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PALICIO | THE RETURN OF ULYSSES | THE CHRISTIAN CAPTIVES | ACHILLES IN SCYROS | THE HUMOURS OF...
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PALICIO | THE RETURN OF ULYSSES | THE CHRISTIAN CAPTIVES | ACHILLES IN SCYROS | THE HUMOURS OF THE COURT

by Bridges, Robert

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1890. [Together, five volumes.] London: Edward Bumpus, 1890 [last one: George Bell & Sons / J. & E. Bumpus, n.d.(1894)]. Original buff-grey wrappers printed in black. These are Nos. ii through vi of the eight "Plays by Robert Bridges," initiated by Edward Bumpus. There were three other plays: NERO [Part I] -- not numbered, and in a different-style wrapper, published in 1885; plus vii THE FEAST OF BACCHUS and viii NERO Part II, these last two published by Bell and Bumpus in 1894 or a little later. All five are in their original buff-grey wrappers, and are in near-fine condition (light foxing on the leaves of the last one). See Colbeck Vol I pp 84-85 (Bridges #s 13, 14, 15, 25 & 25) for these or later printings. Provenance: No. iv with bookplate of William A. Pye on inside cover.
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THE PARASITE. (Vincent Starrett's copy)
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THE PARASITE. (Vincent Starrett's copy)

by Doyle, A. Conan

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1894. Westminster: A. Constable and Co., 1894. Original blue cloth decorated in gilt. First Edition, being the first volume in the publisher's short-lived "Acme Library" (also issued in wrappers). This is a suspenseful tale involving mesmeric trances and mind control; as G&G points out, Doyle's interest in the subject dated back to his days of medical practice in Southsea. The chief characters are Dr. Austin Gilroy, a physiologist; Agatha, his fiancée; and Mrs. Penelosa, a medium with enormous mesmeric power. Gilroy, at first a skeptic, is working with Mrs. Penelosa on psychic research. He soon observes that she has fallen in love with him, although he feels no attraction to her. He also learns that not only can she mesmerize; she can also project her personality, possess others, and drive them to do what she wants. When Gilroy rejects her, she assaults him psychically and sets out to destroy him. He finds himself engaged in foolish and criminal acts, and loses his job... [Bleiler] This short tale… Read More
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THE PARASITE. A Story. Illustrated by Howard Pyle
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THE PARASITE. A Story. Illustrated by Howard Pyle

by Doyle, A. Conan

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1895. New York: Harper & Brothers, 1895. 8 pp undated ads. Original grey cloth decorated in gilt. First American (and first illustrated) Edition. This is a suspenseful tale involving mesmeric trances and mind control. As G&G points out, Doyle's interest in this subject can be traced back to the time when he was in medical practice in Southsea. The American edition is sought largely for the four Howard Pyle illustrations, which did not appear in the London "Acme Library" first edition. This is a fine copy. Green & Gibson A17b.
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A PASSIONATE PILGRIM, and Other Tales
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A PASSIONATE PILGRIM, and Other Tales

by James, Henry Jr.

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1875. Boston: James R. Osgood and Company, 1875. Original terra-cotta cloth, beveled. First Edition of Henry James's first book, which consisted of only 1,500 copies. This is a collection of six tales that had appeared in American periodicals (mostly the Atlantic Monthly) over the preceding years. In 1873 James's father wrote him to say that he had had discussions with Osgood about publication of some of the son's tales, but Henry Jr. replied (to his mother, not his father), "I value none of my early tales enough to bring them forth again, and if I did, should absolutely need to give them an amount of verbal retouching...". He added that he wished to issue instead a volume "of tales on the theme of American adventurers in Europe, leading off with the Passionate Pilgrim." [E&L] There was no equivalent English edition, though half of these tales would appear in the 1879 two-volume London collection titled THE MADONNA OF THE FUTURE. This copy is in the first of the four American binding states, with… Read More
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THE PAYING GUEST

THE PAYING GUEST

by Gissing, George

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1895. London, Paris & Melbourne: Cassell and Company, 1895. 4 pp ads dated March 1896. Original mustard yellow cloth decorated in red. First Edition of this novella, being a volume in "Cassell's Pocket Library," which was edited by Max Pemberton. With the 1894 demise of the three-decker format and the lengthy style it had mandated, Gissing (and many other authors) turned to very short pieces -- books such as THE PAYING GUEST and SLEEPING FIRES, and the short stories that would form HUMAN ODDS AND ENDS. According to Collie, THE PAYING GUEST "was the third of the single-volume novels that Gissing wrote on commission, was regarded as a potboiler from start to finish and was soon forgotten" -- it tells of a middle-class family taking in a "paying guest," a young woman of little education and of poor temperament, who is soon asked to leave but will not. This copy is in mustard cloth (copies were also issued in wrappers -- no priority); it has the four-page ad catalogue dated March 1896, which is not the… Read More
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PHARAIS. A Romance of the Isles
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PHARAIS. A Romance of the Isles

by Macleod, Fiona [pseudonym of William Sharp]

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1894. Derby: printd by Harpur and Murray at the Moray Press in May 1894 and sold by Frank Murray at his Bookshops in Derby Leicester and Nottingham. Original flexible boards covered with glazed grey-green paper elaborately decorated in gilt. First Edition (trade issue -- there were also 75 numbered/signed copies), published as a volume in the printer's "Regent Library." This "romance of the Isles" is in fact the first book to bear the name "Fiona Macleod" -- by this Scottish writer of the 'Nineties whose true identity was so long in being discovered. From the very beginning a vein of mystic pantheism, born of these [Scottish Highland] mountains and his Gaelic blood, showed itself in the boy's nature. Three times he ran away from home to live in the mountain solitude, once spending an entire unforgettable summer in a gypsy encampment. [K&H] Sharp went on to write both under his own name and under the secret pseudonym of "Fiona Macleod"; until his death at the end of 1905, only his wife and a few… Read More
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PICTURE AND TEXT

PICTURE AND TEXT

by James, Henry

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1893. New York: Harper and Brothers, 1893. Original dark green cloth decorated in gilt. First Edition of this collection of seven literary essays, issued as a volume in the "Harper's American Essayists" series. There was no corresponding English edition. This copy is in the primary, elaborately-gilt binding (there were also four secondary bindings), and is in bright, just-about-fine condition. Supino 38.1.0; Edel & Laurence A38.
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PICTURES FROM ITALY
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PICTURES FROM ITALY

by Dickens, Charles

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1846. New-York: Wiley & Putnam, 1846. Original blind-stamped red cloth. First Complete American Edition, issued as No. LXIII in Wiley & Putnam's "Library of Choice Reading" -- available either in wrappers on its own, or bound in red cloth together with Mrs. Jameson's MEMOIRS AND ESSAYS, as here. During 1846 seven letters from Dickens in Italy were published in The Daily News in London, and in America Wiley & Putnam jumped on them and published them in two wrappered parts titled TRAVELLING LETTERS WRITTEN ON THE ROAD -- the only such book edition on either side of the Atlantic (and extremely scarce today). Later that year Dickens polished up the letters and added considerably to their number, creating the U.K. volume PICTURES FROM ITALY, published on May 18th; Wiley & Putnam quickly issued this corresponding American edition on June 8th, followed "a day or two" [Smith] later by William Colyer's edition. Condition of this copy is very good: the original endpapers are intact but there is some wear… Read More
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PICTURES FROM ITALY

PICTURES FROM ITALY

by Dickens, Charles

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1846. London: Bradbury & Evans, 1846. 2 pp undated ads. Original blind-stamped blue cloth. First Edition of Dickens's account of his 1844 tour of Italy. His description of the coaching trips which took him from place to place for five months is full of wonderful observations of his fellow-men... His account of a public execution in Rome is remarkable -- his emotional reaction is held firmly in control but revulsion at the whole proceeding is implicit in every line [CGEL] This copy is in the primary (fine-diaper cloth) binding; copies were also issued in ribbed cloth of the same color. This is a very good copy, with little wear but with some soil on the covers; the endpapers are old but not original. The front flyleaf bears the penciled signature of Walter E. Smith, bibliographer of Dickens. Smith II pp 44-58.
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THE PIRATE. In Three Volumes
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THE PIRATE. In Three Volumes

by [Scott, Walter]

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1822. By the Author of "Waverley, Kenilworth," &c. Edinburgh: printed for Archibald Constable and Co.; and Hurst, Robinson, and Co., London, 1822. Original drab paper-covered boards and spines, with printed labels. First Edition, published actually in December 1821. Scott had visited the Orkney and Shetland Islands in 1814, as a Northern Lighthouse Commissioner -- and there heard the tale of the "Orkney Pirate" John Gow of about a century earlier: pursued by authorities, Gow had returned to his native Orkneys and laid low for awhile, in the process courting a local lass who did not know who he really was. "THE PIRATE was an immediate success and remained one of Scott's most popular and most reprinted works throughout the nineteenth century" [Scott site]. As Todd & Bowden note, some copies were printed in Edinburgh and some in London (though the London printers are not noted as such in the volumes), due to the large numbers of advance orders for this romance; since the book was "an immediate… Read More
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PLANTATION PAGEANTS

PLANTATION PAGEANTS

by Harris, Joel Chandler

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1899. Illustrated by E. Boyd Smith. Westminster: Archibald Constable & Co., 1899. Original olive green cloth pictorially decorated in black and red. First Edition, English issue, of this collection of fourteen tales -- including a few about Brer Rabbit and friends. This is a children's story book in the same general format as the four books Harris had collaborated on with Oliver Herford a few years earlier, but instead illustrated by E. Boyd Smith (who had just illustrated Harris's TALES OF THE HOME FOLKS). These are Houghton Mifflin sheets, printed in Cambridge Massachusetts, but with a Constable title page for the English market. This is a very good-plus copy (some soil on the blank rear cover, otherwise fine). See Blanck 7142.
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THE PLUMED SERPENT (Quetzalcoatl)
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THE PLUMED SERPENT (Quetzalcoatl)

by Lawrence, D.H.

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1926. London: Martin Secker, (1926). 4 pp undated ads. Original chocolate brown cloth, with dust jacket. First Edition of this 476-page novel sited in Mexico. Lawrence began it in 1923 when he and Frieda lived on Lake Chapala near Guadalajara; they returned to Oaxaca in 1924-1925 so that he could complete it. It is a tale of political upheaval in Mexico (but featuring an Irish tourist named Kate) -- in which a local armed religious sect manages to overthrow Christianity and replace it with the worship of Quetzalcoatl. Although when he completed it Lawrence considered this to be his most important book, it was NOT well-received: it was condemned as being fascist, anti-Christian, and also racist (generating fear about the decline of the white race). This volume is in fine condition; the dust jacket is very good-plus (spine faded and with a few small holes, other minor wear at the spine ends and the folds). This extremely fragile jacket is quite uncommon. Roberts A33. Housed in a clamshell case with… Read More
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POEMS
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POEMS

by Mansfield, Katherine

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1923. London: Constable & Co., (1923). Original brown paper boards with buff cloth spine and red leather spine label, with dust jacket. First Edition of Katherine Mansfield's verse, collected by her husband John Middleton Murry and published just ten months after her death by tuberculosis at age 34. The verse is divided into "Poems: 1909-1910," "Poems: 1911-1913," "Poems at the Villa Pauline: 1916," "Poems: 1917-1919" and "Child Verses: 1907." Included is Murry's "Introductory Note," explaining how she wrote her poetry. Kirkpatrick gives the height of this volume as 9-3/16", but this copy is definitely an exact 9-1/2" tall. It is in fine condition. The dust jacket is very good-plus, with very minor edge-wear and some foxing. Kirkpatrick A7a.
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POEMS ASCRIBED TO ROBERT BURNS, The Ayrshire Bard
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POEMS ASCRIBED TO ROBERT BURNS, The Ayrshire Bard

by Burns, Robert

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1801. Not Contained in Any Edition of His Works Hitherto Published. Glasgow, Printed by Chapman & Lang, for Thomas Stewart, Bookseller and Stationer, 1801. Early but not original green morocco-grain cloth. First Edition of this early collection of 29 poems "not... hitherto published," spread over 94 pages. The word "ascribed" is key, because, in the preliminary three-page "Advertisement," it is noted that the poems are "presented to the Public without any _positive_ affirmation of their authenticity on the part of the Publisher." Egerer states that ten of the poems are actually first appearances of Burns poems -- those beginning on pages 46, 53, 59, 60, 62, 68, 74, 81, 82 and 91. There were two issues of this book, one advertised in the Glasgow Courier on 2 January 1801 and the other on 3 May 1801. This copy appears to be mixed-issue. On the one hand, the title page includes the date 1801 (and a short scrolled rule immediately above it), whereas some copies have neither. On the other hand, leaf G3… Read More
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POEMS, Chiefly in the Scottish Dialect. The Third Edition
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POEMS, Chiefly in the Scottish Dialect. The Third Edition

by Burns, Robert

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1787. [original boards, leaves uncut] London: Printed for A. Strahan; T. Cadell in The Strand; and W. Creech, Edinburgh, 1787. Original blue-grey paper-covered boards with cream paper spine and printed label, page edges uncut. "The London edition," which is to say the third edition overall (so stated, unlike the prior two) -- following the rare Kilmarnock edition of 1786 and Wm. Creech's Edinburgh edition of earlier in 1787. Egerer goes to great length to explain why this edition, though promoted as coming out in mid-1787, did not in fact meet the public until November of that year (later than pirated editions in Belfast and in Dublin) -- it had a lot to do with Creech still having many copies on hand from his Edinburgh edition. This is a remarkably fine copy, still in the original boards and label, and with the leaves uncut as issued; the spine remains atypically intact, including the printed label. The only real flaw is that the endpapers are cracked (also, leaf O3 has a two-inch tear). One could… Read More
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POEMS OF THE PAST AND THE PRESENT
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POEMS OF THE PAST AND THE PRESENT

by Hardy, Thomas

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1902. (London and New York: Harper & Brothers, 1902.) Original dark green cloth with monogram device in gilt. First Edition of Hardy's second volume of verse, which (like the first, WESSEX POEMS), consisted of only 500 copies. None of Hardy's exceedingly scarce multi-volume novels consisted of fewer copies; for example, FAR FROM THE MADDING CROWD, THE RETURN OF THE NATIVE and TESS OF THE D'URBERVILLES each had a 1000-copy first edition. This title, actually published in November 1901, contains 99 poems, some of which deal with the Boer War; WESSEX POEMS had contained 51 poems. POEMS OF THE PAST AND THE PRESENT marks the end of Hardy's association with the publishing firm of Osgood, McIlvaine & Co. (and their successors, Harper & Brothers of London, of which Clarence McIlvaine was in charge). This is a near-fine copy (a few minor rear-cover marks, endpapers cracked). In our experience, though both WESSEX POEMS and this title consisted of the same number of copies, this is a considerably scarcer book… Read More
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POETRY AND DRAMA

by Eliot, T. S.

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1951. The Theodore Spencer Memorial Lecture. Harvard University. November 21, 1950. London: Faber & Faber, (1951). Original red cloth, with dust jacket. First English Edition, published about six months after the one by the Harvard University Press. This is a fine copy, in a dust jacket that is very good (one unnecessary internal mend, very slight edge-wear, price-clipped). Gallup A57b.
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THE PORTRAIT OF A LADY [Vol II only]

THE PORTRAIT OF A LADY [Vol II only]

by James, Henry Jr.

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1881. In Three Volumes [sic]. London: Macmillan and Co., 1881. Original dark blue-green cloth lettered in gilt and stamped in black. First Edition of the middle volume of this three-decker novel, often considered James's greatest work. Edel & Laurence and Blanck (BAL) both indicate that all 750 copies of the first impression (dated 1881) of Vol II have blank leaf R8 at the end; Supino more recently says that the first impression lacks this leaf, and that the 1882 second impression retains it. In this Vol II (dated 1881, and in the primary binding), not only is R8 present, it is in fact still unopened along the fore-edge with leaf R7. This is a bright, near-fine copy (one bumped fore-corner, a barely-visible hairline crack at the top of the rear joint, minor cracking of the original dark brown endpapers); unlike most copies that surface today, there is NO evidence of a lending library label on the front cover. It is sad that this volume has gone missing from its mates -- especially as the complete… Read More
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PORTRAITS OF PLACES

PORTRAITS OF PLACES

by James, Henry

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1884. Boston: James R. Osgood and Company, 1884. Original chocolate brown cloth. First American Edition, which consisted of 1500 copies printed from the plates of Macmillan's London edition, issued a month earlier. The "places" portrayed are on the Continent, in England and in North America. This copy is in chocolate brown cloth (one of five colors used, without priority), with the JRO monogram at the foot of the spine. This is a near-fine copy, mildly rubbed at the spine ends. Supino 21.5.0; Edel & Laurence A21b.
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THE POWER-HOUSE

THE POWER-HOUSE

by Buchan, John

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1916. Edinburgh and London: William Blackwood and Sons, 1916. Original rose cloth. First Edition of this mysterious tale of international intrigue, featuring Edward Leithen (who would reappear in other Buchan tales). The Power-House is a secret anarchist organization, led by a wealthy Englishman, which aims to destroy Western civilization. Buchan had written this tale in 1913, at which time it was serialized in Blackwood's Magazine; as for the three-year delay in book publication, in his dedication to a general at the front Buchan observes: A recent tale of mine [THE THIRTY-NINE STEPS] has, I am told, found favour in the dug-outs and billets of the British front, as being sufficiently short and sufficiently exciting for men who have little leisure to read. My friends in that uneasy region have asked for more. So I have printed this story, written in the smooth days before the war, in the hope that it may enable an honest man here and there to forget for an hour the too urgent realities... As with… Read More
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