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Coloniaae Agrippinae, Apud Ionnem Gtmnicum, sub Monocerote, M, D. XCII. 1592. 8vo, 165 X 90 mms, 3 parts in one volume, pp. [viii]], 272; [viii], 189 [190 - 192 Epistolae, with contemporary ink comment at bottom of page]. BOUND WITH: Caroli Sigonii Oratoris Disertissimi Orationes septem, quarum priores quatuor sunt pro Eloquentia. v. De Latinae linguae vsu Retinendo. vi. De Laudibus Historiae. vii. De Laudibus Studiorom humanitatis. Coloniaae Agrippinae Apud Ionnem Gtmnicum, sub Monocerote, M, D. XCII. 8vo, 165 X 90 mms The two separate items are bound in contemporary calf with an oval ornament on each cover, fragments of a paper label on the spine, with a ms. sheets of ms. music from an earlier period as the front and rear free-end papers (lacks paste-down end-paper);front hinge cracked and binding a bit age-soiled. Marc-Antoine Muret (1526–1585) was a major figure in humanist classical scholarship. A superb Latinist, he influenced, among others, the Dutch humanist Justus Lipsius. John… Read More
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M. Fabii Quintilliani De Institutione Duodecim ad Codicum Vetrum Fiden Recensuit et Annotatione. Explanavit Georg. Ludovicus Spalding...

by QUINTILIAN

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Lipsiae Sumptibus Siegfried Lebrecht Crusii 1798, 1803, 1803, 1816. 4 volumes, Royal 8vo, 228 x 127, beautifully bound (by John Clarke, the partner of the binder Francis Bedford), with stamp in blind on lower margin of front paste-down end-paper in volume one) in contemporary full purple morocco, with the gilt emblems of the Reverend Theodore Williams (d. 1827) on each cover, spines gilt, gilt dentelles, all edges gilt, and with the bookplate of the distinguished British book collector Frances Mary Richardson Currer (1785 - 1861) on the front paste-down end-paper of each volume. A clipping from either an auction house or a bookseller, probably around 1960, has this note "The best and most complete of all the editions. It was undertaken with such a quantity of valuable materials as no critic had ever possessed, and is published with unprecedented care and industry; the critical marks are so happy and the explanations so apposite that it is generally considered the chef d'oeuvre of… Read More
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Lugd. Batav. et Roterodami: Ex officinâ Hackiana. 1665. 8vo, 183 x 107 mms., pp. [30], 434,engraved title-page preceding printed title-page, bound in 18th century calf, gilt borders on covers, spine ornately gilt in compartments; lacks label, some slight wear to binding and front joint very slightly cracked. With the armorial bookplate of the Bishop of Bangor on the front paste-down end-paper, the autograph and dated "Orerry 1737" on the verso of the front free end-paper, and a shelf mark in an 18th century hand on the top margin of the recto of the second front free end-paper. A very good copy. This is a handsome 1665 edition of Quintilian once owned and inscribed by Sir Edward Sherburne (1616-1702). His characteristic ownership inscription in his hand, "F. S. L. A.", appears just above the imprint in this copy. The Royalist poet, translator, and military officer Sir Edward Sherburne has, as a book owner, one of the most unusual cypher inscriptions in the… Read More
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M. Fabii Qvintilian Oratoris eloquentissimi, Institutionum oratorium Libri XII,

M. Fabii Qvintilian Oratoris eloquentissimi, Institutionum oratorium Libri XII,

by QUINTILIAN

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Parisiis, Ex officina Rob. Stephani Typographi Regii, 1542. Large 8vo, 223 x 156 mms., pp. 551 [but 669 with quite a few errors in pagination, 552 - 600 Index, 601 Colophon [Excudebat Rob. Stephanus Hebraicarum et Latinarum literarum typographus regius, Parisiis Ann. M. D. XLII. IIII. non. Mart.], 602 blank], collating A-2Y, printer's device engraved by Geoffrey Tory on title-page, late 17th century panelled calf, marbled end-papers; joints cracked and tender, top and base of spine chipped, corners worn, bookseller's small label, "J. Moodie Miller, Lindsay Place, Edinburgh" on upper margin of rear paste-down end-paper. Copac notes that this is "Basically a reimpression of the Simon de Colin edition of 1541." Renouard, A. A.: Annales de l'imprimerie des Estiennes, p.53, no. 9
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M. Tvllii Ciceronis Epistolae  ad Atticum, ad M. Brutum, ad Quintum fratrem, multorum locorum...
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Pavlvs Manvtivs aldi Filivs Venetiis, M. D. XL VIII. 1548. 8vo, 160 x 101 mms., pp. [iv], 333 + 11 unnumbered leaves, Registrum on recto of following leaf, with Aldus anchor on verso of last leaf, occasional marginal annotation, 19th century quarter sheepskin, red label; several fore-margins water-stained, front joint cracked (but firm), spine dried, corners worn. This edition was prepared by Paulus Manutius (1512 - 1574), who dedicated the work to Guillaume Pellicier, Bishop of Montpellier. He was the third son of the Venetian printer, Aldus Manutius (1449/1450 - 1515) and took over the management of the press in 1533. This edition was first published in 1540. Catalogue of the Ahmanson-Murphy collection of Aldine Press Books (California, 2001), no. 320. Renouard 129:2. Adams C1914.
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Madoc. The Second Edition.

by SOUTHEY (Robert):

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London: Printed for Longman, Hurst, Rees, and Orme..., 1807. 2 volumes. 12mo, pp. ix [x quotations], [vi], 320 [321 errata, 332 adverts] + 24 pp. adverts dated 1 August 1807; [iv], 240, engraved frontispiece and engraved title-page in each volume, additional engraved plate preceding text in volume 1, original boards, uncut, almost falling to bits, with front cover of volume 1 attached by one cord only, spines defective. Southey's contribution to the debate about the Welsh settlement in America was first published in a fine quarto of 1805; the errata leaf in volume 1 is sometimes found in volume 2.
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London: Printed for D. Midwinter, B. Motte and C. Bathurst..., 1737. 8vo, pp. [xiv], 443 [444 blank], 274, 67 [68 blank], engraved portrait frontispiece, contemporary calf; front joint cracked and tender, top and base of spine chipped.
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The Maid of Skiddaw. Songs of Palestine, and other Poems

by BOURNE (Thomas):

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Turnham Green, Printed for the Author by G. J. Baynes, 1830. FIRST AND ONLY EDITION. 12mo, 184 x 127 mms, pp. [iv], iv, ii, [7] - 206, with an extra printed leaf laid in as dedication, "To A Christian Lady, Mrs. Edward Parker, My very dear and valued friend. These Poems are Inscribed with sentiments of gratitude, affection, and esteem," bound in contemporary olive calf, gilt border on covers, spine ornately gilt in compartments (but faded), red leather label (chipped), all edges gilt. A very good copy. The work was mentioned in The New Monthly Magazine, volume 49 (1837), in the context of a "conversazione" between a rector and a doctor, the former of whom remarks, "Ah, Horace again! -- 'The Maid of Skiddaw, and other Poems; with Translations from Horace. By Thomas Bourne.' I have no taste for 'Maids of Skiddaw, ' however graceful their sorrows; but I never see a fragment of Horace without feeling something like a veteran treading over the fields where… Read More
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The Man of Honour.

by HONOUR

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London [i. e., Edinburgh]: Printed in the Year MDCCXXXVII 1737. 8vo (in 4s), 193 x 127 mms., pp. 12, disbound; title-page with vertical soil mark and hole in imprint removing "on" of London, with contemporary annotations identifying names indicated by initial(s) only. The imprint is false, and this satire on the Whig ministry was printed in Edinburgh. Foxon M66. ESTC T62251: BL (2), NLS (3); Boston Athenaeum, Louisiana State University, Illinois, Texas (2).
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Manners for Women.

by HUMPHRY (Mrs [C. E.] "Madge" of "Truth"):

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London Janes Bowden..., 1897. FIRST EDITION. Foolscap 12mo, 190 x 95 mms., pp. [vii], 155 [156 index], 4 pages adverts, decorated pictorial cloth, a good copy, but a bit soiled. "C.E. Humphry (1843–1925), who often worked under the pseudonym "Madge", was a well-known journalist in Victorian-era England who wrote for and about issues relevant to women of the time. She wrote, edited and published many works throughout her career and is perhaps best known for originating what was known as the "Lady's Letter"-style column she wrote for the publication Truth, read throughout the British Empire. She was one of the first woman journalists in England" (Wikipedia). She includes a number of rather interesting recipes, and I was very much taken with the title of another book - How to be Pretty though Plain.
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Manners. Translated from the French. The Third Edition

by TOUSSAINT (Francois Vincent):

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London: Printed for W. Owen..., W. Johnston..., and J. Payne..., 1752. 12mo (in 6s), pp. [xviii], vi, 251 [252 - 253, adverts, 254 blank], engraved vignette on title-page, contemporary calf; joints cracked, spine rubbed and dried. With the contemporary autograph and date "Robt. Twyford/ 1753" on the recto of the front paste-down end-paper, the Jolliffe armorial bookplate on the front paste-down end-paper, and "Barbara und Johann/ March 27th 1940 - Bath" above the bookplate. Robert Twyford is possibly the young man who was infatuated with Mary Delaney (née Granville) in 1717. This translation was first published in 1749 and was frequently reprinted. Toussaint (1715 - 1772) published Les Moeurs originally in 1748; he was prosecuted immediately, and the book was burnt. He later disavowed the work, though parts of it were used in the Encyclopédie.
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Manners. Translated from the French. The Second Edition

by TOUSSAINT (Francois Vincent):

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London: Printed for J. Payne and J. Bouquet..., 1752. 12mo (in 6s), 170 x 105 mms., pp. [xviii], vi, 251 [252 - 253, adverts, 254 blank], engraved vignette on title-page, contemporary calf, red leather label; slight worming around label, joints a little rubbed, but a very good copy. This translation was first published in 1749 and was frequently reprinted. Toussaint (1715 - 1772) published Les Moeurs originally in 1748; he was prosecuted immediately, and the book was burnt. He later disavowed the work, though parts of it were used in the Encyclopédie.
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The Manners of the Israelites Wherein is seen the Model of a plain and honest Policy for the Government of States, And A Reformation of Manners. Translated from the French of the judicious and learned Abbé Fleury. By the Rev. Charles Cordell, Correspondent Member of the Royal Society of Scotch Antiquaries

by FLEURY (Claude). CORDELL (Rev. Charles):

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Newcastle: Printed by S. Hodgson; and sold by P. Keating, No. 4, Air-Street, Piccadilly, London; and by the booksellers in the country..., 1786. FIRST EDITION of this translation. 12mo (in 6s), 152 x 84 mms., pp. vi [vii blank, viii Approbation], 210 [211 - 212 Contents], errata slip pasted to verso of title-page, newly rebound in quarter calf, marbled boards, red leather label. A very good copy. Fleury (1649 - 1723) published Les Mœurs des Israëlites in 1722, shortly before his death. The first English translation, by Ellis Farnsworth, under the title A Short History of the Israelites. With an Account of their Manners, Customs, Laws, Polity and Religion. A comparison of the two texts suggests that Cordell benefited from the work of Farnsworth. A further version was published in 1805 by Rev. Adam Clarke, Claude Fleury's History of the Ancient Israelites. Cordell (1720 - 1791) was both a Jacobite and Roman Catholic priest. Leo Gooch in ODNB records that "Cordell's… Read More
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A Manual of the Privatte [sic] Devotions and Meditations of the Right Reverend Father in God Lancelot Andrews late L. Bishop of Winchester. Translated out of a Fair Greek ms. of his Amanuensis. By R.D. B.D

by ANDREWES (Lancelot), Bishop of Winchester:

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London, Printed by T. Ratclif, & N. Thompson for Richard Bentley, 1674. ?THIRD EDITION of the translation by Richard Drake (d. 1681). 12mo, 129 x 71 mms., pp. [xxiv], [24], 153 [i.e. 177], [11], 97 [98 - 100 Contents], with separate letterpress title pages to the two parts (the first slightly cut down at lower margin), general pictorial engraved title page to the two parts depicting two scenes, engraved portrait frontispiece, with printed title-page detached at lower inner margin, bound in contemporary mottled calf, at some point neatly rebacked, lettered in gilt, rather rubbed, but a very sound clean copy, formerly in the library of the avid bibliophile Canon Brian James Findlay, Fellow of Magdalen College, Oxford, Canon of Manchester Cathedral, and Rector of Monks Eleigh. A rare edition of a classic seventeenth-century text. T. S. Eliot called Andrewes "the first great preacher of the English Catholic Church", and Frank N. Magill included Andrewes' Manual of the Private… Read More
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A Manual of Perspective, Being a Familiar Explanation of the Science, including the rules necessary for the correct representation of object,s the principles of shadows, reflections in water, &c. Adapted more particularly For the Use of Amateurs. Second Edition, with Additions

by WOOD (J.), Jun.:

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Worcester: Wood and Son...and Whittaker and Co. London. 1843. Tall 8vo, 250 x 150 mms., pp. v [vi blank] [7] 8 - 34, engraved frontispiece, 6 other full-page engraved plates, original embossed cloth, title in gilt on front cover; slight stain on front cover, but a very good copy. "In this second edition corrections, wherever thought necessary, have been made, and various additions inserted, the latter with the view of rendering the work more complete; such cases only as may be deemed unimportant from seldom occurring, and which are calculated rather to gratify the curious than to recompense the student by their utility, being purposely omitted"(from the Introduction).
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Manx Ballads and Music. With a Preface by the Rev. T. E. Brown

by MOORE (Arthur William):

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Printed and Published by G. and R. Johnson, Prospect Hill, Douglas, Isle of Man, 1896. FIRST EDITION. Large 8vo, 224 x 148 mms., pp. xxxvi, 225, 225 - 265, with pages 224 - 265 being music for the songs, errata slip at end, stiff paper covers, original paper wrappers, with title in red and black on front cover and engraved vignettes; wrapper defective at spine and lower front joint. Although Arthur William Moore (1853 - 1909) was a business man and politician, books like this made him an important Manx scholar. He has no illusions or false perceptions about these songs: "The next thing that strikes us in the survey of our little field is that the songs are so few in number, and, in quality, so trifling, so unromantic, so unpoetical, and so modern."
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The Mapleson Memoirs 1848 - 1888.

by MAPLESON (James Henry):

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London Remington & Co..., 1888. FIRST EDITION. 2 volumes. 8vo, 213 x 130 mms., pp. xi [xii blank], 327 [328 blank]; vii [viii blank], 319 [320 advert], including half title in each volume, portrait in volume 1, contemporary half sheepskin, marbled boards, gilt title on spines. A very good set. The opera manager James Henry Mapleson (1830 - 1901) began his career as an opera singer, but his one and only performance in London in Auber's Masaniello ended that aspiration. His career was checkered, but, as ODNB notes, "In 1856 Mapleson opened a concert and dramatic agency, using his Italian contacts and his knowledge of the language to supply artists for Covent Garden and Her Majesty's, and in 1858 was engaged by E. T. Smith, a jack-of-all-trades entrepreneur and lessee of Drury Lane, to manage a season of Italian opera there. Three years later Mapleson took the Lyceum Theatre for a season of his own, and then moved on to Her Majesty's, where he remained until the theatre burnt… Read More
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Marci Accii Plauti Comoediae. Ex Editione Joh. Gronovii

by FOULIS PRESS. PLAUTUS

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Glasguae: In Aedibus Academicis Excudebant Robertus et Andreas Foulis..., 1763. 3 volumes. 12mo, 158 x 96 mms., pp. iv], 292; [ii], 296; [ii], 265 [266 blank, 267 - 268 adverts], contemporary calf, gitl border on covers, spines gilt to a crossed arrows motif, two black leather labels (one chipped) on volume 1; lacking labels on other volumes, front joint volume 3 cracked (but firm), other joints with some wear, spines rubbed, tops and bases slightly chipped, a so-so set with the armorial bookplate of John Wightwick on the front paste-down end-paper of each volume, and the autograph and date "Henry James Sparks/ 1857" on the top margin of each title-page. The German scholar Johann Friedrick Gronovious (1611 - 1671) published his edition of Plautus in 1664. Editions of Plautus began to appear as early as 1472, and his comedies have been a source for many dramatic translations and adaptations since the Renaissance. Gaskill 424.
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Marci Hieronymi Vidae, Cremonsis, Albae Episcopi, Poematum, Quae haud plane disjunxit a Fabula, Pars Prima, Continens De Arte Poetica Libros Tres, Bucolica, et Epistolam Ad Joannem Matthaeum Gibertum. Edidit Thomas Tristram

by VIDA (Marco Girolama):

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Oxonii, E Typographeo Clarendoniano, 1722. 8vo, 217 x 131 mms., pp. [xxviii], 145 [146 blank], IX [X blank], including 16 pages of subscribers, engraved portrat frontispiece, title-page printed in red and black, engraved head- and tail-pieces, engraved initial letters, later 18th century calf, double gilt rule borders on covers, spine ornately gilt in compartments, red leather label; fronjoint slightly cracked, rear joint rubbed, but a very good copy. The Italian humanist and poet Marco Girolamo Vida or Marcus Hieronymus Vida (1485? – 1566) wrote Latin poetry, and his De Arte Poetica, influenced by Horace, proved to be a useful text for 18th century aestheticians. De Arte Poetica was translated by John Hampson and published in Sunerland in 1793; Hampson had nothing but praise for the author, his works, and his life style, taking his due from the above book: "It happened, in the winter of 1790, that Tristram's Vida fell into my hands. On reading the Poetics I was so struck by the… Read More
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Marcus Flaminius An Historical Novel: in A Series of Letters supposed to be Written in the Life-time of Germanicus

by KNIGHT (E[llis]. Cornelia):

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London: Printed for C. Dilly..., 1795. 2 volumes. Large 8vo, 205 x 128 mms., pp. xii, 402; [ii], 341 [342 blank], contemporary half roan, marbled boards, spine richly gilt, black leather labels; some slight wear to spine, corners worn, but a good copy, with the armorial bookplate of William Botfield on the front paste-down end-papers. Ellis Cornelia Knight (1757–1837) was unusual among girls in that she was exceptionally well-educated in her youth, studying from the age of five with four Swiss sisters at a boarding school, and on the other three days, "she was instructed in French, Latin, the elements of Greek, mathematics, geography, and history by a visiting master, M. Petitpierre, who had formerly been pastor at Neufchâtel; she was taught to dance by Mr Novere, a highly fashionable dancing-master." Her first book, Dinarbas: a Tale, published in 1790 was intended as a "continuation" of Samuel Johnson's Rasselas. The present work was first published in 1792,… Read More
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