The Mummy ! A Tale of the Twenty-Second Century by Loudon, Jane (Mrs). Webb, Jane - 1828

Venice: Sumptibus Caroboli, et Pompeati, 1768. Complete 17 volume set, bound in 16 leather folios. First editions. Published Venice: Sumptibus Caroboli, et Pompeati, 1768-1776. Folios, 8 3/4" x 12", full calf skin vellum with gilt embossed spine titles and marbled edges, 2-color title page in volume one with frontis portrait of pope Gregory, title page vignettes, tail pieces and historiated initials. Text in Latin, printed in 2 columns on heavy rag paper. Mild wear and soiling to the boards, name at bottom of title pages, paper label at foot of spines. An attractive, very good set. Text bright, unmarked, bindings tight. Scarce. . 1st. Full-Leather. Very Good. Folio.

London: Printed for J. Taylor, 1825. First edition. Quarto (12 5/8 x 10 inches; 320 x 253 mm). viii, [1, contents], [1, blank], 91, [1, colophon] pp. Complete with six aquatint plates total. Three are are color plates, including the frontispiece and three are in sepia, two of which have overslips. With half-title. Original drab boards, rebacked to style. Edges uncut. Inner hinges strengthened. Some minor foxing, mainly to preliminaries and margins, not affecting plates. Boards a bit rubbed and with some minor staining. Previous owner's bookplate on front pastedown. Housed in a custom marbled slipcase, with printed paper label on spine and morocco lined edges. Overall a very good copy with all overslips present. In his Preface, Morris acknowledges the works of Humphry Repton, Uvedale Price, William Gilpinhis as inspiration. Repton's influence can be seen in the presence of the overslips. "The fashion of what is known as 'bedding out,' came in, and old fashioned plants, which had been the pride of… Read More

Good+ hardcover. Text in Dutch. Contemporary vellum over boards; blind stamped central strapwork lozenge on each cover; raised bands on spine; 3 engraved title pages; woodcut decorative drop-cap initials and head and tail pieces; 686 numbered woodcuts by van Sichem. The vellum is in Very Good condition with some scuffing/light soiling; small splits at cover joints, head and tail but vellum remains supple; tightly bound; generally bright and clean interior with woodcuts ranging from Good to Fine condition; one leaf (3C6) has 2 cm abraded hole that doesn't affect text on recto but slightly affects woodcut on verso; leaf 3C7 has 2 small areas of text effacement (2 cm each). The work is complete but has numerous pagination errors and some signature errors. Pagination: Title Page 1, 2-598,Title Page 2, 600-722, Title Page 3 ,723-800. Collation: A-V8 2A-2V8 3A-3H8. 8vo, 19 x 13 cm. Cf, STCN #ppn 842875999; OCLC #1008001235.

Beautifully signature-bound in publisher's raw tan linen; front board & spine decoratively lettered; decorative endpapers. Generally, a very good or better set with signature satiric & anarchistic illustrations. One of the most important illustrated radical periodicals. Artists include but are not limited to: A. Roubille, Gustave-Henri Jossot, Konrad-Wagner, Valery Muller, Hermann-Paul, Leonetto Cappiello, Jules Cheret, Juan Gris, Jules-Alexandre Grun, Jossot, Frantisek Kupka, Paul Iribe, Theophile-Alexandre Steinlen, Orazi, Adrien Barrere, Poulbot, H. G. Ibels, Kees van Dongen, Armand Gallo, Ricardo Flores, and many others. Being a periodical that did not shy away from less attractive topics, they covered such topics as crime, economy, leisure and travel, politics, current events, international relations, religion, health and even the Press itself. Color and black and white illustrations copiously throughout. Vol. 1, 2, and 9: front board and spine are beginning to detach but are still sturdy. 10 1/4… Read More

Beautiful full morocco with gilt detailing and rule; 5 raised bands. Elaborately designed doublures with gilt dentelles. Silk fly sheets. "The Delphic Edition of The Breviary Treasures consists of 475 copies printed on French hand-made paper, of which this copy is Number 94." xii, 214 pp. 6 3/4 x 9 1/4 inches.

Venice: Sumptibus Caroboli, et Pompeati, 1768. Complete 17 volume set, bound in 16 leather folios. First editions. Published Venice: Sumptibus Caroboli, et Pompeati, 1768-1776. Folios, 8 3/4" x 12", full calf skin vellum with gilt embossed spine titles and marbled edges, 2-color title page in volume one with frontis portrait of pope Gregory, title page vignettes, tail pieces and historiated initials. Text in Latin, printed in 2 columns on heavy rag paper. Mild wear and soiling to the boards, name at bottom of title pages, paper label at foot of spines. An attractive, very good set. Text bright, unmarked, bindings tight. Scarce. . 1st. Full-Leather. Very Good. Folio.

London: Printed for J. Taylor, 1825. First edition. Quarto (12 5/8 x 10 inches; 320 x 253 mm). viii, [1, contents], [1, blank], 91, [1, colophon] pp. Complete with six aquatint plates total. Three are are color plates, including the frontispiece and three are in sepia, two of which have overslips. With half-title. Original drab boards, rebacked to style. Edges uncut. Inner hinges strengthened. Some minor foxing, mainly to preliminaries and margins, not affecting plates. Boards a bit rubbed and with some minor staining. Previous owner's bookplate on front pastedown. Housed in a custom marbled slipcase, with printed paper label on spine and morocco lined edges. Overall a very good copy with all overslips present. In his Preface, Morris acknowledges the works of Humphry Repton, Uvedale Price, William Gilpinhis as inspiration. Repton's influence can be seen in the presence of the overslips. "The fashion of what is known as 'bedding out,' came in, and old fashioned plants, which had been the pride of… Read More

Good+ hardcover. Text in Dutch. Contemporary vellum over boards; blind stamped central strapwork lozenge on each cover; raised bands on spine; 3 engraved title pages; woodcut decorative drop-cap initials and head and tail pieces; 686 numbered woodcuts by van Sichem. The vellum is in Very Good condition with some scuffing/light soiling; small splits at cover joints, head and tail but vellum remains supple; tightly bound; generally bright and clean interior with woodcuts ranging from Good to Fine condition; one leaf (3C6) has 2 cm abraded hole that doesn't affect text on recto but slightly affects woodcut on verso; leaf 3C7 has 2 small areas of text effacement (2 cm each). The work is complete but has numerous pagination errors and some signature errors. Pagination: Title Page 1, 2-598,Title Page 2, 600-722, Title Page 3 ,723-800. Collation: A-V8 2A-2V8 3A-3H8. 8vo, 19 x 13 cm. Cf, STCN #ppn 842875999; OCLC #1008001235.

Beautifully signature-bound in publisher's raw tan linen; front board & spine decoratively lettered; decorative endpapers. Generally, a very good or better set with signature satiric & anarchistic illustrations. One of the most important illustrated radical periodicals. Artists include but are not limited to: A. Roubille, Gustave-Henri Jossot, Konrad-Wagner, Valery Muller, Hermann-Paul, Leonetto Cappiello, Jules Cheret, Juan Gris, Jules-Alexandre Grun, Jossot, Frantisek Kupka, Paul Iribe, Theophile-Alexandre Steinlen, Orazi, Adrien Barrere, Poulbot, H. G. Ibels, Kees van Dongen, Armand Gallo, Ricardo Flores, and many others. Being a periodical that did not shy away from less attractive topics, they covered such topics as crime, economy, leisure and travel, politics, current events, international relations, religion, health and even the Press itself. Color and black and white illustrations copiously throughout. Vol. 1, 2, and 9: front board and spine are beginning to detach but are still sturdy. 10 1/4… Read More

Beautiful full morocco with gilt detailing and rule; 5 raised bands. Elaborately designed doublures with gilt dentelles. Silk fly sheets. "The Delphic Edition of The Breviary Treasures consists of 475 copies printed on French hand-made paper, of which this copy is Number 94." xii, 214 pp. 6 3/4 x 9 1/4 inches.