Search Results: Titles starting with T from Lorne Bair Rare Books

London: Cassell, [1963]. New Edition. Octavo (22.25cm.); original cloth in olive pictorial price-clipped dust jacket; ix,[1],187,iv,260pp. Frontispiece. Rear jacket panel a bit dust-soiled, upper flap price-clipping has cause a very slight paper flaw not affecting text; front hinge starting to crack, else interior near fine. Very Good overall. Collection of Lawrence's letters to his biographers Robert Graves and Liddell Hart.

New York: Oxford University Press, 1983. First American Edition. First printing. Octavo (24cm). Black paper and blue cloth over boards, in pictorial dj; [xvi],287,[1]pp; illus. Fine. Jacket unclipped, lightly rubbed and chipped at head, minor abrasions to rear, Near Fine.

New Haven: Henry W. Wenning / C.A. Stonehill, Inc, 1970. First Edition. One of 450 copies (this one unnumbered). Octavo (20.5cm); dark yellow card wrappers, stapled, with printed title label mounted to upper front cover; [ii],50,[4]pp. A Fine copy.

West Branch, Iowa: Cummington Press, 1968. First Edition. Original decorative paper wrappers, wrap around paper label on spine; tall 8vo, [32pp.]. Hand printed on Okawara paper by Harry Duncan and David Pollen. Number 176 of 320 total copies; the first 150 copies were signed by the author and had a title page illustration. Fine.

San Francisco: The Bindweed Press, 1964. First edition. Oblong printed wrappers; 8vo. 35 pp. 700 copies printed in reddish-brown ink with eight calligraphic-like illustrations by Ann Parisi in orange and brown. Bindweed printed Hitchcock's first book and is better known by collectors today for its rock and roll posters/handbills. Printed on heavy laid paper with a printed rice paper cover over card paper. The fragile covers gently worn. Very good in wrappers.

Milwaukee: Pentagram, 1978. First Edition. Sewn illustrated and hand-colored wrappers; large 8vo.[24 pp.] Inscribed by the poet to his friends Gerry and Dick, and signed with his familiar "Ted". One of the regular issue of 300 numbered copies (there were an additional 26 signed and lettered copies). Spine-toned, else fine. Bertholf A47.

Milwaukee: Pentagram, 1978. First Edition. Sewn illustrated and hand-colored wrappers; large 8vo.[24 pp.] One of the regular issue of 300 numbered copies (there were an additional 26 signed and lettered copies). This copy specially signed by the author on the title page. Partial stamp on the first blank (blue) sheet. Spine toned, else fine. Bertholf A47.

Milwaukee: Pentagram, 1978. First Edition. Sewn illustrated and hand-colored wrappers; large 8vo.[24 pp.] One of the regular issue of 300 numbered copies (there were an additional 26 signed and lettered copies). This the author's own copy, and with a rave advanced clipping from Booklist - ALA: "One of the surest contemporary practitioners of the semantically rich poem". Spine heavily toned, else fine. Bertholf A47.

New York: Random House, 1989. Second Edition. Cloth-backed boards in dust jacket; 8vo. 71 pp. Second Edition. Poet's third collection. The hardcover published simultaneously with the Vintage paper issue, and somewhat scarce. Fine in Fine DJ.

New York: Random House, 1989. First edition. An uncorrected proof copy in yellow printed wrappers of the poet's third collection. Slight wear to crown, otherwise a fine copy.

New York: Knopf, 1980. First Edition. First edition, cloth issue. A Review Copy with slip laid in. This copy is signed by Hacker on the title page. Her third collection, her daughter Iva appearing regularly for the first time in her volumes, otherwise sex, sonnets and sestinas as usual. Two short closed tears to jacket, otherwise about fine.

Minneapolis: Coffee House Press/Hot Chocolate Books, 1986. First Edition. First trade edition (preceded by a limited edition in sewn wrappers). Green cloth in dust jacket; square 8vo. Illustrated children's book: poetry by Disch with illustrations by Rhonda McClun. Inscribed to one of his publisher's (not Coffee House), appropriately, given the story is about the survival of dandelions against a herbicide and fanatical rose gardener: "For __ and __, Let the lawn look after itself, and all the dandelions will love you?" and signed: "Tom Disch". Not your usual subject matter for a children's book, and clearly intended for adults. Fine copy in a fine dust jacket.

New York: Atheneum, 1975. First edition. Blue embossed cloth in dust jacket; 8vo. 100 pp. The poet's seventh collection with quotes on the front flap from Ashbery and Bloom. Very light tanning to the dust jacket edges, one short closed tear, otherwise a fine copy.

Boston: Godine, 1998. First edition. Trade paperback original. Signed by Author Wesley McNair on the title page. This is the sixth collection of the Maine poet laureate. Fine.

New York: Knopf, 1991. First American edition. An advanced promotional copy of this novel in printed wrappers and a publishers cardstock box, signed by the author. Given primarily to booksellers. One of Great Britain's finest writers: author of the Booker nominated FLAUBERT'S PARROT, maybe the finest in English on France and its culture (especially food and wine, but bicycling, too), and a frequent contributor to The New Yorker. The box and book are about fine.

Boston: Godine, 1998. First edition. Advance uncorrected proof: 8 1/2 x 11 in. sheets; oblong, spiral bound with mylar covers. Fine in a scarce advance format intended for reviewers.

San Francisco: Hills, 1980. First Edition. Illustrated glossy covers; 8vo. 217 pp. Cover by Francie Shaw. This double issue entitled TALKS prints from transcripts work by Bill Berkson, David Bromige, Barrett Watten, Steve Benson, William Graves, Warren Sonbert, Douglas Woolf, Bob Perlman, Michael Davidson, Fanny Howe, and Ron Silliman. Other magazines published similar material from this program begun by Perelman in SF. Clay/Phillips calls it the "very famous and important" issue. Covers slightly splayed but essentially fine.

New York: Granary Books, 2001. First Edition. Photographic wrappers in French-fold covers; large 4to. (10 x 13 in.). 24 pp. Photographs of monks in debate taken by poet Scalapino with her text; includes 39 color and 23 black and white images, designed by Julie Harrison in collaboration with Leslie Scalapino and Marina Adams who adds her artwork. With prospectus laid in. Fine.

Greenfield Center, NY: Greenfield Review Press, 1973. First Edition. Stapled illustrated wrappers; small 8vo. 26 pp. Acknowledgments slip included on copyright page. Illustrations by Wendy Rose. Second collection from this Native American poet. Covers soiled, interior clean. About very good.

Dublin: Peppercanister, 1976. First edition. Peppercanister 6: One of 50 copies in green cloth, spine gilt stamped; 8vo. Inscribed and signed in full by the poet to Rev. William Gormley an early subscriber to the press. Beautifully printed by the Dolmen Press. Fine in like vellum unprinted dust jacket (in removable protective acetate covers).