Description:
New York: Uranian Press, 1962. First Edition. 9 broadsides, 11 x 8½ inches, in original pictorial paper folder, 11½ x 9¾ inches. Broadsides printed in black and red on pale green paper, folder in red on green stiff paper. Numbered in pencil by Tyler over his rubber-stamped monogram on folder first leaf verso. All broadsides and first leaf of folder embossed with seal of the Uranian Press. Fine. Numbered 12 of 300 copies. 9 broadsides, written by Richard Tyler, all illustrated by him with deep-etch relief prints but one, which is illustrated with a linocut by Manuel Narciza. All broadsides hand-set and printed at the Uranian Press and bearing its imprint. The folder's front leaf contains a deep-etch relief print by Dorothea Baer Tyler, who signs in the print with her monogram. Tyler introduces the contents of the portfolio with a quotation from C. G. Jung in PSYCHOLOGY & ALCHEMY: "The Christian opus is an operari in honor of God the Redeemer undertaken by man who stands in need of redemption, while…
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[R.O.T.]'S 9 GNOSTIC TRACTS 9
by [Tyler, Richard Oviet]
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THE RECENT ATTEMPT TO DEFEAT THE CONSTITUTIONAL PROVISIONS IN FAVOUR OF RELIGIOUS FREEDOM, CONSIDERED IN REFERENCE TO THE TRUST CONVEYANCES OF HANOVER STREET CHURCH. BY A LAYMAN
by [Lowell, John]
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- very good
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- first
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Brooklyn, New York, United States
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Boston: Wells and Lilly, 1823. 24 pp. Original plain green wrappers, stitched. Contemporary ink ownership signature of "G. Bond" on front wrapper. Wrappers lightly chipped at spine ends and corners, light soiling to front wrapper and extreme fore-edge, else near fine. An anti-Calvinist pamphlet from the Unitarian Controversy of 1805-1835, insisting upon "right of thought" and separation of church and state as fundamentally Christian principles. The author targets Massachusetts's "orthodox party" of Congregationalist clergy as heirs to Constantine and Rome in their abuses of Christianity and mental enslavement of their churches' laity. Sabin attributes the work to John Lowell, Jr. (1769-1840), the prominent Federalist Massachusetts lawyer, prolific pseudonymous pamphleteer, and author several years earlier of "Are You a Christian or a Calvinist?" Sabin 42457.
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ROBERT NESBITTS OSTEOGENIE ODER ABHANDLUNG VON ERZEUGUNG DER KNOCHEN IM MENSCHLICHEN KÖRPER IN ZWEEN VORLESUNGEN ERKLÄRT, DIE AUF DEM ANATOMISCHEN THEATER DER WUNDÄRZTE IN LONDON DEN ERSTEN UND ANDERN DES HEUMONATS, IM JAHR 1731. GEHALTEN WORDEN . . .
by Nesbitt, Robert; Johann Ernst Greding (trans.)
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- First German-language edition
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Altenburg: Paul Emanuel Richters, 1753. Quarto. [8],xxviii,[4],104 pp. plus six folding plates. In German. Contemporary three-quarter leather and speckled paper over boards. 19th-century ex-dono inscription in title page and occasional 19th-century marginal notes in German. Spine and nearly all leather perished, joints cracked. 2 x 2 cm. square excision in front free endpaper. Very light occasional foxing, else near fine internally in a fair binding. The German translation of Robert Nesbitt's best known work, HUMAN OSTEOGENY EXPLAINED IN TWO LECTURES, first published in London in 1736. Robert Nesbitt (1697-1761) trained at Leiden University under Bernhardus Albinus the Elder (1653-1721) and Herman Boerhaave, the "Dutch Hippocrates" (1668-1738). An Englishman, Nesbitt returned to London after his studies and commenced his medical career; he was admitted as a fellow to the College of Physicians in 1729. The present work comprises two lectures he delivered at the Anatomical Theatre of the Surgeons of…
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ROBERT RAUSCHENBERG PHOTOGRAPHS
by [Rauschenberg, Robert]
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- Hardcover
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- first
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- First American Edition
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- Hardcover
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Brooklyn, New York, United States
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NZ$1,290.75NZ$8.60 shipping to USA
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New York: Pantheon Books, 1981. First American Edition. Hardcover. Very good/near fine. Quarto. [143] pp., containing 127 photographic images (122 numbered). Publisher's gray cloth, spine lettered in black, in pictorial dust jacket. Signed in permanent maker by Rauschenberg on the half title. Lower outer corner of terminal three leaves creased and scuffed, light dust soiling in endpapers, faint toning at head of text block, else near fine in a near fine dust jacket. First American edition, after the French edition of the same year published by the Centre Georges Pompidou in conjunction with an exhibit at the Centre Beaubourg in Paris. The book features photographs from Rauchenberg's 1949-1965 and 1979-1980 periods and a 1981 interview with Alan Sayag at Captiva Island. From the collection of Brazenhead Books, the "secret bookstore" of the late Michael Seidenberg, to benefit his estate.
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ROME AND AMERICA: A BRIEF SURVEY OF COMPARATIVE CULTURE
by Tuercke, Rev. Carl; Charles W. Super (trans.)
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- First English Language Edition
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Brooklyn, New York, United States
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NZ$129.08NZ$8.60 shipping to USA
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Cincinnati, Oh.: C.N. Morris, 1875. First English Language Edition. 16 pp. Original printed wrappers. Wrappers lightly soiled, else near fine. From the library of Dr. Ephraim M. Epstein, first President of the University of South Dakota, bearing his bookplate. Polemic "Dedicated to all Patriotic Citizens of the United States" by the pastor of Cincinnati's Third Protestant Church on the dangerous influence of the Roman Catholic Church. Delivered at Cincinnati in May, 1875, and translated from the German.
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RONA PONDICK 1987-2001 JANUARY 24 - MARCH 27, 2004
by Pondick, Rona
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Japan: Akira Ikeda / Taura, 2004. First Edition.[30] pp. including nine color plates. In English and Japanese. Quarto. A fine copy. Akira Ikeda Gallery Catalogue No. 210. Printed in a limited edition of 1000 copies.
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RUBAIYAT OF ACCOUNT OVERDUE
by Morley, Christopher
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- near fine
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- first
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- First Edition
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New York: Printed by Lew Ney for Gotham Book Mart, 1935. Small quarto. Single sheet folded twice. [4] pp. Lettered "HC" in contemporary red ink in the colophon. Near fine. The "deluxe" edition of a satirical poem composed by Christopher Morley and designed and printed by Lew Ney to help their friend and patron, Frances Steloff, founder and owner of Gotham Book Mart, during a moment of financial insecurity at the store in the mid-1930s. It "has been printed in this limited edition of 350 copies from Inkanabula type, imported from Italy. It was set by hand, and the type has been distributed." In the 1975 "Special Gotham Book Mart Issue" of JOURNAL OF MODERN LITERATURE (Vol. 4, No. 4), Frances Steloff describes the origin of the poem and its publication. One day in 1935, Steloff was dictating correspondence in the back of the shop, unaware that her friend and Gotham Book Mart regular Christopher Morley had stopped by. "He asked why I looked so glum, and I told him that I had been dictating dunning…
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