map in ink and wash, on a single folio sheet, 15 1/4 x 19 inches. Docketed in manuscript on verso, "Map of Leveretts Patent alias Muscongus." With two manuscript documents, one being [3]pp. on folio sheets, dated at Boston May 19, 1787; the other being [3]pp. on folio sheets, dated at Providence, R.I. on May 30, 1787. Also, with a half-page of manuscript dated Boston, March 28, 1768. All three documents relating to the lands depicted on the map. Map with minor separations along horizontal fold. The half-page document being only the beginning portion of a longer letter, otherwise the manuscripts in near fine condition. A highly important manuscript map of Colonial Maine: heavily annotated by William Ellery, a signer of the Declaration of Independence from Rhode Island. An attractive eighteenth century manuscript map of Penobscot Bay, Maine, heavily annotated by William Ellery, a signer of the Declaration of Independence from Rhode Island, who made claims to some of… Read More
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Manuscript document signed by the selectmen of Newtown, NJ, attesting that Isaac Titsoort [i.e....

Manuscript document signed by the selectmen of Newtown, NJ, attesting that Isaac Titsoort [i.e. Tietsoort], was sent in December 1755 to negotiate with Indians on the Pennsylvania frontier, but was killed

by FRENCH AND INDIAN WAR

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Newtown, NJ, 1757. 1p. Signed by Henry Simson, Joseph Byram, John Anderson, Thomas Woolverton and Joseph Parry. The French and Indian War on the New Jersey "Front Tears." In the wake of Braddock's defeat, with tensions with the Delaware Valley Indian tribes rising and with a perceived threat that the tribes of the Delaware Valley would invade into New Jersey, at the end of November 1755, Governor Belcher detached hundreds of West New Jersey troops to the New Jersey/Pennsylvania border (and into Pennsylvania), many under the command of Colonel Abraham van Campen. The present document concerns the death of a resident of Sussex County, who evidently travelled with Van Campen and Colonel Jacob Ford to the "front tears" to "parley or hold a treaty with the Indians there" but "hath never returned & by report was near about that time killed." The document advocates for his bereaved wife and suggests that his eldest son be appointed heir and estate administrator. Another copy of this document, addressed to… Read More
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