Search Results: Titles starting with S from Edward T. Pollack Fine Arts

S.E.G. BOWL WITH GLAZE OR FIRING CODE MARKINGS

Zorn, Anders. S. LOEB (SOLOMON LOEB). H&H76, Asplund 115, Delteil 113. Etching, 1897. Unsigned (signed in the plate). Apparently the 2d or 4th State of 4. All of the states are described as rare. 9 3/8 x 6 inches, 237 x 157 mm (image), 20 5/8 x 14 1/8 inches (sheet) In excellent condition. Solomon Loeb (1828-1903) was a German-born American banker and textile merchant.

Swenson, Howard. Swenson, Howard. S.S. MT. VERNON. Woodcut, 1940. Edition of 25. Titled, numbered 3-25, and signed and and dated in pencil. 5 x 6 7/8 inches. In excellent condition. Howard Swenson 1901-1960 was born in Illinois. He studied at the Corcoran Scool of Art in Washington, and worked in Chicago and in Washington, DC as a sculptor, decorator and graphic artist. He worked with the WPA, designed the bronze handles for the doors of the Senate, and his work was exhibited at the Corcoran Gallery and the Rockport Art Association.

Himalayan. SACRED COW (A) - SMALL. Carved and painted wood, India or Nepal c. 19th Century. c. 5 inches long, 4 inches tall. In very good condition with evidence of age. Apparently used as a decorative element on a house or temple.

Pierce, Danny. SAD SOLOIST. Edching, 1958. Signed and dated in pencil. Edition size not known. 11 3/4 x 8 5/8 inches (plate), 16 1/2 x 13 inches (sheet). Excellent condition. Daniel P. (Danny) Pierce (September 10, 1920 - March 6, 2014) was a painter, printmaker and sculptor. He taught printmaking at several universities, and wrote, illustrated and printed his own books at The Red Door Press in Kent, Washington.Danny Pierce (1920-2014)was a book artist who produced books entirely on his own; "he writes the text, handsets the type, cuts the blocks, handprints editions of 25 to 100 copies, and constructs specially designed boxes for each volume, creating works with a deep, personal quality." (Preface to "Danny: 36 years at the Red Door Studio," a 1995 exhibition at the University of Wisconsin). He was also a printmaker. He taught book arts and printmaking at the University of Alaska and the University of Wisconsin.

Unknown Photographer. Unknown Photographer. SAILBOAT ON THE MERRIMAC RIVER AT HAVERHILL, MA. Albumen photograph, mounted to board. Circa 1890/1900. 7 1/4 x 6 inches. In an old, probably original frame 14 1/2 x 12 inches. Very good condition.

Warwick, Edward. Warwick, Edward. (American, 1882-1973). SAINT FRANCIS. Woodblock print, c. 1920. 12 x 9 7/8 inches, 305 x 251 mm. Titled, signed and inscribed "Imp." in pencil, and with a label of the Kent (CT) Art Association. In excellent condition. St. Francis with two deer, in a very strong Art Deco graphic style. Warwick was Dean of the Philadelphia School of Art. Some toning and matstain, else in very good condition.

Bonnard, Pierre. (Bonnard, Pierre)illus. SAINTE MONIQUE by Ambrose Vollard. Vollard, Paris, 1930. Number 108 of the total edition of 375, this being part of the regular edition on Velin d'Arches paper. Livre d'Artiste with text by Vollard and illustrations by Bonnard. Folio, leather-backed cloth clamshell box enclosing (1) the book, in wraps, with 223 pages, and 178 wood-engraved illustrations, plus Contents and two suites Hors Texte, of illustrations not used for the book, including three etchings and 15 plates of wood-engravings, (2) a folder containing 29 lithographs, and (3) another folder containing 12 of 14 etchings. Lacking the two etchings, as moted above, and with the back cover of the wrapper of the book split partway, else the whole, including the box, in very good condition.

SALAD BOWL AND SERVERS. REVERE. MAHAGANNY & SILVER. The servers are stamped "France" and the silver is sterling; the bowl, by Revere, is signed, but the silver is plate.

Benson, Frank. SALEM HARBOR. Paff 1. Etching, 1882. Edition of about 1500. Unsigned, as always. 4 7/8 x 7 7/8 (plate), 8 1/4 X 11 5/8 inches (sheet). In very good condition except for four breaks at the bottom edge from removal from the magazine in which it was published. Paff states: "This etching was made as the frontispiece for the second number of "The Art Student," a magazine published by "Students in the School of Drawing and Painting, Museum of Fine Arts, Boston," and of which Mr. Benson was one of the editors. The plate was steel-faced about fifteen hundred impressions were printed." "Mr. Benson had just read Lalanne's treatise on etching, and Salem Harbor was the result of the interest aroused by the book. Except four or five experiments immediately following, of which no impressions have been traced, he did not etch another plate until 1912..." The work is of interest as Benson's first effort as a printmaker, as a view of Salem Harbor in the late 19th Century, and as an artwork in its own… Read More

Welliver, Neil. SALMON. Handcolored etching, 1977. Edition of 40, printed on cream colored Arches paper. Signed and numbered 37/40 in pencil. Published by Brooke Alexander, NY. 21 3/4 x 29 3/8 inches, 552 x 746 mm. (plate); 29 1/2 x 36 1/2, 749 x 927 mm. (sheet). In excellent condition.

Wachtler, N.. Wachtler, N. SALOME and MARIA. Original lithographs with handcoloring. Each about 5 3/4 x 3 3/4 inches; 145 x 95 mm. Each inscribed in pencil with its title, the artist's signature and "Orig lithogr handkol." Each in excellent condition; framed.

Sherwood, William. Sherwood, William Anderson (American, 1875-1951. SALUTE, VENICE. Etching. 7 7/8 x 6 1/8 inches, 200 x 155 mm., plus full margins. Signed and inscribed "aquafort imp." in pencil, and with the artist's blindstamp. Fine.

Francis, Sam. (Francis, Sam). SAM FRANCIS - PAINTINGS 1947-1990 by William Agee. Museum of Contemporary Art, L.A., 1999. Large square 4to., cloth, DJ, 164pp., profusely illustrated. Fine in Fine DJ.

Roudebush, Harriet. Roudebush, Harriet. SAN FRANCISCO BAY BRIDGE. Etching, 1930s-40s. Edition not stated. Titled and signed in pencil. 2 3/4 x 4 1/4 inches, with full margins. In excellent condition. Harriet Gene Roudebush was born in Portland, Oregon on July 6, 1908. She and her family moved to Sacramento, California in 1916. She studied at the California College of Arts and Crafts (1925) and for four years on a scholarship at the California School of Fine Arts. She was known during the 1930s and 1940s for her etchings of the San Francisco Bay Area, which were sold in tourist shops and art galleries at Fishermen's Wharf. She and her husband moved to Pacific Grove (a well-known California artists' colony) in 1972. She discontinued printmaking and etching, and instead became a watercolorist, painting watercolors of the Monterey, Carmel, and Pacific Grove areas, until her death on January 2, 1998. Exhibits: San Francisco Women Artists, 1931; Galerie des Beaux Arts (San Francisco), 1930-33; Worden's… Read More

Colucci, Guido. Colucci, Guido (Italian, 1877-1949). SAN GIMIGNANO. Etching. 5 3/4 x 7 5/8 inches; 147 x 195 mm. Titled and signed in pencil.

Roth, Ernest (American, 1879-1964). SAN GREGORIO, VENICE. Etching, 1907. Titled signed and dated, and inscribed "(small plate)" all in pencil, and with an original price of $15.00 marked in pencil at the lower right corner. Printed on laid paper. 9 1/2 x 4 7/8 inches (plate), 12 3/4 x 7 1/2 inches (sheet). A beautiful impression of this delicately rendered subject. In excellent condition.

Reed, Robert (American, 1938-2014). SAN ROMANO: BLACK NINE. Mixed media, collage, assemblage. painted and colored papers and office staples, not dated, but 1980s. 30 x 30 inches, framed to 36 1/2 x 36 1/2 inches inches (image), Provenance, private collection, White Plains, NY. In excellent condition.ROBERT JAMES REED (1938-2014) earned his BFA (1960) and MFA (1962) at the Yale School of Art where in 1969 he became professor of painting and printmaking at Yale School of Art. He taught there until his death in 2014. As a student he assisted the influential Josef Albers in the technical production of color plates for Albers�s iconic work, Interaction of Color published in 1963. Reed became tenured in 1987, as the school�s first and only African American professor. In an interview, he said that he did not seek to distinguish himself through his racial identity but preferred to see himself as an artist who was African American. It is this self identification that could account for the fact that he is… Read More

Zanartu, Enrique (Chilean, 1921-2000). SAN TITULO. Color etching, 1970. Edition of 100, signed, dated, and numbered 89/100 in pencil. 22 x 30 inches, 558 x 762 mm. In excellent condition.

Piza, Arthur Luis (Brazilian, born 1928). SAN TITULO (UNTITLED). Etching with aquatint, 1970. Edition of 100, signed in pencil and numbered 89/100. 30 x 22 inches, 762 x 558 mm. From the portfilio Grafica Latino Americana published by Galeria Colibri, Puerto Rico. In excellent condition.