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[California, Pennsylvania]: [Arthur & Kit Knight], 1981. 5 1/2 inches. [20] pp., photographic image of Holmes's house mounted to page [3]. Original printed wrappers, saddle-stapled. Light dust soiling in wrappers, light wrinkling in second leaf from mounting glue, else fine. Numbered 141 of 750 copies and signed by the author. Four previously unpublished journal entries reflecting on the death of and three visits by Jack Kerouac to the Old Saybrook, Connecticut, home of the author, John Clellon Holmes (1926-1988), his close friend, known widely as the "quiet Beat" and author of the first Beat novel (GO [1952]). The first visit, "in 1957 occurred seven months before the publication of On the Road. The second entry, 1962, suggests the inroads that 'Beat' notoreity had made on Jack's personal life and character. The third, 1965 portrays something of the autumnal Jack (lonely and played-out) of the last years. The fourth, in 1969, records some of my emotion on hearing of his sudden death" (pp. [6-7]).…
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VISITOR: JACK KEROUAC IN OLD SAYBROOK
by Holmes, John Clellon
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VVV : POETRY, PLASTIC ARTS, ANTHROPOLOGY, SOCIOLOGY, PSYCHOLOGY : NUMBER 4 : February 1944
by Hare, David (ed.); André Breton, Marcel Duchamp, Max Ernst (editorial advisers); Leonora Carrington, Aimé Césaire, Georges Duthuit, Charles Duits, Philip Lamantia, Robert Lebel, Benjamin Péret, Robert Allerton Parker, Patrick Waldberg [et al.] (author
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New York: VVV, 1944. 11 inches. 86,[12] pp. including numerous in-text images, plus 7 tinted half-page plates and double-leaf work comprising 2 tinted plates, the first die-cut to reveal the second, which is also embossed. In English and French. Light soiling in covers, light foxing in outer leaves, some offsetting in and from plates. Very good to near fine. The substantial fourth and final issue of the important U.S.-based Surrealist magazine, with contributions by more than two dozen artists, poets, and scholars in the realms of myth, dream, and theory. Among the visual pieces in this issue is Duchamp's ALLEGORIE DE GENRE, in which an embossed plate showing strips of fabric containing slivered stars and red bloody stripes is framed by a blue-tinted plate die-cut in the profile of George Washington. The final twelve pages, printed on green paper, contain an index of contributors to all four issues of the magazine. The cover features an image of a vagina dentata by Roberto Matta.
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