Description:
Wien: Tobias Haslinger's Witwe u. Sohn. [PN T. H. 9651], 1844. Oblong folio. Unbound as issued. 1f. (title), 3-11 pp. Engraved. With small vignette to title. Spine reinforced. Slightly foxed and dampstained. First Edition. Weinmann p. 29.
A Woman's Life for Soprano Solo and Orchestra. Autograph musical manuscript full score signed "R. Danielpour" and dated 2007 at upper right corner of page 1 and with "Thanks be to God New York 9/25/2007" at conclusion. With text by the distinguished African-American poet, singer, memoirist, and civil rights activist Maya Angelou (1928-2014) by DANIELPOUR, Richard b. 1956
by DANIELPOUR, Richard b. 1956
A Woman's Life for Soprano Solo and Orchestra. Autograph musical manuscript full score signed "R. Danielpour" and dated 2007 at upper right corner of page 1 and with "Thanks be to God New York 9/25/2007" at conclusion. With text by the distinguished African-American poet, singer, memoirist, and civil rights activist Maya Angelou (1928-2014)
by DANIELPOUR, Richard b. 1956
- Used
- Signed
Folio (18" x 12"). Unbound. 96 pp. Notated in pencil on 28-stave paper with annotations and corrections in blue and red pencil.
Co-commissioned by the Pittsburgh Symphony and the Philadelphia Orchestra, A Woman's Life was first performed in Pittsburgh by the Pittsburgh Symphony under Leonard Slatkin with Angela Brown, soprano, on October 16, 2009. Maya Angelou (1928-2014) was a distinguished American poet, perhaps best-known for her series of autobiographies, the first of which, I Know Why the Caged Bird Sings (1969), detailing her life up to the age of 17, brought her international acclaim; she went on to write six more. She had the honor of reciting her poem "On the Pulse of Morning" at the inauguration of President Bill Clinton in 1993, the first poet to make such a recitation since Robert Frost at the inauguration of John F. Kennedy in 1961. Angelou was also an important civil rights activist, working with both Martin Luther King, Jr. and Malcolm X.
Danielpour writes:
"I went to see Maya Angelou at her New York townhouse with my wife Kathleen in early July 2006 - I wanted to see if she would write texts that would show the trajectory of a woman's life, from childhood to old age. When I asked her about this she informed me that she already had it and that she would read them to us. And so without hesitation, holding our hands at her dining room table, she read beautifully and yet calmly from her collected poems eight poems which made a perfect cycle fulfilling my intention. It was honestly one of the greatest performances I have witnessed in my life and it was all I needed, along with seven of the eight poems she read, to write this cycle of songs." Music Sales Classical website
A Woman's Life is thus in seven movements, based on the seven poems mentioned above:
I. Little Girl Speakings
II. Life Doesn't Frighten Me
III. They Went Home
IV. Come and Be My Baby
V. Let's Majeste
VI. My Life Has Turned to Blue
VII. Many and More
Grammy-Award winning Richard Danielpour "is an outstanding composer for any time, one who knows how to communicate deep, important emotions through simple, direct means that nevertheless do not compromise." (New York Daily News). A distinctive American voice, his music is of large and romantic gestures, brilliantly orchestrated, intensely expressive, and rhythmically vibrant." Phytheas Music website
"Richard Danielpour... has become one of the most sought-after composers of his generation - a composer whose distinctive American voice is part of a rich neo-Romantic heritage with influences from pivotal composers like Britten, Copland, Bernstein, and Barber. His works are solidly rooted in the soil of tradition, yet [sing] with an optimistic voice for today... [They] speak to the heart as well as the mind." Schirmer website
"Like many American composers of his generation, Danielpour has largely divorced himself from serial techniques, which were important to early works such as the First String Quartet (1983). With First Light (1988), he found a new, distinctly American voice. He is best known for his orchestral and chamber music, including vocal works in both genres. Although he is often described as a neo-romantic, his musical language is broadly based and widely varied... In his vocal works, which display pristine idiomatic writing, he has collaborated increasingly with living poets. Many of his instrumental works are given evocative titles that refer to extra-musical sources." Laurie Shulman in Grove Music Online.
Co-commissioned by the Pittsburgh Symphony and the Philadelphia Orchestra, A Woman's Life was first performed in Pittsburgh by the Pittsburgh Symphony under Leonard Slatkin with Angela Brown, soprano, on October 16, 2009. Maya Angelou (1928-2014) was a distinguished American poet, perhaps best-known for her series of autobiographies, the first of which, I Know Why the Caged Bird Sings (1969), detailing her life up to the age of 17, brought her international acclaim; she went on to write six more. She had the honor of reciting her poem "On the Pulse of Morning" at the inauguration of President Bill Clinton in 1993, the first poet to make such a recitation since Robert Frost at the inauguration of John F. Kennedy in 1961. Angelou was also an important civil rights activist, working with both Martin Luther King, Jr. and Malcolm X.
Danielpour writes:
"I went to see Maya Angelou at her New York townhouse with my wife Kathleen in early July 2006 - I wanted to see if she would write texts that would show the trajectory of a woman's life, from childhood to old age. When I asked her about this she informed me that she already had it and that she would read them to us. And so without hesitation, holding our hands at her dining room table, she read beautifully and yet calmly from her collected poems eight poems which made a perfect cycle fulfilling my intention. It was honestly one of the greatest performances I have witnessed in my life and it was all I needed, along with seven of the eight poems she read, to write this cycle of songs." Music Sales Classical website
A Woman's Life is thus in seven movements, based on the seven poems mentioned above:
I. Little Girl Speakings
II. Life Doesn't Frighten Me
III. They Went Home
IV. Come and Be My Baby
V. Let's Majeste
VI. My Life Has Turned to Blue
VII. Many and More
Grammy-Award winning Richard Danielpour "is an outstanding composer for any time, one who knows how to communicate deep, important emotions through simple, direct means that nevertheless do not compromise." (New York Daily News). A distinctive American voice, his music is of large and romantic gestures, brilliantly orchestrated, intensely expressive, and rhythmically vibrant." Phytheas Music website
"Richard Danielpour... has become one of the most sought-after composers of his generation - a composer whose distinctive American voice is part of a rich neo-Romantic heritage with influences from pivotal composers like Britten, Copland, Bernstein, and Barber. His works are solidly rooted in the soil of tradition, yet [sing] with an optimistic voice for today... [They] speak to the heart as well as the mind." Schirmer website
"Like many American composers of his generation, Danielpour has largely divorced himself from serial techniques, which were important to early works such as the First String Quartet (1983). With First Light (1988), he found a new, distinctly American voice. He is best known for his orchestral and chamber music, including vocal works in both genres. Although he is often described as a neo-romantic, his musical language is broadly based and widely varied... In his vocal works, which display pristine idiomatic writing, he has collaborated increasingly with living poets. Many of his instrumental works are given evocative titles that refer to extra-musical sources." Laurie Shulman in Grove Music Online.
- Seller J & J Lubrano Music Antiquarians LLC (US)
- Book Condition Used
- Quantity Available 1
- Keywords 21st century American musical autographs, autograph musical manuscripts of 21st century American composers, Maya Angelou, 20th century American poets
- Product_type Sheet Music
[Op. 166]. Rosen ohne Dornen. Walzer fur das Pianoforte. [Piano score]
by STRAUSS, Johann, Sr. 1804-1849
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Syosset, New York, United States
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NZ$217.42
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NZ$217.42
[Op. 66]. Emlék Pestre - Erinnerungen an Pesth: Walzer für das Pianoforte allein
by STRAUSS, Johann, Sr. 1804-1849
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- Used
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Syosset, New York, United States
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NZ$296.18
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Wien: Tobias Haslinger [PN T.H. 6706], 1834. Oblong folio. Unbound as issued. 1f. (title), 1-8 pp. Engraved. Decorative title with dedicatee's coat of arms. With Fischer overpaste. Minor dampstaining. First Edition. Weinmann, p. 15. Schonherr & Reinöhl, pp. 99-101. Composed following Strauss's visit to Hungary in 1833.
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NZ$296.18
Printed ASCAP form relative to Foss's choral composition "We Sing," signed and completed in manuscript by the composer
by FOSS, Lukas 1922-2009
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- Used
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- Unknown
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- 1
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Syosset, New York, United States
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NZ$443.41
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2 pp. Quarto. Foss identifies this work as having been composed in 1941 with a performance time of 3 minutes, with copyright held by Ruth Yorek and performance rights being controlled by the composer. The "singers required" are noted as "any number of school children voices and a teacher..." and the instrumentation as "piano 4 hands or piano 2 hands, drum ad. lib. (played by a child)." The program is identified as "a bunch of children making a lot of noise. The teacher convinces them after some struggle to turn their noise into music, into singing." "For all their diverse styles, Foss's works spring from a distinct personality: enthusiastic, curious and receptive to every kind of musical idea. Not coincidentally, these are the same attitudes he instilled in audiences with his performances of the classical repertory and new music. In short, he was one of his era's most communicative and representative composer-performers." Gilbert Chase and David Wright in Grove Music Online. An interesting…
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[K. 621]. La Clemenza di Tito [Piano-vocal score]: Opera seria ... Ernsthafte Oper in Zwey Akten ... Klavierauszug von A.E. Müller.
by MOZART, Wolfgang Amadeus 1756-1791
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- Used
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Syosset, New York, United States
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NZ$422.86
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Leipzig: Breitkopf & Härtel [PN 3610], 1824. Oblong folio. Contemporary paper boards. 1f. (title), 88 pp. Lithographed. With label of the late 19th century lending library of Fritz Möller of Hamburg, Germany to upper board and advertising to front pastedown. Binding worn and rubbed; partially detached; spine chipped; joints split; endpapers lacking. Moderately foxed throughout; title browned. Köchel 8, p. 720. Hirsch IV, 1227. RISM M5105. La Clemenza di Tito, an opera seria in two acts to a libretto by Pietro Metastasio adapted by Caterino Mazzolà, was first performed in Prague at the National Theatre on September 6, 1791, approximately 3 months before Mozart died on December 5, 1791. He had arrived in Prague on August 28 and, despite his illness, finished work on the opera on the eve of the performance. "Although mostly composed after Die Zauberflöte, La clemenza di Tito was performed first... The reception was modest until a triumphant last night was reported to Mozart (who had left…
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Thurber's Dogs. Suite for Orchestra after Drawings by James Thurber. Movement VI: Hunting Hounds. Autograph musical manuscript sketches in condensed score of almost the entire final movement of the work, consisting of music for sections B-N, i.e., pp. 111-137 of the published full score
by SCHICKELE, Peter b. 1935
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Syosset, New York, United States
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NZ$5,512.64
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Folio (ca. 356 x 278 mm.). Unbound. 9 leaves notated in pencil on one side of each leaf of 18-stave AZTEC C-18 music manuscript paper. A working manuscript, with erasures, alterations and cancellations. Together with: A copy of the published full score of the movement, i.e., pp. 107-138, and a 1-1/2 page printed commentary by the composer discussing the background of the work and briefly describing the music: "I should say, however, that as I was working on the last movement, I found myself thinking as much about the fox as about the hunting hounds. This, coupled with the fact that I recently acquired a recording of background music from the old movie serials that I used to go to as a kid, probably accounts for the quite ungentlemanly, almost lurid quality of the chase music." "Thurber's Dogs was commissioned for the ProMusica Chamber Orchestra of Columbus and the Thurber House to commemorate the 100th birthday anniversary of author James Thurber. It was completed on August 13, 1994. The first…
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[Op. 91]. Kronungs-Walzer für das Piano-Forte
by STRAUSS, Johann, Sr. 1804-1849
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- Used
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Syosset, New York, United States
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NZ$275.63
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Wien: Tobias Haslinger [PN] T.H. 7061, 1837. Oblong folio. Unbound as issued. 10 pp. Engraved. With decorative vignette to title. Slightly soiled. First Edition. Weinmann p. 18. Schonherr & Reinöhl pp. 140-142.
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NZ$275.63
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Bluebird, a setting of Herman Melville's poem for two female voices with instrumental accompaniment. Autograph musical manuscript. Signed and dated 2007. A complete working draft
by TSONTAKIS, George b. 1951
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- Signed
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- Used
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Syosset, New York, United States
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NZ$2,658.74
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5 pp. Folio (355 x 280 mm.). Notated in pencil with additional markings in coloured ink. Signed and dated 2007. Tsontakis studied with Hugo Weisgall, Felix Greissle, and Roger Sessions. His honours include the Charles Ives Living Award, the Grawemeyer, two Kennedy Center Friedheim Awards (1989, 1992), a lifetime achievement award from the American Academy of Arts and Letters (1995), a Guggenheim Memorial Fellowship, (1996) and numerous commissions. "[His] early works are written in a dissonant chromatic idiom not unlike that of Sessions. His musical language soon shifted, however, towards a classically-influenced style characterized by large-scale harmonic prolongations and what he calls 'the timeless gesture', a reference to the past through evocation rather than quotation. With the String Quartet no. 3 'Carragio' (1986) he arrived at an idiosyncratic tonal language propelled by a non-minimalist, Beethovenian use of repetition. Another primary feature of his work, particularly notable in the…
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Drammaturgia di Lione Allaci accresciuta e continuata fino all' anno MDCCLV
by ALLACCI, Leone 1586-1669
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- Condition
- Used
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Syosset, New York, United States
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NZ$1,181.28
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Venezia: Pasquali, 1755. Small quarto. Quarter vellum with dark orange decorative title label gilt to spine. 4ff., 1,016 columns (= 508 pp.), including the supplement (columns 837-946), additions and corrections (947-950), and an index of authors (951-1016). With a fine woodcut device to title and occasional woodcut head- and tailpieces. A very good, wide-margined, uncut copy, with only occasional minor foxing and staining. Second edition, substantially revised and expanded. Cortot, p. 4. Hirsch I, Anh. 2. Wolffheim II, 908. Gregory-Bartlett I, 12. RISM BVI, p. 81. "A compendious and surprisingly accurate list of dramatic works of all kinds, including opera librettos, published in Italy; it also lists many unpublished works." Thomas Walker in Grove Music Online Allacci's bibliography of plays, operas, and ballets was first published in 1666 and revised by Giovanni Cendoni, Apostolo Zeno, and others for this updated edition of 1755.
Item Price
NZ$1,181.28
[Op. 58]. Elektra Tragödie in einem Aufzuge von Hugo von Hofmannsthal ... Klavier-Auszug mit Text von Otto Singer. [Piano-vocal score]
by STRAUSS, Richard 1864-1949
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- Condition
- Used
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- Unknown
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Syosset, New York, United States
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NZ$196.88
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Berlin: Adolph Fürstner [PN A.5654F.], 1935. Folio. Original publisher's full gray cloth. [i] (title), [ii] (blank), [iii] ("Dramatis Personae"), [iv] (blank), [5]-250 pp. Text in German. With illustration by Lovis Corinth to page [5]. Binding very slightly worn and rubbed. Trenner 223. Mueller von Asow p. 409. First performed on January 25, 1909 at the Königlichen Opernhaus in Dresden under Ernst von Schuch. "[Elektra] ... marked the beginning of [Strauss's] artistic association with Hugo von Hofmannsthal, whom he had first met in Berlin in 1899. Having seen Reinhardt's riveting production of Hofmannsthal's Elektra in the autumn of 1905, Strauss was convinced the play would make a compelling opera. Not entirely sure he should compose consecutive tragedies, he nonetheless gave in to Hofmannsthal's pleading and vigorously began composing Elektra in the summer of 1906. As he had with Oscar Wilde's Salome, he set the play to music, which was finished in 1908 and given its première in 1909 as…
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Autograph letter signed to an unidentified male correspondent
by DEBUSSY, Claude 1862-1918
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- Used
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Syosset, New York, United States
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NZ$3,937.60
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1 page. Octavo (ca. 168 x 122 mm). Dated Thursday evening. On mourning stationery. In French (with translation). "I have to attend [?Louis] Laloy's premiere; naturally that is tomorrow, on Friday ... Would you change the enclosed tickets for Saturday? Thanks again ..." Slightly worn and browned; creased at folds and upper outer corner of final blank folio; small rust stain from paper clip to inner margin of final folio, not affecting text. "One of the most important musicians of his time, [Debussy's] harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande, and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic." François Lesure and Roy Howat in Grove Music Online. "Laloy [1874-1944] was a noted defender of contemporary French music and was a close friend of, and mediator between,…
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Trial by Jury
by W. S. Gilbert, Arthur Sullivan
- Used
- very good
- Paperback
- Condition
- Used - Very Good
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- Paperback
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- 1
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Lake Huntington, New York, United States
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NZ$37.66
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69 pp. + ads. Plate 17453. Vocal score, wraps, quarto 8.5 x 11 in. Front cover reattached with Japan paper, some wear to spine and edges, yet very good. Likely a printing from 1992-, given the 62 W. 45th St. address on the wraps. Printed in England. Trial by Jury is a one-act comic opera that could be considered a seminal venture in their partnership. It premiered at the Royalty Theatre in London in March, 1875.
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NZ$37.66
Nijinsky and the Last Years of Nijinsky
by Nijinsky, Romola
- Used
- good
- Hardcover
- first
- Condition
- Used - Good
- Jacket Condition
- Very Good
- Edition
- First Edition
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780671411237 / 0671411233
- Quantity Available
- 1
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Salem, Oregon, United States
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NZ$68.48NZ$41.09Save NZ$16.00!
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Nijinsky, Romola. Nijinsky and the Last Years of Nijinsky. The Definitive Biography Copyright 1980. Simon and Schuster stated First Impression Thus. Number line starts with 1. EXLIB. Good Condition/ VG original dust jacket. 260 pages, indexed. ISBN0671411233. PERFORMING ARTS, RUSSIA, BALLET, VASLAV NIJINSKY. Summary: "The life of Vaslav Nijinsky is not merely a record of a great dancer's artistic triumphs; it is one of the strangest stories ever written. There is madness everywhere. From the child's first appearance with a troupe of wandering Russians to that last terrible performance, his "Marriage With God" , it is a growing chaos of madness, abnormality, distortion, genius and beauty." 260 pages, indexed. 5 3/4 X 8 3/4.
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NZ$68.48NZ$41.09
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PIOBAIREACHD AND ITS INTERPRETATION: CLASSICAL MUSIC OF THE HIGHLAND BAGPIPE
by MacNEILL, SEUMAS & FRANK RICHARDSON
- Used
- very good
- Paperback
- first
- Condition
- Used - Very Good
- Jacket Condition
- No Jacket, As Issued
- Edition
- 1st Edition
- Binding
- Paperback
- ISBN 10 / ISBN 13
- 9780859764407 / 0859764400
- Quantity Available
- 1
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Uxbridge, Ontario, Canada
- Item Price
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NZ$49.98NZ$39.99Save NZ$8.00!
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Edinburgh: John Donald Publishers, 1996. 1st Edition . Soft cover. Very Good/No Jacket, As Issued. 8vo - over 7¾ - 9¾" tall. pp: 130. FIRST PAPERBACK EDITION. The author, an acknowledged authority on the subject, describes the structure and history of Piobaireachd. A very good copy with moderate edge wear on the covers and some fading of the colour on the rear panel.
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NZ$49.98NZ$39.99
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SKIFFLE:; The Story of Folk-song with a Jazz Beat. With a Foreword by Lonnie Donegan (The King of Skiffle)
by Bird, Brian
- Used
- very good
- Hardcover
- first
- Condition
- Used - Very Good
- Jacket Condition
- Good +
- Edition
- First Edition
- Binding
- Hardcover
- Quantity Available
- 1
- Seller
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Roosevelt, New Jersey, United States
- Item Price
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NZ$42.80
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London: Robert Hale, 1958. First Edition. Hardcover. Very Good/Good +. 119pp, index; 13pp illus from photographs. Bound in pictorial boards, dust jacket. 8" x 5.25" This first book on the subject traces the history of skiffle from its slave and jazz roots through the 1950s. The second part of the book is a how-to for forming a skiffle band as well as a look at the "origins, progress and personalities" of Britain's most popular skiffle bands.
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NZ$42.80
The Pirates of Penzance in Full Score: New Edition by Carl Simpson and Ephraim Hammett Jones
by W. S. Gilbert, Sir Arthur Sullivan
- Used
- near fine
- Paperback
- Condition
- Used - Near Fine
- Binding
- Paperback
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- 1
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Lake Huntington, New York, United States
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NZ$47.94
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272 pp. Quarto, 9 x 12 in. Illustrated wraps, near fine, only the slightest wear covers. Full score. New edition by Carl Simpson and Ephraim Hammett Jones. Official Premiere: December 31, 1879, Fifth Avenue Theater, New York, New York, USA; London Premiere: April 3, 1880, The D'Oyly Carte Opera Company, Orchestra and Chorus Opera Comique, Arthur Sullivan, conductor.
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NZ$47.94
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Bob Dylan: From a Hard Rain to a Slow Train
by Barry; Dowley, Tim Dunnage
- Used
- Hardcover
- first
- Condition
- Used - Very Good+
- Jacket Condition
- Very Good+
- Edition
- First Edition
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780859362597 / 0859362590
- Quantity Available
- 1
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St. Paul, Minnesota, United States
- Item Price
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NZ$54.78
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Turnbridge Wells: Midas Books; New York: Hippocrene Books, [1982], First Edition, 8vo, [11] 176pp [2], photos on 2 plates. Hardcover, red cloth covered boards with dust jacket. Very Good + condition. Pages are unmarked with slight toning and slight foxing to top page edges. Slight shelf wear to dust jacket. Please see photos for specifics. A portion of all book sales from Babcock & 68th are donated to charity.
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NZ$54.78
The Influence Of Music On History And Morals: A Vindication Of Plato
by Scott, Cyril
- Used
- good
- Hardcover
- first
- Condition
- Used - Good
- Jacket Condition
- No Jacket
- Edition
- 1st Edition 1st Printing
- Binding
- Hardcover
- Quantity Available
- 1
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Pasadena, California, United States
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NZ$51.36
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London: The Theosophical Publishing House Ltd., 1928. 1st Edition 1st Printing. Hardcover. Good/No Jacket. X, 245 Pp. First Printing. Blue Cloth, Gilt, With Blindstamped Border On Front Cover. Lightly Used, Pinpoint Fray At Each Of Two Lower Tips, But Spine Frayed Across Top Down To Edge Of Page Block, 1/2" Fray Along Top Spine Edges And Bottom Rear Spine Edge, Hinges Tight, No Names Or Marks, Very Light Foxing To Endpapers, Title Page, And To Edges Of The Page Block. Quite Scarce In The Trade.
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NZ$51.36
The Sorcerer: An Original Modern Comic Opera
by W. S. Gilbert, Arthur Sullivan
- Used
- very good
- Paperback
- Condition
- Used - Very Good
- Binding
- Paperback
- Quantity Available
- 1
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Lake Huntington, New York, United States
- Item Price
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NZ$59.92
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137 pp. Vocal score, a slight tilt to spine, light wear to wraps, else fine. Quarto, 8.5 x 11 in. "New Edition." An original modern comic opera in two acts, words by W. S. Gilbert, music by Arthur Sullivan. G&S's third production. Based on a story, The Elixir of Love, that Gilbert published in 1876 in The Graphic.
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NZ$59.92
The Music to Racine's Athalie, with an English adaptation of the lyrics, by W. Barthlomew, Esq. Op. 74 Posth: Work. No.2
by Mendelssohn Bartholdy, Felix, 1809-1847 / Racine, Jean, 1639-1699
- Used
- very good
- Hardcover
- first
- Condition
- Used - Very Good
- Binding
- Hardcover
- Quantity Available
- 1
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Cranston, Rhode Island, United States
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NZ$171.20NZ$68.48Save NZ$60.00!
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London, Ewer & Co. [185???] Overstamped in red: Jordens & Martens. New-York 785 Broadway. Hard Cover. 1 p.l., 108 pages; 26.5 cm. Composed in 1843-1845 on commission from the King of Prussia and first performed in December of 1845, Athalie was the last production of Mendelssohn's Berlin period. The first edition was Leipzig, 1849. Jean Racine's (1639-1699) Biblical tragedy was first performed in 1691. This version, with English libretto by William Bartholomew (1793-1867), seems to be the first English edition, and, with its publisher's overstamp, the first American as well. It appears to be earlier than the editions in the NUC (cf. 375: 552-553) or in the Boston or New York Public Libraries catalogs. It certainly dates before 1867 when Ewer merged with Novello. Vg/ bound in 3/4 leather with name label on front cover of Charles F. Leonard (a bass if the pencil markings are his). Stock#OB201.
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OH BOYS, CARRY ME LONG:; A Plantation Melody. Written & Composed by Stephen C. Foster
by Oh Boys...sheet music
- Used
- very good
- Condition
- Used - Very Good
- Edition
- 20th Edition
- Quantity Available
- 1
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Roosevelt, New Jersey, United States
- Item Price
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NZ$68.48
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Description:
NY: Firth, Pond, 1851. 20th Edition. Decorative Wraps. Very Good. 6pp; embellished cover title; spine reinforced. Contains words and music to four verses and a chorus. 13" x 10.25" In part: "Oh! carry me 'long; Der's no more trouble for me: I's gwine to roam In a happy home Where all de niggas am free...." First published in 1851.
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NZ$68.48