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The Feud That Sparked the Renaissance: How Brunelleschi and Ghiberti Changed the
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The Feud That Sparked the Renaissance: How Brunelleschi and Ghiberti Changed the Art World Paperback - 2003

by Paul Robert Walker


Summary

A lively and intriguing tale of the competition between two artists, culminating in the construction of the Duomo in Florence, this is also the story of a city on the verge of greatness, and the dawn of the Renaissance, when everything artistic would change.Florence's Duomo - the dome of the Santa Maria del Fiore cathedral - is one of the most enduring symbols of the Italian Renaissance, an equal in influence and fame to Leonardo and Michaelangelo's works. It was designed by Filippo Brunelleschi, the temperamental architect who rediscovered the techniques of mathematical perspective. He was the dome's 'inventor', whose secret methods for building remain a mystery as compelling to architects as Fermat's Last Theorem once was to mathematicians. Yet Brunelleschi didn't direct the construction of the dome alone. He was forced to share the commission with his arch-rival, the sculptor Lorenzo Ghiberti, whose 'Paradise Doors' are also masterworks. This is the story of these two men - a tale of artistic genius and individual triumph.

First line

IN THE SUMMER of 1399, a religious movement arose in Lombardy, the northern Italian region around Milan, and began to travel southward toward Rome, attracting thousands of followers on the way.

From the rear cover

A lively and intriguing tale of the competition between two artists, culminating in the construction of the Duomo in Florence, this is also the story of a city on the verge of greatness, and the dawn of the Renaissance, when everything artistic would change.

Florence′s Duomo - the dome of the Santa Maria del Fiore cathedral - is one of the most enduring symbols of the Italian Renaissance, an equal in influence and fame to Leonardo and Michaelangelo′s works. It was designed by Filippo Brunelleschi, the temperamental architect who rediscovered the techniques of mathematical perspective. He was the dome′s ′inventor′, whose secret methods for building remain a mystery as compelling to architects as Fermat′s Last Theorem once was to mathematicians. Yet Brunelleschi didn′t direct the construction of the dome alone. He was forced to share the commission with his arch-rival, the sculptor Lorenzo Ghiberti, whose ′Paradise Doors′ are also masterworks. This is the story of these two men - a tale of artistic genius and individual triumph.

Details

  • Title The Feud That Sparked the Renaissance: How Brunelleschi and Ghiberti Changed the Art World
  • Author Paul Robert Walker
  • Binding Paperback
  • Edition Reprint
  • Pages 304
  • Volumes 1
  • Language ENG
  • Publisher William Morrow & Company, New York, New York, U.S.A.
  • Date 2003-11-25
  • Illustrated Yes
  • Features Bibliography, Illustrated, Index
  • ISBN 9780380807925 / 0380807920
  • Weight 0.55 lbs (0.25 kg)
  • Dimensions 8.02 x 5.26 x 0.74 in (20.37 x 13.36 x 1.88 cm)
  • Themes
    • Chronological Period: 15th Century
    • Chronological Period: 16th Century
    • Cultural Region: Italy
  • Library of Congress subjects Artists - Italy - Florence, Art, Renaissance - Italy - Florence
  • Dewey Decimal Code 709.455
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The Feud that Sparked the Renaissance: How Brunelleschi and Ghiberti Changed the Art World

The Feud that Sparked the Renaissance: How Brunelleschi and Ghiberti Changed the Art World

by Walker, Paul Robert

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New York: Perennial; HarperCollinsPublishers, 2003. xv, 269 pages, illustrations; 21 cm. Good+. Tight, clean copy. 2 leaves creased. Browning. Ghiberti won the commission for the doors of the Florence Cathedral, but Brunelleschi designed the dome. "The two brilliant young Florentine artists Filippo Brunelleschi and Lorenzo Ghiberti first competed to design a set of bronze doors for the Church of St. John the Baptist. The victory went to Ghiberti, who spent fifty years creating the magnificent doors and who cast a second set so exquisite that Michelangelo deemed them worthy to stand at the Gates of Paradise. Brunelleschi took a different path, redefining himself as an architect, rediscovering the techniques of mathematical perspective, and solving the greatest construction problem of his time: the magnificent dome of the Santa Maria del Fiore Cathedral. Yet the dome was not Brunelleschi's glory alone; he was forced to share the commission with his old archrival Ghiberti, who seemed to haunt… Read More
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